Tag Archives: writing

Author Announcements

24 Jul

Author Announcements:

I am back! And my little vacation was pretty perfect. I ended up in Branson, Missouri. I’ve never been there before, so I didn’t know what to expect, but I visited a wax museum, the Titanic museum, and a maze of mirrors. (They are seriously difficult to get through.) And I ate a funnel cake that was the size of my face, so the past few days were truly fantastic.

Thank you all for understanding my time away. One of these days, I’ll write about why stepping away is one of the best things a writer can do, but today I really wanted to thank all those bloggers who kept things going while I was away. Because so much happened, I’ve actually organized the events into categories. I hope you’ll check out these fantastic websites.

It is good to be home,

~SAT

P.S. I’ll share photos in between categories, so here’s a picture of me at the Titanic Museum.

10526190_2408854499429_3953314505803884170_n

Guest Post:

Pau’s Castles invited me to write a guest post about how I managed my writing time during my time as a college student, so I wrote a post, and here’s my first piece of advice from that article:

“First Step: Figure Out Your Schedule

And I mean really figure it out. How many courses are you taking, and how many hours do they truly demand? What days are your busiest? Factor in midterms and finals. Don’t forget about family birthdays or how professors sometimes give out MORE work during extended holidays. Now, figure out when you’re most available. Is it at night? Is it before classes start? Is it only on the weekends? Once you have your responsibilities figured out as well as your free time defined, it will be easier to factor in your writing needs – which brings me to my next point.”

Click here to read my next point. 

Here’s a photo of Humphrey Bogart and Marilyn Monroe at the Hollywood Wax Museum

Wax museum

Wax museum

Interviews:

The Starving Bibliophile asked me many questions this week, but my favorite one involved POV in my works. I finally explain why Noah didn’t narrate Take Me Tomorrow, because – surprise – he, originally, did tell half of the story, but I also talk about the one career I wanted before I wanted to be a writer.

HeiBooks is a new website that features all kinds of writers, and they invited me on for Take Me Tomorrow. On my page, you can read about our interview, and you can a scroll around their website for many other novels, including many AEC Stellar books. Click here to check it out.

Here’s my giant funnel cake.

20140721_211450

Reviews:

Diary of an Eager Reader is the latest reviewer on this wonderful list that I’m truly thankful for. She read Take Me Tomorrow, beginning her review with “I have to consider myself to be pretty lucky since some of my favorite stories come to me through the help of authors who are looking to get buzz for their books.  9 times out of 10 they are great stories that i’m more than happy to talk about, and this one falls right there with those 9.  I really enjoyed this story.” And she tells you why in her review here.

Inkwell & Paper also reviewed Take Me Tomorrow, titling their review “One Pill Makes a Difference.” The review begins with, “Take Me Tomorrow by Shannon A. Thompson is a book that unfolded like an action packed movie.” And her review reads like an action packed movie, too, which you can read by clicking here. But I truly appreciate that she pointed out her two favorite quotes. Click the linked numbers to read them on Goodreads:

1. “The emotional toll was enough to put me to sleep, but my anxiety was enough to keep me awake.”

2. “Behind his gaze was a memory that I wanted to snatch from him.”

Ray’s Works – the website of Matter of Resistance author Raymond Vogel, is my next reviewer, stating, “Expect vivid images, creative characters (with even more creative motivations), and a complex web of connectivity that’s hard to guess. Well done!” But you can read his full review here.

And finally, Things Matter, wrote “The tone and content are very similar to The Hunger Games, and I recommend Take Me Tomorrow if you’re looking for a read-alike to that or if you just like YA dystopia in general!” But you can read all of her thoughts by clicking here.

Here is a car outside the Uptown Cafe where they sing live while you eat!

20140722_174657

Feature:

I was also author of the week on Books to Curl Up with Blog!

Have fun checking out these great websites!

~SAT

Writing Tips: Character Profiles

12 Jul

Lots of announcements today before I share my thoughts on creating character profiles:

ShannonAThompson.com hit 17,000 followers! This is truly amazing, and I cannot believe that we’re continuing to grow. I started this little blog without any expectations, but if I had started it with expectations – I’m positive you have surpassed even my wildest dreams. Thank you for your continued support!

Other than that, I partook in an interview with Lit Chic. You can read what I think the hardest part about writing is, but I also have a shout out for all of my readers :D So click here to read the entire interview.

And if you are just now checking in and you’re curious about The Timely Death Trilogy, you’re in luck:

Hines and Bigham’s Literary Tryst reviewed Seconds Before Sunrise (book 2) - Mindy says, “If you are a Young Adult fan and love a book that can make you feel like you are part of the story and part of a different world you have to read this trilogy. I know I love it!” But I have to share her favorite part of book 2. This excerpt happens when Eric is talking to his guard about Jessica and deciding if he should tell her the truth.

“I don’t know how she’d take all of this at once, especially without proof.”

“So, transform in front of her.”

“And give her a heart attack?” I couldn’t imagine her reaction. “No, thank you.”

“At most, she’d faint.”

Read her favorite romantic moment as well as the entire review by clicking here.

If you haven’t read book 1, My Library in the Making reviewed Minutes Before Sunset this week, stating, “One of the top reasons why I enjoyed this book was all the conspiracies.” But you can read the full review, including her favorite quote and favorite scene by clicking here.

Hope you check out Minutes Before Sunset and Seconds Before Sunrise! Your growing support is the ink in my typewriter. Without you, my words would be invisible.

Now, onto today’s post (thank you for sticking with me!)

Writing Tips: Character Profiles 

A few weeks ago, I wrote The Beginning of my Writing Process, in which I revealed many details about how I first start off creating a novel. In the comments, I found a fantastic question about building character profiles, so today – this post is dedicated to Taking on a World of Words. I’ll be discussing three key elements I focus on when building a character profile – something I do BEFORE I write a novel – and I will be using Sophia Gray, the protagonist of my upcoming novel, Take Me Tomorrow, as an example. If you are interested in reading my dystopian book, please email me at shannonathompson@aol.com for an ARC.

1. The Basics

I suggest covering these first when taking down notes because you don’t want to overwhelm yourself by trying to cover a vast amount of complicated information first. So – even though I know the complicated stuff first – I always begin taking my notes with the basics. This includes a small physical description, strong personality traits, and background. This is sort of like taking your driver’s license and adding your personality to it. If you like using pictures for inspiration, then grab some from Pinterest, and build from there. (And never be afraid to change things as long as you take note and edit it in your final draft.) Here’s an example of something you might come up with:

SEG

I don’t normally create photos such as that, but I wanted to show what can be done. Below you’ll find some information from my notes about Take Me Tomorrow. (I had to cut a lot of it to avoid spoilers, but this shows my organization process)

“Sophia (16) Sophia Elizabeth Gray

Physical: always wears her mother’s necklace, curly, brown hair, barely 5 foot, three small scars on her neck from Lily’s black cat, Saga. But she also has scars on her arms and legs from the forest.

Personality: loves running, close relationship with her father and Lyn, a stubborn heart. Prefers sweaters and jeans over dresses and heels.

Background: Born in Albany Region, moved to Topeka Region when she was seven, currently lives with her father, Lyn, and Falo.”

2. Timelines

Create a past, present, and future timelines. This is where things begin to get complicated, but don’t fret. Start simple – with everything you know – and make sure nothing contradicts anything else. From there, I would suggest figuring out things you don’t know (when did your protagonist meet their best friend?) Don’t forget: if you write it on your timeline that doesn’t mean you have to write it in the book, but it is safe to know everything and anything you can think of. I would even go as far as saying you should create separate timelines for each character while also creating one large timeline that shows overlaps between characters. Below is a VERY small example of Sophia’s past timeline. This includes the top five major events that happen before the novel ever takes place.

timeline3. Cover Everything 

I mean it. I know it sounds like a lot of work – and it is – but it will save you a lot of trouble in the end.  I create so many maps it’s ridiculous. I even have a “height’s map” which shows what characters would look like standing next to one another. Another example of a character map I had for Take Me Tomorrow is a map with every character’s home (past and present), and routes that they took from home to school to work (basically, anywhere they walked.)

Basically, you can never have too many notes. If you want to graph out the neighbor’s life who is never mentioned, then do it. In fact, you know the years that I picture Take Me Tomorrow to be in, but the actual years are never mentioned in the novel. Most of all, have fun! Never forget to have fun.

~SAT

goodr

Censoring Myself in the Publishing World

10 Jul

Fantasy is More Fun is giving away tons of prizes to celebrate their one-year anniversary. Check out the raffle by clicking here, be sure to join, and you might win ten novels! Minutes Before Sunset is included!

Censoring Myself in the Publishing World

It’s hard to be yourself in an art industry – as strange as that sounds.

Correction: It’s hard for me to be %100 myself 24/7 in the publishing industry. Perhaps this a fact of life – not just something in the publishing industry – but I have found myself censoring myself about my lifestyle because I’m afraid that I will lose readers if they don’t agree with me. (Personally, I don’t see why we have to agree about everything, but this still happens.) This happens in and outside the publishing world, but I wanted to share the topics I struggle with as an author in order to help other authors talk about their personal troubles. I also hope to take my first step at being %100 honest without fear of reader rejection.

So here is a list of things I have been afraid to mention before:

Books I Dislike and Like:

This isn’t about if they are good or not. I am a firm believer in the fact that books can both be good and be disliked. My personal example of this is Divergent. I just could not get into it. I could not wrap my mind around a society the forces you to be only ONE thing, and the color scheme seemed too simple for such a complex topic. I also felt like it had a lot of religious undertones that made me very uncomfortable. That being said, I still think Veronica Roth is a fantastic writer. I can see a variety of reasons to love it. I can appreciate her prose. On the opposite spectrum, I enjoyed Twilight. There. I said it. Granted, I was 14 when I read it, so it was also marketed to girls my age at the time. I actually remember buying Twilight after a friend told me about it and being reluctant only to go back the very next day to buy the second book that had just released. It wasn’t until much later that I considered the themes in it – when others saw it as abusive, I saw it as just a story – just entertainment. Either way, it still makes me really sad when readers hate on other readers, so that’s why I think I censor myself about my personal book tastes. I don’t want a fan to think I’m attacking their favorite book, because I understand how personal a book can mean to a reader, how much joy and heartbreak can come when a reader loses themselves in a story and how destructive it can feel when others try to tear it to pieces.

I smoke hookah and I drink:

I’m 23, so both of these acts are legal for me, but I try not to mention this about myself because my readers are primarily young adults, and I don’t want to encourage them to do either of the things. As a contradiction, my next novel, Take Me Tomorrow, deals with a lot of themes about drugs in society, including the youth. The sad fact is that many young adults find themselves involved with drugs. This a reality. But my biggest fear is someone telling me their kid blamed me for trying hookah or trying a drink. Here’s another ugly truth: my mother died from a drug overdose. They were legal painkillers prescribed to her. So I know the deadly consequences that can derive from drug use, legal or not. Perhaps – because of my various experiences – I am sensitive to how people perceive me in regards to the drugs in my upcoming novel. Who knows? When I’m asked in interviews “Where do you write?” I find myself struggling to answer honestly, “In a local hookah house.” Because I don’t want other kids to smoke because I smoke occasionally. I know it’s bad for you. I understand this. I am only afraid readers will somehow think I am saying it’s good for you when I’m not.

From Post Advertising

From Post Advertising

Depression associated with publishing:

It happens. I have days where I struggle – just like any person in any industry – but there seems to be a strange stigma associated with artists. If we complain, we aren’t grateful. If we complain, we are selfish because there are so many writers who wish they were published. But can’t we be honest? Can’t we say it’s hard? Can’t we feel sad sometimes, too?

Characters I’ve based off of people:

I don’t directly and purposely try to base my characters off of people in my life, but – as time passes – I can see strong correlations. Still, I am terrified of admitting to my relationships (friends or not) with these people because many of these people are no longer in my life. It feels rude. It feels selfish. Maybe I’ll get over it. Maybe I won’t. But sometimes – when I realize this – I miss them. I miss the characters that were once my closest friends. And I have struggled to even make friends. Since I moved around a lot as a child, friends didn’t last very long. We always moved. But losing friends when I still lived in the same area was an extremely difficult part of my teenage years. I didn’t have to deal with it until I was 15 – and it was hard. Really hard. I couldn’t comprehend how someone I confided in could turn their back on me (or how I managed to turn my back on others.) So when those characters clear up, it can be confusing and unreal and strange, so it’s much easier to deny the possibility that my characters might – in fact – be them.

Certain scenes:

When I was younger, it was easier to be true to the story. I didn’t care what readers thought of a controversial scene, but now I find myself changing them or cutting them out completely – mainly because I or people I have met have gone through many of these trials and I don’t want to stigmatize the victims. I don’t want to hurt them. I don’t want to trigger something.

My personal life:

So you know I have a cat. You know I live in Kansas. You know that I work for AEC Stellar as an author and an employee. You know I lost my mother at a young age and my college roommate. But you don’t know how much I mentally struggle to believe that I created a relatable female character because I struggle to relate to females in general (which I think stems from the fact that I was mainly raised by my father and brother, therefore feeling more comfortable around males.) I’m also more comfortable writing as a male, and when readers ask me about it, I get really uncomfortable about it, because I don’t even know why. To clarify, I’m not uncomfortable with the fact that I enjoy writing as a boy; I get uncomfortable when someone tries to make sense of it, like there has to be a reason for it. I – on the other hand – just want to accept it for what it is. The only other topic I would like to clarify on is that I am not just a “cat person.” I grew up with dogs, and I love and miss my husky, Shadow. (So much so that Argos in Take Me Tomorrow is based off of him.) He was in my life for 15 years. If I had a yard and the proper time and money for a puppy, I would get one. But I don’t. So I have my cat, Bogart, and I love him very much. But I love cats and dogs and pretty much every animal on the planet.

There are ugly parts of everyone’s life and art, but – even though it is common – it is hard to confess to those darker moments. That being said, confessing to those thoughts can help others who struggle with truths they avoid. I like to believe that my “ugly” parts aren’t ugly at all. I am human. That’s what makes us artists.

Feel free to share those things you avoid mentioning below! It’s quite a freeing moment, and I’m glad to share my struggles here, especially if it helps other artists come out with their struggles!

~SAT

I Am Not My Characters

2 Jul

First, I would like to thank Honya’s Bookshelf for nominating ShannonAThompson.com for the Very Inspiring Blogger Award. I posted about it on my author Facebook, but here were the three blogs I nominated – A Writer’s Life, EBook Bum, Books are Delicious – and I would love for you all to check them out.

July is here, and I’m beginning this sizzling hot month with a topic that I often get heated about. (Not angry. Just passionate.) As a reader, writer, and employee of a publisher, I see all sides of this topic, but the most common misconception I see is writers believe in whatever the characters or story expresses. I am here to disprove this.

I’ve actually mentioned it before in my article The Top Ten Seriously Awkward Conversations I’ve Had When People Hear I’m A Writer, but here’s the small quote about that:

“7. Why are you pro/con (insert controversial political or religious topic here)?

I’m sorry – what? Just because my character carries a gun on his right hip or gets an abortion or believes God isn’t real, doesn’t mean that I do these things, let alone believe in them. In fact, I don’t have a lot in common with many of my characters.”

When I started publishing, I was really young and naïve. I never even considered someone judging my personal life off of my work, but – to my horror – this happened. (And “horror” is an appropriate word.)

My first novel that I published was November Snow. A lot of characters – mainly young children – die. (It says this on the back of the book. Just saying.) And for some reason, shocked readers seemed to look at me a little different the next day. I even had a teacher ask me if I needed to talk to someone in a concerned tone I will never forget.

To me, this was so surprising because I felt like they looked at me as if the violent world was a reflection of some deep and dark complexity inside my teenage soul, but – in reality – I was just writing a story about discrimination, violence against the innocent, and oppression.

The reason I’m so passionate about this topic – that authors are NOT their fictional stories – is because I felt as if the meaning of my novel disappeared under the concerned wave of my reading peers.

Before you think, “Oh. That was only because you were 16 and in high school.” Here’s a few example from my latest work. (Spoiler Alert for Seconds Before Sunrise. If you want to skip the spoilers, please go to the next bolded line.)

In Seconds Before Sunrise, Jessica goes out with her friends. She drinks. The reader sees her have a few beers and a shot of vodka, but she does mention that she drank more than that in the next chapter. However, I am now being asked if I am such a lightweight. (Because apparently all of us brunettes are lightweights.) I’ve also been asked if I like beer (no) and vodka (yes. Only Grey Goose. What can I say? I’m half-French.)

…sigh…

Just because Jessica Taylor goes to a bar underage with her friends does not mean I go to the bar with my friends underage, that I ever went to a bar underage, or that I’m encouraging kids to get into bars underage. First of all, I’m not underage, and second, I don’t have any friends. If I’m going to the bar, I’m taking my characters with me. (And probably a notepad so I can write interesting stuff down about interesting people who will probably become interesting characters in my next interesting novel.)

Now, if I had to be honest, sure, there are some things I might have in common with my characters. But I have lots of things in common with a lot of people. That doesn’t mean we are the same person. Same thing with characters. One of the biggest questions I’m asked about The Timely Death Trilogy has to do with the physical description of Jessica Taylor in Minutes Before Sunset and how I look.

I get it. Jessica has blue eyes and curly, brown hair. I can see why people might think that’s why she looks a certain way. But there are millions of people with curly, brown hair and blue eyes. And she also has a double identity. As a shade, she has straight, black hair, so she doesn’t always have curly, brown hair. In another point, I picture her hair to be much darker than mine and a lot more maintained. It’s also curlier. She also has blue eyes. Mine are gray – they are technically called “moonlit.” (Awesome.) And she has purple eyes when she’s a shade. When I turn into a shade – wait. I don’t. I don’t transform into a mystical being at night, and if I did, I surely wouldn’t admit to it.

But I try to avoid describing my protagonists in extravagant details, especially since it is written in first POV, because I want my readers to be able to put themselves in their shoes. I don’t want readers to think they are supposed to be in MY shoes instead. And my next novel, Take Me Tomorrow, is told from one perspective, Sophia Gray. She loves her elkhound-husky, Argos, but she hates cats. She absolutely despises cats. If you’ve been following me for a while, then, you already know that I don’t. I’m a cat lady. But here’s a venn diagram – Take Me Tomorrow style – to show difference and similarities.

tmtrefer

Just because a character does/thinks/feels something does not mean that it is a reflection of the author. It’s not some subconscious, multi-personality Matrix. It’s not deep-rooted secrets or twisted desires surfacing under the tip of our almost-empty pens. Sure, it could be that way for some (or even many authors) but not all of us are basing our novels and characters off of our real lives. The art is just art. It’s a story. And that can be a pretty deep and complex experience without the author’s personal life being involved.

I am not my characters, but more importantly – my characters are not me. They are complex and meaningful and questioning and confusing and lovely in their own way, and that’s what makes books so amazing. If I were the protagonist in all of my novels, you wouldn’t be shown a world with clairvoyant drugs or paranormal shades. You would read about me sitting around with my cat. And I think we all know what we would rather read. :]

Sit back and enjoy the read! And if you’ve ever experienced someone thinking you are what you write, please share below! 

~SAT

 

The Beginning of my Writing Process

26 Jun

First, thank you so much for all of your fantastic birthday wishes! I can honestly say that my 23rd birthday was the best birthday I’ve had. It was a perfect day. (I mean, I had mousse cake AND coffee. What isn’t perfect about that?) My Amazon rankings even went up! So thank you for your support, encouragement, and friendship. A little smile can brighten a day, but kind words can brighten the darkest life. Your words illuminate my existence.

Cue the dramatic piano piece. (Or trumpets. I think trumpets might work for this.)

So a few things happened the past few days!

Steampunk Sparrow’s Book Blog reviewed Minutes Before Sunset. You can read it by clicking here, and you can check out the award-winning, paranormal romance on Amazon by clicking here. (But it looks like so many of you checked it out on Monday! In fact, AEC broke their record for their best day of sales on my birthday.)

Other than that, I heard from my formatter at AEC Stellar’s Publishing, Inc. the other day. She hopes to have everything done by next week, so it looks like Take Me Tomorrow is still releasing this July. Yip-eee!

That’s why I’m writing this today: below you’ll find an accurate description of the BEGINNING of my writing process. My entire writing process is rather complicated, but I can cover the beginning because I kept a lot of the original notes (something I don’t normally do.) Call me superstitious, but keeping notes once a book has changed feels like something that holds me back from allowing the novel to grow into something new. So I hope you have fun! (You might even see some sneak peeks.)

First Step: The Spark of Inspiration

This is VERY unusual for me. Most of my novels, including The Timely Death Trilogy and November Snow, are based off of dreams, but Take Me Tomorrow was inspired by a conversation my father and I had in a Starbucks one afternoon. I was 19, visiting home from college, and talking at a hundred miles per hour. (Now – that is usual.) We were talking about drugs (legal and illegal) when we debated about futuristic drugs. What would they be like? What could they do? And that conversation was the spark of Take Me Tomorrow – a story that is grounded in the future where a clairvoyant drug has been released and outlawed. (I’ll explain why my father and I were talking about drugs in step four)

Second Step: That Spark Turns into a Flame:

As an avid reader and writer, I spend enormous amounts of time in bookstores. In fact, I began spending so much time in my local Barnes & Noble that most of the workers joked about paying me because they saw me helping customers so often. One night, while brousing the bookshelves, I found this postcard. (I apologize about the quality, but the postcard is four years old, and it’s taped inside the notebook I share below.)

postcard

I was attached. It felt like mine before I ever even touched it. And it felt like Take Me Tomorrow. Here’s the funny part. At no point in the book will you see these characters or this scene. I can’t tell you if it actually even exists, but I can tell you that it resonated with me in a way that even I cannot explain. I bought that postcard and I found my notebook.

Third Step: Feeding that Little Flame:

tmtnotenookTo the right, you’ll see the real notebook I used to write ALL of my original Take Me Tomorrow notes in. You should know that I have to have specific notebooks for each novel. I can’t write about four different novels in one notebook. Again, call me paranoid, but I feel like it disrupts the energy of creativity if I’m writing in Take Me Tomorrow, flip one page, and I’m in another book all together.

Fourth Step: My Flame Becomes a Giant Fire

I have a confession about my first three steps. I go through them all of the time, dozens of times, and I normally stop right there. Why? Because I find out that I’ve been fanning the flame instead of allowing my passion to keep it running. But Take Me Tomorrow is obviously one of the exceptions. It made it to step four because I am passionate about the story and the topic. Why? This is the dark side of the flame. I am VERY passionate about drug use. I want to clarify that I am not talking about me taking drugs – illegal or legal. I am just talking about understanding drugs. This has to do with my past.

My mother was a drug addict. She died from an overdose when I was eleven years old. One day, I will share more about this. But ever since I was old enough to understand, I spent days researching drugs – especially LEGAL drugs – and how they affect people. Much of this research will be in Take Me Tomorrow, and that research is the gas on the flame. To me, finding passion in the story and in the research is vital to writing my novels. I can admit that I want to share so much about my past in regards to understanding drug use, especially how my mother became an addict in the first place, but it might take me a while before I open up about it on here. It’s a very personal topic to me. But that’s also why Take Me Tomorrow is so important to me.

Fifth Step: Taming the Growing Fire

This is the last step in the beginning of my writing process. Once I have enough research on the topics I want to write about and symbolize, I begin growing the story with characters, worlds, graphs, and more. These maps, graphs, and notes include character profiles, height graphs, a calendar, moving maps, scene maps, past timelines, family trees, and more. Just so you can laugh with me, I added one of my beautiful maps below. (What can I say? All of my artistic abilities reside in my writing. I cannot draw.) This map is taken directly from Chapter Five and Chapter Six. And you can read a sneak peek right below that: (the entire novel is told by Sophia Gray.)

breakin

“You coming with or not?” he asked.

Miles shook his head. “There’s a cop right there,” he said. “It’s too risky, even for me.”

Broden checked his arm’s splint. “Wait in the car, then,” he ordered blankly as if he had expected Miles’ reaction. “Run if anything happens.”

Miles didn’t budge. “You’re going by yourself?”

Broden shrugged. “I didn’t come this far to leave Noah standing there, now, did I?”

“I’ll go,” I volunteered before the boys could argue. Both of them gaped at me, and I repeated myself. “I drove you two here. I think I have the right to go to − wherever you’re going.”

“Sophia,” Miles sighed. “You don’t want to.”

Broden lifted his hand to Miles, “She can come if she wants.”

“What if you guys get caught?”

“Then, we’re all in trouble,” he pointed out, “whether she’s waiting in the car or not.”

Miles mumbled curses to himself. “I can’t believe this.”

“Believe it,” I stated, marching over and pulling the black beanie off his head. “Now, give me your jacket.”

I hope you enjoyed this! Please add Take Me Tomorrow to your Goodreads shelf, email me at shannonathompson@aol.com if you want to review it, and I will share your review right here on ShannonAThompson.com!

As always, with all my love, I hope I can inspire and help you in your writing journey by sharing my personal journey with you. Please share your writing process below! Is it different in the beginning than in the end? Do you make maps first or during the writing? Do you make character profiles?

~SAT

Writing Tips: Introducing Your Characters

20 Jun

Special thanks to The Leisure Zone for reviewing Minutes Before Sunset: “A great read. I absolutely enjoyed reading it and it does take your imagination for a ride…This is a great leading book. I cannot wait to read the following books.” Click here to read the full review or click here to check out Minutes Before Sunset on Amazon, only $3.89.

Also, you might have noticed that my progress bar is updated on the right side of my website! I try to update it every two weeks, but I am really looking forward to the release of Take Me Tomorrow and Death Before Daylight.

People are obsessed with firsts: a baby’s first smile, winning first place in a race, your first love, getting arrested for the first time. (Okay. So maybe not that last one.) But we do like firsts, and I think it brings up a topic writers don’t normally talk about or even consider.

What are your characters’ firsts?

No. I’m not talking about their first steps when they were a baby. I’m talking about the first time they appear in the story, the first time they talked, the first time they laughed, the first time they really opened up and showed some depth to their created soul.

So I’m going to share some of my characters’ firsts as examples while I explain how important their first line can be. This might seem like a stretch for many but consider the popular phrase, “You only get one chance to make a first impression.” But I really like the quote below, because I believe it applies to how your readers can perceive your characters’ first impressions as well:

quote-a-stunning-first-impression-was-not-the-same-thing-as-love-at-first-sight-but-surely-it-was-an-lois-mcmaster-bujold-214751

Characters are just like people except that we can decide exactly what that first impression will be. Maybe their first impression will be great and readers will consider loving them. Maybe everyone will hate them. You can do both, and that’s the beauty of it. You can even get really complicated and strive to have the reader love them while the characters hate them. But enough of my rambling. Below I’ll explain some first impression parts to consider with examples from Minutes Before Sunset.

First appearance:

This is important for the obvious, main reason: a first impression is largely based on how someone appears, how they act, how they think or talk. This “first appearance” can be an appearance a reader sees first or an appearance the other characters see first. Consider both of those moments carefully because you can set up how a reader might judge a character for a long time. For me – as a reader – I have become very confused when a character is introduced in a very violent or angry way when they suddenly become very nice seconds later. It’s like whiplash. Scenes like that make more sense to me when I already know the character. (I’m not saying it cannot be done. What I am saying is to approach first appearances with care.) Below are examples of characters appearing to the reader first.

In Minutes Before Sunset, Camille appears in the very first chapter. Although Eric is six, she is already his guard (and she is only nine!) We see her as soon as Eric’s father leaves him alone – and, unlike Eric’s father – Camille asks Eric is if he alright. This sets up their relationship as a caring one, but it also shows the responsibility Camille has to take care of the male protagonist. Fun fact: we don’t see Camille’s human appearance until page 21. I could go on and on about how their different identities appear at separated times, but she appeared as a guard first because that part of her life is more important to the story, to Eric, and to her.

First spoken line:

What a character says can define them just as much as what a character does. I find first lines to be good indicators on what we can expect from a character: are they funny? Angry? Bitter? Responsible? Yes, of course their personalities develop far beyond their first lines, but first lines normally happen at the same time as first appearances, which are usually important scenes, so first lines – by default – reveal extra insight, like if a character speaks with an accent or not. Moments like these then become defining factors. But I would say that you don’t have to take this literally. The first line doesn’t necessarily mean the exact first line. It can mean the first conversation they have.

For this example, I wanted to share a few first spoken lines:

Since I explained the first scene in Minutes Before Sunset, let’s look at Camille’s first line: “Eric.” Yep. That’s her first word. In contrast, Eric – as Shoman – first appears in chapter two, and his first line as a shade is “Camille.” One another’s names are the first things they say because it focuses on the depth of their relationship while insinuating how close they are on a regular basis. But if we wanted to look at Eric’s VERY first line – again, this line is spoken when he is six years old in chapter one – he simply says, “I’m fine.” It’s important to note that Eric is lying here, and lying later becomes a defining factor of Eric’s personality. On a lighter note, when we see Crystal – a side character – for the first time, she says, “Don’t answer that.” to Jessica after Robb begins flirting with her. Crystal’s first line not only shows how she can take the initiative, but it also shows her comfort with interrupting Robb, insinuating that their friends (or at least that they know one another.)

First time they interact with another character:

This can get tricky, because stories have dozens of characters and each one of them is going to interact for the first time eventually and – most of the time – it’s only the “first time” for the reader. Most of the time, characters have a past, so they aren’t speaking for the first time, but that’s also the point - the “first” conversation can show whether or not characters have a past as well as other things, such as a social ranking difference (sir, ma’am, etc.) and/or if their past is a good one. Are they friends? Are they enemies? Are they competitors? Do they talk or is this a rare instance? Considering these questions can help shape how one character approaches another one while also hinting to the reader about how they always interact – before and during the story.

In Minutes Before Sunset, we get to see two, very different types of first interactions. Since Jessica is new to Hayworth, the reader gets to be introduced to everyone just like Jessica does, but Eric isn’t new. Through his eyes, we see interactions that have history – a very dark history – and we see repercussions of that in his various interactions. For instance, let’s focus on the human identities in Minutes Before Sunset. Jessica first talks to Eric on page 36. They’ve been assigned as homeroom partners, and Jessica is trying to be amicable but Eric – obviously – does not have the same intentions. (Scene told from Eric’s perspective.)

“Hi,” she said, turning briefly toward me to smile. “I’m Jess.”

She laid out her hand for a handshake, and I pushed my chair against the wall. “I heard your name when Ms. Hinkel assigned you,” I said, opening the chemistry book left on my desk from the previous period. I was not interested in small talk.

Now – moving onto another scene to use as a comparison. Crystal – a girl who has gone to school with Eric since childhood – doesn’t speak to Eric until page 127, and the only reason they do speak is because Crystal is sitting in his seat. (If you haven’t read the books, spoiler alert: Crystal and Eric used to be friends until freshman year in high school until Abby – Eric’s previous girlfriend – died. Eric stopped speaking to everyone. Crystal and Robb take this very personally.) But here is the scene so you can see: (scene told from Jessica’s perspective)

“Hey.”

We both jumped, and our conversation halted as we turned around. In front of us, Eric stood inches away, and the teacher hovered behind him, crossing her arms.

“Er—Eric,” I managed, and Crystal stared.

“Hey, Jessica,” he said, turning his gaze to my friend. “Crystal.”

“Welborn.” She returned the acknowledgement with a cold tone. “Hey.”

His smirk faltered, and his lips thinned. “I hate to interrupt,” he said, swinging his hand over his shoulder to point at our teacher. “but I probably need my seat.”

Both of these “firsts” show Eric’s history as well as his emotional state, but the moments also reveal character traits of Jessica and Crystal. While Jessica wants to be nice at first, Eric isn’t interested, and the tension between Crystal and Eric is still present, despite the two years that have passed since Abby’s sudden death. However, this would be a good time to say that “first” interactions are just as important as how the characters continue to act and grow. Later in the story, all of these characters’ relationships shift dramatically.

So I hope you have a few places to start in regards to your characters’ firsts. You might even crack open a favorite book you’ve read just to see what those characters’ firsts were. They might surprise you. I know I had a few that shocked me.

Happy writing and reading!

~SAT

Genders Aren’t Defining Features: Why I’m Tired of Seeing Female Characters Described as Weak and Male Characters Hardly Being Discussed at all.

14 Jun

First, thank you so much for supporting the eBook release of Seconds Before Sunrise on June 12. I wanted to remind everyone that you can get my latest novel for only $0.99 on Smashwords by using the code – BW58C – but you can also go to Amazon and various websites.

Secondly, thank you to Jonas Lee for showcasing me on his website.

And lastly, I have a disclaimer: Today is obviously going to be a heavy discussion. I am not going to pretend that I could cover every little detail that I wish I could discuss. I couldn’t. Not even close. And I was quite sad to see the amount of information I had to delete just to have a reasonable blog post instead of a practice dissertation. That being said, I do plan on sharing more in the future if you would like me to continue this conversation, but I want this to be a positive place on the internet to discuss this topic. From the research I share below, I know how this topic can become highly sensitive very fast. Bullying, stereotyping, name-calling, and other spiteful comments will not be tolerated. I would also like to apologize to those who do not define themselves as male or female. Instead of discussing specifics, I will be discussing the beginning of my research and how the most popular results reflected my frustrations with judgment in literature.

Love,

SAT

Oh, no. I pulled out the gender card. I’m going to be one of those hardcore feminists – (whatever that word actually means ::sarcasm::) – and yes, I will be ranting about the stigmas of today’s world. Watch as people come running, some with popcorn, others with absolute disdain.

What else is new?

It’s a sad fact that I even struggled to write this piece. I’ve been working on it on-and-off for weeks now, wondering what was appropriate, how best to word it, and where to begin, but I should’ve been asking myself one thing: why censor myself at all?

The publishing industry isn’t new to this conversation, so I’m not going to bother with specific character examples. No matter what kind of reader you are, I am sure you’ve heard the debates over various female protagonists being “weak-minded” or “submissive” or “incapable.” In contrast – yes – there are conversations about male leads, but I do not believe they are nearly as judgmental as the discussions that go on and on about female leads.

What’s my proof?

Since I cannot go on forever, I found these two lists:

Yep. The stats for judging females are tripled, if not more, compared to their male counterparts, and that is only one set of lists on Goodreads alone. Even more unfortunate is how much these conversations continue through the depths of the chaotic Internet waves, never-ending, always judging.

Before I continue, I want to clarify that I am not blaming any specific person for this trend. I am not attacking men. I am not attacking women. I am not attacking any of the participants on voting lists or the writers of the articles I am about to share. I simply want to discuss how we – as readers – are judging women in novels more harshly when we shouldn’t be judging any gender at all.

I decided to start where most Internet addicts go – Google – and I knew I wanted to focus on how male and female leads in literature are judged, so I read a few articles here and there when I kept coming across something along these lines: “Author A should be ashamed for creating a character like this for girl’s (or boy’s) to look up to.”

Every discussion generally came back to the author, including an author’s history, religion, or other personal information. As an author myself, this disturbed me because I am adamant that authors are NOT their characters. Yes, some use real-life inspiration but that does not mean that the author intends for a young girl or boy to look up to a fictional character so much that they start repeating their actions. It’s important for readers to separate themselves from characters. (Ouch. I know.) I love characters, too. Some characters I’ve read have helped me through many difficult times in my life, and they will always be close to my heart, but I wouldn’t dress in a green dress to fight demons and fall in love with my enemy just because Serena does that in Daughters of the Moon. And I doubt Lynne Ewing wanted my 12-year-old self to sneak out of the house to fight paranormal crime anymore than my parents did. I am not saying you cannot look up to characters. You definitely can. But there’s a difference in looking up to a character and allowing a fiction world to dictate your decisions in reality.

But I’m moving on from that—(I could talk about that all night)—I want to talk about the next piece of research I did.

What does it mean to be a “good” male or female character?

mint-male-symbol-hiThis is when I returned to handy-dandy Google. I’m about to share the results that bothered me, but I need to take a moment to clarify that this isn’t going to be about how to write that character that will never be judged.

A)   Every character will always be judged

B)   The results are what I’m focusing on because they show how we focus our judgment in gender roles.

Here are pre-typed suggestion results:

When I Googled “How to write a good male character”

  • Pre-Typed Results: How to write a good male dating profile came up first. (Followed by social media profile, THEN character, and then a personal ad)

When I Googled “How to write a good female character”

  • Pre-Typed Results: How to write a good female protagonist came up first. (Followed by female lead, villain, and THEN dating profile.)

It seems we are more nervous writing about a female character than a male character in literature. We’re also curious about villains and leads. But these did not show up in the top four for males.

As frustrating as this was, I continued to Google anyway. I wanted to see the articles. I wanted more insight. I wanted to see what authors “should” be doing and what readers think, so here are the top articles I found: (these articles are informative and amazing pieces. My point is NOT against them, but how we view writing female and male characters in general.)

I Googled “How to write a good male character” These are the first articles that pop up:

Here’s something you should know about me. I HATE the words masculine and feminine. Perhaps because I have constantly been told that I’m a rather masculine girl, “one of the boys”, part of the gang, a “cool” girl. This generally happens because I drive a manual, collect knives, and have seen more dead animals than I would care to admit. I hate makeup, and I wear combat boots every day. I’m used to it. Whatever. What I hate is that these things are “masculine” – that if I do it, I am “masculine” – but so are female characters. In fact, I was reading an article that told female writers to stop having their female characters driving sticks, because it is a lazy attempt to get her to seem deep.

What the actual hell.

red-basic-female-symbol-hiFirst of all, driving a manual isn’t deep. (I should know. I drive one.) It’s learning how to press an extra pedal and move the gears around. Second of all, whether a female is driving a stick or a male is driving a stick, it shouldn’t be seen as masculine or feminine or a blatant attempt to break some weird social stigma we deal with every day. Third of all…UGH. In this belief, there is no winning with female characters. You lose if you use stereotypes and you lose if you don’t because you’re seen as purposely trying to stray away from “realistic” expectations. (This is also where I would like to point out that there are many articles complaining about the various dystopian novels and their female leads being so capable with weapons… I don’t even live in “dystopia” and I have weapons. Try me.)

In case you want the other results, here are the top three articles I found when I Googled “How to write a good female character”

  • How to Write a Main Female Character: this article actually begins stating that female characters are the most complex characters, but I have an argument. We need to stop thinking of women as more complex than men. We’re human. We’re all complex. And a good character – no matter the gender – will be complex.
  • Overcoming Object Love: How to Write Female Leads Who Are People: The title sounds horrible, but the writer does tackle another issue: female characters being treated as “objects, objectives, or incentives.” But it’s terribly sad that we live in a world where we have to CLARIFY that woman are people, too, so female characters should reflect that. I definitely did not see anything close to this on the male results.
  • On Writing Strong (Female) Characters: Again, nothing against the articles. I just dream of a day where articles are based on writing strong characters without focusing on what gender they are.

Just a quick summary: when I research male characters, the results were directed on how women can write them as masculine, and when I searched female characters, I was exposed to objectification. Both of the results revealed gender stereotypes I disdain – both in society and in literature. This isn’t just an article about how we need to stop judging female characters. We need to stop stereotyping male characters, too. But here is my main question:

Can we please stop judging all of our characters based on their genders?

When we do this, we are teaching young readers that they won’t be safe – not even in fiction. That might seem extreme to some, but let’s look at the widely popular complaint: “That female character was weak because of x, y, and z.”

A weakness should never be based on the expectations of a gender, but I would even go so far as to say that we need to stop calling characters weak in general. One (wo)man’s weakness is another (wo)man’s strength, and sometimes, they are the same thing. That is the complexity in literature. That is the complexity of life. And gender shouldn’t devalue the moral ambiguity displayed in various novels in a world filled with so many genres and eclectic tastes. The physical description should be the last thing we mention.

Genders do not define us. They shouldn’t define our characters either. 

~SAT

men-women-holding-hands-hi

The Timely Death Trilogy Explained: World-Building and More

9 Jun

With three days until the eBook of Seconds Before Sunrise releases, I’ve been wondering how to celebrate it, and I think I found a way, but I wanted to give a little update first. As many of you know, The Timely Death Trilogy was finished a long time ago, but I have worked on extensive editing. In fact, all three of the novels were around 136,000 words until I got them down to 80,000. Since receiving my content edits for Death Before Daylight a few weeks ago, I’m about 17,000 words into the final piece. But there’s also a new project looming on the horizon that I could’ve never saw coming.

I may have finished writing The Timely Death Trilogy in 2009, but I never thought my other characters would want to tell their story. Here and there – between editing all three books – a small voice came to me that I didn’t recognize. And then another voice came, and I began taking notes. Suddenly, I realized what characters the voices belonged to: Jim and Kimberly.

If you’ve read the trilogy, you might recognize “Jim” (He also goes by Bracke or Mr. Welborn.) Kimberly, on the other hand, has not been mentioned by her first name – Eric’s mother. Despite knowing her past – including what we will learn in Death Before Daylight – I have never heard Kimberly’s voice before. In fact, I had never heard Jim’s either. Especially from when they were kids.

So I’ve currently been working on a prequel.

I don’t know if I will publish it. I don’t know if I will even finish it. But I wanted to mention it because I thought it would be a good way to lead into today’s post:

I am often asked many questions about the details of my paranormal world, including cultural significance and supernatural capabilities. Although most (if not all) of the information is scattered throughout the stories, I thought it would be fun to share extras to everyone – especially if you are an avid reader of my blog but haven’t had a chance to read my books. Hopefully, after today, my references to shades, double identities, the Naming, and more will make sense now. I am also sharing photos from my Pinterest board for The Timely Death Trilogy to add to the explanations. (Click here for the full board to see even more.)

Disclaimer: there might be a few spoilers here and there.

How the Paranormal World Exists with the Human One:

Double Identities:

Almost every character in The Timely Death Trilogy has two identities – a human identity and a paranormal one, but no one knows one another’s identities.

Example: Eric Welborn is a human, but he transform into a shade named “Shoman.” No one is supposed to know that Eric is Shoman or that Shoman is Eric. However, Eric’s guard, Camille, knows both of his identities, and he knows both of her names. Camille’s human name is Teresa.

This is how the “Light” and the “Dark” coexist during everyday, human life. As humans, no one truly knows who the person next to them can be: a light, a shade, or just human. (I will explain how their physical appearance changes below.)

Cultural Significance in Paranormal World (Rituals)

The Naming Ceremony:

Shades do not have Dark names at birth. In fact, they don’t even have their full set of powers. The only power they do have is the ability to transform. But everything changes when they turn 13.

b7a349b151148bb4cf546c94763b24bfThe “Naming” is a ceremony done during “the last harvest” – an evening that usually takes place in January for the Dark. (Yes, the Dark has their own calendar.) Every 13-year-old at the time enters the meeting room where they receive their Dark name and some power. Boys are given glitter to throw, and girls are given crowns. But they must vow themselves to the Dark before they are told the prophecy. Once this happens, the shades receive their full powers, and the “Naming” is complete.

In Minutes Before Sunset we see Pierce’s little brother named, “Brenthan.”

So why the crowns? Why the glitter? And what is with the age and order of events?

Well, this is one of the biggest pieces I want to write the prequel for, but it goes back to when the bloodline first appears. I don’t want to spoil too much, but I will say this: the crown represents an important figure, and the glitter showcases all the different colors that “Dark” powers contain: mainly blue, green, white, and purple. Each color also stands for a different type of power, blue = warrior, green = guard, white = elder, and purple = well…that is one of the bigger surprises in Minutes Before Sunset.

Defining the Paranormal Beings:

Shades – What can they do? What do they look like? 

745226b2e50da562533a3bb7fc8e87beShades are members of the Dark. First and foremost, they can transform into shades, mainly at night. For the most part, their powers are confined to nighttime hours. However, they can use their telepathy at all times, including when they are human (although this does take a lot of practice.) When they are transformed, shades can transport in and out of shadows, shoot beams of power at one another, and even fly. But only the descendants have swords. Yes. Swords.

Shades have gray or very white, sometimes stone-like, sometimes translucent skin. They’re eyes are also light-colored in nature, and the color normally correlates with their dominant power color: blue, green, purple, or white. For instance, we see white eyes with Eu, green eyes with Pierce, blue eyes with Shoman, and purple eyes with Jessica. (Before you think I spoiled the fact that Jessica is the “nameless” shade, it says so on the back of the book, and she practically says it during her very first line.)

They always have black hair or very, very dark brown hair.

But there’s one vital rule to remember: when shades transform from their human form, more than their eye color and hair color change. Their entire body changes, including facial features, height, and more, but it also goes beyond that. Personalities, and ethnicities can change – ::future book hint:: – even gender is subject to change.

Create (Human) Relatable References for Paranormal World:

How do genetics play a role?

There are the “Light” beings (a.k.a lights) and the “Dark” beings (a.k.a shades.) But there are also halfbreeds, which are always half-Dark, half-Light. A halfbreed’s child will only have powers if that halfbreed’s partner is a fullbreed Dark or Light. On top of this, the way a halfbreed is brought up (in the Dark or in the Light) is unique to each halfbreed, but the Light does not name their halfbreeds.

Although the Dark encourages their members to find their romantic partner as a shade first, some go against this rule and find their romantic partners as humans. This obviously can cause a lot of problems. Obviously. But these are the very basic fundamentals of how things work: The Dark and the Light have dominant genes over human genes unless their genes mix together. If they mix, the “power” gene then becomes recessive to human traits.

One dark + one dark = dark

One human + one dark = dark

One dark + one light = halfbreed

One halfbreed + human = human

One halfbreed + dark = dark  

Unions between the Light and the Dark are definitely frowned upon, and how couples find each other is explained in Seconds Before Sunrise. There used to be rearranged marriages, but that changed two generations back, which caused the bloodline to come back (hence Eric’s birth.) This is also something I will show in a possible prequel. Now, most members meet loved ones in the shelter before later meeting their human sides. As of now in the trilogy, it is unknown to the protagonists if anyone has had a happy Light and Dark union.

Worlds inside a World

The Shelter vs. The Light Realm

fbe2dacc94e4a7696471958a9936c578The Dark members have the shelter. This is – quite literally – a shelter, and it is almost all underground. As readers know, Eric’s mother killed herself when Eric was five years old. She killed herself in the main forest in Hayworth. Because of this, Eric’s father buys the park, and he closes it off to everyone else (although Crystal, Robb, and Jessica trespass in the beginning of Seconds Before Sunrise.) The dense forest opens up in a few places, but the forest has a cave, and this is where the original shelter was created. I would explain how it is hidden from humans but that is discussed in Death Before Daylight. As Eric says in Minutes Before Sunset, “At first, the shelter was made up of two offices, a nursing room, and one training room. Since then, it had grown remarkably, and I couldn’t even guess where it ended.”

The Light has the Light realm. Yes. A realm – a place that humans can never go. Quite unfair, isn’t it? Unfortunately, I cannot explain this one at all. Not yet. But I will say this: all of your questions about where lights and shades and prophecies come from are answered in Death Before Daylight, and the secrets reside in the realm. If you haven’t read the trilogy yet, you do see this realm in Seconds Before Sunrise. And, yes, I’m terribly sorry for all of the readers who have wanted and begged for so many more details on the creatures in book 1 and 2. When you read book 3, you will understand why I couldn’t explain everything. I know. I know. Waiting is awful. (But it will be worth it. Promise.)

So what’s the key to world-building? 

Believe in it and have fun! Create the world your characters deserve, share the world with your readers, and keep at it. World-building can take enormous amounts of time and energy, but enjoying the exploration can be one of the best parts of writing it. I, for one, cannot WAIT to share more information about the world in The Timely Death Trilogy, especially considering how many answers are about to be revealed.

Dun. Dun. Dun.

~SAT

Everything I Learned From “Against YA” and More

7 Jun Illustration by Liana Finck, found via Slate article

Two announcements before my post:

T.B. Markinson’s debut novel, A Woman Lost, is on sale until June 11th. Only .99 cents. I really admire T.B. Markinson, so I hope you take the time to check out her novel by clicking here.

The eBook of Seconds Before Sunrise releases in 5 days! That’s right. Only 5 days. I cannot believe it. I plan on sharing more insights from The Timely Death Trilogy soon. (Actually, I wanted to today, but the upcoming topic is very important to me.) Feel free to check out my Pinterest board full of hints and surprises before I announce more information, and be sure to join the ebook extravaganza party on Facebook for your chance to win a Kindle.

Happy reading!

Two days ago, my Facebook and Twitter blew up with a giant pink picture of an Alice-in-Wonderland-Look-Alike. It is an image that came with a title I cringe at: Against YA: Adults should be embarrassed to read children’s books.Even worse? The subtitle is “Read whatever you want. But you should feel embarrassed when what you’re reading was written for children.”

This horrifying article I am about to discuss can be found here. Written by Ruth Graham (not by THE Ruth Graham, you know, the philanthropist, but by Ruth Graham of New Hampshire.)

Don’t know who she is?

According to her Twitter, she’s a “contributing writer to the Boston Globe’s Ideas section; freelancer out and about (Slate, the Atlantic…). Former editor (New York Sun, Domino).” Her website – Ruth Graham: Freelance Journalist – is actually right here on WordPress.

Why am I sharing this?

Because I think it’s important to understand the writer behind the piece. I was hoping that if I followed her, I would understand where her opinion derived from. I was desperate for a deeper understanding, a slight chance that she meant well when she clicked “publish” on her viral post, so I followed her Twitter feed yesterday. I learned a lot from the woman behind the chaotic arguments that consumed every social media outlet I can think of, and I thought I would share what I learned below.

This wasn’t good for my blood pressure. It probably won’t be for yours either. You have been warned.

1. “Also YA writers & agents asking if I think they shouldn’t do their jobs. Uh, no? Definitely keep doing your jobs!”

screenshot

screenshot

It isn’t okay to read YA as an adult, but it’s definitely okay if you can make money off of it. Also, if you’re a YA author, make sure to tell your adult readers that if “they are substituting maudlin teen dramas for the complexity of great adult literature, then they are missing something.” This is because all YA novels are “uniformly satisfying” and completely unrealistic. Make sure your YA novel follows these standards because they are undoubtedly true. Every YA ending causes you to either weep or cry. Trust me on this. Graham explained how “emotional and moral ambiguity of adult fiction—of the real world—is nowhere in evidence in YA fiction.” Forget the fact that fiction is FICTION – not nonfiction. Adult fiction is a reflection of the real world and young adult fiction is a pleasurable escape from reality. Every. Time.

2. “Another mysterious thread today has been angry librarians & parents defending themselves for reading YA for professional/parenting reasons.”

Screenshot

Screenshot

So mysterious. Readers actually want to defend a genre they read? Whoever thought readers actually cared about books? I definitely wouldn’t have expected teachers, librarians, and parents to defend novels they shared with their child. Weird. I would call Nancy Drew to get on the case, but I am a 22-year-old adult; therefore, I should no longer think of her as a viable reference to solving mysteries. But I do know this: parents should never read what their kids read. Knowing what their kid enjoys or trying to understand why their kid enjoys it is exactly why we have so many bad parents in this world. Librarians, too. Why should they spend more time trying to understand the marketplace? It’s not like it’s their job or something.

3. “I’m not saying I’m not pretentious at all, of course. But I’m definitely not the MOST pretentious. But trust me: There’s more pretentious stuff out there.”

2a

If you’re not the most pretentious, you’re okay. If you’re not the most mean-spirited or hateful or cruel, it’s also okay because there are worst people out there. In regards to reader shaming and reading snobbery, as long as you’re not the worst, it’s okay. Just put the disclaimer, “at the risk of sounding snobbish and joyless and old.” Follow that sentence with “we are better than this.” This will unify your reader and you while also distracting them from the fact that you don’t sound snobbish, joyless, old, or pretentious. You just sound like you want everyone else to be.

4. “I’m not at all opposed to guilty pleasures! I’m just arguing for some guilt along with the pleasure.”

screenshot

screenshot

You can read YA as an adult, but you better feel damn guilty about it. You better feel so guilty that you ask for a gift receipt anytime you buy a YA book at your local bookstore so they won’t know you are the reader. Actually, get an eReader, so no one knows what you’re reading in public. Shame on you if you don’t feel any guilt. You could’ve spent that time reading real literature, preferably something with “Weird facts, astonishing sentences, deeply unfamiliar (to me) characters, and big ideas about time and space and science and love.” This is what Ruth Graham reads without any guilt, because she considers it literary, so you should, too.

5. “Working on something today that will make some people mad, wheeeeeeee!”

screenshot

screenshot

Rejoice in the fact that you can anger people. This means you’re an adult with important things to say. Angering people means you are, in fact, important, and you should be proud and happy to anger people. This is literature. This is what reading is all about.

Okay. So I may have gone a little overboard. My blood pressure is still too high, after all, but I had to respond. I had to point out the fact that this article was written, knowing how much it would anger the reading community, yet we allow it to go viral because it strikes a place in our reading hearts that HURTS.

We love to read what we love to read.

I am very passionate about changing our reading community to only encourage readers. In fact, I’ve written about this before in my blog post Readers Hating Other Readers, and – sadly – I doubt this will be my last time writing about this.

With a heavy heart, I want to conclude all of the emotions I have ever had about reader shaming:

Adults shouldn’t be embarrassed to read young adult fiction. No one should be embarrassed to read anything. Reader shaming is what we should be embarrassed of.

~SAT

P.S. If you’re a young adult fiction reader – no matter your age – I would love it if you read one of my novels. In fact, I will probably do a little dance of excitement if you do. I even share all reviews right here on ShannonAThompson.com. (If you’re boycotting Amazon, don’t worry. Also available on Barnes & Noble and Smashwords.)

Click today!

Click today!

The Top 10 Seriously Awkward Conversations I’ve Had When People Hear I’m a Writer

5 Jun

Two announcements before I share my awkward conversations:

The book trailer for Seconds Before Sunrise released. Check it out on YouTube by clicking here. Remember: the eBook releases June 12th! AEC Stellar Publishing, Inc. is throwing a VIRTUAL launch party on June 12th from 7 – 9 p.m. (CDT) to celebrate, and you can win a Kindle as well as many other prizes. You can also interview me live :D Click here to join.

Also, you’ll notice that my progress bar has been updated on the right side of my website. The black marks on the “Death Before Daylight” bar represents 10,000 word marks. We’re officially past the first 10,000 words! And we continue into the future with high hopes.

Being an author can be a crazy, fun, and maddening adventure. As Robert De Niro once said:

robert-de-niro-oscars-2104-quote-about-writers

From lorelle.wordpress.com

That’s what I was thinking about the other day when I fell into conversation with someone about my writing career. They asked something I haven’t been asked before, “What are the strangest questions you’ve been asked during interviews?” I had to think for a bit because I haven’t really been asked strange or awkward questions in interviews. (I think this is because interviewers are prepared to ask an author questions.) But I have been asked strange, downright bizarre questions – mainly by strangers in passing who find out I’m a writer, and I thought it would be fun to share some of my moments today.

Disclaimer: in the defense of the interrogators, I rejoice in awkward moments. I’ve enjoyed every little second of these conversations – even when they didn’t. Let’s start with the obvious one first:

1. “You’re a writer?”

“Yep.”

“Cool.” Unnecessarily long pause as the speaker (normally) glances up at the ceiling for no particular reason. “So what do you do all day?”

…I write.

2. “Do you write those dirty books?”

There’s nothing quite as dirty as being asked if you write “those dirty books.” What an unsexy synonym for erotica. Even worse is what people say after you reply no. I did not need to know how your sister, mother, and aunt read Fifty Shades of Grey during Christmas dinner. And I definitely didn’t need to know that you let your current girlfriend borrow your mother’s copy. Without your mother’s permission. Stop your anecdote now. Please. Before you say the word “dirty” again.

 3. “Did you write Twilight?”

“Is that a real question?”

“Oh….uh, I guess not.” (Another long pause that causes me to wonder why everyone pause so much) “Do you write books like Twilight? Like with sparkly vampires and shit?”

“I write in the same genre, but no vampires.”

“Wait. There’s an entire section for that?”

“Genre, yes. There is.”

“Is it titled Vampire Fiction?”

“No.” This is when I start questioning whether or not I already mentioned that I don’t write about vampires and why everyone brings up Twilight every day when they supposedly hate it.

4. But why would a twenty-year-old want to write about teens?

Because high school was the best time of my life.

(It was unbelievably painful to write that sentence down.)

I don’t know why a twenty-some-year-old enjoys writing about young adults. Why would a sixty-five-year-old want to write about dragons and direwolves? Because I like to. And my characters’ ages don’t define them or their readers. Hence why Harry Potter was read by pretty much everyone and their cousin.

5. Can you put me in your book?

Sure. But you might not like it. (You probably won’t like it. You’ll also wind up dead.)

6. Did you base that character off of me?

Normally, this is asked by friend or some other kind of close relative that shares the love of reading with you. Depending on the character in question, you might be tempted to say yes, even if it isn’t true. Your lover might even ask if you based the protagonist’s love interest on them. This could be a trap. This is probably a trap.

7. Why are you pro/con (insert controversial political or religious topic here)?

I’m sorry – what? Just because my character carries a gun on his right hip or gets an abortion or believes God isn’t real, doesn’t mean that I do these things, let alone believe in them. In fact, I don’t have a lot in common with many of my characters.

Exhibit A (The Timely Death Trilogy): Eric is a boy. I am not. Jessica can paint. I cannot. Pierce is funny. I am not.

Exhibit B (November Snow): Calhoun lost his arm in a POW accident. I did, too. Wait. No. No, I didn’t.

Forget about exhibit B.

8. Who’s the bad guy? Also known as, please tell me the biggest spoiler in your story before the story is even close to released.

Sure. But make sure your cell phone is ready. I want to make sure you Tweet about it before you post it on your Facebook wall and share your screenshot to your Instagram. #spoiler #Iknowtheauthor #forreals

9. Can you publish my book?

“It isn’t written yet, and I have no idea who the main character is, but there’s a girl in it, and she falls in love with a boy, but he doesn’t like her back, and then she finds another boy, and the boy (the first boy) comes back and realizes he loves her, and he confesses to her, and she leaves the boy (the second boy) to be with the first boy only for the first boy to change her mind before she goes back to the second guy and the first guy regrets it forever until they meet up again in the future and she’s still with the second guy but the second guy isn’t really interested anymore so she wants to start over with the first guy and he wants to try to but he feels too guilty about the second guy still being there so the girl starts to think that she should leave the second guy first before she gets with the first guy but she’s also afraid she will lose her last chance if she does, so—“

Email me. Please. Seriously. I actually like to help writers. But…standing by my table in a coffee shop as I finish up my editing is not the way to go about it. I’m a chatterbox. I am. But the one time I don’t talk is when I’m writing. I’m sorry, but I can’t just help the second you appear. I’m not the fairy godmother of publishing. I wish I was. If I was – trust me – more of my novels would be out. Your novels would be out, too. But – alas – the fairy godmother of publishing was not my destiny. However, I do like to help when I am available, so feel free to email me at shannonathompson@aol.com. I will help you as much as I can.

10. Is your protagonist a brunette because you’re a brunette?

You caught me. That’s why my female protagonist in November Snow was blond. I used to be blond, and there’s nothing like having the same hair color that screams, “Team work!”

…Oh, wait. I wasn’t blond? Really? Not even once?

Hmm, I have to reevaluate.

Those are the top 10 awkward (interesting?) questions I’ve been asked. They may not be completely awkward, but I did find myself enjoying every moment of them. If you’ve ever been asked questions you never expected to hear, share them below!

~SAT

Follow

Get every new post delivered to your Inbox.

Join 17,210 other followers

%d bloggers like this: