Tag Archives: description

Writing Tips: Beautiful Characters

22 Feb

When I wrote about “Beautiful Creatures” last Wednesday, my follower, Wordschat, said “This looks so much like a Twilight wanna be but then again anything with ‘beautiful people’ will be.” (Wordschat’s blog reviews many aspects of his life: books, TV, movies, and novel–along with politics. Anything that effects his Canadian life, and I find his insightful writing to be a wonderful example of how we can take advantage of our technological world to communicate our opinions effectively.)

But–I wanted to discuss this “beautiful people” in novels, because, like many of you, I’m sure you’re sick of it. It’s repetitive, shallow, and, in the end, it’s impossible to relate to. Novels, it seems, go into this world where everyone (as long as they are a main character) is a walking super model (or a model in the making.)

What is with this and how can we, as writers AND readers, change this???

Readers: Demand a change. You have the power. Not the writer. Based on what you buy and react to, the industry WILL change. The industry HAS to adapt to what YOU want. But you have to demand it first.

Writers: Stop. It’s that simple. Instead of telling the reader how beautiful they are physically, explain the little things that make them beautiful to others. Use their personality.

Another way to show beauty is explaining what is beautiful to your character. This painting is beautiful to me. Not only does it depict my favorite actor (and cat!) but a wonderful painter took the time to create something lovely, specifically for me, and that gesture is beautiful.

Another way to show beauty is explaining what is beautiful to your character. This painting is beautiful to me. Not only does it depict my favorite actor (and cat!) but a wonderful painter took the time to create something lovely, specifically for me, and that gesture is beautiful.

Think of it this way: if you’ve ever had a lover yourself, what makes them beautiful to you? I hope your first thoughts don’t go straight to their physical aspects. It goes to their personality—who they are and how they continue to grow into the person you love. They aren’t set in stone—they are human—and they have flaws.

Personally, I find flaws are the most attractive part about a person. Not only do they describe a history, but they create a vulnerability that, when the narrator focuses on them, shows the endearing emotions of a character. This goes for all characters—not just lovers or protagonists.

I’ve created a list of attributes you can consider when thinking of how to create a “beautiful person” through personality rather than by physical forms:

Gestures: Actions speak louder than words. There is a reason this is such a popular phrase. Use it. Does a character go out of his/her way help, to show that they care? Consider creating a character who’s bad at explaining their emotions, so they, in turn, show it. Maybe they cannot make eye contact—so, in the rare moments they do, it means something.

Speech: Perhaps they are great with their words, but you cannot explain yourself in every situation, especially when a lot of people are around. Allow their conversations to change between different characters. Show how they change from one person to the next. This will show who they sympathize with and/or who they dislike. It will also create a relatable, emotional person, who may not even be aware how much they give away with their speech.

Physical: So they’re chiseled and their jaw line is impeccably defined. Great. I don’t care. Maybe I’m not attracted to that type of man, so why should I care? Keep your reader in mind. Use your narrator, and focus on the little things, THEY find beautiful. Consider using scars, birthmarks, injuries, or how they can never control their hair or expressions. Allow these physical aspects to create a beauty that is unique to the person, the narrator, and that will effect how the reader will respond.

I have one last disclosure: There, of course, are exceptions, but I want you to think about why they become exceptions. An example would be a novel about someone’s extreme beauty causes them disconnect. Their beauty puts them in situations where they cannot connect, because they feel as if people only like them because of their physical appearance. In this case, however, when you really get down to it, it’s their insecurities about connection that allow them to be beautiful. It shows a thought process. It shows an emotional response to the world. Use beauty in a way that readers will sympathize with how they are effected–not how they look. 

~SAT

If you're interested in how I'm doing in the Midwest snow storm: this is a carport in my apartment complex that collapsed beneath the weight of snow. Eek.

If you’re interested in how I’m doing in the Midwest snow storm: this is a carport in my apartment complex that collapsed beneath the weight of snow. Eek.

Writing Tips: How I Form Dialogue into Writing:

26 Dec

I separate writing into steps, so work with me here, and read twice if you need to start over after the end. This is an excerpt from chapter thirteen in a writing of mine, so don’t read for content; read for basic instruction to help focus on one writing aspect at a time.

First: Dialogue

Personally, I like to write out my dialogue at once, using an abbreviation for who’s speaking, so I know who’s speaking when I come back. This way, I don’t have to worry about description, but I can simply concentrate on the art of conversation.

In this scene, my protagonist, Amea (A), is crying with her back to the door when Emmy (E) checks on her.

EX:

A—What?

E—It’s Emmy.” “Are you crying?”

A—No

E—Good

A—What are you doing here? Where’s Leena?

E—Still sleeping.” “I was in the garden. I don’t play much, but do you want to come with me?

Second: Conversational Description

This is where I separate the speech, so it sounds more realistic and/or add basic character descriptions.

EX:

“What?”

“It’s Emmy,” she said, and I slid the door open as I wiped my tears away. She frowned. “Are you crying?” she asked, and I shook my head. “Good.” (I cut this dialogue to make it sound younger, as Emmy is nine.) 

“What are you doing here? Where’s Leena?”

“Still sleeping.” Emmy shrugged “I was in the garden. I don’t play much, but—” She grinned with crooked teeth. “Want to come with me?”

Third: Further Description and Edit

This part is where I add the description, placing the basic scene and adding to the dialogue with scenic descriptions

EX:

I slammed my bedroom door and pressed my back against it, sobbing. Water curled down my fingers, and I clutched my face, falling to the ground. I laid my forehead on my shaky knees as my body shuddered, vibrating as knocking rocked my entrance. (All of this is added)

“What?”

“It’s Emmy,” she said, and I scooted forward, (added necessary movement) sliding the door open as I wiped my tears away. She frowned, pulling at the ends of her curly red hair (added childish action), and rocked back and forth. “Are you crying?” she asked, and I shook my head. “Good.”

I smiled. “What are you doing here? Where’s Leena?”

“Still sleeping.” Emmy shrugged, pointing down the hall. (added—hall for scene) “I was in the garden. I don’t play much, but—” She grinned with crooked teeth. “Want to come with me?”

Four: EDIT EDIT EDIT.

It is necessary, so take that beautiful red pen of yours and get to work :D

I hope this may separate your writing into bits in which you can concentrate on important aspects one at a time, rather than worry all at once.

Have fun and write endlessly,

 

~SAT

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