Shaming the Ship

20 Jan

If you’ve ever attended a movie premiere or book signing, you’ve probably heard someone squeal, “I totally ship them!”

I admit, the first time I heard this was at Cassandra Clare’s book signing in Kansas City over a year ago…and I was super confused. “Ship?” I thought. “Like a boat?” So here I am, picturing Dido singing, “I’ll go down with this ship.” Which, in retrospect, kind of works with today’s lingo. But at the time, a cosplaying Shadowhunter kindly explained to me what she meant, and I still dig her for it.

For those of you who don’t know, “ship” is short for “relationship.” Saying you “ship” a couple means you love those two characters being together. Yes, even when they’re sailing on boats. (Excuse me for my poor humor.) Fans can ship a couple that is actually together in the story or characters you wish were together. The term largely started in fandoms and fan fiction.

Is there a better photo for this article? I think not.

I’m totally for shipping whoever you want. I think it’s so much fun, even when I see people point out ships that are purely imagined. In fact, I’ve come across some ships that I had never even considered, but thought were awesome. (*cough, cough, Elsa and Jack Frost, cough cough*) It’s fan fiction heaven. That being said, there is always a negative side.

Recently, I’ve started to see people say things like, “If you ship those who aren’t together in the story, you’re a bad fan,” or “If you ship X and X, you promote abuse,” or blah blah blah.

Listen, I think it’s great to debate aspects of fiction, like how abuse is displayed. But “debate” is the keyword here. Just because one person feels a certain way about a character does not mean everyone should feel that way. One of the best parts of fiction is how malleable it is. A dynamic character could be seen differently by millions of people. Not to mention that fiction itself is fiction. Just because something criminal happens in a show does not mean it was criminal in the context of the show. Example? Take post-apocalyptic fiction. If it’s the end of world, and you see someone stealing from a store (or even killing another person), you automatically sympathize because survival, right? But if that character was doing that in our world, they’d be a bad person. In the context of a post-apocalyptic situation, the moral paradigm has shifted. Does that make anyone bad or good? That’s up for debate. *wink*

Sometimes, fiction is just fiction. Sometimes, a ship is something we sail on. It doesn’t have to have double meaning or be scrutinized beyond the fact that it’s purely entertaining. Just because a fan ships a couple on a show doesn’t mean they would ship them in a real-life situation. As an example, I thought I’d discuss a movie (hopefully) everyone has seen by now. If you haven’t, don’t worry. Just go to the next bolded line.

Spoilers for The Last Jedi beyond this point:

So, as many of you know by now, there was quite the shift in Kylo Ren and Rey in the last movie. Though nothing traditionally romantic happened (i.e. kissing), many felt their relationship was romantic in nature. Where it goes, no one knows, but that doesn’t stop the fandom from drawing photos, posting theories, and just plain ol’ fan girling.

Do I ship them? Yes and no. To me, I find their dynamic fascinating, which—as someone who is here to be entertained—is all I want in a story. So, yes, I love what happened between them in The Last Jedi, because I never saw it coming, yet it was believable, twisted, and exciting. But no, I wouldn’t encourage that sort of dynamic in real life.

Basically, if my best friend came to me and said, “This masked guy chased me through the woods as I shot at him, and then he knocked me unconscious and tried to read my mind. Later, I scarred him, and he killed his dad, but now we have a universe connection.” I would definitely not ship it. I would call the police. But Star Wars isn’t my best friend. Star Wars is a space opera. It’s not functioning on our moral constructs. In the setup of the fictional universe, you’re literally talking about a dark side and light side colliding in a space war. Of course unhealthy moments are going to happen. Does that mean you can’t enjoy the story? Maybe. Maybe not. If that ruins the story for you, that’s fine. If you want to debate it, go for it! But I draw the line at fans telling other fans what they can/should/want to enjoy.

Spoilers End

If you dislike a ship (or a story), by all means, we’re all allowed to our opinions, but I will always draw a line on those who shame others for enjoying (or disliking) a piece of fiction.

We’re here to be entertained and to have fun, and yes, there are times for debate. Yes, those debates are super important. I’m not telling you to stop debating. In fact, one of my favorite all-time quotes is, “The history books will tell what happened, but the art will tell them how we felt about it.” (Jermaine Rogers.) Debating art is society trying to encapsulate how they feel about current and past issues. Debating fiction is a natural response. All I ask is that we respect one another while we debate. No name-calling. No ship-shaming. Just a couple of fans having a reasonable discussion about how we feel about certain stories. Then, at the end of the day, we can enjoy our fandoms and sail off into the sunset on our preferred ships without trying to sink others.

Who are some of your favorite ships? (Actual boats allowed.)

~SAT

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When A Character Does Something You Dislike

13 Jan

I read a lot. I also read reviews, though I tend to read reviews after I have read a book myself. Why? Well, I used to rely on reviews to pick books, but now I tend to rely on a trusted few (and my own gut) to pick and choose. Even so, my interest in reviews never completely faded, so I tend to set time aside after I finish reading to skim book reviews.

One of the reasons I stopped reading book reviews was the obsession with tearing characters apart.

Don’t get me wrong. Characters are so, so important in fiction. However, I think many have forgotten that characters are supposed to reflect real-life people. They aren’t supposed to be perfect. They shouldn’t do things you agree with on every page. They will make mistakes, even mistakes that seem ridiculous to you.

Sometimes, your hero isn’t going to act very heroic.

Staying on the path of “when characters make mistakes that seem ridiculous to you”: As the reader, you might know more than the character. Or you might understand the tropes of your genre, so you expect certain things to happen (ex. a best friend’s betrayal, a love triangle admission, a mentor figure’s sudden death). However, to that character, they live in a world that doesn’t come with trope warnings (just like we don’t). So when their best friend betrays them and they’re shocked (and you’re not), I don’t think it’s fair to call that character stupid or naïve or etc. Even with dozens of clues, that character loves their best friend. They trust their best friend. As humans, we often lie to ourselves when the truth is looking us in the face. We make mistakes.

As much as characters are designed to entertain, they are also designed to be honest, ugly, thought provoking, loving, twisted, and more. In fact, if you design a character really well, they will be all of those things—sometimes in one scene.

As an example, I recently finished Dumplin’ by Julie Murphy, and holy hell, I love it. I thought the voice was so honest, even though Dumplin has some seriously shallow thoughts. This was the main complaint I saw in reviews. Many called her hypocritical and hard to cheer on. And guess what? Of course she’s hypocritical. Of course she’s hard to cheer on sometimes. And that’s what made her believable. Dumplin’ is a teenage girl struggling with how the world judges her weight. Between that and the recent death of her beloved aunt, her contemptuous relationship with her mother, and her first (confusing) summer fling, I completely understood and sympathized with Dumplin’s emotional struggles. Does that mean I agreed with everything she did and said in every scene? Hell no! But I don’t have to agree with a character in every scene to love them in the end.

How many times has your sister annoyed you, bothered you, done something you thought was incredibly thoughtless? How about your parents? Your grandparents? Your best friends? But you still love them in the end. You give them second chances. You let go of the idea that everyone in your life must take your advice to heart. You understand everyone lives their own life their own way, and that sometimes you won’t agree with it, but that no one needs your approval. In fact, how many times have you done something that wasn’t perfect? How many times have you done something out of character? I know I’ve disappointed myself before. I still do. I’m human. I have moments of selfishness, of jealousy, of anger, of irrational depression. But does that make me worth tearing apart? I would hope not.

I expect characters to disappoint me at some point. I try to sympathize with flaws, but also understand that some flaws are going to be out of my realm. I cheer them on when they’re good and hope they redeem themselves when they’re bad. (And sometimes, I enjoy a good story where a character is never redeemed.) All I ask for is consistency—a sense that, no matter what the character does or believes, I understand them in that moment, even in the moments where they aren’t quite themselves. I need to believe they are real, and if I can believe that, I will more than likely enjoy the journey.

In the end, I want to enjoy the story—and sometimes, stories are told by those you might not understand. Maybe even by someone you would hate. But that doesn’t automatically mean the story is unlikeable.

Let’s be a little kinder to characters, especially character flaws.

We all have them.

~SAT

Setting 2018 Writing Goals

6 Jan

Now that we’re a week into 2018, you’ve probably set new goals and you’re already striving after them. And that’s awesome! But I made a huge mistake while setting goals last year, and I thought I’d discuss it, so you don’t make the same mistake I did when you tackle your writing life this year.

So what happened? Last year, I set three goals (and failed them all), which you can read about here, but I thought I would focus on the goal of connecting with a literary agent. While I definitely spoke to a number of talented folks, I never quite found “the one.” I felt like a failure. But did I fail? I mean, I connected with amazing people! I finished manuscripts. I learned. I revised. I resubmitted. I never gave up. And doors are still open for me, even today. So, I shouldn’t have felt like a failure. I should’ve felt proud, because, even though I didn’t walk away with the shiny new contract, I walked away with more knowledge, connections, and opportunities.

Extra tip: Keep a planner to stay on track, but don’t plan too far ahead. That way, you can adjust if need be.

Where I went wrong: Setting the goal of “I will get a literary agent” was unrealistic. Why? Because it depended on another person, and that person is largely out of my control. Yes, I can always write more and better—and yes, I could always spend more time making connections—but just because you have a great book or idea or following or etc. does not mean you’ll find the right person to represent you and your work. Do I have room to grow? Always. But so do many repped authors. Signing that contract is a largely personal decision from both sides. This goal depends on two people, not just me, so while having the goal to connect with an agent is fine, my goal shouldn’t have been “get a literary agent by the end of the year.” It should’ve been “I will submit my work to # of agents who enjoy my genre” or “I will spend X hours a week researching the industry, so that I am more prepared to query next time around.”

Basically, I learned to set realistic and fair goals. What do I mean by that? Goals should revolve around work you can accomplish, not how others react to your work.

Common, unrealistic publishing goals: How large your advance is, how many copies of your books are distributed, how well something sells (because, seriously, even experts can’t predict why books resonate), and publishing contracts in general.

Solution? Set goals to learn, write more, and submit, submit, submit. Examples: I will read fifty books this year, I will write 10,000 words every week, I will try to connect with new beta readers by this spring, I will submit my manuscript by July, etc. But remember, publishing isn’t a race. While goals should keep you moving, they aren’t meant to be hard deadlines. If you find out you can’t write 10,000 words a week, that’s fine. Do what you can. Never let your goals hurt you. For example, “I will get a publishing contract by December” might negatively impact you, because you’re going to submit when you’re not ready just to meet a deadline you alone set. If you make a goal to meet something by January, don’t beat yourself up if you end up needing to extend it to February. Just make sure you’re ready. You can always edit your goals…and set completely new ones.

In fact, when I really think about it, I set goals all year around.

Whether its spring or fall, rain or shine, I’m constantly considering what I want to do next and/or how to accomplish it.

Actually, I’ve met two goals this year already.

  1. The Timely Death trilogy will be an audiobook with duel narration!
  2. I resubmitted a revised manuscript.

All goals take a lot of time and energy, and I’m really proud I’ve accomplished these two goals. Where those paths will take me, I have no clue, but I am ready to set more goals and move forward in a realistic and positive way.

What are some of your goals for 2018?

~SAT

2017’s Top Ten Articles

30 Dec

Every year, I like to look back and see what everyone was discussing. I try to collect the best discussions and revisit them, so here’s a list of this year’s most popular articles. Normally, I would’ve made this list based on a combination of unique views, comments, and shares, but I didn’t track that as well this year, so it’s only based on unique views. But I hope you enjoy them!

1. The YA Protagonist’s Age: You’re 17? Me Too! 

I’m not going to lie, I’m a bit surprised this was my most viewed 2017 article. But I’m really happy more writers and readers are discussing the lack of variety in the ages of our characters, especially in YA. Teens go through many issues at different times, and it time our stories reflect that.

2. Is Romance Necessary in YA?

Another article focusing on young adult fiction, I discussed whether or not a story HAD to include a romance. While the answer might seem obvious and simple, this conversation is actually a lot more complicated than I wish it was. Sex sells, after all. Yes, even in YA.

3. My Hate-Love Relationship with Historical Fiction

This year, I began writing my first historical novel, and the journey reminded me of my struggles as a viewer/reader/consumer when it comes to historical fiction. I want historical fiction to push boundaries, but that will take a brutally honest conversation about what we understand of history and why we interpret it the way we do.

4. When Writing Makes Reading Hard: a guest post by Susannah Ailene Martin

One of the only guest posts I hosted this year! (Honestly, y’all, if you want to guest post, I always consider thoughtful topics such as this one, so please feel free to message me.) Here’s one writer’s story about how writing can cause writers to struggle with reading.

5. First Person or Third Person? Present Tense or Past Tense? How Do You Decide? 

Choosing how to tell your novel is a personal decision, so how do we make those decisions? This is how I choose tenses and POV, along with some tips to help you decide.

I’m so ready for 2018!

6. Book Marketing Woes

We all have them: book marketing woes. This is a list of common woes, like “I don’t have time,” and actual solutions to help you overcome the issue.

7. I DNF a Book

As an avid reader, I often feel guilty when I’m halfway through a well-written book…and just not connecting. This year, one of my goals was to be easier on myself and allow myself to set down books I wasn’t enjoying, so that I could spend more time reading novels I love.

8. Authors Can Change Their Mind

Five years ago, I wrote an article that was strongly against sex in YA…and now? Well, I haven’t completely changed my mind, but I’ve lightened my stance. Basically, authors can change their mind. This is an article about how we grow overtime.

9. Not All Villains Think They’re Good

“All bad guys think they’re the good guy in their story” has become a popular writing tip, and while I love this writing tip, I push back a little. Find out why.

10. My Editing Process Starts in my Writing Process

Editing is the hardest part of writing, but you can make it easier on yourself by setting yourself up for success early on. Here’s how.

I hope you enjoyed 2017 and all the articles that came with it!

If there are any topics you want me to cover in 2018, feel free to let me know in the comments below.

I’m always here to help.

Onward to 2018!

~SAT

My Favorite YA Books of 2017

23 Dec

I’m judging this based on what I read in 2017, not necessarily books that released in 2017, and I’m only focusing on YA. If you want a complete list of books I read, check out my Goodreads challenge. A lot of these books could fall into more than one category, but I didn’t want repeats, so I tried to stick with a new book each time.

I hope you find some recs you’ll enjoy!

Fantasy

The Forgetting by Sharon Cameron

Labeling fantasy and science fiction can get a little strange, and this novel is a perfect example of that. I honestly can’t say a lot about this book, because, if I did, it would ruin the craziest surprises. Surprises that blew me away. I totally loved how bizarre and brutal and lovely and strange this book is. If you’re okay going in blind into a strange new world with little to no explanation, you will love this novel, because by the time you get answers, it’s a million times worth it.

Sci-Fi

Warcross by Marie Lu

If you’ve ever spoken to me about the types of books I love, then you know I love future tech. (There’s something so much fun about exploring possibilities.) Marie Lu hit the nail on the head with this book that features a futuristic video game and a craze overtaking the world. Her plot twists have me DYING for book 2. (And we need more gamer girls in fiction.)

Historical

My Lady Jane by Brodi Ashton, Cynthia Hand, and Jodi Meadows

Technically a historical fantasy, My Lady Jane is easily the funniest book I read all year. (And I definitely need more laughter in my laugh.) If you’re willing to let your imagination stretch past the point of believability (especially since most of the characters are real historical figures), and you don’t mind the authors breaking the fourth wall, this book is the one you didn’t know you absolutely needed. It’s unique, hilarious, and un-put-downable. Also, My Plain Jane, a sequel following a different time period, releases in 2018. It’s one of my most anticipated reads.

Contemporary

Queens of Geek by Jen Wilde

At first, I wasn’t sure how this book would play out. I mean, it takes place over one weekend at a convention. What could happen? SO MUCH. If you’re a geek like me, the love for geek culture just seeps out of this quirky story. It really captures how much a fictional character can save a person. The cast is full of diversity, including a female protagonist on the spectrum, and the book features a lot of important discussions more people need to have. A quick, fun, but important read.

Horror

There’s Someone Inside Your House by Stephanie Perkins

So this novel takes place in Nebraska, which automatically gets points from me, because we do not have enough books set in the Midwest. Despite a lot of Midwest clichés, I really enjoyed this story. I read it one setting. I didn’t see the killer coming. It’s super gory in a way a horror book should be. And I couldn’t stop thinking about when all was said and done. Love, love, loved this spine-tingling mystery.

Debut

Body Parts by Jessica Kapp

Yay for more future tech! This book discusses lots of relevant issues about body autonomy and the power of pharmaceutical companies. It has just the right amount of gore (can you tell I enjoy gore?), and the action is both nonstop and believable. Add a dash of romance, and you’re in for a wild ride. Also, I think this is a standalone, so if you need a great standalone (and want to support a debut author), pick this one up.

Sequel

These Dazzling Heights by Katharine McGee

If you haven’t read The Thousandth Floor (#1), then go get it right now, especially if you’re an old-school Gossip Girl fan. This is another fantastic futuristic novel with believable tech and lots of guilty pleasure drama. The novel does not get enough credit for showing a lot of socio-economic situations that are happening now. I absolutely love this series. It’s uncomfortable and devious in such a flawless way that allows you to enjoy every little moment, even the ones you should feel guilty about enjoying.

 

Series

Tiny Pretty Things and Shiny Broken Pieces by Sona Charaipotra and Dhonielle Clayton

I can’t believe I didn’t pick up these books sooner. Competitive ballet + real-life issues = I wish there was a book 3. (Why isn’t there a book 3???) I went from loving certain characters in the first book, to hating them in the second, and it was perfection. Also a series for Gossip Girl fans, this duology keeps you on your toes with betrayal in highly competitive ballet. This diverse duology is written by two diverse authors and published by Cake Literary, a diverse company.

Biggest Surprise:

The Love Interest by Cale Dietrich

I hesitated to include this category, because it makes me sound like I expected a book to be awful, but that’s not what I mean by “Biggest Surprise.” Biggest Surprise, to me, means I wasn’t sure what to expect from a book, and then it blew me away. The Love Interest definitely takes YA tropes and turns them on their head in the most glorious (and often hilarious) ways. I’m also a fan of spies, and there’s more future tech, so…

Manga

Jigoku no Enra

If you took a peek at my Goodreads challenge, you might have noticed that I read A LOT of manga this year. In fact, I normally read a lot of manga, but this was the first year I recorded it. Why? I used to hide how much manga I read, because there’s this weird stigma about it, but when I started sharing it, I began to connect to other readers who loved some of my favorites, so I’m recording it from now on. Anyway. Jigoku no Enra has everything I love in a paranormal shoujo: demons, cursed princes of hell, and one unfortunate girl wrapped up in it all. Definitely recommended.

Top Three Honorable Mentions:

The Speaker, Daughter of the Pirate King, and Our Dark Duet.

The Speaker by Traci Chee is book 2 in a Sea of Ink and Gold series. Her prose drips off the pages. A complex, yet brutally beautiful fantasy.

Daughter of the Pirate King by Tricia Levenseller has pirates and magic. Need I say more?

Our Dark Duet concludes the Monsters of Verity, and it was a fitting ending for a twisted tale about monsters, music, and mayhem.

But what was my all-time favorite read?

Scythe by Neal Shusterman

It was my first time reading Shusterman, and he blew me away. I LOVED Scythe so much I never put it down. It’s brilliant, morally gray, and gory as hell. Scythe answers the question, What happens when everyone begins to live forever? Well, we hire Scythes, of course. You know, people trained to decide who will die. The book follows two scythe apprentices, and everything they go through—including their first deaths and some pretty horrible plot twists—will keep your head spinning. After every chapter, I kept bothering my roommate because I HAD to talk to someone about each and every scene. This book is also a near-future scenario. Scythe released at the end of 2016, so if you’re talking about 2017 releases only, my favorite book was Warcross by Marie Lu.

What were your favorites?

~SAT

 

2018 YA Predictions

16 Dec

So I’m feeling a little crazy today, mainly because I write these posts every year…and yet I can’t find my post predicting 2017. Here’s my post predicting 2016, though. (Seriously, I wrote one for 2017, didn’t I? I could’ve sworn…)

Anyway, I like to write these for fun. They aren’t supposed to really mean anything, because, you know, these things are hard to predict. Basically, don’t take my word for it and start scheduling your writing around my predictions.

If you’re interested in the future of YA publishing, I suggest following Publishers Marketplace, MSWL, and joining other groups to get an overall feel for trends. Remember though: Don’t write for the trends. By the time you learn it, it has passed. Write what you want to write.

Without further ado…

Here are three titles I’m waiting on!

Covers & Titles:

I’m expecting to see more diverse portraits. Check out the covers of Dear Martin, Saints and Misfits, or The Gentleman’s Guide to Vice and Virtue. It’s about time our stories get more diverse, and cover art is reflecting that. Because I’m expecting more portrait artwork, I’m thinking fonts/colors/graphics will tone down a little bit in order to focus on the protagonist, but those Trad 5 publishers love their unique fonts, so if anything, I think they’ll hold onto that as well. In the meantime, titles will become more straightforward. For the past few years, we’ve seen a lot of poetic, flowy, and LONG titles, and while I don’t think those are going away completely (especially if they are part of an already-happening series), I think we’ll see shorter titles. In fact, even in fantasy (the genre for notoriously long titles), one-word titles are slowly creeping back: Thunderhead, Shadowsong, Unearthed, etc.

Hot Releases:

Epic fantasy with unique settings and cultural influence is ruling the realm! I don’t think this will change much, and I’m really looking forward to a lot of releases already. (::cough cough:: Children of Blood and Bone.) That being said, I’m still waiting for future-tech to take off more than it already has. We’ve been in epic fantasy for a while now, and as much as I love it (and write it myself), I would like to see something else take over. Dare I say it, I wouldn’t be surprised if vampires made a comeback. In fact, there’s been some timid talk of this already on forums like MSWL. Granted, your vampires will have to be unique, but if you have something unique enough out there, urban fantasy/paranormal might surge up again. Another trend I’ve noticed is duologies. (And I’m not just saying that because my latest series is a duology.) Lots of authors are ditching the trilogies for faster books paired together. Personally, (obviously), I’m a fan of this. It allows authors to try something newer and faster, especially if something isn’t working, and it opens doors for more genres to step in.

More books I cannot wait for!

What Agents/Editors/Publishers Will Be Looking For:

Politically relevant contemporary. If your novels focuses on the challenges of our current political environment—like the #MeToo conversation—your book is needed and necessary. More and more agents are requesting books with relevant discussions, and there are lots of conversations that need to be had. I like that more contemporary books are getting attention here, but it’d be nice to see some of these conversations stretch more into other realms, too. (Maybe some magical realism?)

In regards to everything else?

Who knows? Publishing is a wonderfully, weird, unpredictable place.

I look forward to seeing where it takes us.

~SAT

2017 Wasn’t My Writing Year

9 Dec

Last year, I wrote an incredibly positive article called, Dear Writers, 2017 Can Be Your Year! It summed up my 2016 accomplishments and how I got there by taking advantage of every opportunity I could and working hard, and how you can, too. (Oh, how I side-eye myself so hard now.)

This year? 

I failed most of my goals. There, I said it.  

Following the format of last year, I had three main goals.

1. I wanted an internship with a literary agency.

2. I wanted to work for a library.

3. I wanted a literary agent.

To be honest, I got SO, SO close to most of these goals. So close that I feel like crying just thinking about it. But it ultimately didn’t work out.

Why? Well, there are numerous reasons why.

Firstly, adjusting to my new job (while keeping my old job) allows me very little free time. Then I got sick. Like really, really sick. To be honest, I’m still super sick, but I’m currently undergoing a lot of health assessments to figure out what is happening to me. It’s scary not knowing. It’s worse feeling like something unknown has such a negative impact on my life…and there’s nothing I can do about it except get more tests done so I can be healthy again. (Not to mention medical tests cost a lot of money.) My savings for conferences has gone toward medical expenses.

Basically, it didn’t matter that I took advantage of every opportunity I could…because most of the opportunities I received I couldn’t take advantage of due to health, finances, and other issues.

Basically, this year failed. I failed. I failed so hard.

I’m trying to be kind to myself though.

I mean, I didn’t completely “fail” in 2017. Clean Teen Publishing released Bad Bloods: July Thunder (#3) and July Lightning (#4). My first audiobook released! I revised one of my books three times. (I’m determined to make this book work.) And I began writing my first historical. I attended my first writing retreat, joined SCBWI (and an in-person writers group), and began a new job as a publicist for a YA/MG publisher. As an editor, I worked with some amazing authors, and I was featured in YASH and signed books at BFest in Barnes & Noble. On top of that, I was invited to speak at Wizard World Comic Con again! (Oh, how I wish I could’ve attended.) Denver Comic Con also featured my monster panel, even though I couldn’t attend last minute, but fellow Clean Teen authors enjoyed it, and that makes me happy.

2017 highlights

So why do I feel so awful?

It hurt so much watching opportunities pass me by. It still hurts. But I’m grateful that those offering opportunities thought of me in the first place. I’m hoping I’ll have more opportunities in the future when I am healthy—and have more time—again. I’m not giving up. Just because I failed my goals this year doesn’t mean I can’t succeed in those goals next year. In fact, I’m holding onto my 2017 goals as I move into 2018. I’ll probably add new goals, too!

Who knows what 2018 will bring? Maybe I’ll repeat a successful 2016. Maybe I’ll repeat my terrible 2017. Or—and here’s a crazy thought—maybe 2018 will be 2018, with all its failures and accomplishments and surprises.

Not every year is going to be successful and wonderful and feel amazing, but you can always try your best. And that’s what I’m planning for 2018.

Here’s to working as hard as I am able to and keeping my chin up.

I hope you keep trying, too!

~SAT

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