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#WW The Reader’s Reaction

18 Feb

#WW The Reader’s Reaction:

I can admit the worst thing a reader ever wrote to me. It was 2007, I was 16, Golden Eagle Publishing had released my first novel, and Honesty Box was the hottest app on Facebook. My high school self was naïve enough to have one of these, and one day, I found myself staring at the message, “you are the bastardization of the English language.”

::blink blink::

I’ve tried not to think about this message often. In fact, I confess I’ve tried to completely kick it out of my mind – especially since I think it had more to do with high school bullying than anything notable. But the most common type of bullying I faced for writing a book in high school followed this script:

honesty-boxA fellow student would say, “Go write a book.”

Normally, I never responded, but sometimes I snapped and stupidly said, “I already did.”

Which almost always got, “Now, go write a good one.”

::sigh::

Perhaps, this affected me more than I would like to admit. A few months later, when I ran into issues with my publisher, I didn’t fight it much, and in turn, November Snow was taken off of the market. I can’t say I minded much. I think I was a little relieved. That’s probably why seven years passed between my first and second publication. Now that I’m 23, my coping skills have definitely grown.

Writers always get responses – both good and bad – and some days are more uplifting than others. Some days are even downright hilarious. Not in the mocking way, of course, but in the this-reader-could-be-my-best-friend sort of way. Some days, readers make your day, and other days, a reader’s comment inspires your next piece of work. Sometimes, they teach you by pointing out levels of confusion or confliction, and other times, they talk about how your work taught them something about life. The combination is a beautiful thing.

I have plenty of stories I wish I could tell you about all of the wonderful readers who have reviewed my novels, shared quotes, tweeted encouraging messages, and sent me an email just to explain their emotions – but the important part is how the uplifting readers always overcome the negative ones. I could share hundreds, but I would like to share a few to show types:

The Encouraging Reader:

Pau from Pau’s Castles recently read Death Before Daylight. In fact, she’s read all three books of The Timely Death Trilogy, and she even took the time to review them – and she goes even further. She LIVE tweeted to me about everything – her reactions, her jokes, her emotions (including how she squealed in the middle of class while reading), and her overall encouragement. Readers – WOW – you all make my entire life when you do this. I cannot begin to explain how delighted I feel when I am able to talk to readers and connect with them as friends. Joking about my own work with someone is surreal. The friendship between a reader and an author is unlike any other type of friendship I’ve ever had, but it brings me just as much love, comfort, and joy.

pau1

The Confused Reader that brings laughter into my overly serious writing life:

I want to clarify that this is not condescending laughter. This is more like a friend, even if the reader never knows it. I actually enjoy moments where readers have pointed out confusion or mislabeled something because it’s often something I (and many editors) overlooked. My most recent example came from numerous readers over Take Me Tomorrow. A few readers have compared the dictator, Wheston Phelps to Michael Phelps – the Olympic swimmer – instead of who I intended – Fred Phelps of the Westboro Baptist Church – and I’ve had a great giggle over that image-switch. If you’re one of the readers who thought of Michael Phelps instead of Fred, please don’t worry! I had a great giggle, and I feel like it’s more of an inside joke than anything else. Also, more people thought of Michael than Fred. (A handshake goes out to Just Another Girl and Her Books who pointed out many topics, including Fred Phelps, that went overlooked in Take Me Tomorrow. If you’re curious what the sequels might show, this review definitely foreshadows a lot of it).

The Critical Reader

And sometimes the negative can help me take a step back and laugh at myself. In fact, these have begun to remind me of my initial editing process. The clearest example I can think of was when my editor for Seconds Before Sunrise was going through the first chapter and saw, “Robb grabbed his plaid sh*t” instead of his shirt. Yep. That editing mistake happened. That’s embarrassing. And – trust me – I will never, EVER make that mistake again. Every time I write the word “shirt”, I will cringe. (And then, I will laugh uncontrollably).

Me as a Reader

I am a reader, too, and while I’m not everyone’s reader, my day is made when I tweet to an author and they actually tweet back to me. This recently happened to me when I sent a message to Stephen Collins, the graphic novelist of The Gigantic Beard That Was Evil. (Read it if you haven’t by the way)! It was literal Christmas for me.

Stephen

No matter how many readers authors come in contact with, I think we can find ourselves in their reviews, but more importantly, we connect with friends. To think that I might be able to bring joy to a reader in the way Stephen Collins brought joy to me, fills me with a lot of hope and understanding that I didn’t have when I was 16. I am very grateful for all the readers who have helped me grow since then, and I continue to love my readers more than anything else. It’s also nice to have reviews on Amazon and Barnes & Noble instead of Honesty Box.

~SAT

A big shout-out goes out to Charles E. Yallowitz for posting my guest article – Balancing the Editor’s Life with an Author’s Dream – on Legends of Windemere. Check his website out by clicking the link! In my article, I discuss balancing my life as an editor and an author, and I hope you enjoy the read.

I also want to give a gigantic shout-out to JK and CK from House Kelley! About one month ago, this wonderful couple guided me to Clean Teen Publishing, and I thank them for their guidance. Check their writing out, say hi, give them a big hug, and write with them. They are fantastic.

#MondayBlogs: Writing Relatable Teens

16 Feb

Intro:

What better way to start off the week than with a great guest post from YA author, Ava Bloomfield? Writing is a complicated journey, but with Ava’s help, everyone can create believable teen characters. Feel free to share your tips in the comments below!

Writing Relatable Teens

Nobody wants to grow up. We learned that in Peter Pan. So how does an adult write a relatable YA character? How does anyone write a relatable character?

It’s a subjective thing; we all know that. It’s impossible to wholly judge a character for their realism while we go about our particular lives, with our particular experiences, in our particular way. It fits that novel writing is such a personal process, in that context; our characters are born from us after all.

AvaSo what makes Charlie from The Perks of Being a Wallflower just as ‘relatable’ as, say, Bella Swan from Twilight?

Some argue those two aren’t remotely comparable. Some would say they’re too different; one is ‘deep’ and one is…well, Bella Swan. It’s all subjective anyway, so how do you guarantee you’ll write a Charlie and not a Bella?

The answer is simply that it depends on the journey, not the character itself. We can relate to almost anything if the underlying themes ring true to its audience.

While Charlie is coming of age, Bella is experience her first love. Or infatuation. Whatever you call it, there are inferences to be drawn. Just because Perks examines abuse and mental health issues doesn’t mean that Twilight’s love story is a vacuous waste of time by comparison. Didn’t Jane tell an unconventional love story with Mr Rochester in Jane Eyre?

Granted, Meyer doesn’t hold a candle to Charlotte Bronte.

But when we put the calibre of any particular writer aside, it’s easy to see that there’s room for any variation on topic. It’s how the writer weaves their message through a character that makes them believable, relatable.

Characters in YA aren’t just reflections of ourselves, or unfathomable things we just dreamed up one day. They’re extensions of ourselves. Teen characters are ghosts of our past, holding hands with today. In my experience, the whole process of writing about a young character is as familiar as it is daunting. We set out to write about a ‘real’ teenager, with battles to face, and through their development we thread together the fragments of our experience.

That ‘thread’ I’m talking about is a sensation that never leaves us. It’s the sensation of being on the cusp of adulthood, unprepared; plunged utterly defenseless into the wolf-pit that is the world. And it’s that thread that binds the YA writer with their characters and entwines them; it’s a natural occurrence. It’s necessary. It’s our link with our former selves, however near or far that is.

But therein lays the opportunity for disaster. By the logic of what I’ve just described, writing YA characters would be purely therapeutic. We’d confront our demons and wrap things up neatly in the end. We’d snuff out conflict in a way we never could in the real world, because we’ve walked that path before. And that’s not realistic at all.

Teen characters have to be monumental screw-ups in one fashion or another. They’re the lessons we wish we’d learned, failing all over again. There’s nothing palatable about success without sacrifice, is there? It’s as true for the protagonist as it is for the writer.

To write an authentic teenager, we give away the depths of what makes us who we are today. It’s not slaying the demon that wins the battle for any YA character; it’s the metamorphosis they experience on their journey. It’s the awareness that they aren’t the same person they were before.

And you, the writer, will have experienced it with them.

Charlie from Perks wasn’t the same come the end. Bella from Twilight wasn’t the same either. It’s all in the journey. It’s in the believability of their transformation.

The reader will experience that metamorphosis and evolve. The writer connects with its reader by way of character. Within that thread of experience, binding it all, is a common vein we share.

Isn’t that why we read YA, after all? It’s more than just an escape, and it’s certainly more than nostalgia. It’s a way of holding hands. It’s a way of saying, ‘I hear you’ that transcends any other medium.

Writing a relatable teen character is like shouting your deepest secrets into the void and waiting for them to echo back to you. Just know you’re not the only one listening out for it.

Bio:

Ava Bloomfield lives by the sea with her partner Matt and their Scottish Terrier, Sputnik. When she’s not busy with her day job as a transcriber, Ava can be found rummaging in charity shops for hidden treasure, mooching about in her local library, or writing her next novel.

Ava writes stand alone books about angsty teenagers. Check out: Honest, All Girls Cry, Leap and Beyond on Goodreads.

Ways of chumming up to Ava: TwitterBlog.

Alternatively, send her a psychic message over the cosmos. She’s not quite tuned into it yet, but she’s certain it’ll happen any day now.

Want to be a guest blogger? I would love to have you on! I am accepting original posts that focus on reading and writing. A picture and a bio are encouraged. If you qualify, please email me at shannonathompson@aol.com.

~SAT

#WW Huzzah! I Have A New Publisher

11 Feb

Huzzah! I Have A New Publisher

The day has come! If you follow me on Facebook, I promised today would be the day I announce the future. Let me start off by first saying something so cliché, we all know it is true: I couldn’t have done this without you.

Really. I couldn’t have. In fact, it was one of you who helped me connect with my new publisher.

That’s right. If you haven’t guessed from the title, I have signed with Clean Teen Publishing. I am unbelievably grateful for this talented and passionate group of people taking me in, and I look forward to the future more than ever before! The Timely Death Trilogy will be re-released this summer and fall, and I will keep everyone updated as the books receive new covers, new sneak peeks, and more!

::dancesaroundmylittleoffice::

I cannot contain the excitement long enough to write a comprehensible declaration of admiration, but here is the official Clean Teen Publishing Press Release.

Facebook Banner 9-17-14

Check out these novels from Clean Teen Publishing!

Fine Lines

Fine Lines

If you’re searching for the second announcement I promised to make today, don’t fret! I haven’t forgotten. My personal essay – Nowhere – was published in the winter edition of the literary magazine, Fine Lines! This has also been one of the most wonderful moments of my writing life recently because I’ve always wanted to get a piece of nonfiction published. This is one of my “bucket list” writing goals, so to speak, so look out for more information on that as well.

::takeshugebreath:: (I sometimes forget to breathe when I get excited).

Oh, what an emotional month this has been. A little over a month ago, I shared I Lost My Publisher with you, and I wrote this:

“I am thankful I had the opportunity to share stories with the world, and I will never forget the readers and writers I’ve met along the way. I can only dream of ever meeting this surreal reality again – not as a future fantasy or a broken past – but as my writer life reborn.”

Now, one month later, I am here to write a follow-up: This is my rebirth, and you all have brought me to this moment. If I could hug you all, I would, and hopefully, I’ll get the chance to meet you one day. Until then, I am proud to announce I am continuing this writing dream of mine, and I am grateful to have your support and encouragement along the way. You will always be the ink in my pen.

I love you all,

~SAT

For more updates, connect with my new publisher on their Website, Facebook, & Twitter.

Death Before Daylight Cover Reveal

6 Nov

I first want to thank everyone who took my poll on November 1st! For those of you who asked for more YouTube videos, you watched a secret video on my YouTube channel – Coffee & Cats – and you got to see the cover one day early. Check it out below if you want. I plan on sharing more secret videos in the future as well!

Today is all about Death Before Daylight. Both the cover and the synopsis are finally available, and I hope you enjoy them! Get excited for the last installment of The Timely Death Trilogy. In future posts, you can expect excerpts, a cover explanation, the back cover, quotes, and more! But special thanks goes out to the cover artist – Viola Estella – today.

Seconds Before SunriseTwo eternities. One ending.

“Harmony would only come with destruction.”

The moment Eric and Jessica are reunited, they are torn apart. After the appearance of a new breed of shades and lights, the powers shift for the worse, and all three descendants find themselves face-to-face in the Light realm. When Darthon is in control, the last thing everyone expects to hear is the truth.

While Jessica learns the reason of her creation, Darthon’s identity is exposed to Eric – and only Eric – but Eric can no longer defend himself. With the eternities of the Light and the Dark resting on Jessica’s shoulders, she must chose who she will be – a light or a shade – and both have dire consequences.

In the end, someone must die, and the end is near.

We’re still on schedule for a late January release, and I’ll be sure to let everyone know when it’s available on Goodreads or Amazon for pre-order! Until then, keep up-to-date right here, and be sure to catch up on Minutes Before Sunset, book 1, and Seconds Before Sunrise, book 2, in the meantime.

~SAT

Click today!

Click today!

The Sequel Can Wait

18 Oct

Announcements:

The third section of my interactive poetry series has begun, and you can read the first poem – Miscarriage – by clicking the title. Here are the opening lines:

If I hadn’t stepped outside, I would not

have seen the cloud buried deep in the approaching

storm I vaguely remembering hearing about.

(Vote, share, and comment for your chance to be mentioned during my next YouTube video.)

Special thanks goes out to The Incorrigible Reader for reviewing Minutes Before Sunset and Seconds Before Sunrise, book 1 and book 2 of The Timely Death Trilogy, here. Find out why she said, “I really did love this series! It was intriguing, exciting, romantic, and so hard to put down!’ 

Another huge thank you goes out to SDAV Reads for reviewing Take Me Tomorrow. She describes both the character development and the world-building, but here’s a quote, “So even amidst some very serious fights, explosions, and runaway escapes worthy of Doctor Who, there is a lot of time spent with the emotions of the characters so that you end up feeling as connected to them as you ought to. They’re very well developed…If you like Dystopic books, or even if you don’t and you just want a good thriller, Take Me Tomorrow is certainly one to add to your shelf!” Read her full review here.

And I am thanking one more book blogger – Note to Selph Book Reviews – for also reading Take Me Tomorrow. You can read her full review by clicking the link, but here is a quote from her, “The overall plot was intriguing and exciting, filled with plenty of action running from police and sneaking out at night.”

I cannot thank you all enough! Please check out my books by clicking these links: Minutes Before Sunset and Take Me Tomorrow. If you write a review, let me know, and I will be sure to share it right here!

The Sequel Can Wait:

Before anyone freaks out, no, this is not about the release dates of Take Me Yesterday or Death Before Daylight. Not entirely anyway. Instead, it’s rather about the pressure writers can put on themselves to get the next book out – and fast – and how destructive it can be to the entire writing (and reading) experience.

You see, I once heard that authors nowadays are expected to release a novel every six months. I’ve actually heard this more than once, but I believe one of the times was during a discussion author, Ryan Attard, had on his podcast, The Lurking Voice. He was simply discussing this trend, not necessarily agreeing with it. I want to clarify that because I think the idea of getting a novel out every six months is fantastic. It’s just extremely difficult, and it should not be expected. Ever.

A lot goes on behind the scenes in the publishing world. Writing isn’t even half of it. Content editing is completely different than line-editing, and a line edit is different than just an edit. Those are just three types of editing, not to mention formatting for both an eBook or a paperback or – god forbid – the hours that go behind an audio book. And cover art! Geez. I could go on forever, and I’m not even talking about the amount of hours, people, or cost behind it all (or the fact that most of these people have second jobs).

1280px-Old_paper

Don’t get me wrong. I think it is great if an author can get a book out every six months. It can be done, and it can, in fact, be professional. After all, four months passed between the release of Seconds Before Sunrise and Take Me Tomorrow (but that explanation is for another post). It can be done, and it can be done well, but that does not – by any means – mean that every author should do this. Unfortunately, especially in the Indie market, authors are often competing with one another (a rather ridiculous notion in itself, but moving on…) and I’ve seen a lot of arguments that authors can’t possibly release books that quickly.

Again, it can be done, but I think authors should pick their timelines based on nothing but themselves. Basing it on readers’ expectations can be really destructive. For instance, you might rush editing to meet a deadline, and now, there are more mistakes readers are picking out in your novels, but if you hadn’t been trying to meet a deadline, you might have been more careful.

I say this with great caution. I know that this topic can cause a lot of bad blood, but I am author, and I go through the pressures of releasing the next book every day. The pressures are mainly focused on three things: get it out quickly, efficiently, and professionally. I’ve lost sleep over it. I’ve worried I was going to lose readers if Death Before Daylight took an extra three months to release. I’ve given myself writer’s block over it. And let me tell you – it isn’t worth it.

How do I know this?

Well, to be quite honest, I don’t. I’m still learning, and I still mess up. I estimated that Death Before Daylight could be cut down to 80,000 words in content edits, and I’ve already surpassed it. That being said, this had added time to my timeline, so it will probably come out later than AEC has been anticipating, and I have been losing my little writer’s mind over it. I feel guilty, and a huge part of me feels irresponsible at timing, satisfying my readers, and estimating my work abilities. That is a hard pill to swallow. But it is even harder to realize it isn’t a pill I have to swallow. Things happen in this industry, and we must roll with the punches, and readers will, too.

In fact, the other day, one of my all-time favorite authors, Meg Cabot, announced she will be releasing book 7 of the Mediator in 2015. Just to let you all know, it has been 15 years since book 6 came out. 15. And you know what? Readers are ecstatic. I’m ecstatic. 15 years is nothing for a fan. Look at all the talk about Harry Potter coming back. That’s about 10 years, and everyone is practically begging for it. And The Mortal Instruments movie was canceled, but the T.V. show is coming out, and although some are reluctant, I think most fans will give it a shot.

Of course readers want the sequel now. I am a reader myself. I understand the anticipation. Waiting for City of Heavenly Fire was so painful I cannot even begin to describe the countdown on my iCalendar, but I still picked the book up when it finally did release, and I never held it against Cassandra Clare, and I will always be excited for the release of a sequel whenever it happens. But – sometimes – I forget that as an author. On the writer side of things, I tear myself down, but on the reader side, I am only filled with excitement, and I think every author can benefit by remembering the support readers feel for authors. That pressure to release the next book is not pressure. It is support. It is encouragement. It is an excited fan-base authors should be proud of, not worried about, and it is the next step to enjoying every release, no matter how long it takes.

No matter how much time passes, words are endless, and there will be someone to read them. 

~SAT

Why Most of my Characters are Male

8 Oct

Announcements:

Red Sands Reviewz read Seconds Before Sunrise and wrote, “You know how they say sequels aren’t as good as the first? This is not the case. It was fun to read from the start to finish.” And now you can read her review from start to finish by clicking here.

Krazy Reads reviewed Take Me Tomorrow, and you can read the entire review by clicking here, but this review inspired my blog post today, so I will be referring to it throughout my post! Even then, here’s a small quote, “Unlike most dystopian novels, this one felt the most real to me. Don’t get me wrong, I ADORE all dystopian novels, but for me, this seemed the most likely to actually happen.” Check out Take Me Tomorrow by clicking here.

Thank you, Krazy Reads.

Why Most of my Characters are Male

I’m doing something today that I have sworn to myself I would never, EVER do. I am responding to a book review. (Oh, the taboo!) Don’t worry. I have Krazy Reads permission, and it’s more or less not a response. It’s a deeper explanation that was inspired by a single section she wrote about my latest novel, Take Me Tomorrow:

Most of the characters are male, and while some people may say that seems unbalanced, to me, it fits perfectly. In the novel, the boys are fighting for a cause, they break laws, set bombs, and carry out rescue missions, so having most of the characters male fits, and I like how there are only three major female roles. Even though Sophia doesn’t always understand, she’s strong, smart, and cunning, and often times, she and her best friend, Lily, are the reason the plans work at all.”

It’s true. I’m guilty. My latest novel, Take Me Tomorrow, has more male character than female characters, and before I explain why, I would like to clarify that I’m specifically talking about Take Me Tomorrow in this post. My other novels are not like this, and there will be minor spoilers throughout this piece. That being said, I am going to have to hold back on some explanations due to the fact that the sequel will deepen many of these explanations, and I don’t want to spoil major parts of the first novel. But I’m going to do my best to explain why I have more male characters than female characters, and I want to explain this because I have received dozens of emails asking me why Take Me Tomorrow is full of boys.

The main reason is, perhaps, the most important one: it was never a conscious decision. It just sort of happened, and it happened naturally. This is the same reason I ultimately never changed it, despite the fact that I had one beta reader in particular suggest it. Don’t get me wrong. I thought about it a lot. I did. I considered each and every character and their gender, but here’s what it ultimately came down to: it was never about their gender. It was about them, and here are the two main reasons, I believe, they were boys in the first place:

Their Past

Although some of the past is seen in Take Me Tomorrow, more is explained in the sequel – Take Me Yesterday (hence the title). But I am going to explain what I can. First of all, a lot of it has to do with how the society works. Even though boys and girls can see each other and go to school together, there are subtle hints the society subconsciously encourages them to be separate. For instance, the boys are more likely to be thrown in military for punishment, while the girls are generally thrown into the correctional houses – and the correctional houses that are blatantly separated by gender. The other subtle part was the dance. Sophia describes it as one of the only instances students from separate schools can meet. Socializing is definitely not encouraged, but let’s get down to physical relationships: Noah and Broden met as children, and although I cannot giveaway their full circumstances, they didn’t just become friends because their parents were friends or that they happened to be the same age. I don’t want to spoil the novel so I won’t explain Tony or the flashback of Liam too much, but those two boys were more or less a reflection of what could’ve happened to Noah if he were older. Pierson is explained in the sequel. (I’m sorry for how cryptic this is.) But I can talk about Miles. If no one noticed, the twins – Miles and Lily – don’t have a father, and again, more details will come in Take Me Yesterday, but I will say this: Miles was very attracted to Broden and Noah, the first two guys that gave him friendship. Lily, too (as explained in the book), but Miles pushed his sister away. I have an older brother. This happened to me. But that’s for my next section.

These are Pinterest photos that remind me of TMT characters

These are Pinterest photos that remind me of TMT characters

My Personal Life

After my mother died, I was practically raised by my older brother. (My dad, too, but he traveled a lot.) So I spent a lot of time with my brother and all of his friends, and – you guessed it – they were mostly guys, especially his best friends. We went hunting and off-roading and ate sandwiches by the lake when we fished. But – during some point – we didn’t hang out as much, and that just happens sometimes. I got friends of my own, but (you might have guessed again) most of my friends were guys. I was comfortable with guys. I was used to spending time with them, and there was no romance there. A girl can be, in fact, just friends with guys. So I think that leaked out with Sophia, but I think it happened because of Lily. That’s right. Because of Lily. Sophia is best friends with Lily, and Lily is the one who introduces Sophia to Miles and Broden. Sophia gets her guys friends by default, and if you read the story, you also might have noticed that Sophia is not a social butterfly like Lily is. Sophia would rather stay home with her dog and read. She was perfectly satisfied with Lily’s company, and Miles and Broden were just extra buddies she gained. And, yes, you will learn even more about all of their pasts, specifically with Broden, Lyn, and Sophia’s mother…oh, and Miles and Lily. Pretty much everyone. But now that we’re talking about the girls…

As an extra, I want to talk about the girls, and I want to start this section off by re-quoting what Krazy Reads said, “I like how they’re are only three major female roles. Even though Sophia doesn’t always understand, she’s strong, smart, and cunning, and often times, she and her best friend, Lily, are the reason the plans work at all.”

Sure, the guys appear to be running things, but sometimes, as an author, I struggle to understand whether certain aspects are forgotten just because gender gets focused on. For instance, Miles is so terrified in the beginning, that he runs away, and Sophia – a girl – takes his place. That’s just one instance where the girls come to the rescue, and yes, there are more rescues and reasons, but sometimes, I worry that literature has trained us readers to focus more on boys rather than girls, which is no one’s fault. I’ve been guilty of it, too. But just because there are more boys does not mean that boys are more important, and in Take Me Tomorrow, they definitely cannot survive without the girls in their lives.

In fact, even though there are more boys in the novel, the numbers should not take away from the importance of Lily, Sophia, Lyn, and later on, Rinley. I wish I could explain what these girls do throughout the novel, but those pesky spoilers prevent me. That being said, these girls – as well as more girls – are seen in the sequel. (And, yes, the boys will be there as well.) But Take Me Tomorrow isn’t about how many boys or how many girls are present. It’s about drug use, abuse, addiction, immigration, tragedy, love, and war. And everyone can go through that, no matter what their gender is.

But – just for kick’s sake – here’s a list of reasons I have more male characters than female characters:

I was true to story.

~SAT

Why Are Parents Dead in Fiction?

24 Sep

Announcements:

ShannonAThompson.com hit 18,000 followers! As a surprise, I shared the meaning behind all the chapter titles in Take Me Tomorrow on my Facebook page. Every chapter title is actually a direct quote from the chapter you’re about to read. This is to represent the clairvoyant drug, tomo, since it allows takers to experience the future. For those who haven’t read the story, tomo does not necessarily give you clear visions. It affects all people and all senses differently. Sometimes, you hear it, taste it, smell it, or feel it. In fact, it’s hardly ever clear as to what is happening. Only those who are experienced with the drug are able to interpret what they are experiencing, and even then, everything is just a guess, and the drug itself is debatable. But the chapter titles aren’t! If you go through the novel you will see the titles later on in the prose. Chapter One – Don’t Come Back – is found in this quote, “My heart lurched at his sudden change in demeanor, but I managed a nod toward the north. The forest opened up to the only park Topeka still had. ‘Don’t come back.’”

When Eat Books For Breakfast reviewed Take Me Tomorrow, she said it “was definitely an intriguing read—different from most of the other books in its genre…I would recommend it to readers of young adult dystopian fiction.” Read the full review by clicking here or check out my latest novel here.

I would also like to take a moment to thank Dan Thompson for including Take Me Tomorrow in his post Two Books Are Better Than One. (And no, believe it or not, we’re not related.)

Thank you for reading my announcements today!

Why Are Parents Dead in Fiction?

The other day, I was sitting in a hookah house while attending an online event. (I don’t always have the Internet at home, so I go there to work.) That’s when a good friend of mine came up to keep me company, and I was telling him about a novel I am working on. The main character is an orphan. That’s when we got to talking.

Why are parents always dead or absent?

This isn’t a new conversation. I’ve had it with many people, mainly in regards to Disney movies, but I think it applies to most fiction, especially young-adult fiction, but I’ll get to why I think that in a minute. First, I would like to admit that my stories are no exception. The Timely Death Trilogy involves two protagonists – Eric’s biological mother committed suicide, and his father doesn’t have the best relationship with his son, while both of Jessica’s biological parents died in a car wreck, but she was adopted, and she does have a good relationship with her adoptive parents. In Take Me Tomorrow, Sophia’s father is practically absent due to his traveling job, and her mother hasn’t been in her life since she was seven, but she does live with a mother-sister figure named Lyn. Why did I do this? I can’t speak for every author when I explain my theories, but I will explain my personal reasons for deceased or absent parents as well as a hypothesis from the literary side. Before I continue, I want to clarify that I am (in general) talking about fiction for children and young adults.

Literary reason:

Coming-of-age is a popular topic among fiction for teens and preteens, mainly because they are going through it themselves. That being said, I think a huge factor of “coming-of-age” is finding yourself through independence. This is one of the main reasons I believe parents aren’t included in fiction, whether that is through death or absence, but another reason includes freedom. I know. I know. I sound horrible for saying freedom in regards to an absent parent, but I don’t mean “freedom” as a good thing. I mean it as a driving force for a character to venture outside of their home, to go on adventures, to strive to survive on their own. If they had a perfect family at home, this need for survival or adventure would be hard to justify. But I would like to point out one thing that others seem to forget to mention. Even if a character is an orphan or under other unfortunate circumstances, the character (usually) has a parental figure, and I think that is just as important as having a “real” parent in the story. To me, a “real” parent doesn’t have to give life to a child or adopt a child or anything in terms of a traditional definition. I believe a parent can be anyone who is the main guide and protector for a child. In that sense, I don’t believe we take parents out of fiction. I think we show readers that parents (guidance) can come from many places, which can be vital during a time in which young people are striving for independence outside the home.

From The Write Catch

From The Write Catch

Personal reason:

I am only including this section to give insight to an author’s reasoning behind it (rather than my above section that simply guesses as to why we find ourselves in those instances.) When it comes to dead or removed parents in fiction, I can relate to it. My mother died when I was 11, and my father was a traveling businessman. I hardly saw him growing up. In fact, I saw nannies more, and we never had the same one for long. Mainly because my brother and I were rather…well…angry might be the best way of saying it. The only time we did have another parent in the house was my stepmother, and she was only married to my dad for a year before they were divorced, and we definitely didn’t get along. Whew. Is that enough personal information? I don’t necessarily have a problem sharing it, even if it makes others uncomfortable, because it was my life. My life is much better now. But it’s hard for me to imagine a teenage-life with parents being actively involved, so I personally write about orphans or absent parents because that was my life growing up, and my characters are going to reflect certain parts of my life, even when I don’t realize it. That being said, I still believe that parents are in my fiction (like Lyn with Sophia in Take Me Tomorrow or Jessica’s adoptive parents in The Timely Death Trilogy, not to mention Eric’s stepmother.)

So where am I going with this?

Sometimes authors aren’t writing about orphans or neglected kids for literary reasons. Sometimes they are writing from their heart, and – in reality – I have met more teenagers who can relate to absent situations than not. Having a “perfect” family is…let’s be real…impossible. No one is perfect. Everyone is human. And families will reflect that both in life and in fiction.

The reason that parents are generally dead and/or absent is simple: it happens. But that doesn’t mean we can’t add more parents to story lines. In my little opinion, including them is just as fine as not including them as long as the author is being true to the story.

Feel free to comment below with your reasons or thoughts on this topic! I know we’ve all at least read a novel or seen a Disney movie that includes this debate, so chat away,

~SAT

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