Tag Archives: write a novel

Writing Tips: Character Chart

31 May

Over the past two days, I’ve had the pleasure of receiving two more reviews of Minutes Before Sunset and one interview about the behind-the-scenes of the work. And I’m here to share it with you all before I begin my “Writing Tips” sessions.

On May 29, Nada Faris, author of Before Young Adult Fiction, Fame in the Adriatic, and ‘Artemis’ and other Moms wrote a five-star review on Goodreads: 

“…This story has twists and turns (even the prophecy changes). It has magical powers, romance, and some funny moments. As a young adult novel, it will satisfy its readers. All in all, the first book in A Timely Death series, was promising. It sets the stage for more conflict. Seconds Before Sunrise, Book 2 of the series, is scheduled for release in fall 2013.”

Read the rest of her review by clicking here.

The five signed copies of Minutes Before Sunset are in the mail for the winners! Congrats!

The five signed copies of Minutes Before Sunset are in the mail for the winners! Congrats!

On May 30, Tina Williams, host of A Reader’s Review, wrote an analysis of my recently released novel while also expanding it with an interview/guest post: (Click the links to read more.) 

Review: “…Minutes Before Sunset is an original and compulsive read. The tale is told in the first person, with chapters told from the perspective of Eric and Jessica. This is effective in terms of both advancing the plot and giving depth to the characters. I particularly enjoyed the maturity and selflessness of the hero and heroine, Eric and Jessica, and found their growing attraction and love for one another both believable and sweet. The novel ends in such a way that I am chomping at the bit to read the next installment. Minutes Before Sunset is a magical, if slightly dark tale, containing romance and adventure, which explores fate and free will and self-sacrifice. I recommend it to readers of both adult and young adult paranormal romance.”

Interview: “As a much younger child, I often suffered from nightmares and night terrors (I honestly couldn’t differentiate between reality and dreams) so my mother had me turn them into stories in order to cope. My latest young-adult paranormal romance, Minutes Before Sunset, is actually a result of the same thing, but it was a different series of dreams. I was in a very dark time in my life, and I had dreams of a boy visiting me at night—just to talk. He’d ask me about how I was feeling, what I was going to do next, and what my hopes were for the future. When I got through that dark time, the dreams were quite literally ripped away from my conscious, and I was distraught. Despite my happiness, I still wanted him as if he was a real person, so I created a story explaining his visits. And Minutes Before Sunset was born.”

Special thanks to both of these talented and lovely ladies. I am proud and grateful to have such great supporters like you all. 

In case anyone is curious, Minutes Before Sunset is available as a paperback on Barnes & Noble and Amazon as a preorder. It will be shipped to you on June 14, 2013. Click the links to be directed to the website. (And don’t forget to let me know if you review it! I will put your blog right here.)

Now. ::takes deep breath:: The writing tips! 

I’m a big fan of graphs and charts. Seriously. I graph everything. (I’m sure I’ll do more posts on this later–you will not believe the things I can find ways to graph.) But why do I like to graph and chart?

Whether or not I expect it, graphs and charts show something–a pattern or lack thereof–and I think this visual information can help more than a writer (or reader) might originally think. So I came across one the other day called The Character Chart, and I wanted to share it with you all. I would take a screen shot and post it, but the website asks users to “link only” and use only for personal use, and I want to respect that. 

However, I will say that it is a great chart. It’s basically a questionnaire for you to print out and get in-depth with your characters about who they are, what drives them, and who they will become. I particularly like this one because of the detail involved (like self-perception compared to reality.) This is not to say that all of these details are completely necessary to know, but I do say this: this list will challenge you, no matter how well you know a character (especially minor ones), and you might learn something about your character you haven’t expected. I think this list is great for those who are also looking to bring depth to their character (or even to create an entirely new person!)

I’ll definitely be returning to it. Again, I’d share more about it, (I’d even share my answers for Eric or Jessica in Minutes Before Sunset) but I want to respect his copyright properly, so all I can really say is check it out :] And let me know if you’d like to see more interactive websites like this. I’ll be sure to share them as they come.

~SAT

P.S I hope everyone is enjoying the arrival of summer. I sure am! And I wanted to share a piece of my lake fun with everyone: Have a great (and sunny) day!

I'm on a boat...wait...a raft.

I’m on a boat…wait…a raft.

Writing Tips: Different Perspectives

31 Mar

On March 17th post: News: Submissions Closing and Minutes Before Sunset Info one of my followers, rolark, asked “I’m trying out writing from more than one perspective right now (it’s my first time!), and was wondering if you had any advice?”

And I do!

As many of you know, November Snow is told from two perspectives (Daniel and Serena) while my upcoming paranormal-romance novel, Minutes Before Sunset will also be told this way (by Eric and Jessica.) I love using this technique for novel writing, because I enjoy first person, but I dislike how it restricts the storytelling to one character during particular scenes that may be told better by another.

So I use first person by two people—generally one male and one female. Why? Because I generally have a romance aspect to my stories, but I also think men and women can bring different viewpoints to the table. (But so can every character–this is a personal preference of mine.)

One of the coolest part of writing is when one of your fans creates something for you. This is fan art from a novel of mine on my previous Wattpad account. Sophia and Noah, my male and female protagonists.

I love it when fans creates something from my writings. This is fan art from a novel of mine on my previous Wattpad account. Sophia and Noah, my male and female protagonists.

Personally, this is what I do (although 3 comes first, but it’s the longest part), and I’ll be using November Snow as an example:

1. Consider Syntax.

Change it up. One character’s thoughts may drag on, so the sentences are longer or dragged out, while another may make lists or sporadic lengths of thoughts. Consider using italics, colons, and/or dashes for one character.

Ex/ Daniel is often exhausted, so I used shorter sentences to depict his energy state. Serena’s sentences are longer. This allows the voices to seem different in the basic way they think.

2. Pay Attention to Diction. 

One character may use very flowery language, while another may have less of a need to elaborate.

Ex/ Daniel is very patient, but also anxious (especially when walking around Vendona, considering the government is after his kind.) So I always have his eyes darting around. He’s constantly surveying his surroundings, paying attention to the little details, and often loses his thoughts to the physical world. His language, therefore, does the same thing.

Serena is rebellious. She’s tired of conforming to the rules and hiding, so she’s often taking risks she shouldn’t be taking. Because of this, I don’t pay attention to as many details when I wrote from her perspective. She no longer cares. Instead, she’s focused on changing, so I show more details about relationships, people, and the future within her language.

3. Now Perspective. 

Now, I’m about to use a gender stereotype to explain where I’m coming from, but it’s for an example. You’re welcome to swap them around for different effects.

Men may pay attention more to physical action than detail, while women may focus on the little details. For instance, a man may describe someone running, while a woman may mention the fact that the runner was in jeans. These little switches in descriptions between your perspectives will help create a realistic viewpoint in the sense that it’s subconsciously differing from one person to the other. The character doesn’t even consider it; it’s simply a part of how they look at the world.

One of my favorite exercises:

Write a chapter in which the two characters are talking. Let’s say this chapter is written from Daniel’s. Afterwards, whether I decide to use it or not, I’ll write it from Serena’s. Make sure the dialogue and the physical actions are the exact same, but compare the thought process. How did the scene change? What does this change mean?

As an example, two people can be talking and Person A could notice Person B is fidgeting. Person A may assume Person B is nervous, but, when you tell it from Person B’s perspective, you learn that they are distracted, not nervous. These little bits can truly morph the way characters interact. I always encourage this exercise, even if the writer isn’t planning on telling from another’s perspective.

This always helps me understand the consciousness of the characters, and I feel more confident when I move onto a new scene.

You can always post questions for quick answers on my Facebook Author Page! Joining also helps me out, and I really appreciate the support :]

You can always post questions for quick answers on my Facebook Author Page! Joining also helps me out, and I really appreciate the support :]

My hope is that this may help rolark and other writers who want to play with this technique, but I also want to encourage others to ask questions.

I will always do my best to answer! (And you will get credit for asking the question.)

Have a great day,

~SAT

April 2nd: Writing Tips: Make Maps (Interior) 

Writing Tips: Titling Your Novel

18 Feb

I’m so glad you all enjoyed my Events page. I’m really excited to show my timeline with you (and, to be honest, digging through my portfolio was such an encouraging adventure! I hope you are inspired to do the same. It’s a confidence booster. I hadn’t realized how much media I’d done until I spread the articles across my desk. Plus, I’d love to see what all you have done and are up to!)

Through you all, I received a few emails regarding one line in particular: December 4, 2006—Finished writing November Snow (originally titled It’s Only a Matter of Time.)

Many of you were interested in why the title changed, how it changed, or what the title reflects, and I think this is a great aspect to consider when studying your own piece of work. 

Originally, of course, my novel was titled It’s Only a Matter of Time. The reasoning for this is a funny thing: it’s the last line, and I didn’t have a title for it while I wrote it. I’m a strict believer in not deciding (for sure) on your title until the entire piece is written. I think it’s smart to have an idea, but, many times, a book changes as you write it. You may write an entire manuscript and realize your characters aren’t who you thought they would be. Maybe you have symbols you never even considered. Maybe your setting changed. Your ending may even change. Either way, writing is a journey and it changes, even if you have a plan. Think of writing like life: You may have a plan, but things happen, and your path changes.

This is what I had to consider when I realized my novel was being published. 

I knew It’s Only a Matter of Time wasn’t appropriate. It didn’t describe the tale, it didn’t relate to my characters, it didn’t describe the setting, and it didn’t summarize my overall message. So I set out to discover what DID describe all of these things.

As many of you know, November Snow ONLY takes place in November. It’s told from two perspectives, and it’s in a made-up land, Vendona, in 2089. November 2089 is ridiculous, and Vendona’s November is confusing, because the reader won’t even know what Vendona is until they pick up the book. I couldn’t use Serena’s November, because it ignores Daniel, and the same aspect happens when I looked at Daniel’s November. Plus, the novel isn’t centered around their lives, but how their lives are effected. So what about November’s Election? Doesn’t work. In my case, I’m American, and our elections are in November; readers would assume it’s a fictional tale about our government systems, and that wasn’t my audience.

So I looked at my symbols. I have plenty–but, ultimately, snow is the most powerful image. Snow hasn’t fallen in Vendona in twelve years, and the snowfall landed on a very detrimental date in the tale. However, during this particular November, the weather is cooling again, and the ostracized “bad-blooded” children realize it may fall again–and there may be another vital moment.

I don’t want to spoil my novel, so I won’t say what happens, but snow does fall again.

Through this, I realized the falling of snow, not only effects my characters, but ultimately symbolizes the effect on my reader.

November Snow was born.

I describe my process in the hopes that you all, whether you’ve already written a novel or not, can decide on the most effective and honest title for your piece. After all, you wouldn’t want to publish it and later regret what the title said. Think of it as poetry: a poem’s title is vital to understanding the symbolic meaning of the delicate words on the page. Without it, the descriptions may seem obscure or confusing. The poem, essentially, may not make sense at all.

Titles ARE important–and the right one is vital. Choose carefully and use your heart to do so. 

~SAT

Because I like sharing little bits of my life with you all: This is a picture of my older brother with his cat, Bella, and my cat, Bogart. Who knew we were so related?

Because I like sharing little bits of my life with you all: This is a picture of my older brother with his cat, Bella, and my cat, Bogart. Who knew we were so related?

 

 

Writing Tips: How I Form Dialogue into Writing:

26 Dec

I separate writing into steps, so work with me here, and read twice if you need to start over after the end. This is an excerpt from chapter thirteen in a writing of mine, so don’t read for content; read for basic instruction to help focus on one writing aspect at a time.

First: Dialogue

Personally, I like to write out my dialogue at once, using an abbreviation for who’s speaking, so I know who’s speaking when I come back. This way, I don’t have to worry about description, but I can simply concentrate on the art of conversation.

In this scene, my protagonist, Amea (A), is crying with her back to the door when Emmy (E) checks on her.

EX:

A—What?

E—It’s Emmy.” “Are you crying?”

A—No

E—Good

A—What are you doing here? Where’s Leena?

E—Still sleeping.” “I was in the garden. I don’t play much, but do you want to come with me?

Second: Conversational Description

This is where I separate the speech, so it sounds more realistic and/or add basic character descriptions.

EX:

“What?”

“It’s Emmy,” she said, and I slid the door open as I wiped my tears away. She frowned. “Are you crying?” she asked, and I shook my head. “Good.” (I cut this dialogue to make it sound younger, as Emmy is nine.) 

“What are you doing here? Where’s Leena?”

“Still sleeping.” Emmy shrugged “I was in the garden. I don’t play much, but—” She grinned with crooked teeth. “Want to come with me?”

Third: Further Description and Edit

This part is where I add the description, placing the basic scene and adding to the dialogue with scenic descriptions

EX:

I slammed my bedroom door and pressed my back against it, sobbing. Water curled down my fingers, and I clutched my face, falling to the ground. I laid my forehead on my shaky knees as my body shuddered, vibrating as knocking rocked my entrance. (All of this is added)

“What?”

“It’s Emmy,” she said, and I scooted forward, (added necessary movement) sliding the door open as I wiped my tears away. She frowned, pulling at the ends of her curly red hair (added childish action), and rocked back and forth. “Are you crying?” she asked, and I shook my head. “Good.”

I smiled. “What are you doing here? Where’s Leena?”

“Still sleeping.” Emmy shrugged, pointing down the hall. (added—hall for scene) “I was in the garden. I don’t play much, but—” She grinned with crooked teeth. “Want to come with me?”

Four: EDIT EDIT EDIT.

It is necessary, so take that beautiful red pen of yours and get to work :D

I hope this may separate your writing into bits in which you can concentrate on important aspects one at a time, rather than worry all at once.

Have fun and write endlessly,

 

~SAT

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