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Pros and Cons of an Author Blog

12 Sep

Announcements:

It’s Friday, so you know what that means: it’s also Poetry Friday! In case you missed it, I’ve uploaded a new poem to my interactive poetry series on Wattpad – How She Loved Me. This is also the last one of this particular set. Depending on your vote, one of the four will be read on my YouTube channel, so check them out before it’s too late by clicking here.

But – in other news – two fantastic readers sent me book reviews, and my latest interview was posted, so here we here:

Tranquil Dreams wrote, “Take Me Tomorrow is absolutely impressive. It’s engaging, intriguing and is an absolute page-turner.  I took every single second opportunity to resume reading whenever I could because I just couldn’t wait to see what happen next with Sophia and Noah as the story unfolded.” But you can read her entire review by clicking here.

For The Timely Death Trilogy fans, Read Watch and Think reviewed Minutes Before Sunset: “Do not skip over this book thinking that it is another paranormal romance, if you want to read a quick, interesting plot with a whole new captivating world of shades and light. The core of the story may be romance but the book is not all about it and that makes it worthy enough for me.” Her full review can be found here.

But you can also read my latest interview at Into the Written World. I mainly speak about Take Me Tomorrow, including information on the possible sequel, but I also discussed my passion for writing and reading, so be sure to check it out by clicking the link above.

Whew! Thank you for reading today’s news. Onto today’s post:

Pros and Cons of an Author Blog

On September 25, it will be my two-year anniversary of blogging here. Over time, I have blogged about many topics, but I mainly focus on writing and reading. Because of that, I have received many questions about my decisions regarding blogging. Ex/ how do you choose what to write about, do you think it’s a good platform for selling books, how did you get 17,000 followers, what do you recommend I do? All fantastic questions. (And one of the main reasons I write Ketchup posts and provide a social media assessment through the Author Extension Community.) But today I wanted to share some of those pretty pros and pesky cons for all those that are curious about how blogging can be uplifting but also a stressful adventure – one that I will gladly continue.

Pro: You can share your thoughts

That is the point of blogging, isn’t it? Having a blog is almost like having a public diary, one that includes carefully thought-out posts (instead of emotional ranting about personal topics). Even better, we can connect with others who share the same opinion or be challenged by those who do not. It opens streams of thought from one person to another, even people the entire way across the world. How amazing is that? On top of that, you are cataloging it over time, and in the future, you will be able to go back and see what you were thinking, how you changed, and where you began friendships with readers and fellow bloggers. This is when you realize blogging is beyond blogging. It’s family-building.

Con: People may not enjoy your thoughts, and they might be really mean about it.

This is also a reference to the ever-illusive-but-always-present trolls. I like to believe that I’m fairly open-minded. I don’t mind if someone disagrees with me or a commenter, but the second name-calling or some other form of incredible immaturity happens, I delete it. (You’d be surprised to know how many times this has happened.) Call it censorship. Call it what you want. But I don’t want my blog to be a place people reference when they talk about online bullying and harassment. This means that I take an extra fifteen minutes to monitor my comments so I can guarantee a safe and happy place for everyone to come to without worry, but it was very disheartening to experience it the first few times it happened. Now, my shell is tougher, and my group of readers are (probably) happier – even if no one knows it since I delete all the evidence of my troll-destroying.

Original image from ms. ileane speaks: October 2012

Original image from ms. ileane speaks: October 2012

Pro: You connect with supporters

Everyone always says that writers have blogs to sell books, but that’s bullshit. (Excuse my French.) It’s not to sell books. It is to connect with people. It is not to connect with potential fans of your novels. It is to connect with potential supports of you. (So you can support them, too, of course.) For instance, one of my readers might HATE paranormal romance, but they may have a cousin who loves it, and since we talk, they might tell their cousin about me, but no one is obligated. I don’t expect anyone to do anything at all. I’m simply glad that my reader is here, and I’m grateful for every discussion we share, whether or not it is about my books. In fact, I had this blog long before I ever spoke to my publisher, let alone had a contract, but – Ultimately, I blog because I love to blog, and I love people, and I love blogging with people and for people. It is my other passion. It is a part of me. It is even permanently on my iCalendar. In case you’re curious, my website notes are in orange.

Con: You connect with haters

Ugh. Trolls.

Pros: You created an enjoyable platform

Again, I must repeat myself – writers don’t blog every other day because they want to sell books. Writers blog because they like writing, and blogging is another form of writing. It’s an easy way to express ourselves and connect with others who are interested in sharing their thoughts. Of course, I’m not trying to speak for every writer out there, but writing novels can (sometimes) feel like work, so blogging can be a nice way to take a break but still be involved with everything. That being said, if someone is wondering about starting one for platform purposes, I do recommend writers try it, but I don’t think it’s the end-all-be-all of an author’s social media. It is just one way to tackle it. And my final advice is this: readers can tell if an author isn’t enjoying writing a novel in the same way they can tell if a blogging doesn’t care about their post. Blog if you love it. If you don’t, find another social media venue to try. You can find one you love, and it will work. Just trust that passionate gut of yours to guide you.

Pros: A never-ending array of topics await

There is so much to talk about! Like, so much. And this is coming from someone who strictly focuses on anything to do with writing and reading.

Cons: A never-ending array of topics await

But sometimes, I feel like there are so many things to talk about I cannot decide what to speak about next. This can be overwhelming, and there are other parts that can be overwhelming, too. The amount of time that goes into every blog post builds up, and reflecting on it can be…well…exhausting. But so can novel-writing. So it’s easy to remind myself of my love for it (which might be why I wrote this specific post in the first place).

On September 25, it will be my two-year anniversary of blogging here, and I love it more and more every day. I want to thank all of you for following me. Every time you read, comment, and share, I smile with gratitude, which is why I add this.

You are my biggest pro.

What are your pros and cons of blogging? Share your thoughts below,

~SAT

Writing Tips: Food in Fiction

10 Sep

Announcements:

Read Watch and Think read Take Me Tomorrow and asked, “Why do I have a feeling that the author hates the fragile nature of my brain?” She reviewed my latest novel by stating, “I have a feeling that there should be a sequel. (In case there in no sequel planned, the author can totally expect me to camp outside her house till she writes me one….either that or she decided to calls the cops or unleash her dog to get me off her property.” And you can read the entire review by clicking here or check out my latest novel by clicking here.

Into the Written Word also reviewed Take Me Tomorrow, recommending to it to anyone who enjoys dystopian novels with cliffhangers (and action!) Click here to read everything, including why they want a sequel, but this is where Shannon reminds everyone that a sequel is up to the readers sharing, reviewing, and spreading the word about Take Me Tomorrow.

Minutes Before Sunset was featured on Underrated Books by Confessions of a Book Geek! You can check the full list of books by clicking here, but here’s a quote from her explanation, “I really enjoyed this action-packed, paranormal story (with a difference) and I’m looking forward to reading the whole trilogy.” Thank you, Book Geek!

Writing Tips: Food in Fiction

55365451.jpgI love food. I love it so much that I often feel like Usagi in the 90’s Sailor Moon. Black cat and all. But this post isn’t about my obsession with my favorite manga. It is about food in fiction and how it can shape characters, settings, and more. (What?) Yes. Believe it or not, food can be that important.

So, grab a snack so we can start chatting! (Nom-nom-nom)

How can food shape characters?

Think about your favorite foods. (Spaghetti? Cherry turnovers?) Consider your favorite type of food. (Chinese? Mexican?) Now, think about why, and go beyond “I just like it.” Are there memories associated with these foods? My mom used to always cook lasagna, and my dad still talks about it over a decade later. I always have a coffee in the morning, but my favorite breakfast is bagels, and for about a year in my childhood, all I ate was bagels. (No exaggeration.) My brother loves Goldfish.

These little quirks can do a lot for a character. Not only can it show one character’s preferences, but it can also bring characters together. In Minutes Before Sunset, Crystal and Jessica have a “girl’s night” with peanut butter and chocolate. I put quotes around girl’s night because Robb is there, too. But food went beyond that in the trilogy when Eric obsesses over his stepmother’s lemon cakes. Even though he struggles to talk to her, her cooking gives him an excuse to approach a mutual moment of discussion. So – if you can’t find another way for two to come together – consider bringing your characters together over food. It happens in society all the time.

If you need another reason to consider food for a character, it can just be funny. For instance, I HATE spicy food. If there’s even a slight pinch of pepper on anything, I lose control of my face. It’s not cute. But it might be a good excuse for comedic relief.

All of this food has been seen in The Timely Death Trilogy

All of this food has been seen in The Timely Death Trilogy

How can food affect a setting?

Oh, in so many ways.

Think about how food changes from one table to another, from one day to another. Heavier foods might insinuate colder weather outside or fancier foods could mean they’re celebrating a holiday or a birthday. Certain food might show cultural differences from one character to another. But you can take even further.

If you’re super detail-oriented, it might be a good idea to Google how a character refers to a soft drink based on the setting. Is it soda, pop, or Coke? Names can shift over various areas and time. It might be something to consider, but that’s not all! (What? There’s more?) Yes. There always is.

If you’re writing science-fiction or fantasy, throw in a new food or consider renaming a food we eat today. It doesn’t have to be complicated. Just have fun with it! You could even create traditions around food. (Like how the U.S. celebrates Thanksgiving with a turkey.)

Food in fiction is fun, but it is also important.

Don’t be afraid to explore possibilities (or the kitchen) for your characters. After all, we want characters to be as realistic as possible, and real people need to eat if they are to maintain healthy and energetic lives. Who can be a superhero with an empty stomach? Speaking of which, I am starving now that I’ve written this. I’m off to eat my midnight snack, but I look forward to reading your thoughts about food in fiction. Comment below!

~SAT

When Characters Say Too Much or Too Little

6 Sep

Announcements:

I have a couple announcements today. First, I would like to thank The Opinionated Woman’s Musings and Books for Fun for nominating ShannonAThompson.com for the Lovely Blog Award. I nominated six blogs on my Facebook page to keep it going!

In other news, P.S. Bartlett interviewed me, and we discussed my writing process as well as how my works differ from other words in my genres. Check it out by clicking here. I also did another interview with The Examiner, but I will be talking about that today. So let’s get to chatting!

… 

When Characters Say Too Much or Too Little

This is actually inspired from one of my latest interviews. If you haven’t had a chance to read my interview with The Examiner, here is the link, but in case the link doesn’t work, we spoke about topics in Take Me Tomorrow that I didn’t write about in great detail despite the fact that it is a huge factor to the setting, time, and lives of my characters. If you’ve read even the back cover of Take Me Tomorrow, you know there was a massacre prior to the story taking place. After the massacre, the State – a.k.a. the government body – enforced stricter rules on the citizens to prevent another violent uprising. That being said, Take Me Tomorrow is told from one perspective – a 16-year-old girl named Sophia Gray – and she doesn’t get into much detail about the massacre. The Examiner asked me why, and I explained in our interview:

‘I wanted to show more information on the massacre, but Sophia was very young and still is when the novel takes place, so it didn’t come naturally,’ Thompson says. ‘I thought about 9/11 when I considered the event. I was 10 when that happened, and it took me many years to finally grasp it or understand the importance of the event, but I definitely didn’t understand it when it happened. So I took that approach with Sophia.’

I would also like to add that if a sequel is published – which is up to the readers – the massacre as well as many other questions will be answered, but in terms of Take Me Tomorrow, readers are right. I didn’t explain it in great detail. But there was a reason behind my decision as well as many other decisions I made, particularly with Noah telling the story. Although he did in the original version, I had to cut his voice, because of many reasons – the main one being that it isn’t his story. It’s Sophia’s – but the secondary reasons revolve around his character. (Spoiler alert) When he’s on drugs, his voice makes no sense, and when he’s sober, he tells way too much information. Like way too much. Like the ending too much. Mainly because he can see into the future. But that’s another aspect entirely.

So where am I going with this?

Authors are often struggling with characters. We love them, but the characters – not the author – are in charge, which means they make decisions we don’t like, but we ultimately accept them because they are the ones telling the story. There are four instances that authors deal with in terms of characters, and those four things are listed below.

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Sometimes characters don’t want to talk

I’ve mainly had this problem with my dual-perspective novels. I’ll wait for the boy to talk only to realize he is just not interested, and then, I realize I am going to have to write the entire novel from one perspective. But – eventually – he pops up, and then, I have to go back and add him later. Worst case scenario, they never talk at all, and I struggle to find a way to get around it or to coax them out. But I’m sure many authors have dealt with this, even labeling it writer’s block. I like to call it character’s block – because it’s them, not me – and I wait patiently for them to get over whatever is blocking them. Yes, I realize these are people in my head, but trust me when I say – sometimes – they won’t even talk to me.

Sometimes characters want to talk too much

This is when authors start screaming, “Shut up! Just. Shut. Up. You cannot tell everyone who the murderer is on the first page. Idiot. Then, we don’t have a story.” It happens. Oh, it happens. A character wants to give away everything the second they get a chance to speak. But it can be an easier problem to solve. A simple, “Hold back a little bit.” can solve everything, but it is still difficult when a character insists on exposing information an author wasn’t planning on telling until the end. Most of the time, I bite my lip, listen to the character, and hope they have a reason. They normally do. That being said, I have had to censor a character here and there for giving too much away too quickly. We need some suspense, after all.

Sometimes we (authors) force it

When I say “force” – for once – I don’t mean this as a bad thing. Sometimes, authors get lucky. We find spots that we can slide information in without having to destroy our character’s honesty in the process. I am referring to characters finding newspaper articles or television sets explaining certain events that characters might not understand. This helps because an “outside” source can explain what is happening without the character necessarily being involved. That being said, we don’t try to create these moments. If they happen naturally, fantastic, but we also don’t want to rely on these at every moment we are tempted to do so. (Because we are oh, so tempted.) But this can often lead to info-dumping or other uncomfortable circumstances if authors aren’t careful.

Other times we (authors) don’t force anything

This is what happened with me in Take Me Tomorrow. I could’ve forced information in, found a way to blame the information on the surroundings, but I realized many things when I contemplated that: The State wouldn’t leave documents of the massacre laying around for a 16-year-old girl to get her hands on. (That’s why the only info she does receive is from her father.) The news wouldn’t talk about it, and even if they did, Sophia spends too much time out in the woods to watch the news anyway. She might be oblivious to some of the political situations, but she is 16. Not only is she busy being 16, but she is busy surviving in her environment. Worrying about her dad, Lyn, Falo, and Argos is more important than understanding something that happened when she was 12, even if it was only a few years ago. I also had to keep in mind that she wasn’t directly affected by it at all in terms of her comfort zone (her family and friends.) If she had been, I would’ve been looking at a different situation. So I left it out because Sophia would leave it out. That being said, she is a different person at the end of the novel, and she might figure these things out in the sequel if it happens. But refocusing on not forcing it: sometimes characters need to be true to themselves, even if it is slightly destructive to the story. I don’t regret not having this information involved because I know that I was true to the circumstances, to Sophia, and to the world she lives in. And that isn’t destructive at all.

Sometimes authors have to make big decisions, but most of the time, characters do that for us. We just have to accept it and do the best we can do with their decisions.

Have you ever had these issues with a character? Experienced character’s block? Ever wondered why a character didn’t say something earlier on?

Talk about it below!

~SAT

Changing Character Names

2 Sep

Announcements:

The Examiner posted their 3-minute review of Take Me Tomorrow, stating, “‘Take Me Tomorrow’ is a fast-paced, character-driven thriller that drops the reader into the middle of a simmering American revolution guided by a well-developed but unknowing protagonist who’s as unpredictable and complex as the plot.” But you can read more about how the “rebel heart beats strong” by clicking here for the full review (or here for the novel on Amazon.)

I would also like to thank Deby Fredericks for nominating ShannonAThompson.com for the One Lovely Blog Award. I filled out my seven facts on my Facebook page (which includes a pretty crazy story about Elvis Presley) but here are my three nominees: Fiction Favorites, Joyce H. Ackley, and A Writer’s Life for Me.

Changing Character Names:

Now, I’ve talked about this briefly before in my post, Naming Your Characters, and I think it’s important to check that out if you’re struggling to pick out names. I explain how to consider history, time, culture, and websites to help you find appropriate, memorable, and symbolic names for your characters. But today, I’m going to go beyond that and assume you now have names. Even if you get a list of symbolic names that fit the characters’ needs, there is still some work that has to be considered. Most of the questions below are ones I have to ask myself, and most of the time, I have at least one of these problems, and – yes – I rename characters when that happens (unless there is a purpose, which I will get into below.) But it’s important to follow step one before continuing.

Create two lists with ALL of your characters names

All includes minor. It even includes that random girl at the coffee shop your protagonist called by name because he read her nametag. It includes that barista, even if you never see her again (or she dies the second she appears.) Why? We’ll get to that in a second. First, you need to make the two lists. One list needs to be an alphabetized list. When characters begin with the same letter, keep them in the same line. When I use Minutes Before Sunset, a small section looks like this:

  • James, Jessica, Jonathon, Jada
  • Luthicer, Linda, Lola
  • Mindy, Mitchel,
  • Noah
  • Pierce

The second list organizes your characters by importance. (It can get tricky, and this one isn’t exactly necessary, but it does help when you’re trying to rotate, cut, or change names and you know you have to sacrifice someone else’s.) Again, if I were using Minutes Before Sunset, that small section above would be very different.

  • Jessica
  • Pierce, Jonathon
  • Luthicer, James
  • Mindy, Noah
  • Linda, Lola, Jada
  • Mitchel

This might help later on if I wanted to cut an “M” name, and I saw Mitchel at the bottom. (He’s actually a student we only see once in Seconds Before Sunrise.)

Original picture by name berry.com

Original picture by name berry.com

But now that you have the lists, here are some questions to consider:

  • Are all of your characters’ names similar in sound?
  • Are all of your characters’ names similar in the beginning or ending?
  • Are all of your characters’ names similar in syllables?
  • If they are similar, is there a purpose behind it?
  • Have you used these names before?

Now, unless there is a reason – like two brothers having similar names because they’re named after the same person – then, these issues are…well…issues, especially if 13 or your 20 characters start with the same letter. But there is no reason to panic. (Even if you are attached to the names you picked out, it’s okay. I promise.) I know I have had almost all of these problems, and when I faced them, my cast of characters became easier to decipher and understand. In fact – here’s a fun fact – I write almost all of my novels with the exact same character names: Magatha, Laurel, Tyler, Anthony, “D” names for the male protagonist, and “S” names for the female protagonist are just a few of my habits. This almost always happens, despite the fact that the characters aren’t similar to previous characters at all. So I write my novels without worrying about it, but I force myself to go back and change everything later. Why does this happen? I have no clue. I think it’s just how my brain works. But I know that I can’t have the same names in every book (even though the name Noah appears in both The Timely Death Trilogy and Take Me Tomorrow) and I know I can’t have too many similar sounding names. For instance, in the original version of Minutes Before Sunset, the Stone brothers were named Brent and Brenthan. (Yes. That seriously slipped my mind.) However, in the published version, the Stone brothers were renamed Jonathon and Brenthan. I kept similar endings to retain the similarities I wanted for the brothers, but I changed enough so that they were no longer confusing. Do I still accidentally type Brent every now and then? Yes. It’s embarrassing when an editor finds it. But I change it and move on, and I fall in love with their new names, slowly realizing how confusing their similar names once were.

But – speaking of similar names – you might have noticed that there was a new name on the list I used from The Timely Death Trilogy. Jada hasn’t been seen yet. She will be introduced in Death Before Daylight. For those of you who are wondering, I hit the 40,000 word mark yesterday, so I’m about halfway through, and I have updated the progress bar on the right side of my website.

I’m looking forward to giving you more updates, but I’m also looking forward to seeing your writing tips! Share your experiences with changing names once you chose them below, and we’ll help others who are struggling to find that perfect fit.

~SAT

The Pros and Cons of Beta Readers

21 Aug

Announcements:

My short story, The Pink Scarf, was published in the second volume of an adult anthology collection, Ashtrays to Jawbreakers. It is completely free on Smashwords, so feel free to check it out by clicking here.

Take Me Tomorrow was reviewed by A Literary Mind recently, and you can read the entire review by clicking here, but check out this small excerpt: “I can’t say how refreshing it was to have a protagonist that felt real. Knife-throwing abilities aside, Sophia is like the rest of us; she’s stubborn, flawed, and simply cannot control her curly hair (I feel your pain!).”

The Pros and Cons of Beta Readers:

I love beta readers. In fact, I consider my beta readers some of my closest friends (and secret keepers.) But they are close to me because we were equally careful in deciding whether or not we were good for one another, and that is what I’m talking about today: how beta readers can be both fantastic and destructive, depending on how your relationship is decided.

Why Are Beta Readers Important?

I hate to be egotistical and quote my novel when I say, “Sometimes an outside perspective is the clearer perspective.” But it’s true. (Shout out to Talk Show Host, Illuminating Now, for quoting Seconds Before Sunrise yesterday and inspiring this piece.)

But, yes, having an outside perspective is vital BEFORE the novel is published. Why? Because authors often get too close to the story. They understand too much. They know all of the answers to all of the questions, and because of this, they sometimes forget to clarify enough for a reader to understand. Beta readers prevent this confusion by reading, reviewing, and even editing as they go. If writers, publishers, editors, and beta readers were a team, beta readers would be your very first fan who still shows up to all of your games, even when you lose. And they always have great advice that even your coach didn’t think about.

Are they really THAT important?

I stand my ground when I say that the importance of editors should also be on beta readers. Like editors, beta readers are vital in creating a professional, understandable story. I think most people in the publishing industry would agree that editors must be chosen with care, but some think I’m extreme when I say that beta readers should be treated the same. Yes, it’s okay to have your friends and family read your story, but you wouldn’t rely only on them to edit, so don’t rely only on them to beta read. Find trusted colleagues or join a writing group. This might take a long time, but it’s worth it in the end. Their dedication, encouragement, and ideas might be the clarity you need.

My beta reader, Bogart

My beta reader, Bogart

So how can they be destructive?

Like any relationship, two people who are wrong for one another can be destructive to one another. In this case, a bad relationship with a beta reader can cause more confusion, a horrible change in a manuscript, and more. This doesn’t mean the beta reader is bad. This doesn’t mean the author is bad. It just means they are bad for one another. Just because two good people are in the same room, doesn’t mean they are meant to be together. This is actually relationship advice my father gave me when I was an awkward preteen that hated life in general, but it stuck with me because it is true. You must find a beta reader who likes your work as much as you do, but you also must find one who is willing to be honest about it (and an author must be willing to listen and consider.)

Is there anything else I should know?

Definitely! This small list is just an outline of basic advice I’ve given to fellow authors in search of a beta team. But the one that scares them the most is the one that scares me the most: you often have to find different beta readers for different novels. Sure, I have my go-to team, but – like readers – beta readers have genre preferences, and they work better when they focus on those particular types of novels. Just like I can’t expect a sci-fi cover artist to create a romance cover, I can’t expect my beta readers to jump on any piece of writing I hand over, and I definitely can’t expect them to praise it. You want them to give you constructive criticism so you can grow together as a team – which brings me to my last point:

Thank all of your beta readers

Even if they drop your manuscript after twenty pages, the outside perspective might suggest what type of reader will also drop the manuscript. Any advice is helpful. (Yes. Even if you hate it. Because it allows you to figure out what beta readers are good and bad for you.) Plus, having a beta reader to discuss your novels with is like having a best friend to write with, and I think all of us authors can use a few more people to talk to other than the characters in our heads. (We know how confusing they can be.) So take the time to thank them, and if you’re feeling extra thankful, put them on your acknowledgements page in your next bestseller.

P.S. I would like to take this moment to thank my beta readers past, present, and future.

~SAT

What I’ve Learned Rewriting a Seven-Year-Old Novel

19 Aug

What I’ve Learned Rewriting a Seven-Year-Old Novel

As many of you know, I am currently rewriting November Snow – my very first publication. Although I started writing it when I was 11, it didn’t get published until I was 16. I took it off the shelves for many years, and it is basically off the shelves right now for many reasons, but the main reason is how unprofessionally it was handled. (Mainly because the publishing world has changed a lot since then, but we’ll get into that in a minute.)

So I’m rewriting this older tale, and I’m looking forward to day I can share it again, but today, I wanted to talk about all of the little lessons I’ve learned along the way.

1. I was a terrible writer, and I probably still am

Seriously. I hope I look back when I’m 59 on what I’m writing now with the same amount of horror. That means I’ve grown. That means I’m still learning, and changing, and morphing into what the new art demands.

2. I needed help. Lots of help. Professional help.

By this, I mean editors. Yes, I’m talking about you, editors. You are lovely. I’m practically preparing my altar right now. If only I had known you existed back then… Now, before you judge me for not having one, 2007 was a very different time in publishing (and I was 16.) Kindle had just been released, but it was brand new. There were no supporters online or fellow indie writers just waiting to speak with you in chatrooms. I don’t even think Wattpad was around yet. (Okay. I just looked it up. It launched in November of 2006 – but I already had November Snow written by then, and I definitely didn’t join Wattpad until 2010.) But the Indie world hadn’t started marching proudly yet. That goes for cover artists, too. You may have seen the weird cover I had. That’s because affordable cover artists – like editors – didn’t exist in easy-to-reach places, and I was 15 when the publisher wanted a cover. I didn’t exactly have the ability to network or pay a large sum of money or drive around town to find a photographer. So my older brother drew my vision on a napkin. What I TRULY wanted actually looks a lot like the designed covers of The Mortal Instruments series. (which is probably why I refused to read the series for such a long time. That was my cover, dammit.) Speaking of which, if you know a cover artist you think could design something wicked for November Snow, please – suggest away. I’m looking right now.

Burning city? Check. Orange on purple? Check. Giant people looming over everything. Check.

Burning city? Check. Orange on purple? Check. Giant people looming over everything. Check.

3. Despite all of that, things aren’t as bad as they seem

The storyline rocks, and the characters melt me and break me at the same time. They’re challenging, and the dark twists and turns don’t stop. People have enjoyed it despite the mistakes, and it’s more or less going to have the same plots, secrets, and betrayals. For all you original November Snow fans, I beg of you – please refrain from spoiling the story for new readers. (That is my only worry.) But if you must know, yes, whoever you’re thinking about still dies. Yes, them, too.

4. And it’s getting better

Some characters have actually formed MORE than before, and I’m only on November 4. (For those of you who don’t know, November Snow literally takes place over one month, and yes, it’s November.) While the original beginning was rather forced, this new beginning builds up the world of Vendona with honesty (and brutality) that I was unable to show when I first wrote it. The characters aren’t as cheesy, and the extra fluff has been trimmed into a fashionable haircut (who needs speaking tags anyway?) Physical descriptions have been shifted for the better, and the scenes connect in a cleaner, more concise way. Many names have been changed as well, but the main characters will remain largely the same. (Ex. Caitlin to Catelyn, Michelle to Michele, but Drew is now Floyd. I’ll announce more on this later.)

5. I started off second-guessing, and now, I’m really happy

I wasn’t sure why November Snow has been haunting me for all of these years, but I’ve figured it out a few weeks ago when I wrote My 11-Year-Old Self was a Better Writer. I am meant to write darker stories. I know this about myself. I write darker fiction. I enjoy it. I find myself in it, and that’s where my creativity belongs. Returning to November Snow is allowing myself to find that passion again, but – most of all – it’s helping me fully embrace it.

Just the other day, I received an email from a reviewer of Take Me Tomorrow. She talked about how much darker it is from the trilogy and how she is definitely looking forward to my future works. On Twitter, two readers translated November Snow into Spanish, and an old friend from my high school messaged me when they heard that I was rewriting it. They couldn’t wait. They’ve been waiting for a rewrite ever since I returned to my novelist ways. Another longtime fan offered to beta read it since they know the story so well. (They wanted to make sure I didn’t forget anything.) And a graphic designer already offered to help design a cover, even if I choose to use someone else.

These moments bring tears to my eyes.They do.

I won’t lie. I’m nervous. I’m terribly, sickeningly nervous. When I wrote a controversial scene the other night, I could barely get through it, but I did, and afterward, I felt like my readers accomplished it with their encouragement. (And my typing helped a little bit.) But I ultimately hope to learn more lessons along the way, so I can share them, and we can discuss them as we go. Have you ever learned anything about rewriting? Any advice? Warnings?

~SAT

Guest Post: Top Productivity Tools All Writers Should Know About

16 Aug

Shannon, here, for a quick introduction. A few weeks ago, I was contacted by Robert Morris from Ninja Essays. He wanted me to see the info graph Top Writing Tools of Famous Authors, and I am beyond grateful that he showed it to me. It is amazing. Seriously. Check it out by clicking here. But – onto the next part – I asked him to write a post for you all, and he agreed, so I hope you enjoy his post, Top Productivity Tools All Writers Should Know About.

Top Productivity Tools All Writers Should Know About

For writers, the usage of the Internet can go in two directions: it can either be a great resource for the work they are producing, or it can turn into a black hole that consumes their productivity by luring them with endless distractions. An average writer spends more than 50% of their time on the Internet nowadays. If you belong to that category, then you would surely want to be protected from the overwhelming interferences. The following list of tools will help you increase your willpower and start using the full potential of the Internet.

Anti-Social – Be honest: aren’t social networks the main culprit for your lack of productivity? Anti-Social is a tool that every contemporary author should start using (you hear that Salman Rushdie?). It will eliminate the temptation of checking what’s new on Twitter while you’re in the middle of writing a chapter. You can set the timer and become anti-social for the time planned for working.

Ninja Essays logo

Ninja Essays logo

Ninja Essays – How many times have you wished for an affordable, but effective editor who would get their work done as quickly as possible? Hiring a personal editor is quite expensive, but it’s also something that gives you constant headaches. At custom writing service Ninja Essays, you can put the torture to an end by hiring an online editor who will do an amazing job without spoiling your work with unnecessary “improvements”. The best part is that this is the most affordable editing service you could ever hope for.

There is another way to use this website for the sake of producing better work: you can hire MA- and PhD-holders in nearly all fields of study and get relevant information about the plot you are working on.

OmmWriter – Now this is a real writing tool! Wouldn’t you love to be able to focus while working on your computer and simply ignore all online distractions? This is the right software for you! As soon as you start using OmmWriter, you will limit the fruitless hours spent on your computer and you will start using your time productively.

Xero – As any other writer, you surely have a practical side and you like getting paid for your work. However, not many writers are capable of managing their finances well, so they need a little help from the outside. Instead of hiring an accountant, you can start using Xero – an online accounting tool that you can access from anywhere.

10FastFingers – If you want to increase your productivity, you have to become a faster typer. This tool will help you test and improve the speed of your typing with awesome (and free!) games. This is the best way to spend your free time and use the Internet with a good purpose. Although the games seem silly at first, they will definitely enhance your productivity and train your hands to follow the speed of your mind. You can switch between various typing tests to improve your accuracy and speed of using the most important writing tool – the computer keyboard.

The Internet has a lot of potential. Start using it!

It would be a shame for a writer to have access to Internet and waste its entire potential without benefiting from productivity-improvement tools. You can not only type your novels in a safe and clean environment that’s free of all distractions, but you can also use the advantages of technology for all other aspects of your career as a writer, including editing, accounting, learning, proper relaxation, and everything else you can think of.

The selection of tools provided above will help you use your time at the computer more effectively. You and your readers will notice the difference!

- Robert Morris

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