Tag Archives: novel writing

When Characters Say Too Much or Too Little

6 Sep

Announcements:

I have a couple announcements today. First, I would like to thank The Opinionated Woman’s Musings and Books for Fun for nominating ShannonAThompson.com for the Lovely Blog Award. I nominated six blogs on my Facebook page to keep it going!

In other news, P.S. Bartlett interviewed me, and we discussed my writing process as well as how my works differ from other words in my genres. Check it out by clicking here. I also did another interview with The Examiner, but I will be talking about that today. So let’s get to chatting!

… 

When Characters Say Too Much or Too Little

This is actually inspired from one of my latest interviews. If you haven’t had a chance to read my interview with The Examiner, here is the link, but in case the link doesn’t work, we spoke about topics in Take Me Tomorrow that I didn’t write about in great detail despite the fact that it is a huge factor to the setting, time, and lives of my characters. If you’ve read even the back cover of Take Me Tomorrow, you know there was a massacre prior to the story taking place. After the massacre, the State – a.k.a. the government body – enforced stricter rules on the citizens to prevent another violent uprising. That being said, Take Me Tomorrow is told from one perspective – a 16-year-old girl named Sophia Gray – and she doesn’t get into much detail about the massacre. The Examiner asked me why, and I explained in our interview:

‘I wanted to show more information on the massacre, but Sophia was very young and still is when the novel takes place, so it didn’t come naturally,’ Thompson says. ‘I thought about 9/11 when I considered the event. I was 10 when that happened, and it took me many years to finally grasp it or understand the importance of the event, but I definitely didn’t understand it when it happened. So I took that approach with Sophia.’

I would also like to add that if a sequel is published – which is up to the readers – the massacre as well as many other questions will be answered, but in terms of Take Me Tomorrow, readers are right. I didn’t explain it in great detail. But there was a reason behind my decision as well as many other decisions I made, particularly with Noah telling the story. Although he did in the original version, I had to cut his voice, because of many reasons – the main one being that it isn’t his story. It’s Sophia’s – but the secondary reasons revolve around his character. (Spoiler alert) When he’s on drugs, his voice makes no sense, and when he’s sober, he tells way too much information. Like way too much. Like the ending too much. Mainly because he can see into the future. But that’s another aspect entirely.

So where am I going with this?

Authors are often struggling with characters. We love them, but the characters – not the author – are in charge, which means they make decisions we don’t like, but we ultimately accept them because they are the ones telling the story. There are four instances that authors deal with in terms of characters, and those four things are listed below.

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Sometimes characters don’t want to talk

I’ve mainly had this problem with my dual-perspective novels. I’ll wait for the boy to talk only to realize he is just not interested, and then, I realize I am going to have to write the entire novel from one perspective. But – eventually – he pops up, and then, I have to go back and add him later. Worst case scenario, they never talk at all, and I struggle to find a way to get around it or to coax them out. But I’m sure many authors have dealt with this, even labeling it writer’s block. I like to call it character’s block – because it’s them, not me – and I wait patiently for them to get over whatever is blocking them. Yes, I realize these are people in my head, but trust me when I say – sometimes – they won’t even talk to me.

Sometimes characters want to talk too much

This is when authors start screaming, “Shut up! Just. Shut. Up. You cannot tell everyone who the murderer is on the first page. Idiot. Then, we don’t have a story.” It happens. Oh, it happens. A character wants to give away everything the second they get a chance to speak. But it can be an easier problem to solve. A simple, “Hold back a little bit.” can solve everything, but it is still difficult when a character insists on exposing information an author wasn’t planning on telling until the end. Most of the time, I bite my lip, listen to the character, and hope they have a reason. They normally do. That being said, I have had to censor a character here and there for giving too much away too quickly. We need some suspense, after all.

Sometimes we (authors) force it

When I say “force” – for once – I don’t mean this as a bad thing. Sometimes, authors get lucky. We find spots that we can slide information in without having to destroy our character’s honesty in the process. I am referring to characters finding newspaper articles or television sets explaining certain events that characters might not understand. This helps because an “outside” source can explain what is happening without the character necessarily being involved. That being said, we don’t try to create these moments. If they happen naturally, fantastic, but we also don’t want to rely on these at every moment we are tempted to do so. (Because we are oh, so tempted.) But this can often lead to info-dumping or other uncomfortable circumstances if authors aren’t careful.

Other times we (authors) don’t force anything

This is what happened with me in Take Me Tomorrow. I could’ve forced information in, found a way to blame the information on the surroundings, but I realized many things when I contemplated that: The State wouldn’t leave documents of the massacre laying around for a 16-year-old girl to get her hands on. (That’s why the only info she does receive is from her father.) The news wouldn’t talk about it, and even if they did, Sophia spends too much time out in the woods to watch the news anyway. She might be oblivious to some of the political situations, but she is 16. Not only is she busy being 16, but she is busy surviving in her environment. Worrying about her dad, Lyn, Falo, and Argos is more important than understanding something that happened when she was 12, even if it was only a few years ago. I also had to keep in mind that she wasn’t directly affected by it at all in terms of her comfort zone (her family and friends.) If she had been, I would’ve been looking at a different situation. So I left it out because Sophia would leave it out. That being said, she is a different person at the end of the novel, and she might figure these things out in the sequel if it happens. But refocusing on not forcing it: sometimes characters need to be true to themselves, even if it is slightly destructive to the story. I don’t regret not having this information involved because I know that I was true to the circumstances, to Sophia, and to the world she lives in. And that isn’t destructive at all.

Sometimes authors have to make big decisions, but most of the time, characters do that for us. We just have to accept it and do the best we can do with their decisions.

Have you ever had these issues with a character? Experienced character’s block? Ever wondered why a character didn’t say something earlier on?

Talk about it below!

~SAT

Website Wonders

28 Jul

Announcements:

All day today, I’ll be on The Authors Show, a radio station, and I hope you check out the interview by clicking here. Share it around if you want!

But if you’re more into the reading side, Elaine Jeremiah wrote the latest review of Take Me Tomorrow, and you can click here to read her thoughts. She ends her review with, “On the whole I thought that this was an excellent book, gripping and exciting and well worth a read. I would recommend it to anyone who enjoys an exciting, edge-of-your-seat, thrilling story.

Website Wonders:

Every month, I share all of the websites I come across that I find helpful, humorous, or just plain awesome. Below, you’ll find all of July’s Website wonders categorized into these categories: For Writers, Publishing News, Reading, and Inspiration. Between each category is a photo. If you enjoy these websites, be sure to like my Facebook page because I share even more websites and photos like this there.

For Writers:

If Strangers Talked to Everybody like They Talk to Writers: “Cool, I always wanted to be a car salesmen. Maybe when I retire I’ll settle down and just work on selling that Buick I’ve had in my head for years.”

Periodic Table of Storytelling: This is amazing. The element Kni = knight in shiny armor, but my favorite is Bbw = badass bookworm

12 Useful Websites to Improve Your Writing: The Hemingway App is on here! But so many other great tools are, too.

12 Amazing Sites with Breathtaking Free Stock Photos: Bootstrap Bay: Perfect for cover artists or writers who want to pick out the artwork for their cover artist.

Diary of Purple Prose: A collection of beautiful words.

New York Times 50 Most Challenging Words: I loved chimera – an imaginary creäture composed of the parts of several different animals, wild or impossible idea.

From Writers Write

From Writers Write

Publishing News:

If I Stay Trailer #2: I just can’t wait.

J.K. Rowling has released a new ‘Harry Potter’ story online:

20-Year-Old Hunter S. Thompson’s Superb Advice on How to Find Your Purpose and Have a Meaningful Life: Fun fact, Hunter S. Thompson is the reason I became comfortable using my real name in publishing.

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Reading:

50 Signs You’re Addicted to Reading: Between book hangovers, book boyfriends, and book adaptations, this list is pretty accurate.

10 Books Guaranteed to Make You Cry: Two of my favorite novels are on here. One of my friends will never forgive me for giving her my copy of One Day, although – I have to say – that Extremely Loud and Incredibly Close is one of the only books AND movie adaptations to both make me cry.

55 great books under 200 pages: fun infographic

Two Anonymous Students Sneak into a Classroom Every Week and Literally Blow Everyone’s Mind: Since these were quotes, I thought this fit in the “reading” category more, but their chalk art is gorgeous.

31 Beautiful Ideas for a Book-Inspired Wedding: There you go, Buzzfeed.

I’ll make my own library :D

I’ll make my own library :D

Inspiration:

26 Real Places That Look Like They’ve Been Taken Out of Fairy Tales: Beautiful castles, striking country roads, and caves with built-in nightlights.

Fairytales Come to Life in Magical Photos: Trust me. Fairytale photos are one of three things: stunning, haunting, or both.

This Landscape Body Art Lit Up by Black Lights

It Took 126 Photos, but Scientists Finally Fit the Biggest Tree on the Planet into One Amazing Image: Yes. I’m obsessed with trees. But anyone can appreciate this photo.

 This Looks Like An Ordinary Park, But Look At What Happens When the Season Changes: This is something that would honestly be unbelievable in fiction but so amazing in real life! (Which is sad!) But oh so cool.

Hope you enjoyed these sites as much as I did!

~SAT

Writing Tips: Character Profiles

12 Jul

Lots of announcements today before I share my thoughts on creating character profiles:

ShannonAThompson.com hit 17,000 followers! This is truly amazing, and I cannot believe that we’re continuing to grow. I started this little blog without any expectations, but if I had started it with expectations – I’m positive you have surpassed even my wildest dreams. Thank you for your continued support!

Other than that, I partook in an interview with Lit Chic. You can read what I think the hardest part about writing is, but I also have a shout out for all of my readers :D So click here to read the entire interview.

And if you are just now checking in and you’re curious about The Timely Death Trilogy, you’re in luck:

Hines and Bigham’s Literary Tryst reviewed Seconds Before Sunrise (book 2) – Mindy says, “If you are a Young Adult fan and love a book that can make you feel like you are part of the story and part of a different world you have to read this trilogy. I know I love it!” But I have to share her favorite part of book 2. This excerpt happens when Eric is talking to his guard about Jessica and deciding if he should tell her the truth.

“I don’t know how she’d take all of this at once, especially without proof.”

“So, transform in front of her.”

“And give her a heart attack?” I couldn’t imagine her reaction. “No, thank you.”

“At most, she’d faint.”

Read her favorite romantic moment as well as the entire review by clicking here.

If you haven’t read book 1, My Library in the Making reviewed Minutes Before Sunset this week, stating, “One of the top reasons why I enjoyed this book was all the conspiracies.” But you can read the full review, including her favorite quote and favorite scene by clicking here.

Hope you check out Minutes Before Sunset and Seconds Before Sunrise! Your growing support is the ink in my typewriter. Without you, my words would be invisible.

Now, onto today’s post (thank you for sticking with me!)

Writing Tips: Character Profiles 

A few weeks ago, I wrote The Beginning of my Writing Process, in which I revealed many details about how I first start off creating a novel. In the comments, I found a fantastic question about building character profiles, so today – this post is dedicated to Taking on a World of Words. I’ll be discussing three key elements I focus on when building a character profile – something I do BEFORE I write a novel – and I will be using Sophia Gray, the protagonist of my upcoming novel, Take Me Tomorrow, as an example. If you are interested in reading my dystopian book, please email me at shannonathompson@aol.com for an ARC.

1. The Basics

I suggest covering these first when taking down notes because you don’t want to overwhelm yourself by trying to cover a vast amount of complicated information first. So – even though I know the complicated stuff first – I always begin taking my notes with the basics. This includes a small physical description, strong personality traits, and background. This is sort of like taking your driver’s license and adding your personality to it. If you like using pictures for inspiration, then grab some from Pinterest, and build from there. (And never be afraid to change things as long as you take note and edit it in your final draft.) Here’s an example of something you might come up with:

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I don’t normally create photos such as that, but I wanted to show what can be done. Below you’ll find some information from my notes about Take Me Tomorrow. (I had to cut a lot of it to avoid spoilers, but this shows my organization process)

“Sophia (16) Sophia Elizabeth Gray

Physical: always wears her mother’s necklace, curly, brown hair, barely 5 foot, three small scars on her neck from Lily’s black cat, Saga. But she also has scars on her arms and legs from the forest.

Personality: loves running, close relationship with her father and Lyn, a stubborn heart. Prefers sweaters and jeans over dresses and heels.

Background: Born in Albany Region, moved to Topeka Region when she was seven, currently lives with her father, Lyn, and Falo.”

2. Timelines

Create a past, present, and future timelines. This is where things begin to get complicated, but don’t fret. Start simple – with everything you know – and make sure nothing contradicts anything else. From there, I would suggest figuring out things you don’t know (when did your protagonist meet their best friend?) Don’t forget: if you write it on your timeline that doesn’t mean you have to write it in the book, but it is safe to know everything and anything you can think of. I would even go as far as saying you should create separate timelines for each character while also creating one large timeline that shows overlaps between characters. Below is a VERY small example of Sophia’s past timeline. This includes the top five major events that happen before the novel ever takes place.

timeline3. Cover Everything 

I mean it. I know it sounds like a lot of work – and it is – but it will save you a lot of trouble in the end.  I create so many maps it’s ridiculous. I even have a “height’s map” which shows what characters would look like standing next to one another. Another example of a character map I had for Take Me Tomorrow is a map with every character’s home (past and present), and routes that they took from home to school to work (basically, anywhere they walked.)

Basically, you can never have too many notes. If you want to graph out the neighbor’s life who is never mentioned, then do it. In fact, you know the years that I picture Take Me Tomorrow to be in, but the actual years are never mentioned in the novel. Most of all, have fun! Never forget to have fun.

~SAT

goodr

I Am Not My Characters

2 Jul

First, I would like to thank Honya’s Bookshelf for nominating ShannonAThompson.com for the Very Inspiring Blogger Award. I posted about it on my author Facebook, but here were the three blogs I nominated – A Writer’s Life, EBook Bum, Books are Delicious – and I would love for you all to check them out.

July is here, and I’m beginning this sizzling hot month with a topic that I often get heated about. (Not angry. Just passionate.) As a reader, writer, and employee of a publisher, I see all sides of this topic, but the most common misconception I see is writers believe in whatever the characters or story expresses. I am here to disprove this.

I’ve actually mentioned it before in my article The Top Ten Seriously Awkward Conversations I’ve Had When People Hear I’m A Writer, but here’s the small quote about that:

“7. Why are you pro/con (insert controversial political or religious topic here)?

I’m sorry – what? Just because my character carries a gun on his right hip or gets an abortion or believes God isn’t real, doesn’t mean that I do these things, let alone believe in them. In fact, I don’t have a lot in common with many of my characters.”

When I started publishing, I was really young and naïve. I never even considered someone judging my personal life off of my work, but – to my horror – this happened. (And “horror” is an appropriate word.)

My first novel that I published was November Snow. A lot of characters – mainly young children – die. (It says this on the back of the book. Just saying.) And for some reason, shocked readers seemed to look at me a little different the next day. I even had a teacher ask me if I needed to talk to someone in a concerned tone I will never forget.

To me, this was so surprising because I felt like they looked at me as if the violent world was a reflection of some deep and dark complexity inside my teenage soul, but – in reality – I was just writing a story about discrimination, violence against the innocent, and oppression.

The reason I’m so passionate about this topic – that authors are NOT their fictional stories – is because I felt as if the meaning of my novel disappeared under the concerned wave of my reading peers.

Before you think, “Oh. That was only because you were 16 and in high school.” Here’s a few example from my latest work. (Spoiler Alert for Seconds Before Sunrise. If you want to skip the spoilers, please go to the next bolded line.)

In Seconds Before Sunrise, Jessica goes out with her friends. She drinks. The reader sees her have a few beers and a shot of vodka, but she does mention that she drank more than that in the next chapter. However, I am now being asked if I am such a lightweight. (Because apparently all of us brunettes are lightweights.) I’ve also been asked if I like beer (no) and vodka (yes. Only Grey Goose. What can I say? I’m half-French.)

…sigh…

Just because Jessica Taylor goes to a bar underage with her friends does not mean I go to the bar with my friends underage, that I ever went to a bar underage, or that I’m encouraging kids to get into bars underage. First of all, I’m not underage, and second, I don’t have any friends. If I’m going to the bar, I’m taking my characters with me. (And probably a notepad so I can write interesting stuff down about interesting people who will probably become interesting characters in my next interesting novel.)

Now, if I had to be honest, sure, there are some things I might have in common with my characters. But I have lots of things in common with a lot of people. That doesn’t mean we are the same person. Same thing with characters. One of the biggest questions I’m asked about The Timely Death Trilogy has to do with the physical description of Jessica Taylor in Minutes Before Sunset and how I look.

I get it. Jessica has blue eyes and curly, brown hair. I can see why people might think that’s why she looks a certain way. But there are millions of people with curly, brown hair and blue eyes. And she also has a double identity. As a shade, she has straight, black hair, so she doesn’t always have curly, brown hair. In another point, I picture her hair to be much darker than mine and a lot more maintained. It’s also curlier. She also has blue eyes. Mine are gray – they are technically called “moonlit.” (Awesome.) And she has purple eyes when she’s a shade. When I turn into a shade – wait. I don’t. I don’t transform into a mystical being at night, and if I did, I surely wouldn’t admit to it.

But I try to avoid describing my protagonists in extravagant details, especially since it is written in first POV, because I want my readers to be able to put themselves in their shoes. I don’t want readers to think they are supposed to be in MY shoes instead. And my next novel, Take Me Tomorrow, is told from one perspective, Sophia Gray. She loves her elkhound-husky, Argos, but she hates cats. She absolutely despises cats. If you’ve been following me for a while, then, you already know that I don’t. I’m a cat lady. But here’s a venn diagram – Take Me Tomorrow style – to show difference and similarities.

tmtrefer

Just because a character does/thinks/feels something does not mean that it is a reflection of the author. It’s not some subconscious, multi-personality Matrix. It’s not deep-rooted secrets or twisted desires surfacing under the tip of our almost-empty pens. Sure, it could be that way for some (or even many authors) but not all of us are basing our novels and characters off of our real lives. The art is just art. It’s a story. And that can be a pretty deep and complex experience without the author’s personal life being involved.

I am not my characters, but more importantly – my characters are not me. They are complex and meaningful and questioning and confusing and lovely in their own way, and that’s what makes books so amazing. If I were the protagonist in all of my novels, you wouldn’t be shown a world with clairvoyant drugs or paranormal shades. You would read about me sitting around with my cat. And I think we all know what we would rather read. :]

Sit back and enjoy the read! And if you’ve ever experienced someone thinking you are what you write, please share below! 

~SAT

 

Website Wonders

28 Jun

It’s that time again! Today is Website Wonders, and my next post will be June’s Ketchup. But I’m switching it up a little bit. Today, I’ll be sharing all of the websites I’ve come across this month that I think you’ll enjoy – but I’m also sharing a small excerpt of Take Me Tomorrow. Don’t forget to email me if you want to review it! I’m at shannonathompson@aol.com, and I should be receiving the review copies soon. I am also open to interviews! (Or just talking.) So talk to you soon!

~SAT

Below, you’ll find all of June’s Website Wonders categorized into these categories: For Writers, Publishing News, For Readers, Inspiration, and Humor. The excerpt is at the bottom, but I share all of these on my Author Facebook page throughout the month, so be sure to join me there if you haven’t already. :D

For Writers:

200 Words Instead of “Said” – I am a huge fan of the word “said” but many writers like to use a variety of words. A few readers left fantastic tips on my Author Facebook Page, including Amber Skye Forbes saying to use words like these like gems. I agree with her, but this article is great if you’re looking for those little gems to use.

Famous Writer’s Sleep Habits vs. Literary Productivity: Too bad my sleep habits aren’t anything like these.

21 Harsh But Eye-Opening Writing Tips From Great Authors: “Even the great writers of our time have tried and failed and failed some more.”

Publishing News:

Amazon Is Now Re-Stocking Some Hachette Titles: This dispute is on-going.

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For Readers:

What Your Favorite High School Book Says About You: I picked “1984” since “The Stranger” wasn’t on the list.

George RR Martin’s editor hints at eighth Game of Thrones book: An eighth book?!

Against YA: I responded to this horrible article this month here –> “Everything I Learned From Against YA and More”

14 Brilliant Pieces of Literature You Can Read in the Time it Takes to Eat Lunch: This article is a brilliant piece to read during lunch. I felt so lucky to find this. It’s a great list!

Cassandra Clare released a snippet from The Dark Artifices: Can’t wait!

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A quote from Seconds Before Sunrise that Snydle quotes made!

Inspiration:

Spooky, Wild Scenes Straight Out of Grimm’s Fairy Tales: beautiful photos

Powerful Portraits of Brave People Revealing Their Insecurities: Other than the fact that this project is powerful and amazing and so many other words, I thought this would be a great exercise for writers to run through with their characters. What are there insecurities? Where would they write them down? How would they display themselves?

Under This Tree In Cuba, There’s A Secret World. Enter At Your Own Risk: Goes to show how much one tree can hide.

Heilbrunn Timeline of Art History: Great for historical writers!

The Top 10 TED Talks Every Woman Should See: I would like to add that these aren’t just for women. I think they’re great for everyone.

Humor:

The 20 Biggest Plot Holes In World History: Truth is stranger than fiction.

Which Member of the Justice League Are You?: I’m Batman!

Excerpt:

A little information first: the photo you see is from the Take Me Tomorrow Pinterest board. The boy is very close to Miles Beckett, a friend of Sophia’s. The scene you’re about to read is actually a part of a flashback of the first time Sophia met Miles when they were seven years old.

10486302_700440563336461_7589438558921574845_n“We’re going to be best friends,” Lily squealed, seeming younger than me even though I was told we were the same age. I couldn’t say anything to that either.

“You’ll really like it here,” Ms. Beckett said, giving a slight push to a young boy standing next to her. He had stumbled forward, but his gaze never left the ground. His curls were matted with gel, and his shirt had a collar. He looked like a child dressed in an old man’s suit.

Miles managed to tell me his name, while Lily exclaimed that he was her brother. Twins. I had never met twins before.

“I’m Sophia,” I said, glancing up at my father for social direction.

“You’ll like it here, kiddo,” he repeated Ms. Beckett’s words, playing with the glasses in his pocket. I nodded mechanically, knowing that his new job would keep him out of the State most of the time. I was stuck here, and everything was about to change.

Hope you enjoy the websites!

~SAT

 

The Beginning of my Writing Process

26 Jun

First, thank you so much for all of your fantastic birthday wishes! I can honestly say that my 23rd birthday was the best birthday I’ve had. It was a perfect day. (I mean, I had mousse cake AND coffee. What isn’t perfect about that?) My Amazon rankings even went up! So thank you for your support, encouragement, and friendship. A little smile can brighten a day, but kind words can brighten the darkest life. Your words illuminate my existence.

Cue the dramatic piano piece. (Or trumpets. I think trumpets might work for this.)

So a few things happened the past few days!

Steampunk Sparrow’s Book Blog reviewed Minutes Before Sunset. You can read it by clicking here, and you can check out the award-winning, paranormal romance on Amazon by clicking here. (But it looks like so many of you checked it out on Monday! In fact, AEC broke their record for their best day of sales on my birthday.)

Other than that, I heard from my formatter at AEC Stellar’s Publishing, Inc. the other day. She hopes to have everything done by next week, so it looks like Take Me Tomorrow is still releasing this July. Yip-eee!

That’s why I’m writing this today: below you’ll find an accurate description of the BEGINNING of my writing process. My entire writing process is rather complicated, but I can cover the beginning because I kept a lot of the original notes (something I don’t normally do.) Call me superstitious, but keeping notes once a book has changed feels like something that holds me back from allowing the novel to grow into something new. So I hope you have fun! (You might even see some sneak peeks.)

First Step: The Spark of Inspiration

This is VERY unusual for me. Most of my novels, including The Timely Death Trilogy and November Snow, are based off of dreams, but Take Me Tomorrow was inspired by a conversation my father and I had in a Starbucks one afternoon. I was 19, visiting home from college, and talking at a hundred miles per hour. (Now – that is usual.) We were talking about drugs (legal and illegal) when we debated about futuristic drugs. What would they be like? What could they do? And that conversation was the spark of Take Me Tomorrow – a story that is grounded in the future where a clairvoyant drug has been released and outlawed. (I’ll explain why my father and I were talking about drugs in step four)

Second Step: That Spark Turns into a Flame:

As an avid reader and writer, I spend enormous amounts of time in bookstores. In fact, I began spending so much time in my local Barnes & Noble that most of the workers joked about paying me because they saw me helping customers so often. One night, while brousing the bookshelves, I found this postcard. (I apologize about the quality, but the postcard is four years old, and it’s taped inside the notebook I share below.)

postcard

I was attached. It felt like mine before I ever even touched it. And it felt like Take Me Tomorrow. Here’s the funny part. At no point in the book will you see these characters or this scene. I can’t tell you if it actually even exists, but I can tell you that it resonated with me in a way that even I cannot explain. I bought that postcard and I found my notebook.

Third Step: Feeding that Little Flame:

tmtnotenookTo the right, you’ll see the real notebook I used to write ALL of my original Take Me Tomorrow notes in. You should know that I have to have specific notebooks for each novel. I can’t write about four different novels in one notebook. Again, call me paranoid, but I feel like it disrupts the energy of creativity if I’m writing in Take Me Tomorrow, flip one page, and I’m in another book all together.

Fourth Step: My Flame Becomes a Giant Fire

I have a confession about my first three steps. I go through them all of the time, dozens of times, and I normally stop right there. Why? Because I find out that I’ve been fanning the flame instead of allowing my passion to keep it running. But Take Me Tomorrow is obviously one of the exceptions. It made it to step four because I am passionate about the story and the topic. Why? This is the dark side of the flame. I am VERY passionate about drug use. I want to clarify that I am not talking about me taking drugs – illegal or legal. I am just talking about understanding drugs. This has to do with my past.

My mother was a drug addict. She died from an overdose when I was eleven years old. One day, I will share more about this. But ever since I was old enough to understand, I spent days researching drugs – especially LEGAL drugs – and how they affect people. Much of this research will be in Take Me Tomorrow, and that research is the gas on the flame. To me, finding passion in the story and in the research is vital to writing my novels. I can admit that I want to share so much about my past in regards to understanding drug use, especially how my mother became an addict in the first place, but it might take me a while before I open up about it on here. It’s a very personal topic to me. But that’s also why Take Me Tomorrow is so important to me.

Fifth Step: Taming the Growing Fire

This is the last step in the beginning of my writing process. Once I have enough research on the topics I want to write about and symbolize, I begin growing the story with characters, worlds, graphs, and more. These maps, graphs, and notes include character profiles, height graphs, a calendar, moving maps, scene maps, past timelines, family trees, and more. Just so you can laugh with me, I added one of my beautiful maps below. (What can I say? All of my artistic abilities reside in my writing. I cannot draw.) This map is taken directly from Chapter Five and Chapter Six. And you can read a sneak peek right below that: (the entire novel is told by Sophia Gray.)

breakin

“You coming with or not?” he asked.

Miles shook his head. “There’s a cop right there,” he said. “It’s too risky, even for me.”

Broden checked his arm’s splint. “Wait in the car, then,” he ordered blankly as if he had expected Miles’ reaction. “Run if anything happens.”

Miles didn’t budge. “You’re going by yourself?”

Broden shrugged. “I didn’t come this far to leave Noah standing there, now, did I?”

“I’ll go,” I volunteered before the boys could argue. Both of them gaped at me, and I repeated myself. “I drove you two here. I think I have the right to go to − wherever you’re going.”

“Sophia,” Miles sighed. “You don’t want to.”

Broden lifted his hand to Miles, “She can come if she wants.”

“What if you guys get caught?”

“Then, we’re all in trouble,” he pointed out, “whether she’s waiting in the car or not.”

Miles mumbled curses to himself. “I can’t believe this.”

“Believe it,” I stated, marching over and pulling the black beanie off his head. “Now, give me your jacket.”

I hope you enjoyed this! Please add Take Me Tomorrow to your Goodreads shelf, email me at shannonathompson@aol.com if you want to review it, and I will share your review right here on ShannonAThompson.com!

As always, with all my love, I hope I can inspire and help you in your writing journey by sharing my personal journey with you. Please share your writing process below! Is it different in the beginning than in the end? Do you make maps first or during the writing? Do you make character profiles?

~SAT

Writing with Barbie

19 Apr

Prepare for laughter during today’s post. But – before we get onto the giggles – I want to share two important bits of news.

Paris Carter reviewed Seconds Before Sunrise, stating, “The novel also includes several internal struggles for Eric and Jess that sparks tension throughout the entire novel, and it’s the chaos of them struggling to work out their answers and fight themselves that bring Shannon’s novel to a second dimension.” Read the entire review here or check out his review of Minutes Before Sunset first.

I also participated in an interview with Doodles, doodles everywhere. We talked about what hurts me the most as a writer, and I expanded on the research that went behind The Timely Death Trilogy. Check it out.

It’s been a few days since I participated in my first podcast interview, but I wanted to write about something fun since my last post was rather dreary. That’s when my mind immediately returned to The Lurking Voice. (Just a small, Kansas City update though, they found the Highway Shooter, so things feel a lot better around here. Maybe that’s why I’m so eager to post something I can laugh at…I mean, laugh with you…as you laugh at me.)

Back to the topic.

If you listened to the full interview – which you can by clicking here – then you know that I confessed to many writing strategies that I haven’t mentioned before, although “strategies” will quickly turn into a debatable term during this post. My ultimate, reluctant confession happened when we discussed November Snow, my first published novel.

I was 11 when I started writing it and 16 when it was published. It’s safe to say that it isn’t my best work, but I am planning on re-writing it. As we were discussing this, Ryan Attard asked a great question. How does a preteen plan a novel out? That’s when I said it.

November Snow was based on a game that I played out with my Barbie dolls as a much younger kid. Now, if you’ve read November Snow, then you might be concerned, considering how violent the book is, but there’s no need to be concerned – (I think.) That’s what I told my high school teachers anyway when I was asked about the dark nature of it. But that’s another story for another day.

Today, I wanted to share a funny truth to November Snow. No matter how dark the story is, many of my characters were actually based on the dolls I used. I admitted to it on the podcast, and now I am re-confessing it on here. Even better, I dug through some boxes, and I found the old toys, so I’m sharing a few of them as well as small excerpts from the novel that proves this goofy aspect of my writing.

You’ve been warned.

A little background before we begin:

November Snow is a young-adult, dystopian novel, and it is told from dual, first perspectives: Daniel and Serena. Unfortunately, I lost the Serena doll (she might have lost a limb or two or maybe even a head.) But I still have Daniel, who you will see soon. I’m going to share three pictures, and each picture has numerous characters on it. Below each picture, I will have a one-sentence background, and below that, I’ll be sharing the real excerpt from the novel. I’ll also include page numbers as well as who was telling the story at the time (Daniel or Serena.) I am also including a little note, explaining how my 11-year-old brain worked. Got that? Okay. I even think I’m lost, but trust me – it’s organized. Hope you chuckle as much as I did writing this post! Traveling to the past can be a funny adventure.

First picture: from the left to the right: Robert, Daniel, and Calhoun. 

theboys

Robert: 19, leader of the Southern Flock (hates hugs)

“I turned around to see Robert’s dark brown eyes staring at me, and my heart lunged into my dry throat…He muttered something, his brown hair shagging in his face, and I laughed. “ (Serena, 156-7)

Note: Believe it or not, he’s not the antagonist. Sort of?

Daniel: 18, leader of the Northern Flock (all around hunk)

“The guy looked like Daniel. He had the brown, muffled hair and tanned skin. He even had the blue and white jacket down, but he wasn’t responding to his name.” (Serena, 181)

Note: So, if you didn’t notice, I even based some clothes off of these toys.

Calhoun: age unknown, Daniel’s mentor. (kind of a hard ass)

“From the bottom step he could have been mistaken for a modern-day giant. His face was strong, as were his muscles, and he looked like he could barely fit into the sweater he was wearing. He had been in a POW accident, in which he had lost one of his arms, but he refused to tell the story. Normally, he had a fake arm in, but tonight, a gray sleeve dangled at his side, blowing in the chilled November wind.” (Daniel, 25)

Note: if you listened to the podcast, then you know this character actually ended up being very similar to my real father. Except my dad has both arms. And he’s not a vet. But I swear they are alike.

Second Picture: from left to right: Daisy and Maggie

girls

 Daisy: 16, member of the Southern Flock (I hate her.) 

She doesn’t deserve a note or description. Seriously. Have you ever hated your own characters so much that you regret bringing them into existence? I think Daisy might be in my top three of characters I’ve created and despised. #authorproblems.

Maggie: 16, member of the Northern Flock. (crushes on Adam in private)

“The front door opened, and Maggie walked in. She was wearing a small, pink coat and white disco pants that had gone out of style a century ago, but she still pulled them off easily.” (Daniel, 240)

Note: is it just me or is Daniel incredibly aware of fashion trends?

Third picture: from left to the right: Amy, Justin, and Marisa

Now for the youngsters, the category of characters that caused one of my high school teachers to ask if I needed to talk to someone after she read my novel and discovered only a few of the characters survive. (Seriously. It’s on the back of the book…) From left to right, we have Amy, Justin, and Marisa.

kids

Amy: 14, member of the Southern Flock. (Hates being called “Amy.” Her name is Amiel Marie Young.) 

“Amy’s hair was tied back in a French braid.” (Serena, 144)

Note: So this was more of a hairstyle thing, and you can’t really see it in the doll anymore, but it was there. I promise.

Justin: 6, member of the Southern Flock (borderline obsessed with hockey)

“Justin, blond-haired and brown eyed, was whisked off his feet by the collar of his shirt.” (Daniel, 479)

Note: There’s actually a hockey scene in the book just for this hockey-themed doll. (I really have no shame as I share this, do I?)

Marisa: 7, member of the Northern Flock (too small to crush on Adam, but apparently, all the girls like Adam…maybe I should’ve shared Adam.)

“A small girl struggled her way into Adams’s lap and leaned her bony elbows onto the table. She had long, brown pigtails that rested on the wiggling table and innocent eyes.” (Daniel, 44)

Note: The hair is there. The hair is totally there.

So there you go. My young-adult novel that almost got me in trouble as a teen was originally created during playtime as a kid.

Try to figure that one out.

I sure haven’t.

~SAT

If you want to check out the collector’s first edition, click here.

If you want to check out the collector’s first edition, click here.

 

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