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Why You Should Make Time To Write While Editing/Revising

10 Feb

I’m not going to lie. I’m basically writing this article because I failed at this, miserably, and I want to prevent others from making the same mistake. 

Once upon a time, I wrote a book. The moment I was inspired to write it, I knew it was more special than my other books. Not that I don’t love my other books, I do, but some stories leap out at you and steal your soul from your body. Others are just fun to write. And this book felt like the “one.” The one that would lead me to my next step in my career, the one my readers would love the most, the one that I could spend years in writing sequels or spin-offs or short story extras.

With unattainable excitement, I sat down and wrote. I cranked out the first draft in less than a month, and I spent a couple months rewriting and editing. I worked with betas and rewrote some more. I loved it. I thought others would, too. So, I started submitting. Sure enough, a couple people did love it! Yay! But then, I was asked to revise. 

Treat your writing projects like plants: water them all.

So I revised. I revised a lot. I revised until I forgot which version I was writing.

That’s when my emotions got messy. Sometimes, I would mess up versions, or backtrack too much, or be too set in one scene to try something new again. Sometimes, revision notes came back contradictory, and other times, the notes didn’t match my vision at all. But I didn’t want to miss out on an opportunity…which caused me to learn a hard lesson. See my past article: Should You Revise and Resubmit? I was spending every moment of my writing time revising. Meanwhile I was watching some of my awesome writer friends get agents and book deals with pieces of work before they had to revise anything again. And I wasn’t getting any promises from anyone.

I was spinning in circles, but I couldn’t stop myself.

I believed in my work so much. I loved the story endlessly. And every writer in the world will tell you that revising is part of the process, that every good book will find a home, that every writer willing to work hard will find friends and fans and supporters. But I just…wasn’t. I was beginning to feel a little crazy when the inevitable “Your writing is spot-on, your idea is so imaginative, and I loved it…but not enough. Send me your next piece.” would come in.

My next piece? I would think. What next piece? I had been so busy revising this piece for everyone for so long that I had completely disregarded my next piece.

I forgot to give myself time to create.

I forgot to be a writer, not just someone who is revising or editing.

No wonder I was so miserable.  

I spent almost the entire year revising and editing one book. As long as it was a better version that remained true to my story, I believed I was heading in the right direction. And while I still think I was heading in the right direction, I should’ve given myself time and space elsewhere. Granted, if I were 100% honest, I wrote half of another book, and I outlined/researched a couple awesome ideas, but all of those projects inevitably got pushed aside to edit this one, special book.

That book is still my special book. I love it with all my heart. In fact, I still don’t know if I’ll ever love another book this much again, but my love for it doesn’t have to be defined by others’ love for it. I can love it, whether or not anyone gets to read it in the future. And something I’m unsure about might be something others fall head over heels for. The “one” (if there is such a thing) might be a book idea I left sitting on my shelf while being too busy revising. It could be a book I have been neglecting to create. It could be a book that I learn to love, rather than falling in love right on the spot.

Don’t let your writing identity get wrapped up in one piece. Why? Because that piece might fail to work out in the way you had hoped, and then it’ll be harder to get back up on your feet again. Getting back into the creative swing was the hardest part for me, anyway. I struggled to settle on a new idea. I had to start over a lot. I had to come to terms with shelving a piece I loved. But I began to love writing again. Now I have so many pieces I want to finish.

There is nothing wrong with investing a significant part of your time in editing or revising, but you also deserve time to create.

So go write.

~SAT

P.S. I have some exciting news to share! I am officially a Youth Services Associate for the Mid-Continent Public Library! As some of you know, my dream has been to work for a library, and I tried really, really hard last year, but it didn’t work out. See past article: 2017 Wasn’t My Writing Year. I didn’t give up on my goals though! Now I am here. I’m super excited to help the young people of Kansas City with everything the library has to offer. Wish me luck!

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Writing in a New Genre

3 Feb

Maybe you hit a slump with your usual genre. Maybe you’re feeling the urge to explore. Maybe you just want to. Sometimes, authors want to write in a genre they’ve never written in before, but they don’t know where to start. Well, that’s what I’m here for. In fact, I recently went through this myself, so today I’m sharing three tips and a little story about what I learned from this attempt. I hope it helps you explore a new genre!

1. Ask Yourself Why

First and foremost, I truly believe every author should ask themselves why they want to write the project they are currently sitting down to write. Why? Because being honest with yourself might save you some heartache. If you’re chasing a trend, you might find your passion burns out rather quickly (or when the trend passes…because it will, probably before you finish your first draft). This will make you feel like you wasted your time and energy, even if you did technically learn from it. So…take a step back before you sit down to write. Why are writing this book? Why are you writing in this genre? Are you following trends? Are you the best person to tell it? What is the main reason for switching genres: the story, the genre, the characters, the challenge, etc.? What drives you the most is up to you. Knowing why you’re writing it and what your goals are for it will help you stay focused.

Isn’t it fun to discover a new genre?

2. Read the Genre

If you’re not reading, you don’t have the tools to write. I know, I know. There are so many people who loathe that rule, but it’s true. Reading within and outside of your genre helps you see what has been done before, what is expected, and where you can succeed. Have you read widely in this genre? Have you seen gaps that need to be filled? Do you understand your reader’s expectations? What about successful tropes or overused ones? Read, read, read. You will love it. And if you don’t enjoy reading it, then you probably won’t enjoy writing it. Find the genre where you feel at home.

3. Research the Genre

This is a step I’m not sure many consider, but researching the history of your genre can give you excellent insight. You’ll come across controversies, learn how it correlated with history, and watch it expand into what it has become today. By knowing this, you might be inspired by the greats or see where the shape of your genre is most likely headed. Rather than chasing trends as they pop up, this might help you walk down an educated path of where that trend might pop before it ever happens…and you’ll have your book written, rather than scrambling to finish something. Again, this isn’t about chasing trends, but rather—at a fundamental level—knowing what needs to be done next in order to fulfill readers’ wants/needs/desires ahead of time. Make sure to check out writing blogs. Look up your favorite authors in that genre and see if they offer writing tips in interviews or elsewhere. They’ve already written this genre and made mistakes, so listen to their lessons ahead of time. You might still make the same mistakes, but at least you’ll recognize it for what it is and move on to the next step. Let knowledge guide your passion.

As an example, I generally read and write YA SFF, but last year, I set out to write my first historical. I still haven’t finished. It’s been SUPER hard, much harder than I anticipated, but I set out knowing I wanted to learn first and worry about publication later (if I ever pursue publication with it at all).

I began by reading all the historical fiction I could get my hands on. (I already read historical fiction, but I pushed to read more.) I tried different sub-genres and time periods and styles. In between books, I researched my time period thoroughly. I took notes. I researched again. I took MORE notes. I visited libraries and museums. I took notes again. I organized. Then, I began to write. Funny enough, even though I thought I had all the notes I needed to write, it became quite clear the moment I sat down that historical fiction demanded more than I expected and totally different tools than SFF. I made mistakes. I backtracked. I set it down. I came back to it. I wrote again. I took it to my beta readers. I deleted over half of it. I started over. I continued to write. Most recently, I’ve set it down again. But I still love it. And I don’t feel like I wasted a second of my time.

In the end, I was passionate about the tale. I was willing to learn and make mistakes. I still haven’t finished the novel, as it was my first attempt, but I believe in the story. I might pick it back up. I might not. But I believe in trying new genres and following your heart and challenging your art. Just don’t let bumps in the road convince you that you’re failing. You are trying. You are learning. And that’s something to be proud of.

Every author in the world had to write in their genre for the first time.

Why can’t this be your first leap toward success?

~SAT

NA or YA? College-Aged Protagonists

27 Jan

If you live on Twitter like me, then you probably saw last week’s discussion on college-aged protagonists in young adult fiction. Many were calling for it. Others pushed back. Personally, I’m somewhere in the middle.

I desperately want college-aged protagonists, but I want them placed in NA, and I want NA to rise up on its own as an age category full of various genres.

Why?

Fun fact: I graduated high school in 2009. I graduated from the University of Kansas in 2013.

1. The Teens I’ve Listened To:

When I sign books at Barnes and Noble, specifically for BFest (a teen festival), I get to speak with a lot of teens. And I listen. I listen a lot.

Teens are already telling me that they feel left out of YA fiction. They ask me for sweeter, funnier, feel-good stories about friendship and finding your place in the world. Many tell me they’ve stopped buying YA altogether (opting out for fan fiction online) because YA feels too dark, too violent, too sexy for them.

Where are the sweet, just-for-fun road trips? Summer camp stories? Where are the books about friends? Not everything has to be a twisted romance filled with fighting to the death over a crown. (Not hating on those. In fact, I love them. But you know what I mean.)

By adding college-aged protagonists to YA, I fear that YA will only be aged up even more. It will get darker, with more violence and more sex. And that’s fine if teens want to read that. But there is a large portion of young teens that don’t want that, and we’re ignoring them.

Basically, I feel like we’re failing younger teens, and they need to be prioritized when it comes to YA.

2. We Need to Embrace NA

New Adult is a long-existing category. It isn’t new. But unfortunately it carries the stigma of erotica-only. Not that erotica is bad. (I work as an editor, and many of my clients are erotic authors, and I LOVE them. They SLAY.) But if a consumer base thinks that’s the only plot that exists within NA, then NA will turn those away who don’t want erotica. It will also set up those who want erotica to be disappointed if they buy a book in that age category when it’s clean. NA should be full of space pirates and sweet romances and twisty heists, with and without the X rating. But it isn’t right now. And that’s our fault. I understand that we’ve tried to expand NA before, but we need to try again. There’s no reason it should be for only romance. And now that there are more people pushing for NA, I think this is an optimal time to use our fan bases to spread the word about the age category and all the potential it holds.

3. Libraries/Families and How They Work 

Cycling back to the sweet stories in YA and non-erotic NA. They are out there, but they aren’t being prioritized on the shelves. Personally, I see younger YA and non-romance NA in the indie industry, but the indie industry is not as accessible. Libraries often chose what to carry from publishers’ catalogs, which automatically discount self-published or small press books. If they go to the edges of publishing, libraries still want books that have been reviewed by recognized editorials, and those editorials? They generally favor traditionally published novels. At my library, they carry very few indie titles, even when I put in requests. So while there are sweeter YA and non-erotic NA, libraries, schools, etc. might not have access to those, which is why I think pushing college-aged protags into YA wouldn’t be fair to young readers in particular. Also, Teen Librarian Toolbox has a fantastic thread on how families will chose reads for teens, why libraries label books the way they do, and how labeling college-aged teens as YA could negatively impact shelves. She also explains why YA was a wrong term to begin with in the first place. Definitely worth the read.

So what age category are you in if you write college-aged protagonists?

That depends on three things:

1. Voice: A lot of YA books have literary prose (Like “The Reader” by Tracy Chee), but if your book is written in the style of George R.R. Martin, you’re probably leaning more towards adult rather than young adult, even if your character is nineteen. An example: “Don’t You Cry” by Mary Kubica follows a college-aged woman dealing with her roommate acting very very strangely, but the voice isn’t YA. If NA was a thing, I would put it there, but since NA is still struggling, I personally think it leans more toward adult. Voice expectations are something you’ll pick up on by reading within your genre and age category.

2. Themes: Even the agents/publishers calling for college-aged protagonists in YA were clear on one thing: it still had to feel coming-of-age. If your book has a nineteen-year-old protagonist, but they are pretty settled into their life, then you’re probably looking elsewhere. In this case, think college-aged protags struggling to leave home, trying to find independence, a place between home and ultimate adulthood. However, this is largely going to depend on how YA and NA swing in the coming months.

3. Who you are submitting to: Always, always read submission guidelines and research agents/editors/publishers thoroughly. What works for one might not work for another, especially in this case. One agent might think a college-aged protag is YA as long as it features coming-of-age themes, while another might think you have no idea what you’re doing if you query them a YA novel with a nineteen-year-old protagonist. Adjust accordingly. Find a good, professional fit for you and your work.

In the end, everything is just a label, and labels can change overnight. In fact, this whole article is my little, humble opinion. Nothing more than that. And, honestly, my opinion could change.

Still, my best piece of advice has never changed: Read a lot. Write what you’re passionate about. Research thoroughly. Stay up-to-date on the latest news and shifts in the industry. Make friends. And you’ll be just fine.

~SAT

When A Character Does Something You Dislike

13 Jan

I read a lot. I also read reviews, though I tend to read reviews after I have read a book myself. Why? Well, I used to rely on reviews to pick books, but now I tend to rely on a trusted few (and my own gut) to pick and choose. Even so, my interest in reviews never completely faded, so I tend to set time aside after I finish reading to skim book reviews.

One of the reasons I stopped reading book reviews was the obsession with tearing characters apart.

Don’t get me wrong. Characters are so, so important in fiction. However, I think many have forgotten that characters are supposed to reflect real-life people. They aren’t supposed to be perfect. They shouldn’t do things you agree with on every page. They will make mistakes, even mistakes that seem ridiculous to you.

Sometimes, your hero isn’t going to act very heroic.

Staying on the path of “when characters make mistakes that seem ridiculous to you”: As the reader, you might know more than the character. Or you might understand the tropes of your genre, so you expect certain things to happen (ex. a best friend’s betrayal, a love triangle admission, a mentor figure’s sudden death). However, to that character, they live in a world that doesn’t come with trope warnings (just like we don’t). So when their best friend betrays them and they’re shocked (and you’re not), I don’t think it’s fair to call that character stupid or naïve or etc. Even with dozens of clues, that character loves their best friend. They trust their best friend. As humans, we often lie to ourselves when the truth is looking us in the face. We make mistakes.

As much as characters are designed to entertain, they are also designed to be honest, ugly, thought provoking, loving, twisted, and more. In fact, if you design a character really well, they will be all of those things—sometimes in one scene.

As an example, I recently finished Dumplin’ by Julie Murphy, and holy hell, I love it. I thought the voice was so honest, even though Dumplin has some seriously shallow thoughts. This was the main complaint I saw in reviews. Many called her hypocritical and hard to cheer on. And guess what? Of course she’s hypocritical. Of course she’s hard to cheer on sometimes. And that’s what made her believable. Dumplin’ is a teenage girl struggling with how the world judges her weight. Between that and the recent death of her beloved aunt, her contemptuous relationship with her mother, and her first (confusing) summer fling, I completely understood and sympathized with Dumplin’s emotional struggles. Does that mean I agreed with everything she did and said in every scene? Hell no! But I don’t have to agree with a character in every scene to love them in the end.

How many times has your sister annoyed you, bothered you, done something you thought was incredibly thoughtless? How about your parents? Your grandparents? Your best friends? But you still love them in the end. You give them second chances. You let go of the idea that everyone in your life must take your advice to heart. You understand everyone lives their own life their own way, and that sometimes you won’t agree with it, but that no one needs your approval. In fact, how many times have you done something that wasn’t perfect? How many times have you done something out of character? I know I’ve disappointed myself before. I still do. I’m human. I have moments of selfishness, of jealousy, of anger, of irrational depression. But does that make me worth tearing apart? I would hope not.

I expect characters to disappoint me at some point. I try to sympathize with flaws, but also understand that some flaws are going to be out of my realm. I cheer them on when they’re good and hope they redeem themselves when they’re bad. (And sometimes, I enjoy a good story where a character is never redeemed.) All I ask for is consistency—a sense that, no matter what the character does or believes, I understand them in that moment, even in the moments where they aren’t quite themselves. I need to believe they are real, and if I can believe that, I will more than likely enjoy the journey.

In the end, I want to enjoy the story—and sometimes, stories are told by those you might not understand. Maybe even by someone you would hate. But that doesn’t automatically mean the story is unlikeable.

Let’s be a little kinder to characters, especially character flaws.

We all have them.

~SAT

Balancing Writing During the Holidays

25 Nov

Most writers aren’t able to write full time. That means we tend to work full time and write full time. Between writing, querying, editing, and marketing, our schedules can quickly feel crushing, especially if you’re working toward a very specific goal, such as a revision deadline. Taking breaks can often make writers feel guilty. But you deserve a break, too. Especially during the holidays.

Grab a cocoa, some cookies, and watch the snow fall.

Admittedly, I’m a bit of a workaholic. My life is often, if not always, out of balance. I don’t make enough time for family or friends (or myself) and, though I know I should, I really struggle to find time in my jam-packed calendar full of work, publishing, writing goals, and personal goals. But that’s also why I get burnt out so often. (Okay. So maybe this year was just awful.) Anyway…

I’m trying to be more mindful going into the holiday season. You know, taking more time to sit back and relax, so that when I sit down to write I feel energized and passionate, rather than bogged down by crippling responsibility.

I try to look at it this way: I can’t write dialogue if I’ve never participated in a conversation. Without regular reminders of life, it is more difficult to describe it—to connect with it—and it’s important to be realistic in stories. (It’s also important that we, as people, have interaction with others.)

My personal holiday notes?

  • Don’t let your goals take over your life.
  • Some sacrifice is okay, but don’t sacrifice everything all the time.
  • Enjoy the holidays.

If you are trying to keep up with everything during the holidays, my writing tips are about the same as they are throughout the year: Set aside time to write and stick with it. Always have a notebook on hand. (I use the SimpleNote app, so I never forget it, and I can transfer notes directly to my Scrivener on my laptop.) Set specific goals (Ex. I will write or edit 10,000 words every week), but don’t beat yourself up too much if you don’t accomplish every goal you set. Adjust and keep writing. Rest well and dream often. Oh, and reward yourself with holiday cookies.

If you notice I’m not online as much this holiday season, it’s because I’m trying to be more present in my life. (I even got my first Christmas tree!) I have my blog articles planned for December, but they’ll mostly be fun, light-hearted pieces, along with my regular end-of-the-year posts (like my favorite books of the year and where I think trends are heading). I’m hoping I can get back into the swing of things in 2018, but I’m more focused on having more balance in my life, because I let my life get way too out-of-balance this year.

Balance is important, not only during the holiday season, but also during the rest of the year.

Take care of each other.

Happy Holidays,

~SAT

Burning Out on Your Fav Genre

28 Oct

Before every YA fantasy writer in the world loses their mind, I want to start out by saying that I, myself, am a YA fantasy writer and reader. Again, try not to lose your minds. This isn’t a personal attack. There’s some AMAZING YA SFF coming out right now. My most recent fav was Warcross by Marie Lu. But lately, I have been so burnt out on YA fantasy.

Being burnt out on YA SFF makes me sad, too.

Honestly, this is really difficult for me to admit. I LOVE YA fantasy. I’ve always read it, I mainly write it, and I’m constantly on the lookout for more of it. But recently, I have picked up book after book after book—and I’ve barely been able to connect. Worse? At first I thought it must’ve been the authors or the stories. Then, after a self-criticizing conversation with myself, I realized it was my fault.

You see, all I’ve been reading and writing is YA SFF—and that’s the problem. While writers are constantly told that they need to be reading what they are writing, we aren’t told as often to read outside of what we’re writing, and reading outside of your genre is just as important. Why? Because it teaches different approaches, different voices, different everything. And it helps you from burning out.

So what do you do when you burn out on your favorite genre?

 1. Try a different sub-genre

One genre has a million sub-categories, so try one you don’t usually pick up. For instance, fantasy is a HUGE umbrella term. Maybe you’re reading too much epic fantasy or urban fantasy. Try historical fantasy instead. Or reach into the fringes and grab that alien-vampire-cowboy mash-up you’ve been secretly eyeing.

2. Try a new age category

Don’t forget that there’s a fantasy section in the children’s, YA, and adult sections. Heck, grab a graphic novel. Each age category tends to have a unique approach, and it might help freshen your understanding of your genre. If you’re super unsure, see if any of your favorite writers write in different age categories. Ex. Victoria Schwab writes YA and adult fantasy.

3. Try a new genre completely

Yes, you’re supposed to write what you read, but seriously, reading other genres is just as important. Pick up a contemporary book. Browse some poetry. Reach into the great unknown. Honestly, this option is the one that helps me the most.

I’ve recently been reading more—*gasp*—contemporary, like Queens of Geek by Jen Wilde and Tiny Pretty Things by Dhonielle Clayton and Sona Charaipotra. (Both highly recommended by the way). And, honestly, I wish I started reading them earlier this year. I wasn’t paying attention to how burnt out I was getting—how much reading and writing only fantasy was drowning my creativity and enjoyment—but these books quickly pulled me out of a slump once I started them. I’ve even been able to read fantasy again—and sure enough, after a little break, I started loving each story.

Basically, the point of this post is to remind writers that, yes, while you should always be reading what you write, you should also make time to read genres and age categories that you don’t write. Why? Because it expands your pallet. It resets your writing gears. It resets everything.

And it’s fun.

~SAT

Authors Who Give Up

14 Oct

As writers, we discuss lots of ups and downs. Writer’s block, in particular. But what about something stronger than writer’s block?

What about feeling like you want to give up?

“Giving up” is hard to define. Quite frankly, the definition will be different for every writer. One author might feel like giving up writing altogether, while another writer might only want to give up pursuing publication. These two versions of “giving up” are very different, but could appear similar to those on the outside.

This is why defining what you want to “give up” is important.

By considering what, exactly, you are giving up, you might realize what is actually making you so miserable.

For instance, I’ve talked to a lot of authors who feel like giving up because marketing is so difficult, or getting an agent feels impossible, or self-publishing is too expensive. But all of these issues have solutions that don’t involve giving up everything. If marketing is difficult, reevaluate what and where you’re marketing. Consider posting less. (Your readers will understand, trust me.) If querying agents/publishers is putting you down, slide that goal aside for a while. Write something new instead. If self-publishing is too expensive, save up or consider options like Patreon. This list goes on and on. Many writing issues that cause the “giving up” bug have solutions. Sometimes stepping away and taking a break will help clear your mind so you can sort things out.

But what about actually wanting to give up writing?

Who knows what caused it. Maybe it was one major disappointment that took place on one horrible afternoon. Maybe it was a million disappointments all compounded together over time. Either way, feeling like you want to give up is valid. It’s okay. And if you choose to give up, that’s okay, too. One of my recent writer friends actually took this path—not because they couldn’t handle the stress of a writing career, but because they no longer felt joy while writing their last two books. Until they get that joy back, they don’t want to write anymore. That is their choice.

I know I won’t give up. Not right now. Not any time soon. Hopefully, never. But that doesn’t mean I haven’t felt this way sometimes. It happens every now and then—more than I’d like to admit—but many authors have felt this way, and we either overcome it, or we move on to a new dream.

In the end, I will never judge an author for shelving their manuscripts. It’s their life. I will support their decision to leave, and I will welcome them back with open arms—both as a reader and a fellow writer—if they ever choose to return.

Just because a writer gives up on writing, doesn’t mean the community has to give up on the writer. 

But I hope no one gives up on their dreams,

~SAT

P.S. My first audiobook is going on tour! You can listen to free review copies and interview the narrator and me by signing up here.

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