#MondayBlogs Cartoons Make You a Better Writer

21 Sep


I love cartoons, and I love comic books and manga, and I’m very open about my love for these things. That being said, cartoons and comic books and manga are often depicted as things for children…something I obviously disagree with. J There are many reasons to love cartoons, and today, author Grant Goodman gives us yet another reason to love them. It helps with your writing.

Disclaimer: The views and opinions expressed in guest articles are those of the author/s and do not necessarily reflect my own. To show authenticity of the featured writer, articles are posted as provided (a.k.a. I do not edit them). However, the format may have changed.

Cartoons Make You a Better Writer by Grant Goodman

When I sat down to write the first Agent Darcy and Ninja Steve novel, what really drove me was my love of cartoons. I wanted to create—in written form—the cartoon series I always wanted to see.

I grew up with the original Teenage Mutant Ninja Turtles. I was glued to the sofa when they stormed the Technodrome to fight Shredder or when they teamed up with Casey Jones. Each episode had cool fight scenes, a sci-fi invention, and at least one funny line from Michelangelo. The turtles were my first obsession and they propelled me to join a martial arts school when I was in elementary school.


My elementary school mornings and weekends were filled with Tom and Jerry Kids, Inspector Gadget, X-Men, Spiderman, and Batman: The Animated Series. While most of them were in short story format, the X-Men, Spiderman, and Batman series began to introduce me to the idea that 30 minute cartoons could build a larger story. Spiderman had “The Alien Costume” arc, which gave Venom’s origin story over the course of three episodes. But that wasn’t quite enough. I wanted a longer storyline.

The first episode of Dragonball Z aired when I was in 6th grade and when I saw it, my head nearly exploded. A series in which nearly every episode built off of the last. A cast of characters who did martial arts AND threw fireballs. An entire universe of heroes and villains, legends and lore.

DBZ led me into the wide, wild catalog of Japanese animation that revealed an entire cultural art form that offered a great deal of respect to storytelling in animated form. I watched Vash the Stampede try everything he could do to avoid taking lives in Trigun, I saw Miyazaki’s phenomenal Nausicaa of the Valley of the Wind, and I was completely swept away by Fullmetal Alchemist.

All of it—every episode of every series I ever watched—has somehow contributed to my abilities as a writer, and it will for you, too. You learn how to plot an action scene that matters, because you see plenty of them that don’t. You learn how to keep two characters pining for each other in order to build tension between them. You learn the importance of a cliffhanger to keep your audience hooked.

Most importantly, however, watching cartoons will teach you how to keep your imagination active, because without a strong imagination, you’re going to write something boring.

If you’re aspiring to write a MG or YA sci-fi/fantasy action series, my best advice to you is to watch cartoons. Lots of them. Go watch the first season of The Legend of Korra for a masterclass in serious-but-not-pitch-black YA storytelling. Seek out Samurai Jack for how to do fight scenes that flow.

This may be the only time anyone in your life tells you this: stop reading for a bit and start watching!

Grant GoodmanBio:

Grant Goodman is the author of the Agent Darcy and Ninja Steve novels, a series for readers anywhere between 9 and 900 years old. His YA lit blog, November Notebook, is for teens, adults, ghosts, robots, unicorns, dragons, and aliens. He teaches middle school English in Montgomery County, Maryland.

Want to be a guest blogger? Now is the time to submit. I will be stopping guest blog posts in November, but before then, I would love to have you on! I am accepting original posts that focus on reading and writing. Pictures, links, and a bio are encouraged. You do not have to be published. If you qualify, please email me at shannonathompson@aol.com.


#SATurday Book Releases explained by Sailor Moon

19 Sep

I love blogging. I love writing articles. I especially love writing articles that readers suggest. That being said, today’s article was inspired by reader, ‪Angela Dellisola‪. Her comment came on the release day of Death Before Daylight…after I made an entire batch of chocolate chip cookies to celebrate. I posted it on my Facebook page, but here was the initial comment: “Congrats! You must be beyond excited! Tired too, maybe, but a good tired…with all the back to back releases? I’d love to read a blog post on your author’s mind right now. J”

First of all, a GIANT thank you goes out to every reader, blogger, follower, writer, and supporter who shared the release. I hope you all are enjoying the finale as well!

But, yes, Angela isn’t wrong. I am exhausted. Beyond exhausted. (Hence all the coffee I was brewing and all the sugar I was baking.) I am thrilled Clean Teen Publishing agreed to release The Timely Death Trilogy back to back like they did, but there was a lot that had to be done to make that happen. Blog posts, guest posts, interviews, teasers, Facebook covers, newsletters, etc., etc. In fact, I’m not sure I’ve left my laptop at all. Even Luna-P is exhausted. (That is my laptop’s name in case you were wondering.)

These moments are rather funny in regards to an author’s life, so I thought I’d explain my time through gifs. Even better, since my laptop endured so much abuse these past three months—and since my laptop is named Luna-P after Luna-P in Sailor Moon—I’m telling my story through Sailor Moon gifs.

This summer and fall, I had three book releases back to back. It was AWESOME, but definitely a lot to keep up with. There’s a lot to do, so you’re always on your laptop. That’s when someone suggests you take a break. You know, go outside. Enjoy the nice weather…

You’re too busy collecting a team anyway. You get your readers, fans, bloggers, and fellow writers together…because it’s time.


But don’t forget the business side of things either. Swag, prizes, booths, etc.

(All worth it too! Which, by the way, I’m going to Penned Con next year in September of 2016!)


So, the book releases and you’re so excited!

And you’re exhausted too. So you sometimes forget silly things….when people are speaking to you.


So you eat. Eating always helps.

giphy-13 That’s when someone congratulates you or posts a review or a number of other wonderful things. It means so much to you.

You actually blush.

You’re kind of glad this wasn’t in public.

Your face looks like a tomato.


And sometimes people say mean things or try to bring you down.

(Crying to your cat helps. This is a fact.)


But that’s what food is for. And friendship. And baths. 

(I made cookies.) 


So, when all the craziness is done and over, you know you had a fun time with readers, writers, and fellow book lovers.


In the end, that’s just how it’s done, and you enjoy it to the end of the world—the good, the bad, the awkward moments and cat-cuddled moments, the emails, the interviews, and the missing reviews. The broken links, the extra posts, the phone calls and texts. The tweets and WordPress friends and loving bookends. The prize giveaways, the winners, the ones who will stick around for a chance to win again. The ones who were always around and still around, and the news faces that have blended in. The newsletter crew, the street team view, and the fellow authors I’ve called friends. A group of people, all together, for one release moment, and you wish it never came to an end.

The book release is a book release, but it’s so much more than that.

It’s a celebration, a moment to be with all my Internet family and friends.


Now for my little Dark announcements.

Poster_Small_V - Book shop signingAll three books in The Timely Death Trilogy are now available! The first book is even up for free. For those of you waiting for the paperback of Death Before Daylight, don’t panic! It releases on October 19. Speaking of October 19, you can expect my newsletter to go out then and from now on every month on the 19th.

On October 21, you can come see me at Headrush Coffee and Tea Roasters in Kansas City, Missouri for a paranormal talk and book signing.  It will be tons of fun!

Last but not least, the Seconds Before Sunrise tour is coming to an end, but here are all the lovely posts you should check out!

Guest post – Not Just Another Romance – on Mythical Books.

Interview with Kelly P’s Blog.

Spotlight on Dowie’s Place and Forget the Housework, I’m Reading

Seconds Before Sunrise Reviews on Black Words-White PagesEndless Reading, and Young Adult Book Madness!

Death Before Daylight Reviews on The Examiner and Tamara Morning.

Stay Dark,


#BookRelease Death Before Daylight!

15 Sep

Before I share a letter, here is where you can find Death Before Daylight:

AmazonBarnes & NobleiBooks, KoboGoodreads

Don’t forget! The first book is free. :)

Reviews from lovely bloggers!

Reviews from lovely bloggers!

Letter from the author: (Oh, wait. That’s me.) 

Wow! This is surreal. Just a couple years ago, I thought my publishing journey was over. Then, I signed with one publisher only for it to close down two weeks before the original version of Death Before Daylight was supposed to release. Posting I Lost My Publisher this past January was the hardest article I had to write, but that article was followed up with the best article I ever posted. On February 11, I shared Huzzah! I Have a New Publisher, and now, the journey has reached this point.

Special thanks first goes out to Clean Teen Publishing for taking on The Timely Death Trilogy and making it into something beautiful and real. They’ve been too kind to me these past few months. I’m rather a scatterbrain, and sometimes, I get (honestly) too excited and say really cheesy things. But they’ve helped me, supported me, directed me, and even sent me a birthday card. (Squeee!) I feel truly honored to be supported by such an amazing team, and I am forever grateful for all the CTP authors I’ve been able to befriend, too. I am home.

My next thanks goes out to all those wonderful Members of the Dark helping today: Legends of Windemere, Crazy Beautiful Reads, awkwardMEOW Productions, Just Amy, SDAV Reads, Endless Reading Blog, Ky Grabowski, Chris Pavesic, Mel’s Shelves, and Macy <3 Stories. The winner of the signed paperback is Chris Pavesic! For your chance to win prizes and read first, join the newsletter here.

After all this past year’s craziness, Death Before Daylight is NOW available. (Finally!) As the author, I felt terrible that the last book in The Timely Death Trilogy never reached readers of the first two books. I am a reader, too, after all. I know how much time everyone invested in reading my work, so when I didn’t hold up the end of my bargain, I was…Well, you read all those articles. In fact, you’re the reason my publishing adventure continues, and I could not thank you enough. Even then, I thank you once again for your love and support. I appreciate every last one of you, from the bottom of my writer’s heart.

I know it’s been nearly nine months since you originally expected it, but I’ve finally been able to hold up my end of the author-reader bargain, and I hope you enjoy the conclusion after all this waiting time.

For now and forever,

Stay Dark.

Stay Lovely.


Death Before Daylight

DBDcoverBook 3 of The Timely Death Trilogy

Two eternities. One ending.

“Harmony would only come with destruction.”

The moment Eric and Jessica are reunited, they are torn apart. After the appearance of a new breed of shades and lights, the powers shift for the worse, and all three descendants find themselves face-to-face in the Light realm. When Darthon is in control, the last thing everyone expects is to finally hear the truth.

While Jessica learns the reason of her creation, Darthon’s identity is exposed to Eric—and only Eric—and Eric can no longer defend himself. With the eternities of the Light and the Dark resting on Jessica’s shoulders, she must choose who she will be—a light or a shade.

In the end, someone must die, and the end is near.

Now that I shared the letter, here is where you can find Death Before Daylight (again):

AmazonBarnes & NobleiBooksKoboGoodreads

Happy Reading! 


For those who want the latest news, this post isn’t over yet. ;)

I’ll be giving away TONS of prizes this Friday, September 18, from 7-9 p.m. (EST) on Facebook. Join the CTP Death Before Daylight Release Partyand come have fun with fellow Dark readers. The paperback for Death Before Daylight releases October 19.


In other news, the Seconds Before Sunrise tour is underway, and here are the latest posts: Interview with Books for Thought, guest post – Favorite Book Covers and Why – on Lulo FanGirl, and a spotlight on One Guy’s Guide to Good Reads.

For local fans, I’ll be doing a Halloween book signing and paranormal talk at Headrush Roasters in Gladstone, Missouri on October 21 from 6-7:30 p.m. (CDT).

See you there!

#MondayBlogs: The Prose Poem

14 Sep


Poetry is important to me. When readers ask about my background in writing, they are almost always curious about my education regarding writing. More often than not, readers aren’t surprised to hear I studied creative writing in college, but they are surprised when I clarify I spent most of my time studying poetry. In fact, my poetry professor was one of the most influential people on my life and writing. So, when poet Ann Howells queried me about the importance of the prose poem, I was estatic to share her piece today.

Disclaimer: The views and opinions expressed in guest articles are those of the author/s and do not necessarily reflect my own. To show authenticity of the featured writer, articles are posted as provided (a.k.a. I do not edit them). However, the format may have changed.

The Prose Poem by Ann Howells

As a form, the prose poem tests boundaries. It upsets award givers: a singing pig or tap dancing chicken. It defies categories and exists for those fascinated by enigmas. When poetry subverts its dependence on the line of verse for identity it opens new possibilities. Once the amazement of even having a prose poem is past, the poem can be appreciated for its uniqueness and the way in it combines suggestiveness and completeness.

History—Prose poems go back to poetry’s beginnings. Neither the ancient Greeks nor the Anglo-Saxons required line breaks, nor did Old Testament parables which concentrated imagery, symbol and allusion much more than prose. Early traces also appear in the Chinese Fu form, a prose form that includes rhythm and meter. In Fu, word association allows the writer to leap from one word to another, referred to as riding on dragons. This same associative leap is common in prose poems. The poet explores an experience through metaphor, through multiple levels of consciousness, leaping from conscious to unconscious and maintaining a sense of surprise.

The modern day prose poetry began with Symbolists in France and Belgium in the 19th century. The first were by Baudelaire, who praised it, saying, a miracle of poetic prose, musical, without rhythm and without rhyme, supple enough and rugged enough to adapt itself to the lyrical impulses of the soul, the undulations of reverie, the jibes of conscience. These prose poems are rich in suggestion and metaphor and tend to have strong lyrical qualities. Other French Symbolists who wrote in his form include Rimbaud, Mallarme, and Valery. From there the prose poem spread in all directions through all major languages of the planet.

It was slowest to catch on in the United States where the first prose poems were journal entries of Hawthorne and Thoreau and newspaper articles by Whitman (under a pseudonym) for the New York Leader (early 1860s). Later, his Specimen Days, built on those articles, became the first book of prose poems published in America. He called for poets to break down the barriers of form between poetry and prose. Few listened.

William Carlos Williams claimed that, while blank verse and free verse were perfect vehicles for English voices with different tones and patterns of stressed syllables, the rhythm and intonations of prose poems were in tune with speech patterns of everyday Americans—a vehicle made for their voices. And, in the first decades of the 20th century, a bunch of little journals began to publish prose poems. (One of these was Poetry.) Yet, critics were hostile. After the publication of Russell Edson’s The Very Thing That Happens in 1964, small journals again began publishing a few prose poems. Robert Alexander (a well-known contemporary prose poet) compares the controversy over the prose poem to the controversy over free verse at the turn of the century. Free verse has dominated for years in this country (though not necessarily elsewhere). It marginalizes the prose poem, as well as formal forms like sonnets and villanelles, even though many, including editors, still think it an inferior prose with no place at all among poetry. The proponents are the poets themselves. Even then, consider the brouhaha surrounding the Pulitzer Prize (1990) given to The World Doesn’t End, a book of prose poems by Charles Simic. It drew an avalanche of protest from poets and reviewers.

What exactly is a prose poem?— Prose poems (sometimes incorrectly called proems, which is not a literary term) are poetry contained in a prose format that utilizes all the devices of poetry except the line break. While the distinction between verse (a poem containing regular meter and formal attributes) and prose is clear, that between poetry (a highly organized, artistic genre that produces a discrete object d’art) and prose is obscure.

Prose poetry can be divided roughly, by subject, into seven categories:

  • The object poem—about an ordinary object seen in a new way—like a mop or a shoe. These poems are usually quite short. See “Shoes” by Warren Lang.
  • The surreal narrative—popular in the 1960s, these often presented a metaphysical conceit, yoking together unexpected elements. They have a dream-like quality. Read Russell Edson’s work; you’ll either love or hate it.  Or see “Un Bruit Qui Court” by Maureen Gibbon.
  • The straight narrative—different than prose in that they emphasize feeling rather than plot. See “Translations” by Michael Carey.
  • The character poem—fleeting impressions rather than fleshed-out descriptions. See “How Grandma and Grandpa Met” by Michael Carey.
  • The landscape or place poem—often arising from journal entries or letters. They tend to be more impression than physical description. See “Icebergs” by Roger K. Blakely.
  • The meditative poem—self-descriptive, but tending to be metaphysical and abstract. See “My Name” by Jack Minezeski.
  • The hyperbolic poem—consists almost entirely of verbal play. See “The Voyage of Self-Discovery” by Michael Benedikt.

Some volumes of prose poetry contain mainly poems written in prose style with regular punctuation and capitalization. Some have paragraphs to parallel the verse structure of lineated poetry, some are written as a single paragraph or verse with regular punctuation and capitalization and some as a single paragraph without any punctuation or capitalization. Some poets have pushed this even further by beginning the poem and sometimes ending it in the middle of a sentence. One rule of poetry has always been, begin in the middle, though perhaps not so conspicuously. It simply means to begin at the heart and eliminate introductory lines giving background or setting up the situation. This is even more so with prose poetry which captures a moment, facet or fleeting emotion. Also, without punctuation, one word can modify the meaning of both the phrase preceding it and the one following it. It works much the same as judicious line breaks which leave a word that belongs with the thought in the following line at the end of the previous line to color its meaning also.

What some poets have to say about Prose Poems:

It explores the ways a story and a poem can spring from the same source. An open and associative form to reach half buried thoughts. (Mark Vinz)

A poem is language presented as an art object—meant to be viewed as a work of art. Prose says: ‘Come listen. I alone have survived to tell this tale.’ But a poem entices us. ‘Come listen. No one else can tell this tale as artfully as I.’ (Robert Alexander)

Prose poems distill and mimic prose. They offer ‘life histories reduced to paragraphs, essays the size of postcards, novels in nutshells, maps on postage stamps, mind-bending laundry lists, theologies scribbled on napkins.’ (David Young)

While poetic prose may use some rhetorical and poetic devices and elements of aesthetic texture (sound, rhythm, imagery, etc.), it does not do so as consistently or as intensely as the prose poem because it is intended to be prose. The prose poem depends upon all the devices of poetry except line break, with no single element being essential. It uses heightened language; metaphorical expression; musical form; structural repetitiveness; prosodic features like meter, alliteration, etc.; and brevity. It has a great deal of internal movement in the rhythm and syntax that replaces the tension otherwise created by contrived line endings, (though in a prose poem the phrase is the smallest unit of rhythm, rather than the syllable or foot of lined poetry). Prose poems often give more significance to the final lines than other poems, which helps add closure. Sometimes merely that can turn a journal entry into a prose poem, i.e. an observation followed by a line or two that adds universality. Voice dominates. Prose poems are trickier to bring off successfully than lineated poems.


Ann-Richardson 2007Ann Howells’s poetry appears in Borderlands, Concho River Review, Crannog (Ire), RiverSedge, Rockhurst Review, San Pedro River Review and Spillway among others. She serves on the board of Dallas Poets Community, 501-c-3 non-profit, and has edited Illya’s Honey Literary Journal, since 1999, recently taking it digital (www.IllyasHoney.com) and taking on a co-editor with whom she alternates issues. Her chapbooks are, Black Crow in Flight, (Main Street Rag Publishing, 2007) and the Rosebud Diaries (Willet Press, 2012). She has been read on NPR, interviewed on Writers Around Annapolis television, and been four times nominated for a Pushcart, twice in 2014.

Want to be a guest blogger? Now is the time to submit. I will be stopping guest blog posts in October/November, but before then, I would love to have you on! I am accepting original posts that focus on reading and writing. Pictures, links, and a bio are encouraged. You do not have to be published. If you qualify, please email me at shannonathompson@aol.com.


#SATurday: Writing Update: Take Me Yesterday

12 Sep

I’m writing this blog post before I announce I’m working on Take Me Yesterday, book 2 of The Tomo Trilogy, but I’ve probably shown you a teaser by now. (This time warp I live in—two weeks before my life is posted—is still rather strange, but it is especially ironic in this case.)

For those of you who don’t know, my novel, Take Me Tomorrow, book 1 of The Tomo Trilogy, is a young adult dystopian novel about a clairvoyant drug. It released July 17, 2014, but it was taken off of the market less than six months later after that publisher closed. Now that I’m done rewriting November Snow, I’ve returned to The Tomo Trilogy with new insight, and I would like to experiment with that path next.

That being said, I’m basically writing this to ask you a few questions. Was there something you would’ve liked to see in Take Me Tomorrow? For instance, I am considering adding a few one-page chapters from Noah’s perspective, and I would like to hear your opinion on that. Originally, I kept the excerpts out because I thought he either said too much or too little, but so many of you expressed how you would’ve liked to see his voice, so I might add them. (But I warn you, his voice makes no sense, so please keep that in mind.) I’m also considering adding a few more details about the “massacre” that is mentioned, but there was an important reason I didn’t explain it in the first book. (It’s explained in book 2.) But I would love to hear any and all opinions if you have them.

That being said, working on Take Me Yesterday is different than I ever imagined. I’m basically rewriting it, too. The draft I had written is now five years old. FIVE. That shocked me enough. I’ve grown a lot as a writer since then, so I’m writing it with some older eyes, more experienced eyes, but that doesn’t mean it has been easy.


You see, there’s a reason I didn’t return to Take Me Tomorrow right away. When it first released, I thought maybe it was the wrong decision, that the story was too controversial, that the story might even be too close to home. To this day, Take Me Tomorrow is the closest work I’ve written to my life, and I don’t do that often, but the topics surrounding drugs is important to me. Considering my mother died of a drug overdose when I was eleven, I’ve been affected by drugs my whole life, and after my mother’s death, I did a lot of research regarding how drugs are handled in society, both illegal and legal, and Take Me Tomorrow was the result of all that research. (If you want more information, I wrote an article a while back that gets in-depth about my reasoning, Why I Write About Drugs, Immigration, and Addiction) But, when it comes down to it, Take Me Tomorrow is my expressing a lot of pain I’ve had in regards to drugs. I don’t think it’s black and white. I find drug-related topics to be very gray, and I tried to portray that in the first book.

Perhaps releasing it when I did wasn’t the right time, but it did open my eyes to what I might face. Like, the woman who emailed me and told me I was encouraging kids to fall in love with drug addicts by writing what I did. (True story.) But I think, I’ve come to a point in my writing career where I know, no matter what, that I need to be true to myself…and I think I’m ready to tackle this controversy again. Most of all, I think I’m simply ready to share the rest of Sophia’s story.

I hope you’ll enjoy it too,


P.S. For those of you wondering about November Snow, I still plan on releasing that next, and I’m hoping to announce something about it this fall/winter. Right now though, I’m just concentrating on getting The Timely Death Trilogy out before I worry about publication. Thank you for understanding!

Announcement time! And, boy, do I have a lot of announcements. (They’re exciting, I promise!)

Death Before Daylight, book 3 of The Timely Death Trilogy, releases in THREE days. Three! Pre-order your eBooks here: AmazonBarnes & NobleiBooks. (The paperback releases Oct. 19.) If you want to be a part of the release day, you can even sign up for a book blast by clicking here. And, if you haven’t started the trilogy yet, don’t worry. The first book is free everywhere. Here’s some links to get you started in the Dark: AmazonBarnes & NobleiBooks.

All three!

All three!

Death Before Daylight was even featured on Waiting on Wednesday,  a weekly post about what readers are waiting for. On top of that, we’ve had a lot of fun so far during the Seconds Before Sunrise blog tour, and as usual, you can visit any of these places to enter into a raffle to win great prizes! Here are the latest stops: Black Words-White Pages interview, Crazy Beautiful Reads Review, and Fic Gal Review.

As for events, UK fans, I will be doing an Author Takeover on Happily Ever After Seekers Book Club on Facebook tomorrow at 8 p.m. (UK), which is 3 p.m. (EST).

Another Facebook party is being thrown by Clean Teen Publishing on September 18 from 7-9 p.m. (EST) Come join us at the CTP Death Before Daylight Release Party.

And, finally, (OH! FINALLY!) I’ll be doing a Halloween book signing and paranormal talk at Headrush Roasters in Gladstone, Missouri on October 21 from 6-7:30 p.m. (CDT). Who else can’t wait?


#WW Writing in Limbo

9 Sep

This may be personal in regards to my writing life, but I’d be surprised if it were unique to me. During and right after a book release, it’s difficult for me to write. Not because I don’t want to, but because I end up spending hours upon hours on Luna-P (a.k.a. my lappy toppy) for interviews, guest posts, and social media in general (all of which I love, but it results in some sore eyes). So, for a little while after releases, I’m in a limbo period.

What is a limbo period?

Well, for me, it’s just Dante’s way of saying I’m in wait. I’m not writing right now; I’m simply waiting for the right time to write again. I’m resting, so to speak.

I’ve seen a few people call this writer’s block, but I want to clarify that it isn’t writer’s block, because I could write. (And, as you’ll see below when I talk about what I’ve been doing, you’ll see, in fact, I do write sometimes.) But it’s more like a mental vacation to regain energy and focus.

Maybe I’m the only one who does this…but I doubt it. We all need rest, after all, and I’m still productive during this limbo time.

Coffee and chocolate helps limbo too!

Coffee and chocolate helps limbo too!

What do I do during the limbo?

I mainly analyze where I’m at and where I want to go. Ex. What novel do I want to release next? What about books after that? What do I want to do differently with that novel? Covers? Events? Local events? Traveling?

I set goals, and I try to make them realistic, and I tell myself it’s okay if I don’t make them (but how cool would it be if I do?)

I’m currently in this writing limbo phase. Since Minutes Before Sunset and Seconds Before Sunrise have released during the past two months—not to mention Death Before Daylight releasing on September 15—I’ve basically been in limbo for a little while now. And I’ve been enjoying it. While I did complete the rewrite of November Snow—See? You can write during limbo—I have focused a lot of my energy on where I’m going next. For instance, I want to release November Snow next. Then, I think I’ll return to The Tomo Trilogy (good news for you Take Me Tomorrow fans!) In fact, I was analyzing the sequel, Take Me Yesterday, just other night. I also want to try to get more swag for readers and hold two to three local events this fall for the paranormal season. I think it’d also be nice to offer signed box sets of The Timely Death Trilogy this October. So, look out for that. I’ve even taken some time to think over my blogging plan, and I might talk about this more in the future, but I’ll probably be ending guest posts in November (so now is the time to submit at shannonathompson@aol.com). I plan on using the Monday slot for old posts (we’re talking two-year-old blog posts) that were really popular, but are in need of a rewrite.

I’m planning and plotting—and not just books—and I’m having a great time.

Limbo doesn’t have to be a scary place, or an unproductive place, or a place of worry. It can be saved. In fact, it can be looked forward to. It can even take you places.


Death Before Daylight, book 3 of The Timely Death Trilogy, releases in six days! That being said, the paperback has been moved to October 19, but I hope you all enjoy the last book of the trilogy! You can pre-order it here:  AmazonBarnes & NobleiBooks. (And, of course, the first book is free: AmazonBarnes & NobleiBooks.)


The latest teaser released

In other news, the Seconds Before Sunrise blog tour is underway. Most recently, we were on Just Amy for a spotlight, but I’ll share more interviews and such soon. If you want to participate in the release day blast for Death Before Daylight, sign up here.

On September 18, Clean Teen Publishing will be hosting an event on Facebook from 7-9 p.m. (EDT) to celebrate the release. I’ll be there and giving away a TON of Dark prizes, so feel free to join us by clicking here.

rp But there are more events to come! Keep an eye out.

Stay Dark,


#MondayBlogs: Things to Do When You’re Suffering from Writer’s Block

7 Sep


Writer’s block. Oh, horrid writer’s block! It’s such a common fear (and problem) with many writers, and today’s guest blogger, C.S. Wilde, tackles the topic fearlessly and humorously. 

Disclaimer: The views and opinions expressed in guest articles are those of the author/s and do not necessarily reflect my own. To show authenticity of the featured writer, articles are posted as provided (a.k.a. I do not edit them). However, the format may have changed.

Things to Do When You’re Suffering from Writer’s Block by C.S. Wilde

You want to fill that blank page so bad, but the juice isn’t flowing.

Feels familiar?

We’ve all been there, but do not fret, fellow writer. There are many ways to turn your lack of inspiration into a ton of productivity!

Fun fact: You usually get writer’s block because you don’t know what to do or where to go with your story. Basically, your muse is telling you it needs time to figure things out.

By the way, muses can be very nasty. Mine in particular loves getting drunk and flying to Vegas every weekend, and she slept with my boyfriend once, so we don’t exactly get along.

Photo provided by C.S. Wilde

Photo provided by C.S. Wilde

Anyway, here’s Things to Do When You’re Suffering from Writer’s Block, or alternatively, What You Should Do When Your Muse Flies to Vegas and Sleeps with Your Boyfriend:

  • Write a new story. Can’t figure out what to do with your current manuscript? Start a new one! You might even find the answers to your old story’s problems inside your new one. *mind blown*
  • Outline your current project. This is usually done at the beginning, but don’t worry, you can definitely do it now. Write down a general description of your scenes/chapters from beginning to end. This will give you the big picture, and having the big picture will help you figure out what to do next.
  • Write a short-story. This is one of my favorites. It’s a fantastic way to gain experience points and perhaps earn some extra bucks.
  • Revise an old story. Maybe it’s time to work on that project left forgotten in the bottom-drawer. Plus, it’s always great to check your old stuff to see how much you’ve improved.
  • Start a blog about something you love. This one will feel absolutely great. An example: I love humor, but I’m not exactly Tina Fey, so I started a humor blog without high expectations, and it does surprisingly well!
  • Write to a friend. I get the craziest dialogues by texting with my BFF. One of our best exchanges: “I shall name my boobs Awesome and Nutcracker. Nut is clearly the badass of the duo.” To which she replied, “I’m naming mine Kim and Kanye.”
  • Engage in forums for writers. You can learn a LOT from fellow authors, and you can make awesome friends who will support you along the way. Here’s a good place to start.
  • Write an article and submit it to magazines. This is another way to add good and old fairy dust to your cv, and maybe earn some extra bucks (plus experience points). The Write Life is a great place to start, and here’s a list of 25 sites that pay for guest posts.
  • Draft a query letter, tagline, or blurb for your book. Seriously, that’s the hardest thing a writer can do. If you manage to go through THAT, you can surely get your story back on track.
  • Write your author bio. It’ll make you feel all fancy and stuff.

The possibilities are endless. And you know, stories are jealous little things. If you start looking elsewhere, they’ll go after your muse and bring her back by the hair. Caveman style.

Take that, Britney! Yes, my muse’s name is Britney.

Cheers and happy writing, everyone!

About C.S. Wilde:

C.S. Wilde is just another author, here to entertain people. She writes about fantastical worlds, love stories larger than life and epic battles. She also, quite obviously, sucks at writing an author bio. She finds it awkward that she must write this in the third person, and hopes you won’t notice.

She exists here, and twitters here.

Want to be a guest blogger? Now is the time to submit. I will be stopping guest blog posts in October/November, but before then, I would love to have you on! I am accepting original posts that focus on reading and writing. Pictures, links, and a bio are encouraged. You do not have to be published. If you qualify, please email me at shannonathompson@aol.com.



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