Before I start, I have to apologize! I’ve been really busy with numerous things in my life. I’m working really hard to finish the edits of Seconds Before Sunrise while completing my senior year in college. I’m also spending a lot of time with my family, but I promise I’m trying to post every other day!
Okay. Phew. Now today’s topic:
Every time I go to the theatre, I see a new preview to a novel-movie adaptation. The crowd either sighs or is filled with excitement. There are even entire bookcases at the bookstore dedicated to upcoming movies, but movie adaptations are arguable. Readers are often disappointed by this, but do all adaptations deserve this? I don’t think so. In my personal opinion, I look at adaptations as separate pieces of art–“a sister piece.” It isn’t going to be the novel, but it will represent the novel in a visual manner, so I try to stay positive and open-minded by taking the movie as what it is: a movie. Because of this, I wanted to reflect on my top recent favorites. Why? Because I have a list of upcoming novels-to-movies that I can’t wait to see, and I’m hoping others do too! (Or considering seeing them after they think of their favorites and maybe decide novels-to-movies aren’t so horrible after all.)
1. Extremely Loud & Incredibly Close (Adventure/Drama/Mystery)
The novel has much more time to get in-depth with the protagonist’s background along with his family’s background, so I am biased when I saw this movie is great. A lot of information is left out. (The novel is amazing!) But I understand why they had to cut it. They didn’t have hours and hours to put in all of the stories they put in the novel. But, in my opinion, if you have read the novel, the director seems to do everything they could to hint at these stories and bring up all of the emotions the novel did. This is a very sad book, revolving around loss and 9/11, and the movie isn’t any different. There are amazing performances done by all of the actors, and I really enjoyed this adaptation, even through I watched most of it through tears.
2. Never Let Me Go (Drama/Fantasy/Romance)
This is one that I strongly encourage reading the novel beforehand. The way the reader learns as a child would learn (and with the characters) without the writer simply coming out to explain the situation is phenomenal. This was the biggest loss in the movie, because they had to come out and say it in the movie. But I still loved it, because the movie allowed me to simply concentrate on the relationships between Ruth, Kathy, and Tommy, while also considering the point of the novel (no spoilers.) I recently watched this movie again with a friend who hasn’t read the book, and they loved it. But it is a tear-jerker! (As most of my favorite movies are.) However, I still found remarkable beauty in the meaning, and you won’t walk away without thinking about life.
3. One Day: (Drama/Romance)
I fell in love with this novel like Em fell in love with Dex: insatiably and with hopeless aggravation. The movie brought up an entire different range of emotions. I didn’t necessarily fall in love with the characters, but I remained in love, and I saw them for who they were, and it was perfect. I have to admit that I’m not normally a fan of Anne Hathaway, but I loved her in this movie. She did a marvelous job, and Jim Sturgess rounded Dexter’s character in a way I was worried the movie wouldn’t. In the end, I was filled with the same emotions I was with the book, and I walked away satisfied and chatting about all the symbolic aspects of the characters’ lives.
4. On the Road: (Advernture/Drama)
A Jack Kerouac classic. I love this novel. It’s one of my favorites. (In fact, most of my favorite novels-to-movies are my favorite novels.) In this case, there were some major changes, especially at the beginning, but I could understand why they did it. I still think the director retained the voice of the novel while also depicting the Beat Generation. I definitely loved Dean Moriarty. I thought Garrett Hedlund did an amazing job.
5. Beautiful Creatures: (Young-adult/Fantasy/Romance)
You may have noticed, but this is my first young-adult book-to-movie adaptation. When I originally sat down, I realized I was generally disappointed by young-adult adaptations, but I am very open-minded when it comes to adaptations. The reason I think I loved this one so much, despite a lot of information being left out, was how visually stunning it was. The director clearly put in a lot of hours in to the set alone, and I found it beautiful and dark–just like the storyline.
So what novels-to-movies are coming out? There are plenty, but here are my top five:
1. The Mortal Instruments: City of Bones by Cassandra Clare
2. Great Expectations by Charles Dickens
3. Ender’s Game by Orson Scott Card
4. The Spectacular Now by Tim Thrap
5. Winter’s Tale by Mark Helprin
Other popular ones:
Percy Jackson: The Sea of Monsters by Rick Riordan
Catching Fire by Suzanne Collins
The Hobbit by J.R.R. Tolkien (Second one)
Do you have any novels-to-movies you really enjoyed and/or looking forward to seeing? I would ask about ones you dislike, but I try to stay positive and talk about what others like rather than the parts they dislike. However, I also believe that the things people dislike are just as telling, so feel free to talk about that as well. If you have any older novels-to-movies you think I may not have seen, please let me know! Considering novels and movies are two of my favorite things, it isn’t surprising when I say I love reading and watching them.
Again, I’m sorry I’ve been so busy, but I’m trying really hard to stay on schedule! I hope everyone is having a great week, and I’m loving all these reviews coming in. I’m always available at email@example.com, and AEC Stellar Publishing is still giving away free ebook copies to celebrate Minutes Before Sunset winning Goodreads Book of the Month. I appreciate all the support that has poured in. It means a lot to me, and it keeps me on my toes as I continue on with the editing process of Seconds Before Sunrise.
Goodreads Quote of the Day: “I wasn’t sure what was worse: being oblivious or living within reality.” (Minutes Before Sunset)