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Writing the Back Blurb

8 Nov

Announcements: 

The Messy Owl reviewed Take Me Tomorrow, stating, “A thrilling and entangling plot, full of suspense and action.” Read the entire review here or check out my latest novel by clicking here.

Writing the Back Blurb

As I near the release date of Death Before Daylight, I remember more topics that I can talk about due to the tasks I must complete beforehand. Writing the back blurb is one of these tasks. Oh, yes. The dreaded back blurb. Everyone knows about the summary of text on the back of the book that convinces readers, “Yes. You want this book.” The scariest part relies on the fact that the summary is exactly that – something that could make it or break it a reader.

The pressure.

So, I’m going to share how I write the back blurb by using Minutes Before Sunset as an example. First, I want to clarify that this is how I write one, and it may not be a method everyone should use. It also might come across as more complicated than it actually is, but that’s because I am breaking it down into five steps, even though – in reality – it feels like one when I’m writing the back blurb. I hope it helps those who are struggling with writing one!

1. Try to write a query letter

A query letter is even worse, right? But I like to start there because it forces me to summarize the novel in one or three sentences. Those sentences end up summarizing everything, but – more importantly – it forces me to get to the bottom of the message, the theme, and the genre. This allows me to focus on those things in the future. Set aside until step 3. (This is actually where I get my “Two destinies. One death.”)

2. Write a one-page synopsis

Oh, how painful this is. (Just kidding.) This is where I write whatever I want to. I explain the novel for as long as I like, and when I’m done, I slowly start to cut smaller parts out until I get it down to one page. Set aside until step 3.

3. Combine Step 1 and 2

This is where I combine everything. Look at the first two sentences you came up with and compare it to the synopsis. What matters the most? What catches your eye the most? What correlates and what doesn’t? Sure, it would be great to mention your favorite side character’s importance, but do they add to the theme more than the protagonist? That first step really helps me make the cuts I didn’t want to make in step 2. (This is where I get most of the information that will be found in the middle.)

The bubbles with numbers have been added, of course ;]

The bubbles with numbers have been added, of course ;]

4. Make it catchy

Once you get the information that you want, twist the sentences around. Think of the infamous Don LaFontaine’s “In a world” movie trailer voice. Or listen to epic music while you write it. Make it fit! Make it intense! Don’t hold back…until you step away for a day. I would warn against making it too epic – because that’s when many create a back blurb that is too abstract to understand – but keep some intensity while also creating some grounding for the reader to get. Step away for a day. Come back. Read it again. Make sure it sets up the reader’s expectations in the right place. For instance, you don’t want to mention love in the synopsis if love is barely in the book at all. That will only cause romance readers to pick it up, and they probably won’t be too happy with your novel if they expected something that ended up not being there. (This is where I add the quote. I add the quote at this point because it becomes my “dun dun dun” but it also helps me focus on the turning point of a plot – the main conflict, per se, and I like to set up the reader to know that for the trilogy.)

5. Edit. Get opinions. Edit again. But decide on it.

Just like a manuscript, get someone’s opinion about your blurb. Edit, and rewrite it, but don’t obsess forever about it. Eventually, you have to decide on something and turn it in. Talking to others might help you feel more confident about the back blurb. I would even go so far as suggesting getting an opinion from someone who had read the book and someone who knows nothing about the book. (This is also where I add the review quotes since I finalize the blurb.)

It’s over! You have your back blurb, and you’re ready to share it with the world. The only other thing I would mention is this: for series, I would suggest remaining consistent. Seconds Before Sunrise has the same parts that Minutes Before Sunset does – the slogan, the quote, the summary, and the review quote. Death Before Daylight will as well…which reminds me. If you want an ARC of Death Before Daylight for review, please email me at shannonathompson@aol.com. I will share your review right here and on my other websites as well!

And best of luck with your back blurb writing,

~SAT

Death Before Daylight Cover Reveal

6 Nov

I first want to thank everyone who took my poll on November 1st! For those of you who asked for more YouTube videos, you watched a secret video on my YouTube channel – Coffee & Cats – and you got to see the cover one day early. Check it out below if you want. I plan on sharing more secret videos in the future as well!

Today is all about Death Before Daylight. Both the cover and the synopsis are finally available, and I hope you enjoy them! Get excited for the last installment of The Timely Death Trilogy. In future posts, you can expect excerpts, a cover explanation, the back cover, quotes, and more! But special thanks goes out to the cover artist – Viola Estella – today.

Seconds Before SunriseTwo eternities. One ending.

“Harmony would only come with destruction.”

The moment Eric and Jessica are reunited, they are torn apart. After the appearance of a new breed of shades and lights, the powers shift for the worse, and all three descendants find themselves face-to-face in the Light realm. When Darthon is in control, the last thing everyone expects to hear is the truth.

While Jessica learns the reason of her creation, Darthon’s identity is exposed to Eric – and only Eric – but Eric can no longer defend himself. With the eternities of the Light and the Dark resting on Jessica’s shoulders, she must chose who she will be – a light or a shade – and both have dire consequences.

In the end, someone must die, and the end is near.

We’re still on schedule for a late January release, and I’ll be sure to let everyone know when it’s available on Goodreads or Amazon for pre-order! Until then, keep up-to-date right here, and be sure to catch up on Minutes Before Sunset, book 1, and Seconds Before Sunrise, book 2, in the meantime.

~SAT

Click today!

Click today!

Insta-Love isn’t Instant

3 Nov

Announcements:

Everyone can expect a cover reveal of Death Before Daylight on November 6th – this also means I will not have a blog post on the 5th. I need an extra day to prep everything, but I hope your excitement will make the wait!

My latest interview and review has been posted on the Book Gannet! I talk about future works, current works, and why I dislike prophecies despite having one in The Timely Death Trilogy. Click the links to check them out!

Insta-Love isn’t Instant

The other night, I was browsing Facebook when a few readers brought up the discussion of insta-love. If you are unfamiliar with the term, “insta-love” is more-or-less love at first sight, and it is becoming widely debated among book blogs, readers, and authors alike. There are even entire lists on Goodreads dedicated to insta-love books. (Funny fact: “Instalove” started as a hashtag on Instagram for new couples. The reason I’m using a dash will make more sense as we continue on.)

Now, I may be sticking my neck out by saying this, but I don’t really think “insta-love” exists. But – please – hear me out.

I think insta-love is sometimes confused with insta-lust and insta-infatuation. Yep. I said that. Just because two characters are interacting, holding hands, kissing, or even sleeping together, does not mean the book is full of insta-love. I would even go so far as to say just because two characters say “I love you” does not mean they are, in fact, in love. How many people do you know that were in a long-term relationship, said, “I love you” a hundred times, and eventually broke up only to say they knew they didn’t love them? How many people get “swept off their feet” or think, “that’s the one” only to later realize that neither were true in the first place.

Before calling it “insta-love”, let’s talk about real life scenarios that happen in books. In fact, I’m going to give three:

Scenario One: (The meet-and-greet love)

Two characters walk into a bar. They meet, hookup, and go on for the rest of the book loving each other. This doesn’t necessarily mean it was insta-love. It just means it started off as insta-lust and turned into love eventually. I feel like this happens often in books – two characters meet quickly but they are not seen as characters that grew over time because they did something that society deems inappropriate for two strangers to do. This happens in various forms, but I think the most common “insta-love” complaint is when two characters immediately open up or lean on one another when they are complete strangers. Why? I know plenty of people who open up to strangers the second they meet someone. In fact, I’m fairly certain there are entire groups of people out there that are more likely to open up to strangers than friends. Trust me. I used to ride the city bus every morning and evening. It happened more than I could ever explain.

insta

Scenario Two: (One-sided love affairs)

A guy is head-over-heels in love with someone who barely cares about him back. One might call it love, but many people label this as infatuation. I think this happens a lot in “insta-love” scenarios – where one character has very intense emotions for another character without it being reciprocated until later on. Think Fifty Shades of Grey. Many people have said it is insta-love, but in reality, he literally pushes her away emotionally for most of the novel until she breaks up with him. That isn’t love. That’s lust, infatuation, and confusion mixed with novel-drama.

Scenario Three: (Love Triangles)

Oh, the all-too common emotional toll in books: love triangles. This is when one character (generally the protagonist) is confused about their love toward two different characters. This might be a personal thing – I can admit that I am not a fan of love triangles – but I cannot fathom calling it “love” when a character cannot pick between two people. To me, that is something else. That is having very strong and caring emotions about two people but not love. (And perhaps having one word in the English language for romantic love is the major problem here.) But I’m aware that this is a personal opinion of love, not necessarily everyone’s opinion, but that brings me to my next point:

In the end, I honestly believe insta-love is based on the readers’ personal preferences of what love means to them, and there is nothing wrong with that. In fact, I want to clarify that I believe there is nothing wrong with mentioning insta-love in a book review, especially if the reasoning is explained for future readers to contemplate. It’s a widely accepted term, after all.

People fall in love differently, at different times, and often with different people or even without knowing who they have fallen for. We’ve all heard of the couple who saw each other from across the room, fell in love at first sight, and seriously stayed together for the rest of their lives. And we’ve met the couples that thought they were those couples until they became heartbroken and separated. Love shifts overtime. It changes and morphs and grows and – unfortunately – dies for many, but love can be a wonderful emotion to read about because it resides in hope and trust. Love is an emotion of acceptance. So why should we judge love at all?

Insta-love or not, love is different for all, and perhaps, that is why it is so beautiful.

~SAT

When to Stop Writing

26 Oct

When to Stop Writing

This post is inspired by a comment that happened on my Facebook Author Page recently. The other day, writer – Angie Neto – asked me a fantastic question I’m sure all writers can relate to:

“Were you nervous when you published your first novel? I have edited, rewritten and changed chapters so many times now and still doing last minute searches for errors. When do you say enough?”

My Facebook answer:

“I still get nervous. I think that’s natural. You’re working hard to share your intellectual creation. It’s nerve-racking, knowing you will be judged off of it, but it’s well worth it. But I do think – at some point – you have to step away and have beta readers and editors deal with it, and eventually, you have to turn the manuscript in, and one day, you have to know you can’t change anything anymore (even though you’ll be dying to!)”

Special shout out to Angie Neto! Because of this conversation, I wanted to expand on this topic. That being said, I believe writing is always unique to the writer. Hemingway liked to drink while writing. I couldn’t write drunk if I wanted to. But I have been found writing in a dark closet before. (Don’t ask.) So I want to take a moment to share three times that I stop writing.

1. When I’ve spent WAY too much time editing and re-editing and re-editing

I’m only starting with this one because that was the main reason of writing this post. Editing is vital. Don’t get me wrong. But it can also be destructive, and I know this because I’ve been there before. I’ve hauled myself page over page over page over year over year – only to realize I’ve been editing this manuscript to death. At this point, I’ve basically butchered the entire manuscript because I’ve sliced my confidence apart a million times. What I mean to say…well, let me describe a sad recollection of events: Shannon writes book, Shannon edits book halfway through, Shannon decides to rewrite the entire script, Shannon edits that book, Shannon edits it again, Shannon edits again, Shannon still finds the wrong “you’re” in a sentence, and Shannon breaks down about how awful of a writer she could be to miss such an editing mistake five times in a row, and now Shannon believes the entire manuscript is this way, so she deletes it and starts over…Do not – and I repeat – DO NOT do this to yourself. Edit it as many times as you want to, but always remember that other editors are out there for a reason. Let them assess it. Let them help you. Breathe. Put down the red pen. It will be okay. If we don’t learn when to stop editing, we will – literally – never stop editing. A manuscript is like a person. It will never be perfect. The imperfections give it character. (Just don’t give it too much character if you know what I mean.)

notestop

 2. When I’m physically ill

Sadly, I do not mean that I have the flu. I can admit that I – in fact – have found a pen in my hand when I was bedridden. Safe? Healthy? Probably not. But I’m a writing addict. That being said, I don’t actually mean to say the flu is the problem. The problem is when I CAUSE the flu to happen in the first place because I’ve stressed myself out so much over writing that I stop taking care of myself and – in turn – I get ill. Stress ill. Headaches and body pains from sitting at my desk for too long ill. Don’t do that to yourself. In this case, strain is not gain. Strain is sickness that will only put you behind schedule even more, and it will only cause more pain.

 3.  When I start losing my love for writing

I never lose my love for writing – not entirely anyway. But I do have days where I step back, and I realize that I am struggling. In fact, I can confess that I went through this yesterday. I’ve been so focused on the edits of Death Before Daylight that I have forgotten to give myself time to write in a current novel I am very much emotionally involved in. Don’t get me wrong. I’m involved in Death Before Daylight as well. Very involved. But working on something new is quite the refreshing energy boost that I need to keep powering through edits of a novel. Although I love editing, working on the same project for long periods of time can be draining, especially since I’m more focused on the publishing side of things rather than the writing side of things, so I have to return to the “just writing to write” part of me often because that part of me is the most important in terms of enjoying my writing. I only have to remind myself of that.

In the end, you might have noticed that I don’t necessarily “stop” writing. I simply change my focus of writing or a take a moment to step back in order to relax. In fact, I was very serious when I said I’m going through the last one right now. Between my car and my laptop breaking down this week, my stress level peaked (and not in a good way at all). Writing is my coping mechanism, but working on edits was the last thing I needed. I had to shelve Death Before Daylight, and I had to do what I wanted to do the most desperately, so I worked on a new novel I’ve referred to before on here as TGO, and I felt much better afterward – almost like I learned to breathe again, and in all honesty, I might have to do this again next week. I’m still not sure I’m over it. All that matters is getting back on my feet again one way or another.

Do you have any times that you stop writing?

Feel free to share below! It’s also that time again – expect Website Wonders and October’s Ketchup to be posting soon.

~SAT

How a Writing Career Changes in Two Years

22 Oct

Announcements: 

Read to Write Stories posted a writing exercise called – How to Begin and End Chapters – and it features Take Me Tomorrow. Check it out by clicking the link. The post also includes passages from my latest novel. If you’re looking for a fantastic website to enhance your writing, I definitely recommend Read to Write Stories. The weekly pieces are great setups for new writers and wonderful practice for writers hoping to tune their craft.

How a Writing Career Changes in Two Years

The other night, I was doing something that most writers dread: Cleaning old documents off my laptop. Pretty much everyone I know dreads this, but writers – I believe – have a little extra to sift through. Between years of daydreaming, note-taking, and attempting to start numerous novels only to shelve them, writers can stack up hundreds if not thousands of mislabeled, unfinished, and probably unorganized pieces of writing, and I doubt I am alone when I say this, but it is so impossibly difficult to delete old writings…but I manage to do it anyway. When I do, I hold my kitten to make the pain bearable.

It was on one of these horrid nights that I found a document titled “Book To-Do.” I, being the unorganized cat lady that I am, had no idea what to expect from this docx icon I found buried among old college assignments and music wishlist bulletins, but I knew I could not delete it without reading every word of it, so I opened it.

I found gold.

Book To-Do was written on September 04, 2012. At this point in my life, November Snow was my only piece of work released, but I had quit publishing a long time ago. This document was also written approximately 20 days before I began this website, and the entire point of this single document was to outline where I was with my writing as well as label where I wanted to go next. I can’t share all of those notes (Spoilers are everywhere, even about books I haven’t told beta readers about yet!) but I am showing notes on pieces you will recognize:

November Snow

  • Old version: 125,978 words
  • New version written as of now: chapter 1—11: 30,265 words
  • Currently writing chapter 12

Take Me Tomorrow

  • Finished editing, sent query, responses gained, speak with author in contact.

The Dark Trilogy

….

So, where am I going with this?

The gain! Look how much has changed in two years alone. The Dark Trilogy became The Timely Death Trilogy, and Death Before a New Day morphed into Death Before Daylight, and all three received a rewrite, an edit, and a contract. Same with Take Me Tomorrow, and although I’m still working on November Snow’s rewrite, I am still moving forward with it, but the important piece was how I felt upon seeing this dated list: I realized how easily all of this hard work can be forgotten.

My friend made this two years ago, purposely using ‘right’ instead of ‘write’ to give me a hard time

Two years ago, my friend made this, purposely using ‘right’ instead of ‘write’, and the joke has stuck. I truly was writing a paper for college, and that is my lucky Elvis t-shirt.

You see, as an author, I am always looking forward, and I never think I am doing well enough (and especially fast enough) to further my career in order to meet more readers. That focus isn’t necessarily a bad thing, but sometimes I believe I get too caught up in moving forward that I forget how much work I have done to get to where I already am, and I found a lot of excitement in seeing physical reminders of that progress. It reminded me that I am – in fact – working hard, but it also forced me to take a step back from the pressures I put on myself, and it allowed me to pat myself on the back for a little bit (all, of course, while thanking anyone and everyone who has helped me along the way).

It’s safe to say that I didn’t delete this document. Instead, I updated it with today’s date, and I left a little encouraging note for my future self to stumble upon another two years from now.

Who knows how far we can all be by then?

It’s definitely a practice I would recommend other authors try. I know it brought a smile to my face, and it is for that reason that I want to take a moment to thank all of you again – for allowing me to share my words and for sharing your words with me.

In two years, I hope to see you again,

~SAT

The Sequel Can Wait

18 Oct

Announcements:

The third section of my interactive poetry series has begun, and you can read the first poem – Miscarriage – by clicking the title. Here are the opening lines:

If I hadn’t stepped outside, I would not

have seen the cloud buried deep in the approaching

storm I vaguely remembering hearing about.

(Vote, share, and comment for your chance to be mentioned during my next YouTube video.)

Special thanks goes out to The Incorrigible Reader for reviewing Minutes Before Sunset and Seconds Before Sunrise, book 1 and book 2 of The Timely Death Trilogy, here. Find out why she said, “I really did love this series! It was intriguing, exciting, romantic, and so hard to put down!’ 

Another huge thank you goes out to SDAV Reads for reviewing Take Me Tomorrow. She describes both the character development and the world-building, but here’s a quote, “So even amidst some very serious fights, explosions, and runaway escapes worthy of Doctor Who, there is a lot of time spent with the emotions of the characters so that you end up feeling as connected to them as you ought to. They’re very well developed…If you like Dystopic books, or even if you don’t and you just want a good thriller, Take Me Tomorrow is certainly one to add to your shelf!” Read her full review here.

And I am thanking one more book blogger – Note to Selph Book Reviews – for also reading Take Me Tomorrow. You can read her full review by clicking the link, but here is a quote from her, “The overall plot was intriguing and exciting, filled with plenty of action running from police and sneaking out at night.”

I cannot thank you all enough! Please check out my books by clicking these links: Minutes Before Sunset and Take Me Tomorrow. If you write a review, let me know, and I will be sure to share it right here!

The Sequel Can Wait:

Before anyone freaks out, no, this is not about the release dates of Take Me Yesterday or Death Before Daylight. Not entirely anyway. Instead, it’s rather about the pressure writers can put on themselves to get the next book out – and fast – and how destructive it can be to the entire writing (and reading) experience.

You see, I once heard that authors nowadays are expected to release a novel every six months. I’ve actually heard this more than once, but I believe one of the times was during a discussion author, Ryan Attard, had on his podcast, The Lurking Voice. He was simply discussing this trend, not necessarily agreeing with it. I want to clarify that because I think the idea of getting a novel out every six months is fantastic. It’s just extremely difficult, and it should not be expected. Ever.

A lot goes on behind the scenes in the publishing world. Writing isn’t even half of it. Content editing is completely different than line-editing, and a line edit is different than just an edit. Those are just three types of editing, not to mention formatting for both an eBook or a paperback or – god forbid – the hours that go behind an audio book. And cover art! Geez. I could go on forever, and I’m not even talking about the amount of hours, people, or cost behind it all (or the fact that most of these people have second jobs).

1280px-Old_paper

Don’t get me wrong. I think it is great if an author can get a book out every six months. It can be done, and it can, in fact, be professional. After all, four months passed between the release of Seconds Before Sunrise and Take Me Tomorrow (but that explanation is for another post). It can be done, and it can be done well, but that does not – by any means – mean that every author should do this. Unfortunately, especially in the Indie market, authors are often competing with one another (a rather ridiculous notion in itself, but moving on…) and I’ve seen a lot of arguments that authors can’t possibly release books that quickly.

Again, it can be done, but I think authors should pick their timelines based on nothing but themselves. Basing it on readers’ expectations can be really destructive. For instance, you might rush editing to meet a deadline, and now, there are more mistakes readers are picking out in your novels, but if you hadn’t been trying to meet a deadline, you might have been more careful.

I say this with great caution. I know that this topic can cause a lot of bad blood, but I am author, and I go through the pressures of releasing the next book every day. The pressures are mainly focused on three things: get it out quickly, efficiently, and professionally. I’ve lost sleep over it. I’ve worried I was going to lose readers if Death Before Daylight took an extra three months to release. I’ve given myself writer’s block over it. And let me tell you – it isn’t worth it.

How do I know this?

Well, to be quite honest, I don’t. I’m still learning, and I still mess up. I estimated that Death Before Daylight could be cut down to 80,000 words in content edits, and I’ve already surpassed it. That being said, this had added time to my timeline, so it will probably come out later than AEC has been anticipating, and I have been losing my little writer’s mind over it. I feel guilty, and a huge part of me feels irresponsible at timing, satisfying my readers, and estimating my work abilities. That is a hard pill to swallow. But it is even harder to realize it isn’t a pill I have to swallow. Things happen in this industry, and we must roll with the punches, and readers will, too.

In fact, the other day, one of my all-time favorite authors, Meg Cabot, announced she will be releasing book 7 of the Mediator in 2015. Just to let you all know, it has been 15 years since book 6 came out. 15. And you know what? Readers are ecstatic. I’m ecstatic. 15 years is nothing for a fan. Look at all the talk about Harry Potter coming back. That’s about 10 years, and everyone is practically begging for it. And The Mortal Instruments movie was canceled, but the T.V. show is coming out, and although some are reluctant, I think most fans will give it a shot.

Of course readers want the sequel now. I am a reader myself. I understand the anticipation. Waiting for City of Heavenly Fire was so painful I cannot even begin to describe the countdown on my iCalendar, but I still picked the book up when it finally did release, and I never held it against Cassandra Clare, and I will always be excited for the release of a sequel whenever it happens. But – sometimes – I forget that as an author. On the writer side of things, I tear myself down, but on the reader side, I am only filled with excitement, and I think every author can benefit by remembering the support readers feel for authors. That pressure to release the next book is not pressure. It is support. It is encouragement. It is an excited fan-base authors should be proud of, not worried about, and it is the next step to enjoying every release, no matter how long it takes.

No matter how much time passes, words are endless, and there will be someone to read them. 

~SAT

Writing is Misery

10 Oct

Announcements:

The last poem of the second voting section has been added to my interactive poetry series on Wattpad. Remember to vote, share, or comment for your chance to be mentioned on my YouTube channel, Coffee and Cats. The poem is titled – To the Anti-American Teacher…We Knew You Were Pro-World – and here are the opening lines:

A clause in your contract slated your signature for patriotism.

You never signed, they never checked, but you took down your flag

after that.

Writing is Misery

Warning: I will curse in the first three sentences of this post. Not including these two or the next one. You have been warned.

Recently, I spoke with a writer I deeply respect, and one of things I said was something along the lines of “I am enjoying every minute of my writing.” To which he replied, “If you’re enjoying every minute, you’re not a writer.”

This has been one of those bitch-slapping moments of my half-assed career. I say half-assed with deep respect. I don’t mean it as a bad thing. Truly. I mean it as a reflection of how the general public sees my writing career, and I promise, there is no ill-will toward anyone who sees it that way.

Even though I don’t agree with the general public, I get it. I do. Oh, trust me. I really do. I am a writer, a lover of words, and although every part of me is tempted to agree with this author (who I respect so much I will take this moment to remind everyone how much I respect him) I – alas – cannot agree, even though I have contemplated the words for weeks. However, I will say this. He is right about one thing. I am miserable. But he is wrong about one, pesky detail. I love my misery.

You see, to me, there is no greater delight than exploring the deepest, darkest corners of life through writing, and when I explore, I often find myself in the hollowed out pit of a character’s soul – one that has been etched out through tragedy and despair and loneliness. So much loneliness. And it is in those struggled souls that I find my love for them, my appreciation for their fight, my determination to set their story free – and I write it out.

"I am going to help you write a new book." (Please. Oh, please, readers. Get this joke.)

“I am going to help you write a new book.” (Please. Oh, please, readers. Get this joke.)

This is the moment I lose myself, where my identity no longer matters, where I become another person. This is when my character takes over my existence, and perhaps, because of this takeover, I find myself saying that I am not miserable at all, because I cannot feel misery if I do not exist. Only my characters can.

Because of this peculiar way my brain works, only my character explores this thing called misery. In The Timely Death Trilogy, Eric has to face his fate, his ex-girlfriend’s murder, and his mother’s suicide – not to mention all of the other drama that happens in just the first book alone – but Jessica has to find herself in a world that didn’t allow her to have an identity, and that is really, really difficult for her. In Take Me Tomorrow – oh, Take Me Tomorrow – Sophia has to face the truth about all of her loved ones, but she also has to learn the truth about herself, and I can relate way too well to this instance because I, too, have to learn the truth about myself, and I do that through – you guessed it – writing as my characters.

It is in my characters’ misery that I find my own fight.

Sophia reminds me of how I had to see the truth about my own mother and the addiction that killed her. Jessica showed me how I can find myself no matter how many times I move or lose someone, even if it takes a very long time. Eric proved that tragedy is not an excuse, but that it can still hurt a lot and often and that is okay. And all of my other characters add to those lessons every day, and for that reason alone, I could never be alone.

I never could be miserable.

Yes, life is hard. Following a dream is even harder. But – I believe – even if I fail, I have already succeeded. I have found what I love, and there is no failure in that. Misery does not exist in the hollow depths of passion, because passion is not hollow. It is full of excitement, and love, and perseverance, and cheesy paragraphs just like this one that simply exist in hopes of encouraging someone else to continue on with their miserable head held high…showing off a big grin to prove it.

~SAT

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