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Is Romance Necessary in YA?

6 Feb

Romance sells. (Or, as they usually say, sex sells.) And now more than ever, sex is being introduced into young adult literature every day. But that’s another debate for another day. Instead, I wanted to focus on the overall umbrella term of romance in YA.

Is romance necessary in every YA book?

The short answer is no, of course not. But the long answer is a lot more complicated.

If you’re a first-time author, then you probably already know the struggles of completing a manuscript, editing one, joining the query trenches, and understanding the marketplace.

More often than not, romance sells better than anything else.

Why? Well, we have to consider our buyer.

Ten years ago, YA literature was widely bought by the YA crowd (ages 14-18), but more recently, the average age of the YA buyer has increased to 20-25. (Hey, look! There’s me!) Granted, there is a lot of debate about this—and it’s hard to prove, considering adults can buy books as gift or teens can borrow books—but I love speaking to teens at my signings, and have listened to them say the same thing. A lot of young adults are reading fanfiction online instead, and hey, no shame! That’s awesome. I’m just happy when people are reading. But this fact has changed the marketplace, and I honestly believe that’s why we’re seeing more sex in YA literature, including less “fade to black” scenes. As an example, a YA book I just read had a one-night-stand between two inexperienced strangers, where both acted as if they were cool with it. Nothing wrong with that. Don’t get me wrong. But I cannot imagine reading that at 14 and feeling like I could relate, even though the characters were that age. However, I know some 14-year-olds can relate, and that’s fine! No worries. Just be safe. 🙂

That being said, at 14, I wanted to hang out with friends. I wanted to read books (and write them), and other than that, I ran around with my husky or my brother or studied a lot.

I particularly loved Ally Carter’s The Gallagher Girls books, because the romance was few and far in between. Same with Meg Cabot (specifically when she was known as Jenny Carroll and wrote the 1-800-Where-R-You series and the Mediator series). Oh! And Lynne Ewing’s Daughters of the Moon series. All of their YA books featured kickass, often hilarious, and always intelligent girls living life, figuring out a mess, and defeating any enemy they came across. Friendship mattered. Family, too. And, sure, sometimes a kiss was shared here or there, but romance never seemed to be the focus. Being a heroine was.

Granted, I must clarify that you can be focused on romance and still be a heroine. Please do not get me wrong. But I wish there were more YA books (in all genres) that allowed the characters to explore space, chase enemies, and save the world without falling in love, too.

Out of the last ten YA books I’ve read, the only one who featured no one falling in love was This Savage Song by Victoria Schwab. Definitely recommended. (By the way, if you have suggestions, feel free to leave them below. I LOVE suggestions.)

Love that will never change? My love for YA

Love that will never change? My love for YA

Granted, I can admit I’m a hypocrite. I write YA, and every single one of my YA books has a romance subplot in it. That being said, my romantic plots are hardly romantic in comparison to popular YA books today. In Bad Bloods, Daniel and Serena kiss….twice?…in 600 pages. And that’s it. But hey, they’re trying to protect their families and survive a government out to kill them, so I think they have a lot on their hands.

They can always kiss later. If they even want to.

That being said, almost every editorial letter I’ve received included the suggestion of getting my characters “closer” or focusing more on their romantic endeavors rather than their friendships or families or fighting for the world they live in. And I find it increasingly frustrating.

While I can see the market value in focusing on these tropes, I feel an increasing value in the opposite of those aspects as well.

It’s okay to focus on studying and family and friendships instead of love. It’s a personal choice. But more than ever before, I feel pressured to include romance where romance isn’t necessary. Because of that pressure, I actually set out to include more romance in my latest, but sure enough, I found myself following the same pattern I always do: There is a romantic interest, but he’s on the sidelines while my protagonist is striving to…I don’t know…save the world or her sister or her friends. She’s too busy studying to think about some boy’s smile or (insert jewel description) eyes. But she does have her moments, albeit they are few and far in between, and at this point, I doubt they’ll survive my editing process. And I’m so torn about it.

I wanted to write romance. I tried. But I can’t. And I’m trying to be okay with that. I am trying to be okay with me.

I love romance. I enjoy reading it, and I sometimes seek it out. But I wish there were more books where girls (and boys) were simply living life or saving the world without romance. It’s okay not to date when you’re a teen. It’s okay not to have romantic feelings. It’s okay to be focused elsewhere.

I wanted to read about girls like that when I was 14, 15, 16, and even now, so I guess that’s why I write my books the way I do. It’s that fact that made me accept myself again. (Oh, and talking to a bunch of my fellow writer friends. They helped, too.)

Romance will definitely help you sell your book—be it to an agent, a publisher, or a reader—but don’t force it. The most important aspect of any book is to be true to your work, and if that means avoiding crushes and angst-ridden kisses, then so be it.

I will continue to have romantic subplots, because that is my style, but as of today, my protagonist will focus on her studies more. She might not even kiss anyone at all. And that’s perfectly A-okay with me. (And more importantly, okay with her.)

If one day she changes her mind, I will listen to her, and if she doesn’t, I will continue to listen to her. Why? My answer is simple.

A protagonist is enough without a love interest to back them up. So is a story.

~SAT

 

Trying to Write as a Pantser

16 Jan

I’m a pantser for the first time.

What’s a pantser? Someone who writes a book with no plan, as opposed to a plotter, who, you know, plots.

Normally, I plot like crazy. I have plots for my plots. (Also known as subplots.) And though I almost always deviate from my original plans, I always have a plan. But lately, I was feeling a little bogged down by all that planning. I yearned for adventure. For mystery. For absolute chaos. Like a road trip with no destination ahead. Just me and the road and whatever will happen.

So, I decided my first book of 2017 would be written in perfect pantser style, full speed ahead.

I’m not going to lie, I thought I would crash and burn. In fact, I expected to. But that wasn’t the case. Let me explain the differences by comparing my normal plotter ways and my current pantser adventure.

The Idea

Plotter: Disclaimer: Almost all of my books start off as a dream, and this one was no different. After I have a dream I think might be worthy of a book, I sit on the floor with a million notebooks and just write down scenes and ideas that come to me. Throughout the next few weeks (or even months), I expand on the characters and world until they blend together and I have a solid plot, character list, and timeline. Sometimes, I even write an entire screenplay, dialogue and all, before I actually write Chapter One.

Pantser: I had a dream, cracked my knuckles, and sat down at my computer.

plotter

Beginning to Write

Plotter: I start in Chapter One after reading Chapter One’s notes thoroughly, and then I repeat with Chapter Two and Chapter Three and so on.

Pantser: Literally, the day I had the dream, I sat down at my computer and wrote down what I saw. I didn’t even know the general theme or my protagonist’s name, or even if she was the protagonist. But she quickly fleshed out into the full-fledged botanist she is today. The world she was in quickly followed. Fun fact: the dream I had wasn’t Chapter One, which is where I usually start. Instead, it turned out to be a mixture of Chapter Two and Chapter Four. (For now.) panster

The Rest of the Adventure

Plotter: I always know where I’m going and what will probably happen. Even if something changes, it doesn’t affect the story too much. I can still stay on course. (Basically, my GPS will reroute me no matter where I go.)

Pantser: I can’t stay on course, because there is no course. Even more confusing, there is no world to navigate anyway. This current project of mine is a YA sci-fi, but I’m letting my world build itself. That is honestly the strangest part for me. Normally, I have an entire system of rules and ideas to constrain my characters to, but not this time. This time, I’m letting the book let me know what it needs to do before I figure out where the boundaries go. We’re very much off-roading in unknown terrain, but I haven’t popped a tire yet. And if I do, I can create a spare out of thin air…because you know, no rules. I’ll make laws up later. And while this might sound reckless, I’ve been keeping a list of boundaries that come up in the text as I go, and it seems as solid as anything else I could’ve created by plotting.

In the end, being a pantser or a plotter doesn’t feel that much different, but this risk helped me fall back in love with the thrill of writing. I’m writing around the same pace as usual, but I do feel like I’m enjoying it more. I already know I’m going to have to rewrite a ton, but I do that when I plot, too, so that doesn’t feel like a huge loss to me. In fact, if I were being honest—if this works out—I kind of like this pantser thing. It feels more vulnerable (and more likely for things to go terribly, horribly wrong), but that vulnerability makes it feel more authentic, too. Like the characters are definitely more in charge.

Recently, for instance, I realized my villain is probably not who I thought it was going to be. And I’m still unsure about where the next chapters are going, but I definitely know the ending. (Or I think I do. Ha.) And I’m kind of enjoying my hesitation and fear and absolute joy when it works out.

Perhaps, this pantser mode worked for this particular book and wouldn’t for others, but I’m glad I decided to try it out. I’m having a lot fun, and I believe the project is forming together beautifully. If I had to guess, I would say a writer could do either one and be successful with it. And it definitely can’t hurt to try. In fact, it helped me.

Now to go write a scene I know nothing about.

~SAT

Writers and Vocabulary

9 Jan

“If you don’t have time to read, you don’t have the time (or the tools) to write.”

The famous Stephen King said it, and so many more agree.

I vehemently say this to every writer I know. Why? Because it amazes me how many writers don’t read on a regular basis.

By reading, you’re expanding your creativity, your stories, your life, and even your vocabulary. And your vocabulary is vital.

Today, I wanted to concentrate on expanding your vocabulary and why it’s so important. I’ve sort of written about this before—Writing Tips: Build Your Vocabulary —where I discussed how you should not only read a lot, but pay attention while reading. This includes marking every word or phrase you come across that you’re unsure of, so that you can come back later to study them. I call this a vocabulary study guide.

books-writing-reading-sonja-langford

So what is my vocabulary study guide?

I create one every time I read a book. While reading, I circle words, and after I’m finished, I study them. This list includes words I don’t know, words that catch me off guard, words I know but forget to remember, and words I simply want to concentrate on more, maybe because they’re beautiful or strange or perfect for certain scenarios.

How do I organize it?

Personally, I categorize words by most likely subject. By feelings or people or places or, my personal favorite, body parts and other medical things. (Example from below? Carbuncle: a severe abscess or multiple boil in the skin, typically infected with staphylococcus bacteria.) Sometimes, though, I organize my lists by words I need extra help on. In my below example for instance, I circled inscrutable FOUR times in the SAME book. (And this isn’t the first book I circled it in.) Why? I know this word. I do. But for some reason, whenever I’m reading or writing, my brain stumbles over it. I want, more than anything, for inscrutable to become natural to me.

So here is a literal example from my most recent read.

All of these words come from Iron Cast by Destiny Soria, a young adult book about prohibition, asylums, and hemopaths, people capable of creating illusions through song, poetry, and art. I highly recommend this diverse read, and I hope this list of beautiful words encourages you to check it out. Seriously. Everything in this post comes from that book. If you’re curious, here’s my book review on Goodreads.

Iron Cast by Destiny Soria Study Guide:

Five Senses:

          Sound:

Raucously: making or constituting a disturbingly harsh and loud noise

Sonorous: (of a person’s voice or other sound) imposingly deep and full

          Smell:

Redolent: fragrant and sweet smelling OR strongly reminiscent or suggestive of

1304706153-a3658f8a42b3430eef91f408b8005f16

Another reason to learn? Wooing women. 😉

Emotions:

Avaricious: having or showing an extreme greed for wealth or material gain

Imperturbable: unable to be upset or excited; calm

Languorous: the state or feeling, often pleasant, of tiredness or inertia

Temerity: excessive confidence or boldness; audacity

Beatific: blissfully happy

Body parts/Medical:

Carbuncle: a severe abscess or multiple boil in the skin, typically infected with staphylococcus bacteria.

Paunchy: a large or protruding abdomen or stomach.

Relating to People:

Spectacled: wearing spectacles

Haughty: arrogantly superior and disdainful

Stodgy: dull and uninspired, ex. stodgy old men

Gaggle: a disorderly or noisy group of people (also a flock of geese)

Expression: Speaking/Writing:

Asperity: harshness of tone or manner

Succinctly: (especially of something written or spoken) briefly and clearly expressed

Other Description:

Inscrutable: impossible to understand or interpret

Ostensibly: apparently or purportedly, but perhaps not actually

Anathema: something or someone that one vehemently dislikes

You might think you know every word you read, but really, if you slow down and ask yourself what the literal definitions of words are (rather than relying on context), you’ll force yourself to look up more and more words to learn on your own. It might seem like a waste of time or time-consuming, but I honestly love it. I revel in challenging myself to memorize new phrases and understand a wider range of the English language, and I believe it helps my writing.

Try it out for yourself and see which words you learn.

Who knows? You might need to use it in a novel one day.

~SAT

#MondayBlogs Feeling Down About Writing? Here’s How To Write Again!

2 Jan

Recently, I felt down about writing. When I sat at the computer, the words didn’t flow, and when I walked away, the urge to try again was gone. I struggled and searched for the reason I was struggling and continued to struggle again. Honestly, my “down” period was caused by the holidays, and let’s be honest, 2016 was one hot mess. But now that we’re into 2017—and many of us are typing at full speed ahead to meet our New Year’s resolutions—there’s bound to be a time when you feel down again.

How can you feel better about writing when you aren’t feeling so great?

Well, there are plenty of ways. In fact, there are so many ways, I asked my fellow Clean Teen Publishing authors to share their secrets to get back on the keyboard.

1. Listen to Music

Music is a really big way for me to get back into writing. Certain songs or arrangements feel suited to different characters or situations, and that usually gets the words flowing with some regularity again. – Molly Bilinski, debut author of Lady of Sherwood (April, 2017)

When I’m struggling to write, or inspiration has left me, I always return to the old reliable; music. I go on the hunt for new music and spend time finding songs that match the mood and tone of my WIP. There is nothing more therapeutic then finding a song and suddenly having clarity. – Susan Harris, best-selling author of Skin and Bones 

2. Play!

Whenever I’m down, I find that it’s usually because I’m taking everything too seriously and I’m too busy “adulting” to appreciate the fun in life. I need to get back to that “kid” space where anything goes and nothing is crushingly important. You’re just playing to play, having fun and going where it takes you – Jennifer Derrick, author of Avenging Fate

I always encourage writer friends to find another creative outlet. As creative spirits, writing is not all we can or should do. Create something else, craft, sew, crochet, whatever, but cultivate that creative spirit in another way. We can channel our inspiration in so many ways. – Lila Felix, author of Lightning Forgotten

3. Remind Yourself Why You Write

I reread something that I’m really proud of writing, usually something from at least a couple years ago. Sometimes remembering how great that felt can spring new ideas to mind. And sometimes it just reminds you that you have survived bad times before, and were still able to write something amazing. – Kendra Sanders, author of Dating An Alien Pop Star

“The moment you quit is the moment you fail.” I’ve been living by this mantra since September 1, 2010, the day I started writing the first novel I ever finished. Since then, I’ve had my fair share of discouraging moments, but I can honestly say I’ve never seriously considered quitting. Because if I quit, I fail. I’ve got too many stories to tell to let that happen. – Tamara Grantham, award-winning author of Dreamthief

So what’s my advice?

Along with all of these wonderful writers, I think stepping away, listening to music, reading your favorite book, or visiting your favorite café can help clear your mind of whatever’s holding you back. Sometimes, it just takes time, and I have to remind myself that writing is not a race—that my mental and physical health is important, too. Sounds simple, but it isn’t.

I always joke that I’m a Triple A personality. I’m constantly working, and if you catch me during a rare moment off, I’m probably thinking about working. (I could really use a hobby outside of reading and writing, but alas, I love them so much.) For me, visiting Barnes & Noble or a library and just surrounding myself with books can calm my soul. In the end though, one thought always finds its way back to me.

Be sure to visit all the awesome Clean Teen authors who made this post possible, and of course, good luck getting back on the keyboard.

It might be difficult. It might feel impossible today. But every day is the start of something new and wonderful, and every novel starts with one word.

~SAT

#MondayBlogs Weaknesses in Writing

26 Dec

Writers always have room for improvement. Even if you’re a New York Times Best Seller, you are growing every single day, and knowing what aspects to work on can definitely help your career.

How do you know what to concentrate on?

Be honest with yourself.

Most writers know what their weaknesses are. Maybe it’s those pesky fighting scenes (or kissing scenes). Maybe creating villains is really difficult for you, or world-building takes wayyyyyy too long (like five years too long).

We probably know where we need extra help, because it takes us more time than usual to overcome that particular obstacle…and that’s okay!

Understanding your weaknesses as a writer will help you overcome them and learn from them. So, here are some tips to figure them out, work with them, and beat them.

1. Make Lists!

While you’re writing, you’ll come across those tricky areas and struggle. Take note of where and how and why you struggle during particular times. Also take note of how you figured out the issues eventually. By forcing yourself to step away and reevaluate it, you’ll see more patterns, and you’ll be able to research or study that particular area until you no longer struggle as much. Want an example? I LOVE my side characters, sometimes a little too much, and while I can explore side characters, I often let them overshadow my main characters during the first draft. In the current book I’m working on, I have a note to tone down those subplots. That way, I don’t get out of control again. (And if I do, I have notes on how to fix it when I’m editing.)

Another list I love to keep outlines my crutch words. This includes words I use WAY too often and words I often misspell or just need to look out for in general. Crutch is actually one of my misspellings. I always use clutch instead. Why? I have no idea, but I know that I need to search for clutch and crutch every time I’m editing. I also search for all those pesky, repetitive expressions like smile, nod, frown, smirk, laugh, etc. There’s nothing better than finding out you used the word smile six times on one page and deleting them ALL before anyone else reads your Crest commercial…er, I mean, book.

writerweaknesses2. Read, Research, Practice!

If you’re anything like me, you might struggle with romantic scenes. (Seriously, I feel like a Peeping Tom every time I write a romantic scene. It really ruins everything for me, which is probably why most of my novels have very little romance in them. But moving on…) I know this about myself. I know to take my time on these scenes, and I realize I’ll edit them a hundred times over. But one thing that I find that fixes my issues more than anything else is reading. By reading, I will see how authors evoke emotions I struggle to explain. Whenever I come across a romantic scene in a book I’m reading, I definitely pay more attention than usual. I might even take notes on how and why it was a successful scene, so that I can consider how to utilize those tools in the future. This is where research and practice comes into play. Once you start realizing what works for you and others, you can try out your new skills on short stories or individual scenes. By writing and rewriting those areas you struggle in, you will start to feel more confident and comfortable over time. (Plus, we could always use another excuse to read.)

3. Remember One Thing!

Weaknesses do not make you a bad writer. Everyone has them. Yes, even J.K. Rowling. Maybe you have a bad habit of dream sequences or too many flashbacks or your villain falls flat every time. That’s okay! As long as you understand that these are issues, you can fix them. Look at it this way, isn’t it better to know about them, and be honest about them, than be oblivious or ignore the issue at hand? Writing is a journey. Some scenes will work perfectly; others might need more work. Take your time. Embrace the challenges, and prove to yourself that you can overcome them.

~SAT

#MondayBlogs How To Find Beta Readers

12 Dec

Beta reader (n): an avid reader/critique partner/superhero who looks over your novel/baby/everything before anyone else sees it in order to improve language/characters/grammar/basically the whole package.

Okay, but really, beta readers are necessary, because they are an extra set of knowledgeable eyes on your work. They’ll see those plot holes you understand (but accidentally forgot to add) and they’ll call out your purple prose or tell you what’s working where. Most writers know they need a beta reader, but finding a beta reader? That’s a whole different story.

Beta readers probably shouldn’t be your best friend from high school, but hey, look at it this way, they might become your best friend overtime. In fact, it’d be ideal to get quite a few beta readers on your team. That way, they can serve various purposes on top of general advice. Example? I recently rewrote the beginning of one of my novels, but all of my beta readers had gone over the original already. I needed a fresh pair of eyes. One that hadn’t seen the original. That way, I could know if the beginning was just as clear as the original version. If I had a beta reader who already knew the story, it wouldn’t have been an objective opinion.

beta readers

So, who should be your beta reader? Like I said above, they *probably* shouldn’t be your best friend or sister or parents or a lover or or or. Why? Because people close to us generally tell us what we want to hear. Plus, just because they are close to us, doesn’t mean they are writers, and even if they are avid readers, it doesn’t mean they are experienced in your genre or the market. Beta readers are generally best when they are fellow writers working within the same genre at the same level of experience (or even better, more experience). Of course that doesn’t mean there are exceptions. If your mother is a college professor who teaches young adult literature and you’re writing young adult books, duh, go for it. (Maybe ask her for some contacts, too, you lucky bird.) Also, toward the end of writing, I like to have a few non-writer friends of mine read my work. It’s still a fresh pair of eyes, so friends and family don’t hurt. Just don’t rely on only them.

You might be thinking beta readers sound like mythical unicorns by now, but trust me, they are out there, and they are definitely willing to help. Remember my little example above about needing a new beta reader last minute? Guess what? I found her on Twitter, and she’s awesome. Now how can you find beta readers?

  1. Local Writing Groups/Events: Look up your local chapters of RWA or whatever organization your books fall into. See if anyone is close. Check out your local libraries or bookstores to see if they have writing groups. Join. Pay attention to local events, too. Writing conferences often have writing classes available throughout them, and it can be a place for feedback as well as connections. But for those of you who have social anxiety like me (or work a nightshift like me), I have online solutions for you.
  2. Online: Remember all those agent-pitching contests I’ve shared before? No? Here’s the Pitch Calendar. Join those online and meet fellow writers. Follow writers who are writing similar materials and befriend each other. Overtime, you might find someone who needs a beta reader just as much as you do, and you’re both headed the same direction. That being said, I have one stipulation for online connections: research, research, research. There’s no need to pay thousands of dollars for just a beta reader. Also, as much as I love Wattpad for finding other writers, do not post manuscripts you’re trying to publish. Posting can be considered published, and that will make it harder to find an agent or publisher. Instead, I suggest posting short stories or a sample chapter to try to connect with others in order to find beta readers to work with elsewhere.
  3. Colleges: If you’re in college, colleges often have awesome resources for students. Take advantage of those.

These are three places to start. Good luck in finding your next best friend…er…beta reader.

~SAT

#MondayBlogs Writing, Creating, and Loving Villains

7 Nov

Wizard World Comic Con invited me to speak on the panel Villains vs. Villains with authors Genese Davis, Jack Burgos, and RA Jones last month, and I loved it! We had a great time talking about what makes a villain likable, memorable, or just plain evil. Today, since I know so many of you couldn’t make it, I thought I’d share some of the awesome points brought up during the discussion.

Wizard World Comic Con Villain Crew. From left to right, RA Jones, Genese Davis, Shannon A. Thompson, Jack Burgos.

Wizard World Comic Con Villain Crew. From left to right, RA Jones, Genese Davis, Shannon A. Thompson, Jack Burgos.

First, there are so many different ways to tackle a villain. In regards to creating a person as the villain (rather than society or nature), you have the evil villain, the villain we love to hate, the sympathetic villain, the group of villains, and more. But here are my top three rules to keep in mind when creating any type of villain for your novel.

1. The Villain is the Hero in Their Own Book

Much like the sidekicks do not exist just to support the hero—as they say, your friends don’t exist just to support you, right?—the villain follows the same rule. They do not exist just to antagonize the hero. They have their own lives, desires, wishes, and fears. In my opinion, the best villains are the ones who believe they are the hero. If you had to write the story from their side, you could (even if you don’t agree with them). A great example of this is…history. Just look at the years and decades that came before us. Some of the worst, most vile human beings thought they were doing the right thing. A modern example of this is Valentine in The Mortal Instruments by Cassandra Clare.

2. Avoid Clichés

I hate hate HATE the scorned woman villain trope. In fact, I hate the scorned man villain trope, too. Just because their lover—or their family—dies in the beginning, they become this crazy, evil maniac (generally for WORLD DOMINATION and REVENGE), and it becomes…yawn. Why? I think it’s a little silly. (And I say this as someone who has lost a mother, a friend, and more.) While revenge is A-okay in my villain book, I think we can tone it down from WORLD DOMINATION and get a little more personal, like—I don’t know—ruining one person’s life? Some clichés that were brought up included evil British doctors, (doctors of any sort, actually), and those that are just plain offensive, like people with disabilities who are evil because of their disabilities. (Please. Seriously. Stop.) Like with writing any character, research is key. Make sure you’re writing a genuine person who adds to the market in a unique way.

3. Overall Storyline

The villain doesn’t always have to lose. They could also tell the story or become good by the end. I’m dying for a book where the villain and hero become best friends (whether or not that’s a good thing or not), and I love it when the relationships between a hero and villain blurs. One of my favorite examples of this that I’m currently watching is The K2, a KDrama where the hero and villain have quite the interesting dynamic. Which brings me to my next point.

Challenge Yourself

Read books outside your favorite genre. Try reading the original comic books of those movies you’ve seen. Watch shows you wouldn’t normally try. Personally, I love KDramas and anime, and I think they have some awesome examples of villains that I don’t see as much of in Western shows. By expanding your palate on genres, mediums, and cultures, you will expand your understanding on creating villains, destroying villains, and more. If you read and watch the same types of stories over and over, you will most likely write the same types of villains.

So who wants a writing prompt?

Let’s take the villains we love to hate. How do you create one? One brought up by our crowd was Dolores Umbridge from Harry Potter. Honestly, she’s always reminded me that super strict substitute teacher everyone hated in middle school. So, here’s your prompt. Take an average everyday role and exaggerate it to villain status. In Umbridge’s case, she could’ve started off as that substitute teacher. Figure out what annoys you at the core (in this case, “by the book” rules, even when those rules can be destructive or harmful or hurtful). Try someone who is nosy. Try someone who is stuck-up or cruel. Play with “good” roles, too. If you have a great coach for instance, you can also have a terrible one. Any role can be a good one to play with when it comes to creating a villain. It’s all about their personality…and how evil they can get.

Now go take over the world.

Just kidding.

~SAT

Wizard World Comic Con: Shannon A Thompson

Wizard World Comic Con: Shannon A Thompson

P.S. Thanks for having me, Wizard World Comic Con! I had an absolute blast! If anyone is curious about their 2017 schedule, check it out by clicking here. I’m excited to announce that I’m working with the convention to return next year. We will see! Keep your fingers crossed for me. I am working hard to travel more and speak at different events around the country. If you’re a reader and want me at an event near you, be sure to e-mail their staff and let them know! Your input helps! (And I will love you forever.)

Also, I’ll be at YALLFest in Charleston, South Carolina THIS Saturday! If you want to meet up, just shoot me an e-mail at shannonathompson@aol.com. I would love to see you!

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