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#WW Help! My Female Character Is Flat

14 Sep

I’m guilty! Oh, so guilty.

While writing my latest manuscript for my publisher, I hit a snag 38,000 words in, and could not—for the life of me—figure out what was wrong with it. Then, I realized what happened.

My female protagonist was flat.

Allow me to back track for a little bit.

I never used to have this problem. When I first set out to write books, I honestly feel like I was a better writer than I am now. At least, in regards to the first draft. I would simply let my work be what it needed to be. Now, I’m bombarded with so many rules and expectations (some awesome, some not-so-awesome) that I end up worrying about what I should be writing instead of worrying about what my book actually is, who my characters truly are, and how things will happen naturally.

Example? Well, let’s go back to where I started. My flat female character. Why was she flat? Because she wasn’t flawed. So, why wasn’t she flawed? Because I was afraid. I kept thinking about all the things readers want (and don’t want) a female character to be. Tough but not too tough. Girly but not too girly. A good friend, a completely independent lover, a strong-minded leader, a determined dreamer, and someone who never faints from total exhaustion from all that perfect-ness.

I take issue with too much expectation, especially in young adult fiction where characters are coming of age and still trying to figure out who they are, what they want, and how they’re going to achieve it. But I get it. I do. As a reader myself, I know readers are harder on female characters, because the world is harder on females in general. I have my moments, too! It’s ingrained into us, after all. But I hadn’t realized how much it was affecting books until my paranormal romance trilogy released last year. Spoiler warning now, I was shocked that my male protagonist could take a two-ton car, throw a hissy fit, and crash it at 100 mph without so much as a blink of judgment, while my female character was called all kinds of nasty names because she went underage drinking with her friends and got into some trouble. Personally, I think his choice was much more destructive considering how he could’ve killed someone else—or an entire car full of innocent people—while her reckless decision really only put herself in danger. (And she was with friends she should’ve been able to trust.) All that aside, though, only one of them was judged. And she was judged harshly. (Shameless plug: I’m talking about Seconds Before Sunrise.)

As much as I wish I could say this didn’t affect me, I think it did.

Now, when I approach my female characters, I’m hesitant to let them make any mistakes at all. I’m afraid to let them cry (because they’ll be deemed whiny), but I never hesitate to let my male characters cry (because when they cry, they are somehow seen as deep and approachable and need to be comforted).

It’s extremely frustrating, because I am also a female, and I know these judgments extend far beyond the pages of my books. It’s also why I fight my own fears to keep my female characters round. In a world that is constantly trying to flatten female characters, I will fight to keep them round. I will even fight myself—my own misconceptions and…well, flaws.

Before, I held myself back, and therefore, I held my female character back, and I apologize for that.

She is not someone I should hold back. She is strong and weak and happy and sad. She’s dealing with trauma and dreaming about the future and falling in and out of what she thinks might be love (but she isn’t sure), and she is reckless for all kinds of reasons. She also cares deeply about those around her…and sometimes she forgets to care about herself, too. But she will do her best and she will make mistakes, and the combination of both is what matters, because that is who she is.

I will not worry whether or not readers will hate or love or judge her, because she is her, and that is who she is supposed to be. And this is her story to tell, not mine.

~SAT

#WW Writing Quicksand

7 Sep

Writing quicksand is a term I like to use to describe when writing is doing more damage than good. You know, the more you move, the faster you sink? It can happen in writing, too. Of course, writers should write all time. Whenever they can, really. But sometimes, it’s best to walk away for a little while, too, especially in regards to specific projects.

I found myself in writing quicksand the other day.

While working on a certain sequel, I hit a snag, but I didn’t back down. I pulled out my Sticky Notes. I displayed my plan. I switched it up. I rewrote Chapter One, and then, I edited Chapter Two and Three. From there, I redesigned a few characters…and then, I face-planted.

It was all wrong. Everything was worse. The “issues” I thought I was fixing were only multiplying in numbers.

I tore it all down, and I stubbornly tried again…and again…and again.

And every time, I only sank further into despair.

Writing quicksand.

But sand is so pretty, right? Wrong.

But sand is so pretty, right? Wrong.

It’s a dangerous trap, and when you’re stuck in it, you can start doubting everything you’ve ever written—in the past, in the current, and even in the future. You can start thinking every project is silly or useless or mundane. But then, you tell yourself it’s just writer’s block, and you try to power your way through it…only to hurt the project again.

It’s okay to walk away.

It’s okay to take a break for a little while and clear your head elsewhere.

Personally, when I realize I’m in writing quicksand, I put the laptop away, find an awesome read, and try to write something else completely unrelated to anything else I’ve worked on recently. I listen to a podcast, I research some history, I challenge myself with some ridiculously hard crosswords. (I still need a 10-letter word for Koussevitzky’s wardrobe.) But taking a break lets me enjoy writing without the deadlines or pressure or worries that come along with any writer’s career. And sure enough, within a day or two, I was back on dry land.

My project even continued forward.

One article I LOVE LOVE LOVE is When to Put the Baby (Your Book) to Bed by Stacey Lee on Publishing Crawl. (If you haven’t read Stacey Lee’s YA historical novel, Outrun the Moon, do so now. It’s amazing. Here’s my 5-star review.) But her article about when to walk away from a manuscript is a fantastic, honest read about how to know when to give up. (And why it’s okay.)

For now, I’m continuing forward with the project I sunk into the quicksand with, but there has been numerous books I had to walk away from, too, and that’s okay.

As long as you keep writing—and keep trying—all the adventures are worth it, even the ones with quicksand.

~SAT

 

 

#WW I Love Free Readers

17 Aug

What is a free reader? A reader who only reads free books. In a market where millions of books are listed as free across all platforms, free readers have become a common occurrence…and they’ve also caught a lot of flak.

First, I want to clarify that I’m not talking about people who steal books by illegally downloading them or by using the five-finger discount at the store. I’m talking about readers who only read free books they legally received through Amazon, Barnes & Noble, Smashwords, NetGalley, publishers, etc. I think we can all agree that stealing is wrong. But if an author has books listed for free—a common marketing plan, especially in regards to series—I don’t think we should complain that some people are only reading free books. I say this from a platform with two of my five books currently listed as free. I also say this as someone who rarely reads free books nowadays. Since most free books are eBooks, and I have a hard time reading eBooks, I buy paperbacks from Barnes & Noble to read. But I don’t hate “free readers.” Instead, I love them. Why? Because I was one of them.

In college, I couldn’t afford to do anything beyond buy my college textbooks, so I lived off of legally free entertainment, and most days, that art saved me. I raved about their work, I fell in love with their work, I followed them on social media, and complemented them, and told all my friends about them. Now that I have more money in my life, I spend my cash on their work. Today, maybe even as you’re reading this, there’s someone out there just like me, reading my free work, too, and I hope they are having a great day.

Free Kindle Books

Free Kindle Books

A free book is a gift we choose to give. We cannot give a gift and expect something in return. That ruins the entire point of giving. Besides, libraries have allowed readers to rent books forever, but we only seem to debate the eBook 1-click download readers.

As an author with free books, I’m happy when someone takes a chance on my work. I’m happy I might have a new fan. I’m happy my book is out there, and for all I know, that “free reader” could be saving every extra penny just so they can buy the next books ASAP. I can honestly say I’ve been contacted by a “free reader” who—after reading my entire trilogy through a giveaway—saved up enough money to not only buy paperbacks but asked if they could buy signed paperbacks from me. They chose to buy my books with their only birthday money. That “free reader” is now my friend.

Of course, there are bad eggs. The ones who expect everything for free. The ones who leave bad reviews just because it isn’t free. The ones who send emails asking for free paperbacks. The ones who take hundreds of ARCs from book shows when you’re only supposed to take one. Of course there are readers who give a bad name to good readers. Of course there are. But I’m addressing the ones who follow the rules—when free isn’t all that bad.

I get it though. I do. I’m an author. My books help me pay the bills, too. Writing is my second full-time job, and I work my little writer’s butt off to create books, and my publisher busts their butt to edit, format, and print my work. Writing and publishing is time-consuming and expensive, and it would be wonderful if that work then paid for itself and more. But the market is highly competitive, and readers also have bills to pay and a life to fund. If I choose to list my book for free, then that was my choice. I cannot expect the reader to then go buy the rest of my series, even if it is under the price of a cup of coffee. (I can definitely hope though!)

Why Pay For EBooks? was a popular article on Fussy Librarian, and I highly recommend the read. Three wonderful authors discuss how royalties affect their life, and it’s a side of publishing we often forget. I totally agree with all the points made, but we should keep the reader’s side in mind, too. Free readers are not our enemy; free readers are our friend. They are taking a chance on our work. They are sampling new authors and participating in discussions and leaving reviews and entering contests to share the next book, too. They are trying to support you in any way they can.

How can we help authors if we cannot afford to buy books?

1. Don’t steal. Instead, get a library card, start a book blog, enter giveaways, and apply to publishers for ARC (advanced reader copies). If the book you want isn’t at the library, let the library know you want it! Talking to your librarian helps everyone.

2. Leave reviews! Whether it’s a helpful 1-star or a raving 5-star review, let people know what you think. Recommend the book to someone you know will enjoy it.

3. Contact the author. Tell them how much you loved their book. Ask them how you can help spread the word about their books. Maybe they have an upcoming release you can ask your librarians to get. Encouragement and support is priceless. My day is often made by a fan just stopping by to say hello.

Authors are here to write, and authors should be paid, but personally, I’m happy if no one is stealing and readers are enjoying our work enough to share it with the world.

Keep reading, keep writing, and…uh…comment below for free? 😉

~SAT

Here are two of my FREE books:

Bad Bloods: November Rain

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Minutes Before Sunset

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#WW When You Shouldn’t Write That Book

10 Aug

There comes a time in every writer’s life when they realize they cannot write that book….and I’m not talking about writer’s block. I’m talking about when you want to write a book, but you know you shouldn’t. Maybe not yet. Maybe never.

Of course, I’m not saying a writer CAN’T write that book. Not forever anyway. But just like a construction project, certain books require particular tools, and if you don’t have those tools, building anything might be for naught…or even dangerous.

So here are three questions to ask yourself while deciding if you are ready to write that novel or not.

1. Have You Researched EVERYTHING Properly?

This is particularly true in historical fiction, but research shouldn’t be overlooked for any type of fiction. This means you are researching your setting, your themes, and your characters thoroughly. If you are writing anything outside of your personal experiences—which is more likely than not—it’s best to read articles, watch documentaries, and even talk to those who do have those personal experiences you’re lacking. If you haven’t done this, you most likely don’t know enough to write about certain topics and people from a respectful and knowledgeable place. You might even add to damaging stereotypes or incorrect presumptions. Take the time to get to know your novel’s needs…as well as your audience’s.

2. Have You Read This Genre?

You should be reading in and outside of any genre you want to write in, but you should definitely be familiar with trends in your market. Being able to recognize writers, publishers, and various novels is key to understanding your audience and what purpose your book serves. What does it add to the market? What does it give to your readers? If you’re unsure where your book would be on a shelf, you’re probably not ready yet. But don’t worry! All you have to do is read more. (And who doesn’t love reading?) I went through this myself recently. As someone who mainly reads and writes YA fantasy, I wanted to tackle a contemporary novel when I wasn’t fully equipped to do so. Though I read contemporary still, I knew almost immediately that I wasn’t familiar enough with the current shelf to proceed. I need to collect more tools. I need to read more. And I am.

Who doesn't love an extra excuse to read more?

Who doesn’t love an extra excuse to read more?

3. Why Are YOU The Right Person to Write This Book?

Listen, I’m not here to tell someone if they are the right person to write a book or not. That’s between the author, their book, and the creative process. But I honestly believe we can get to a moment where we realize a book—while it’s good—might be better for someone else to write. This is going to vary from person to person, and it ultimately weighs on how much you are willing to dedicate yourself to a story. If you’re hesitating to research, for instance, you’re probably the wrong person for that book. That doesn’t mean you can’t overcome obstacles or hurdles in your way, but it’s also okay to move on from something you realize isn’t right for you. If you’re on the fence—and you’re unsure how you’re feeling about this topic—one question you can ask yourself is WHY you’re even writing it. Seems obvious enough, but when you take a step back, you might see that you were, in fact, chasing a trend or a surface idea without the will to dive deeper. That’s okay. There are a million stories out there for you to write, and I’m sure you already have plenty more to chase. It’s a matter of figuring out which one feels right to you.

When you should write a book, it will come to you.

Enjoy the adventure,

~SAT

Read my latest interview on Crazy Beautiful Reads: “Every writer’s life is paved with rejections.” Comment for your chance to win some awesome books!

It’s official! Author Natasha Hanova will be sharing a table with me at Penned Con in St. Louis this September! Check her out, say hi, tell her I sent you, and come visit us in September. We’ll be signing books, talking books, and just having a great ol’ time.

*FREE BOOK ALERT*

Bad Bloods: November Rain is FREE!

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Bad Bloods: November Rain

Bad Bloods: November Rain

#WW Connecting Books Across Genres

3 Aug

I’m a young adult author who writes in various genres. I have contemporary, paranormal romance, fantasy, and science fiction published, but my two main series include a Dark vs. Light paranormal romance that takes place in the small Midwest town of Hayworth—The Timely Death Trilogy—and a science fiction duology—Bad Bloods—about children with hindering abilities fighting against an election that decides if they will continue to be executed or not. While The Timely Death Trilogy takes place in modern Kansas, Bad Bloods takes place in an undisclosed southern city bordered by the ocean and locked in by walls in the year 2089. Despite having different locations, time periods, and genres, these series are connected.

What? How?

Well, let me tell you without spoiling it for you: the characters.

If you read The Timely Death Trilogy and you also read the Bad Bloods Prequel (FREE on Wattpad), you will get to know a little girl named Violet. She is the key to the connection. But that’s all I’ll say for now.

Why did I connect these two, seemingly unrelated stories? Because they ARE related, and they always have been in my mind. I mean, they existed in my mind at the same time, after all. And so do all of my stories. Which, basically means I connect all of my novels in some way or another.

Consider it a wink to all those readers who follow every book by an author.

My books I'm discussing, The Timely Death Trilogy and Bad Bloods

My books I’m discussing, The Timely Death Trilogy and Bad Bloods

But how do I do this?

I’m not sure there’s a method, necessarily. I always tell aspiring writers to follow their gut, and this is often why. For instance, I definitely don’t know every book I will write in my life time, but by keeping my mind and heart open to the characters (and honest), I guarantee they’ll reveal a weird twist of how they got to know each other while hanging out in my mind space.

As an example? Many readers were dying for a continuation of The Timely Death Trilogy (or a happily ever after epilogue), but the truth of it was, whenever I attempted to tackle a shiny, pretty ending, I only saw my characters lives becoming more and more complicated as they grew older. (A reality, really.) And while I wanted to leave everyone on a happy note, Violet’s character in Bad Bloods is so powerful to The Timely Death Trilogy, I couldn’t deny what she wanted to say: the truth. And that truth became the connection, and to me, these connections remind us an important truth to every story.

Connecting books across genres shows that a character’s story never ends, even when the pages do.

~SAT

I have new author photos! Check out my right side tool bar to see it, and of course, special thanks to Huntress Photography!

My publisher is also hosting an August Back to School Giveaway! You can win a $25 gift card to Amazon, CTP mystery boxes, November Snow, and many other books!

Bad Bloods: November Rain

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Bad Bloods: November Snow! 

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Bad Bloods: November Snow

Bad Bloods: November Snow

#WW How to Manage a Book Launch

20 Jul

Launching a book is chaotic, exciting, and fun, but it can also be daunting. What ads do I take out? How do I get reviews? When should I get reviews? Should I create teasers? WHAT DO I DO?

Simply put, there’s a different answer for everyone, especially when you consider your audience and genre, but I have a few tips to keep in mind when organizing your book’s launch.

1. Start Three Months Ahead

Books might only launch on one day, but launching the book starts three months ahead of the official launch date. Why three months? Because that’s when most retailers allow you to list a book for preorder (and I highly suggest all authors do this). That being said, this means your plan starts now, so you need to have your marketing plan ahead of time. This means you have your teasers, blog posts, blog tours, etc. figured out, so that when it comes to crunch time, you’re not rushing to get things together.

How to Manage a Book Launch

How to Manage a Book Launch

2. Think Visual, Think Virtual

Consider an array of ways to market. You don’t want to only write articles or create book teasers. Different types of marketing will reach different types of readers. Personally, I suggest starting off by creating at least ten book teasers (and releasing five leading up and five after) and writing a few blog posts about your book (why you wrote it, your writing journey, etc.). If you want to know how to create book teasers, read How to Create Book Teasers on a Small Budget. Between these two things—visual and readable—signing up to other marketing opportunities will be easier. If you have a budget, consider hiring a book tour company. They generally share your book for a week before release day across various blogging platforms. Sometimes, you’ll need guest articles and excerpts, so those above materials will come in handy. Other ideas to consider: Release short stories related to your books on Wattpad, send out newsletters on release day, and schedule a time to e-mail book bloggers who read your genre. How did I organize all of this? I released one book teaser a week on #TeaserTuesday, I posted a short story on Wattpad every other Friday, I released two book-related articles every month, sent out one newsletter every month, and I made a point to e-mail 10 book bloggers every week. This way, I knew what I needed to do and I got it done without getting too wrapped up in marketing. All of this material was prepped months in advance.

3. Paid Promos and Giveaways

If you have a budget, there are more opportunities you can take advantage of. Like I stated before, research a few book tour companies to find book bloggers that will feature your work. List a Goodreads Giveaway beforehand. These giveaways often result in readers adding your book to their TBR shelf, so they should get an e-mail on release day saying your book is now available. Take out an Instagram ad or Facebook ad if you want. Anywhere, really (depending on your budget, of course). Host your own giveaway on Rafflecopter or other social media websites. Create a Thunderclap and offer swag to supporters. Whatever type of giveaway you’re doing, be sure there’s a way for your followers to share it. This will attract new readers, and hopefully, spark everyone’s curiosity about your book release.

On the day of the launch, work hard, but also let yourself celebrate! You deserve to enjoy this moment, no matter how much marketing you were able to do. You wrote a book, finished it, and got published! Congrats! If you can schedule a physical tour, fantastic! Call up a couple of local bookstores and ask if you can host a writer’s panel and book signing. If you can’t, create a Facebook event to have a virtual launch. But be sure to party the day away.

You deserve it.

~SAT

Bad Bloods is now available!

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RELEASE99cBad Bloods: November Rain released, and it’s .99¢ for release week only!

What are the latest readers saying?

“November Rain is very relatable and at the same time very inspiring, breathtaking, and beautiful. It should be read by everyone because I believe everyone will learn at least one valuable lesson from it. I also thought of The Hunger Games and Miss Peregrine’s Home for Peculiar Children while reading it, so if you loved those books, you should definitely check Bad Bloods out!” – Macy Loves Stories

Bad Bloods: November Snow releases next Monday, and readers are raving!

“I bawled like a baby at the end of this book. I highly recommend this story to all to read and enjoy!!” – Black Words, White Pages

“This book was an emotional roller-coaster! So much happened in this book, I couldn’t entirely believe my eyes. Recommend it? Yes!” – Daydreaming Books

I also did a character interview about Serena on Brittany M. Willows! Curious about Serena? She’s the protagonist of Bad Bloods, and we discussed her life, dreams, and what moves her. Here’s a sneak peek:

Where does she live? What’s it like there?

Serena lives in Southern Vendona, which is the countryside of a walled-in coastal town wrecked by a war that happened fifty years ago between bad bloods and the government. She’s living in the aftermath, and as a bad blood up for execution, she’s fighting to live every day. But she loves her flock—a group of 12 bad bloods who hide in a house together—and she strives to help her leader keep everything under control as an election for bad bloods’ rights approaches. Her best friend is Catelyn, and together, they share a nameless cat.

Read the full interview here.

#WW How Pre-Orders Help Authors And Readers

22 Jun

The importance of pre-orders is not a publishing secret. Dozens if not hundreds of articles cover how, when, and why authors should make upcoming releases available for pre-order. Why? The main reason tends to be placement on various lists—such as best-seller lists and coming soon lists—before or on release day. These lists allow new or undiscovered authors to increase their chances of being seen by voracious readers, and I definitely recommended listing your book for pre-orders before it comes out! For more information, check out these awesome articles that include in-depth details about tackling pre-orders as an author.

Pre-Ordering Books

Pre-Ordering Books

But pre-orders aren’t only about writers; they can also help readers.

How?

Well, pay attention to your favorite authors on social media and beyond. Many authors and publishers offer special prizes, like early sneak peeks or signed swag, if you pre-order an upcoming release. Just last night, for instance, A.G. Howard – the author of Splintered (and one of my YA heroes) – offered advanced reader copies of her latest, RoseBlood, to readers, but if I hadn’t been following her, I wouldn’t have seen that. Pre-ordering also guarantees you’ll be one of the first people to read the latest and greatest novels, because—chances are—you’ll get your eBook delivered to your Kindle at midnight while others are waiting for the bookstore to open in the morning. Sometimes, authors might even pick out pre-order peeps for advance reader copies. So, stalk…I mean, check out authors and what they’re up to when you can.

Here are some ways to follow your favorite authors: Click the “Follow” button on their Amazon or Goodreads profile, subscribe to their newsletters, add them to a list you create on Twitter, like them on Facebook (and subscribe to notifications), follow them on Instagram or SnapChat, and don’t hesitate to reach out.

Pre-orders often help authors, publishers, and readers alike, but they can be a lot of fun, too!

~SAT

Bad Bloods Teaser

Bad Bloods Teaser

So, I turn 25 tomorrow. Yeah, birthdays! I’ll officially be a quarter of a century old…and I’ll be working, but if you want to help a girl celebrate, pre-order ANY book you’ve been dying to get!

Also, shameless plug, Bad Bloods releases next month. Did you see the new teaser? It’s honestly my favorite one. What can I say? I’m a sucker for love. And despite Bad Bloods taking place in the month of November, there is some romance in my upcoming duology. This is a direct line from the book, but I hope you fall in love with Daniel and Serena like I did.

Pre-Order Bad Bloods

November Rain, Part One, releases July 18, 2016

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November Snow, Part Two, releases July 25, 2016

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Goodreads Book Giveaway

November Rain by Shannon A. Thompson

November Rain

by Shannon A. Thompson

Giveaway ends July 16, 2016.

See the giveaway details
at Goodreads.

Enter Giveaway

#WW Taking a Writing Break (And Why It’s Important)

8 Jun

I am taking a break from writing. (Why does that feel so dramatic to say? …Well, I don’t know. Maybe because writing is practically my life.)

So what do I mean by taking a break?

I mean just that. A break. A normal, little vacation for the writer’s mind. I’m not quitting. I’m not giving up. I’m not burning all my paperwork or throwing my typewriter across the room.

  1. I don’t have a typewriter.
  2. Who would do such an atrocious thing?
  3. I really want a typewriter. (Yes. For aesthetic sakes. I can’t help myself.)

Taking a break is simply taking a break—much like many do on the weekends—but if you read my article, The 90-10 Rule for Marketing and Writing and How to Love It, you might notice that I have forgotten what weekends are, as have many writers. Most of us work day jobs, which means many of us consider writing our second full-time job, and if you’ve ever worked two full-time jobs, then you probably know a workaholic. I am, by definition, a workaholic, but I love what I do, so it’s HARD not to work, which means it’s HARD to take a break. (Seriously. What do I do with all this time???)

Bogart the cat keeping me in line during my writing break

Bogart the cat keeping me in line during my writing break

For me, I don’t want to take a break. I want to keep writing. I want to turn that page, type the keys off my next keyboard, or daydream the next trilogy, but taking breaks is a necessary (and important) step for authors to take.

Why are taking breaks important?

Depending on where you are in the writing process, taking a break might mean putting some distance between finishing your manuscript’s first draft and editing the content. It might mean thinking deeply over what you need to keep or change. It might spark your next idea. It might clear up your mind, so you can consider the business side of your story. Taking a break might simply help you from NOT burning out. Because writer’s burnout is a thing. Trust me.

So, take breaks. Take them guiltlessly and enjoy them.

Read that book you’ve been dying to read, finish that terrible TV show you don’t want to admit you binge-watch, cry at a sad documentary, obsess over murder shows in the middle of the night, sing Disney sing-along songs at the top of your lungs, and botch a batch of cookies before you bake the perfect batch. (Okay. So you don’t have to do what I did…but I found it pretty cleansing.)

But I maybe sort of already broke my break by writing about taking a break. (Oops.) Still, I think we all need to write about taking a break from writing a little bit more,

~SAT

Win signed paperbacks and more at the CTP Sizzling Summer Reads Release Party THIS Friday at 7 PM EST on Facebook.

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Bad Bloods Book Teaser

Bad Bloods Book Teaser

Did you see the new Bad Bloods teaser? Well, now you do! 

Win a paperback of November Rain in this Goodreads Giveaway.

Win signed swag from The Timely Death Trilogy and Bad Bloods by signing up for the Bad Bloods Thunderclap and emailing me your support at shannonathompson@aol.com.

Pre-Order Bad Bloods

November Rain, Part One, releases July 18, 2016

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November Snow, Part Two, releases July 25, 2016

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#MondayBlogs Writing Tips for Love Interests

6 Jun

Romance sells. This is a proven publishing fact. Though that doesn’t mean you should add romance to your novel just to add it, romance is quite popular in ANY genre, and let’s be real, love is everywhere. The chances of writing a book with no one (not even a side character) falling in love or being in some sort of relationship is pretty slim. Think of your own family and friends. Someone is going through something. Which is why love is so relatable. It might also be why we love reading about love. So, how do we write about love?

Like any topic, there are a million ways to write about love, but since I know you have a million more articles to read, I’m only giving out two quick tips to keep in mind when developing a relationship for your characters. But first, I want to get one stereotype out of the way, a stereotype we’ve all loved to hate. That’s right. I’m talking about Insta-love.

A note on Insta-Love:

I use the term “love” loosely here, but can we admit that insta-love happens? All. The. Time. In reality, it might be classified as infatuation or lust, but in the moment, a lot of people believe they have fallen in love at first sight or fight kiss, and technically, some people do fall in love right away. We’ve all heard stories of those couples many envy. You know, “She walked into the room, and I just knew!” It does happen, and it happens to people of all ages, but I definitely prefer when an author allows love to shape over time. This generally means love is more character-driven than plot-driven, and there are many ways to approach it.

Here is one system to think about.

1. Show How the Love Interest is Different

Why should we love them? Sure, he/she is good-looking and funny and smart, but so? Everyone is good looking and funny and smart to someone—and as an author, you’re not necessarily trying to get only one character to love another character. You’re trying to get most of your readers to also love that character, or in the least, believe in that character’s love. This is why we have to start thinking beyond types and start thinking about love in general. What makes love relatable? More love! Think about the love interest’s relationships with all of those around them—their friends, their family, etc.—and I guarantee you’ll make that character relatable. You’ll also figure out why your love interest is a standalone (and interesting) character. If that doesn’t work, try some personality questionnaires to get to know your characters better. Maybe they have a strange hobby or a secret phobia or a new dream that contradicts everything they’ve ever dreamt of before. Questionnaires will help you concentrate on the love interest as a person rather than as a love interest in your story…which is key to creating an interesting character for ANY situation. Not one character should be in a book to simply support another character. Sure, supporting characters support the main character, but much like the villain, supporting characters are still the main characters in their story. Treat them as such. Give them their own desires, interests, fears, and arcs. Love interests are never just love interests. Love interests are just characters who happen to fall in love.

love-heart-hand-romantic-large

2. Now Show How the Love Interest is Different Around The Lover

This is the “two characters who happen to fall in love” part. To me, it basically translates to affection, and not necessarily physical affection. I mean, emotional affection. Maybe they open up to one another about topics they’ve never opened up about before. Maybe they simply cry in front of one another. Maybe they are the ones who challenge them the most and cheer for them even harder than anyone on the sidelines. Maybe they can dance and trip and don’t feel embarrassed that they tripped together. It’s both about comfort and accepting discomfort, knowing the other will love them anyway. The juxtaposition between positive and negative emotions—while sharing them with one another—helps readers relate to the couple while also allowing the couple to relate to one another on a more intimate level. In this process, you’ll probably see where the characters draw lines with friends and co-workers and family members as well. A great exercise I swear upon is taking your protagonist’s deepest darkest secret and figuring out how they would tell everyone in their life and why the situation changes based on who they were talking to. Of course this doesn’t have to go into the book. (But who doesn’t love a good secret?)

Of course, there are many types of love—and the English language is very limiting to the definition of love—so exploring lust, infatuation, obsession, admiration, and love all come with their own complications and expectations. That’s the joy in writing stories though. Get lost in the chaos. Figure out the unknown. Push boundaries. Listen to your gut. But most of all, follow your heart.

I hear that’s the key to love, after all.

Original—Insta-Love Isn’t Instant—is very different. 

~SAT

Enter Clean Teen Publishing’s Summer Fun Giveaway!

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Win a paperback of November Rain in this Goodreads Giveaway.

Win signed swag from The Timely Death Trilogy and Bad Bloods by signing up for the Bad Bloods Thunderclap and emailing me your support at shannonathompson@aol.com.

Pre-Order Bad Bloods

November Rain, Part One, releases July 18, 2016

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November Snow, Part Two, releases July 25, 2016

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#WW Writing Tips: Build Your Vocabulary

1 Jun

Vocabulary. It’s definitely a necessity for writing a book. A novel, after all, is written with words. It’s built on the structure, the sound, and the meaning behind every word you use, so naturally, building an extensive vocabulary is a vital aspect of every writer’s life. That being said, it’s not as easy as it sounds, and there are some controversial methods roaming around the #writingtips web-o-sphere about how and when and what tools to use when trying to ramp up your style. I agree with some and definitely disagree with others. Overall, I think naturally building your vocabulary from reading is key. This means you are reading everything and anything all of the time, and you’re taking notes about what you don’t understand so you will understand it next time. This also means that you’re not going through your manuscripts and replacing random words with more random words just to seem like a logophile. (Logophile n. A lover of words.)

editing

So how can you build your vocabulary both for yourself and for your work?

Here are some tips:

DO NOT USE A THESAURUS  I repeat, DO NOT USE A THESAURUS. Not mindlessly anyway. I find nothing wrong with using a Thesaurus to find new words and to study them (with a dictionary by your side), but I definitely think that reading a Thesaurus and writing a novel should be two separate activities. As an editor, I cannot tell you how many times I’ve seen a sentence that someone obviously used Microsoft Thesaurus on. Smile, grin, and smirk are three words that imply completely separate meanings when paired with the same dialogue, yet appear in every Thesaurus together. If you know that, why would you use a thesaurus to replace ANY word you aren’t 100% about? You wouldn’t. A Thesaurus provides SIMILAR words, meaning they have their own connotations, definitions, and effects on your piece. It can be a great tool when simply learning about new words, but you need to pair it with a dictionary and not immediately go to your manuscript afterward. In fact, never go to your manuscript afterward. But I’ll get to that in a minute.

Now that we’re over that, I’ll move on.

1. Read More

Read. Read. Read. I cannot stress reading enough. Not only will reading help you build your vocabulary, it will also help you shape your voice, your plots, and how you write a novel in general (not to mention that it’ll keep you updated on what’s hot in the marketplace). There are millions of positive reasons to be reading, and literally no reasons to not be reading, especially if you’re an author. Read your genre, read outside your genre, and read things you never thought you would read. As an example, I went to study literature and fiction in college, but found myself drawn more and more to poetry. I never thought I could like it in my life, but that was because I wasn’t exposed to everything out there. Take that leap and discover something outside of your comfort zone. It might just change your life.

2. Pay Attention While Reading

It’s easy to get lost in the words—I mean, that’s half the fun—but try to pay attention. Slow down and soak up every word you can. If you come across a word you don’t know POSITIVELY, circle it. I say positively, because I think we all know we can figure out meanings to the sentence without knowing every definition—yeah, connotation!—but if you don’t know the word without that sentence, you won’t naturally use it again. By circling words you don’t know, you can come back and research them later. I actually do this with every book I read. I circle words, and when I’m done with the book, I research all the words or phrases I wasn’t 100% sure about. Then, I write them down in a notebook to study later. This helps me memorize and retain words I wouldn’t have known otherwise, and hopefully, my larger vocabulary will start to show over time. This does not mean you then go to your manuscript and try to fit these words in unnaturally. Please don’t. The idea is that you’re adding these words to your vocabulary naturally, so that when you are writing, they begin to shape themselves into your voice. Again. Write them down, study them, but don’t start forcing them into your work. If you do that, you might as well be using a Thesaurus. 😉

3. Keep This Method in Mind for Other Faults

Circle sounds you like. Circle phrases you enjoy. Hell, highlight entire scenes that caught you and kept you there. Figure out why you loved that scene. Was it the tension? What words made it tense? Why did those words make it tense? Study how connotation shapes the same words in different ways. Again, do not plagiarize. This is simply an exercise to get your brain moving. Example? Maybe a character put his hands in his pockets, then leaned back on his heels….and you’ve never thought about that movement before. (And we all know how important character descriptions get.) Keeping notes on little moments like these will get you to start thinking about little moments in your life, and hopefully, you’ll start noticing other real-life movements around you that you can then use in your story using your OWN voice to do so.

These are three ways to start building your vocabulary seriously. It might seem extreme to circle every word you don’t know, but it’s well worth it in the end. I find crosswords help me, too. (I love crosswords.) They force me to think of words I wouldn’t normally consider, and they often have me Googling if I couldn’t figure the answers out. I live, I learn, I write. And naturally, they all thread themselves together over of period of era….Oh, wait. I meant over a period of time. Silly, Thesaurus.

~SAT

teaser3Did you see this week’s Teaser Tuesday? If not, now you do! I hope you’re enjoying them as they release! I also hope you’re entering all the current giveaways!

Win a paperback of November Rain in this Goodreads Giveaway.

Win signed swag from The Timely Death Trilogy and Bad Bloods by signing up for the Bad Bloods Thunderclap and emailing me your support at shannonathompson@aol.com.

Read the FREE Bad Bloods Prequel on Wattpad. A new story is released every other Friday. In fact, one releases this week!

For Barnes & Noble’s first-ever national teen book fesitival, I will be signing books and hosting an author panel in TWO KC stores. Come see me on Saturday, June 11th in Overland Park, Kansas, or on Sunday, June 12th in Zona Rosa, KC, MO. More info can be found on my Events page.

Pre-Order Bad Bloods

November Rain, Part One, releases July 18, 2016

AmazonBarnes & NobleiBooksKoboSmashwordsGoodreads

November Snow, Part Two, releases July 25, 2016

AmazonBarnes & NobleiBooksKoboSmashwordsGoodreads

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