Tag Archives: am writing

#MondayBlogs: When Writing is Not All You Do

4 May

Intro:

Back in February of 2013, I wrote a little blog post called Writing Tips: How to Handle Rejection. A huge part of this post was dedicated to John Tompkins. At the time, he wrote a blog called Rejection Love Letters (Or How to Lose Agents and Alienate Publishers). That blog no longer exists, but it was one of my favorites. Why? Because John Tompkins had a fearlessness many crave. He shared his rejection letters from publishers with humor and honesty, and while I think every writer has been rejected, he was open about it, and that is rare. Since then, he has since self-published, and today, he is writing an article for us about another topic many authors can relate to—working and writing, as two separate full-time jobs.

When Writing is Not All You Do

Writing is easy. Getting published is hard. This is especially true for those who work and have families. It’s pretty difficult to advance your writing career when you’re alternating your time between a job, washing dishes after dinner, bathing your child and helping with laundry.

A writer recently posted an item on Salon claiming that authors who do nothing but write, thanks to financial security, shouldn’t be judged because they have the luxury to live all writing all the time.

cover 2One encouraging thing the writer did say, however, is that those who are privileged should disclose that and not pretend that they had to fight through the clutter on Amazon or through the slush pile with a publisher to get noticed. Many of them have connections in the publishing industry and quite simply don’t know what it’s like to struggle. The Salon writer offered two examples of successful writers. One is due to inherit a sizable fortune and has time to do nothing but write. The other is a young woman who was the only child of a couple heavily involved in the New York literary scene. Her being published was foregone the moment she was born.

I’m a married father of one with another one due in June. I also work full time, mostly writing at night while my wife’s asleep or during King of Queens reruns. Have to fit it in somewhere.

I’ve written now, three books (ok two books and one novella) all of which have been rejected (I’ve got more than 100 reject letters). Most of the letters I made fun of by posting to a now defunct blog. Reading the rejections, I noticed that they all pretty much sounded the same. “Sorry, you’re good, but you’re not spectacular.” I gave up with agents and publishers and decided, after having two PhD’s edit my book, to just put it out there.

I posted it to Amazon about a month ago. Hopefully it will make it through all of the clutter but I guess we’ll see. I’m doing my best to market it and I’m also struggling to find reviewers.

I think my problem with the publishing industry is mostly the second example. Too many people who are talented with something valuable to say are ignored by publishers because they didn’t grow up in the Northeast or have connections from graduate school. So they’re ignored. It’s a disservice to readers and the art in general. I said as much in a comment to the Salon story.

It shouldn’t anger me so much to hear authors who start off wealthy and have nothing to do but write. But it does and it is easy to get discouraged.

There are the handful of success stories, notably E.L. James and a series of books you may have heard of, Fifty Shades of Grey. She self-published her novels originally as e-books. You know the rest of the story. One of the tidbits I enjoy about her success is when the director was making the ending to the recently released movie, James ordered him to make the ending she wanted. That’s control that most authors never get because so few have subsidiary rights. (Further ironic because the whole story is about personal control and giving it up.) This all being said, James was a television executive when she was writing Fifty Shades. But unlike other privileged writers, she released her works as any other independent author. Her books actually started out as fan fiction of the Twilight series.

This is about the only thing I think that keeps me going. When I’m sitting in my bed at 12 a.m. trying to hit my daily 1,500-word quota on number four, I can only dream about the day when I can type at a desk during the day. I will probably still have King of Queens on in the background though.

Bio:

John Tompkins is a writer living in Texas. He is a former newspaper reporter specializing in court coverage, education and government. He is now working as a communications coordinator at local college.

Book & Blog

Want to be a guest blogger? I would love to have you on! I am accepting original posts that focus on reading and writing. A picture and a bio are encouraged. You do not have to be published. If you qualify, please email me at shannonathompson@aol.com.

~SAT

#WW Writer Problems 1–5

22 Apr

#WW Writer Problems 1–5

If you’re on my Facebook, then you will be familiar with today’s content. Over the past few weeks, I’ve been sharing little cards that I make called Writer Problems. I only have a few out, but I decided that I wanted to share them on here too. So today was born, and hopefully, more days like today will follow. Basically, I’ll be sharing 5 cards at a time and explaining where the inspiration came from (because there are too many hilarious stories that go on behind the scenes of these), and I think many writers can probably relate to my writer problems.

Adding this information since I received an email requesting it: I highly encourage you all to share these photos if you want! Never be afraid to take anything from my website. In fact, I love it! But please give credit to one of my websites. If you want to use these photos, for instance, please don’t crop my website name out. Thank you!

Writer Problems #1

No matter how many times I press SAVE, I still think I’ll lose the entire document when I close it (even though I use a flash drive).

1

I’m currently working on…well…so many projects. Like most authors. But I have a problem. I’m a very neurotic person – very superstitious, very particular, and I have my rituals and my fears and they practically control my life. ::takes big breath:: So, one of my OCD issues is closing documents. I can’t. Whenever I am working on something – like a novel – I seriously struggle to close the twenty documents I have up at all. Even though I also save every five minutes, which is a problem in itself, I say a little prayer before I ever close anything. On top of that, I’ve been known to reopen everything after I close it just to check. And then I save it anything. And I might open it again. It’s exhausting.

Writer Problems #2

Eureka! I have a new idea! Now if I could only finish my other ten ideas… 

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This goes back to my first problem. I never read one book at a time, and I never write one book at a time. I’m constantly working on different projects at the same time, so it isn’t rare for another project to sneak its way into my schedule. I’ve found that it’s both a blessing and a curse. My biggest issue is picking which novel to write next.

Writer Problems #3

Strangers catching you staring at them because they look like your characters.

3

Oh, goodness. On top of being neurotic, I’m always rather awkward, and one of those things that I tend to do (which often gets me in trouble) is staring at people. A lot. Even if people don’t look like my characters, I’ve found myself staring at someone that I WISH was one of my characters. You would think that I would get better at hiding my stalking eyes, but…I haven’t. I just stare. Creepily from my corner. Taking notes.

Writer Problems #4

Having nightmares about your novel during writing, editing, publishing, and after publication.

#4

It’s sort of like having the classic dream of showing up at school in your underwear. It happens – even though you’re no longer in school – and I find it’s even more frustrating when you’re out of school and have dreams like that. I have dreams of never finishing novels that are already finished. I have dreams of being called the shittiest author of all time. (But I think Honest Trailers already gave that to someone…) I have dreams of characters never coming out and talking to me again. Ah! I could go on and on about all the dreams I have revolving around books, but my heartbeat is racing.

Writer Problems #5

Hearing a song that inspired a novel…and now all you want to do it WRITE.

5

This particular card had a funny backstory to it, but I first have to explain how I make these. Basically, I pay attention to my everyday life, and when something reminds me of a writer problem I have, I create these. So, I might not even be going through what is on the card, but I will be going through something similar. For instance, in this case, I was doing the dishes, accompanied by my handy iPod mini – it’s green – and I Follow Rivers by Lykke Li came on. For those of you who listened to the 8tracks soundtrack for Take Me Tomorrow, you will know that this song heavily influenced my writing time, so just hearing it, made me want to go work on that trilogy. I struggled to continue washing the dishes, and it reminded me of times I’ve been out in public at an event and heard a song like this, which made it difficult to even concentrate at all. Writing consumes you.

Have any of these writer problems affected you? Have any funny stories to accompany them? Share below! And let me know if you want me to continue these cards and stories in the future. If you like them, be sure to follow me on Facebook because that is where I share them first.

~SAT

#MondayBlogs: Writing Relatable Teens

16 Feb

Intro:

What better way to start off the week than with a great guest post from YA author, Ava Bloomfield? Writing is a complicated journey, but with Ava’s help, everyone can create believable teen characters. Feel free to share your tips in the comments below!

Writing Relatable Teens

Nobody wants to grow up. We learned that in Peter Pan. So how does an adult write a relatable YA character? How does anyone write a relatable character?

It’s a subjective thing; we all know that. It’s impossible to wholly judge a character for their realism while we go about our particular lives, with our particular experiences, in our particular way. It fits that novel writing is such a personal process, in that context; our characters are born from us after all.

AvaSo what makes Charlie from The Perks of Being a Wallflower just as ‘relatable’ as, say, Bella Swan from Twilight?

Some argue those two aren’t remotely comparable. Some would say they’re too different; one is ‘deep’ and one is…well, Bella Swan. It’s all subjective anyway, so how do you guarantee you’ll write a Charlie and not a Bella?

The answer is simply that it depends on the journey, not the character itself. We can relate to almost anything if the underlying themes ring true to its audience.

While Charlie is coming of age, Bella is experience her first love. Or infatuation. Whatever you call it, there are inferences to be drawn. Just because Perks examines abuse and mental health issues doesn’t mean that Twilight’s love story is a vacuous waste of time by comparison. Didn’t Jane tell an unconventional love story with Mr Rochester in Jane Eyre?

Granted, Meyer doesn’t hold a candle to Charlotte Bronte.

But when we put the calibre of any particular writer aside, it’s easy to see that there’s room for any variation on topic. It’s how the writer weaves their message through a character that makes them believable, relatable.

Characters in YA aren’t just reflections of ourselves, or unfathomable things we just dreamed up one day. They’re extensions of ourselves. Teen characters are ghosts of our past, holding hands with today. In my experience, the whole process of writing about a young character is as familiar as it is daunting. We set out to write about a ‘real’ teenager, with battles to face, and through their development we thread together the fragments of our experience.

That ‘thread’ I’m talking about is a sensation that never leaves us. It’s the sensation of being on the cusp of adulthood, unprepared; plunged utterly defenseless into the wolf-pit that is the world. And it’s that thread that binds the YA writer with their characters and entwines them; it’s a natural occurrence. It’s necessary. It’s our link with our former selves, however near or far that is.

But therein lays the opportunity for disaster. By the logic of what I’ve just described, writing YA characters would be purely therapeutic. We’d confront our demons and wrap things up neatly in the end. We’d snuff out conflict in a way we never could in the real world, because we’ve walked that path before. And that’s not realistic at all.

Teen characters have to be monumental screw-ups in one fashion or another. They’re the lessons we wish we’d learned, failing all over again. There’s nothing palatable about success without sacrifice, is there? It’s as true for the protagonist as it is for the writer.

To write an authentic teenager, we give away the depths of what makes us who we are today. It’s not slaying the demon that wins the battle for any YA character; it’s the metamorphosis they experience on their journey. It’s the awareness that they aren’t the same person they were before.

And you, the writer, will have experienced it with them.

Charlie from Perks wasn’t the same come the end. Bella from Twilight wasn’t the same either. It’s all in the journey. It’s in the believability of their transformation.

The reader will experience that metamorphosis and evolve. The writer connects with its reader by way of character. Within that thread of experience, binding it all, is a common vein we share.

Isn’t that why we read YA, after all? It’s more than just an escape, and it’s certainly more than nostalgia. It’s a way of holding hands. It’s a way of saying, ‘I hear you’ that transcends any other medium.

Writing a relatable teen character is like shouting your deepest secrets into the void and waiting for them to echo back to you. Just know you’re not the only one listening out for it.

Bio:

Ava Bloomfield lives by the sea with her partner Matt and their Scottish Terrier, Sputnik. When she’s not busy with her day job as a transcriber, Ava can be found rummaging in charity shops for hidden treasure, mooching about in her local library, or writing her next novel.

Ava writes stand alone books about angsty teenagers. Check out: Honest, All Girls Cry, Leap and Beyond on Goodreads.

Ways of chumming up to Ava: TwitterBlog.

Alternatively, send her a psychic message over the cosmos. She’s not quite tuned into it yet, but she’s certain it’ll happen any day now.

Want to be a guest blogger? I would love to have you on! I am accepting original posts that focus on reading and writing. A picture and a bio are encouraged. If you qualify, please email me at shannonathompson@aol.com.

~SAT

#MondayBlogs: The Importance of Setting in a Novel

2 Feb

Intro:

Monday has reached us again, and today brings us another guest blogger. Today, I am pleased to announce Tara Mayoros, author of Broken Smiles. This well-traveled writer has written a wonderful post about the importance of setting in a novel, and her writing tips are sure to stay with us the next time we pick a location for our stories.

The Importance of Setting in a Novel 

Write what you know. How many times have I heard that? Oh man, probably at every conference I have ever gone to, multiple times.

know setting.

Long before I was ever an author, I would surround myself in settings which filled my soul with wonder. I would cover my limbs and face with autumn leaves to feel the smell. I would spend many nights under the stars, listening to the scurrying of little animals and the sounds of wind applauding my appreciation through the trees. The stillness would settle in my heart and when I began to bring pen and paper with me to different settings, my world became magical.

To me, setting should breathe like a character. It isn’t just streets, buildings, and names of towns — it is the lifeblood which weaves your characters and plot together. It shouldn’t be tacked in, but rather an integral part of the story. It grounds the reader.

It should also ground the author. The author carries the responsibility to bring details that are often overlooked. Especially, in my opinion, when it comes to nature.

Image-3

Pilot and Index Peak – Cooke City, Montana

Recently, I returned from a long trip through Montana and Yellowstone. I have visited many times and even lived there at one point. Those wild, rustic places are some of my favorite spots in the world and I felt the heavy burden to show my love for it in one of my novels. I hadn’t been up there for over a dozen years and I started creating the setting for my novel through memory. When I had finished my book, I was satisfied. But something tugged at me to visit those places again. Either my wild heart, or the pull to immerse myself in those mountains.

Arming myself with laptop, pens and journals, I was ready to take my story to battle and add details that were missing and change a few things. I was surprised when I came home and realized that I had never even written one word when I had surrounded myself in the nature I so dearly love. Why? It wasn’t a conscious decision by any means, but looking back, my body and soul yearned to feel the lifeblood of the setting. I didn’t need to muddle it with words, I needed to experience it and let the setting wash through me.

In this world where setting and placement are so often overlooked or replaced with handheld devices that capture our attention, authors need to work harder to ground the reader. We need to scream at our readers to notice detail. It breaks my heart every time I see someone surrounded by stunning scenery and their faces are aglow with the pale light of a handheld device.

Here are a few ways you can bring your setting to life in your novel, followed by some examples I have written.

*Be specific – it isn’t only a flower, describe the details. example: The vibrant purple petals stretched beneath an indigo hat which drooped over a white lip and a yellow bearded pouch.(Calypso Orchid)

*Sprinkle in similes and metaphors to connect – example: His temper was like a loose cannon. It could explode at any given time and I would be the set target.

*Use the senses; sight, sound, smell, taste, feel – This one is huge! I love to incorporate the senses. – example: My stomach was empty, which was good, because the smell hit me, and I heaved once more against the vacant remains of my belly. The putrid, decaying stench of rotten flesh made my eyes water.

*Show, don’t tell – instead of stating that its raining, describe the dripping trees, the puddles gathering in the crevices of rock, and the pattering on tin resembling tinkling bells.

Here is an excerpt from my novel contemporary clean romance Broken Smiles. The setting is in China, another one of my favorite places. I hope you can feel my love for it as you read my words.

Here and there rocks were covered with ancient moss. Orchids blossomed spontaneously upon the trees. Vines hung like ropes and twine, twisting upon the rubber and the banyan trees. Bamboo stood proudly against the moonlight, casting shadows that had been the same for thousands of years. Away from big city lights and pollution, it was easy to be transported back in time to ancient China. This land had managed to remain untouched throughout the different emperors and dynasties. As they walked, they passed a small ancient graveyard built against the hillside. The limestone shrines glowed mysteriously in the moonlight. Chinese characters and mini-sculptures were carved in the pale rock. Incense smoldered on the top of an old gravestone…

Thanks for stopping by –

Tara Mayoros

Bio:

As a child, Tara Mayoros moved to Asia with her family where her love of different cultures and travel began. In college she satisfied her wanderlust by moving back to China, filling her head with countless stories, and occasionally writing them down.

Years, marriage, children and many adventures later, she picked up her dusty pen and paper (or laptop) and realized that writing took her to different worlds and gave her the experiences that she yearned for. As an author, artist, baker, music teacher, gardener, and nature lover – she sees the beauty in the process, and the miracle, of creation. The Rocky Mountains are her home and they call to her whenever she finds herself in need of inspiration.

Connect with her: Website, FacebookAmazon, Twitter.

Want to be a guest blogger? Wonderful! I am accepting guest posts that focus on reading and writing. You are allowed a book link in the post as well as in your bio. A picture and a bio are encouraged. If you qualify, please email me at shannonathompson@aol.com. I’ll look forward to hearing from you!

~SAT

#SATurday: Writing in Shackles

24 Jan

#SATurday: Writing in Shackles

I recently found out I have early-onset carpal tunnel syndrome. I wasn’t even sure if that was a rare disorder for a female 23-year-old. Apparently, it is. I honestly don’t know much about it at all, but I am definitely learning. Being told I have to wear wrist splints for 6 weeks was my first lesson. As I’m writing this, I have successfully failed my first attempted night with my sleep shackles. Sort of. One is off so I can write. Across my desk, the other waits with open arms – or fasteners.

I have to confess that up until recently I always thought writing was the exception to the once-you-get-old-you-can’t-do-that-anymore rule. Unlike sports.

When I was 19, I worked in a small Mexican joint called Los Cabos, which I guess means I worked in the Midwest “capes”. I actually find that quite suiting since the air conditioning broke that summer, causing two hostesses to faint from the heat. But there was one coworker I remember quite vividly. He was a year older than me, working as a waiter until he could “figure things out”. I wasn’t sure what he meant until our boss allowed us to wear shorts (due to that pesky AC), and I saw his secret. It was impossible not to. I asked him about his overly intense knee brace.

As it turned out, the guy had a full ride scholarship to play football at one of those fancy universities I won’t bother naming. On the first day of practice – during the very first day he was living his dream – everything changed. He blew his knee out, and the scholarship was revoked. No more school. No more football. No more knee. But he could be a waiter.

I’m not judging waiters. I’m not. I worked in a restaurant for four years, after all. But the idea of dedicating 20+ years to your passion – in this case, football – and losing it from one injury has always (and deeply) disturbed me.

That was why I found extra comfort in my passion for writing. It was injury-free, practically safe. Potential insanity was my only concern. Not physical pain.

shackles

In my naïve head, I truly believed the only way I would lose writing was if something bizarre (and probably horrible and tragic) happened to my hands – a car wreck severed my fingers, a cancer consumed my veins, a disease peeled off my skin, etc. You get the picture.

I’m not sure why I thought this. Correction: I’m not sure why I let myself believe this. My late mother had rheumatoid arthritis, nerve damage, and Reynard’s Disease – all of which affected her daily hand functions – but she always had perfect nails. They always looked nice. Maybe that’s why some of her health problems never truly sank in. She appeared physically able – most of the time – to 11-year-old me anyway. But now – in this moment – I wonder what it would be like if she were still alive. I wonder if she would say anything to me about carpal tunnel. Maybe she could deliver some comfort by explaining how she overcame her daily pain, but I suppose she eventually succumbed to her pain instead of overcoming it, and I believe that’s why I might be entirely too disturbed by something – apparently – so regular. In argument, blowing out your knee is common, too, and so is losing your dream.

I don’t think I have lost my dream, but I feel for those who have.

If writing were a crime, wrist splints would be shackles and carpal tunnel would be the punishment of jail. Six weeks is my current sentence – but at least it’s only a lifestyle change, an adjustment, per se. And even I know my dramatics will subside if they haven’t already. Writing calms me. The pen allows me to breathe free air. And when I’m done writing this out, I will put my wrist splints back on as splints – not shackles – and I’ll take them off in the morning so I can write again. But until then, I feel for that waiter with the blown out knee and that girl who wasn’t tall enough to be a stewardess and that colorblind kid who only wanted to be a pilot in the Air Force.

I hope you found another dream to live,

~SAT on #SATurday

#MondayBlogs: Goodreads asks: How do you deal with writer’s block?

19 Jan

Intro:

Today’s guest post on #MondayBlogs is brought to you by author, Jeffrey Allen Mays. I had the honor of getting to know him after AEC Stellar Publishing, Inc. signed his debut novel, The Former Hero, and I encourage everyone to check out his website as well! After all, this energizing post was originally shared on there, and his insightful encouragement revolves around a topic all authors shudder at – writer’s block. Hopefully, after this post, writer’s block will become a thing of the past.

Goodreads asks: How do you deal with writer’s block?

Goodreads recently asked me to write a response to this question: How do you deal with Writer’s Block? Here’s what I said.WritersBlock21

We need to ask, What is ‘writer’s block?’ And we should be clear, it is not a clinical condition the way it sounds.

Swimmer’s Ear. Tennis Elbow. Tourette Syndrome. Erectile Dysfunction. Writer’s Block.

So-called ‘Writer’s Block’ is a state of mind in which a writer’s brain is not being particularly imaginative. For mere mortals, I think it is fairly common. Quotes you see on Facebook (at least, I have seen) to the effect that for ‘real’ writers there’s no such thing  as Writer’s Block are certainly annoying, but more to the point, they are just an expression of arrogance coming from one who apparently has a lot of natural activity in the creative part of the brain. Good for them. But even Hemingway lost it toward the end of this career after having the ability to write great stuff seemingly effortlessly, and then wax philosophic about it.

So I say, let’s take Writer’s Block down a few notches. Don’t resort to pharmaceuticals, and don’t define yourself by it.

When I can’t seem to get the motor running, I use a combination of going somewhere outside of the house, reading literature that I find the most brilliant and stimulating, and then, and this is the main thing, I muscle my way through (I did this yesterday). I sit in front of the blank page/screen for a long time doing nothing but thinking. Then usually after 2 or 3 hours (interrupted by coffee refills, ordering lunch, checking email, going to the bathroom etc.) I give up and just write something stupid:

“Dave was walking down the sidewalk.”

And from there I ask myself, What did Dave see? What interesting thing happened to Dave? And then I come up with, “Dave found something meaningful on the sidewalk” or “Dave had just emerged from donating blood, so he was woozy” or “Dave saw a homeless man lying still and feared that he might be dead…” And away I go.

No joke, it took me 3+ hours to get started because it’s been three weeks since I fed the monkey. I struggled with rereading everything I’d already written (it was a short story), but I knew that would take 20 minutes, and I would feel the need to start editing.

But I couldn’t think of something new and interesting to happen to my character. So I started with something stupid.

This may just be my new Writer’s Mantra. Start with something stupid.

Afterward, you can delete the stupid stuff. No one has to see it. The trick is letting yourself write something stupid. That may be the hardest part of all. Good luck!

candh.noodle.incident

#WW: The Lonely Writer

14 Jan

#WW: The Lonely Writer

Writing can be lonely. The career often demands hours of solitude – aside from our characters – and while our characters can be very real to us, there are still those days where a living, breathing human being might be nice to talk to. Most of the time, this urge only comes to me when I can’t find the strength to face my characters, and one of those times is right now.

I won’t call it writer’s block. I don’t believe in it. Writer’s block is almost a hysteria to me. But I can admit that I currently have writer’s depression – well, in reality, I think it’s safe to say I am depressed – but calling it writer’s depression allows me to focus on how my sadness affects my writing life.

quote-writing-at-its-best-is-a-lonely-life-organizations-for-writers-palliate-the-writer-s-loneliness-ernest-hemingway-344093

Ever since losing my publisher, it has been difficult. It has been hard to face my characters, and for more reasons than one. The main one is the idea of admitting to them that their stories might never be told. After all the work we’ve done together, it’s hard to admit this, even if it’s not entirely for certain. Other issues arise when I think about how I’m truly just talking to myself, even though talking to my characters does not feel that way at all. The strangeness bubbles up when I can admit that I’m okay with sounding crazy, but I’m not quite sure how to tell my characters about all of the changes that have taken place in my life…so, I’ve been avoiding them. It sounds silly, I know, but it feels a lot like not having the energy to visit with friends after you’ve had a rough week. You’re too tired – a bit too sensitive – and you don’t want to take out your emotions on your friends, so you stay home to avoid hurting your friendships.

I don’t want to destroy my characters.

You see, when I go through a rough time, I generally write a lot, but I write new things: a poem, a shiny new plotline, a card, this blog post. I don’t like writing in whatever I was writing in beforehand because my mindset has been altered for the time being, and during this time, I don’t want to accidentally disrupt the flow of a previous manuscript or scene or character. (Because this has happened before.)

It’s entirely insensible, but I understand that this is how my writing style works. On the contrary – if a character gets too demanding (like a best friend who shows up spontaneously to forcibly drag you out of your dungeon of Cheez-Its and blankets and kittens) then, I make a hesitant exception, and I try to listen to them, and this is generally when I realize little details have been missing from the manuscript before. So, I add them, and I slowly crawl out of my writer’s hole, and I pick up a pen, and I try again, and eventually, I know my characters – and my readers – still love me in the same way I still love them, in the undying way I love writing no matter how lonely it gets.

It is simply nice to talk about it with someone sometime.

Thank you for listening,

~SAT

P.S. Because I’m not writing right now, I do have a lot of free time for additional services! I connect authors with book reviewers and interviewers. I edit stories. I even create photos and give advice on social media. (And I like to believe my prices are far beyond fair. Seriously. I buy a Jimmy John’s sandwich for lunch.) Check out the full list of Services right here or email me at shannonathompson@aol.com.

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