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The Truth About Giving Up on Writing

17 Jan

Have you ever considered giving up on writing?

I know I have. 

Though I’ve been writing stories as long as I can remember, I consider myself as having two true starts. 

1) When I was eleven, my mom died unexpectedly, and I told myself that day I would spend my life pursuing my dreams, no matter how short my life would be. 

2) Around my senior year in college, I decided I wanted to pursue publishing again after a major break from writing. For a few years after that, I wrote for two indie publishers, and then made the decision to try to get an agent. I got one! Then I lost one. 

Now I’m out here writing again. Dreaming again. Wondering where my future will take me. 

Over the past few weeks, I have had a lot of serious decisions to make. Do I want to write in the same genre? Age category? Pursue the stories I’ve trunked or left otherwise unfinished? Do I even keep writing?

That last question is one I know most writers think about at least some point in their career. I certainly have, though I admit that I eventually realize that the question isn’t whether or not I want to keep writing. I always write. Even when I don’t want to, I find a pen in my hand. Writing is my gravity. The real question is if I want to continue pursuing publication. And that’s a whole different can of worms writers have to contend with. 

Do I want to keep pursuing traditional publishing, or do I want to find another method? Do I want to share my words with the world at all? Why do I feel the need to?

These questions are important for all writers to ask themselves. Why? Well, because of surrender. 

Giving up isn’t a giant Aha! moment, where you throw your pages in the trash and set it on fire, declaring your rage-freedom. 

It’s a culmination of a million little moments, where you prioritize this over that, miss deadline after deadline, trunk project after half-written project, until a striking amount of time has passed without much done. It happens. Sometimes, it happens again and again and again until you no longer remember the last time you gave yourself an afternoon to weave words together. Maybe one quiet morning you find time to sit, only to find all your old weavings in tatters, old files corrupted, versions unsaved or lost. Time now shows the errors you couldn’t once see. Which is just more reason to sigh and click delete, delete, delete until you’re staring at a blank page and have no self-confidence to begin anew.

Why write, you think, when you can buy perfectly good books at the store? There’s no point in making your own. It’s a waste of time and resources. You can simply enjoy what others have made. And yes, maybe you would be happy with that. And entertained. But would you feel pride? 

That’s what I am chasing. 

Pride. Not ego. But rather, feeling proud of myself for pursuing the life I always wanted. The dream I cultivated. Worked hard toward, year after year, no matter what stood in my way.

Writing takes a lot of momentum. For me, it’s not difficult to take breaks, but it is difficult to get started again. Which is why I’m so weary of pauses, especially long ones. During those pauses, I sometimes wonder if I’ve been chasing the dream so long, I don’t even know if I’m dreaming anymore. Have I gotten so used to this chasing that it has become an accepted chore? Is writing more habit than happiness?

Writing used to bring me such joy. Such high. There was nothing like sneaking pages of my romance novels between taking notes in biology class. Nothing like passing pages along to my best friend and chat-giggling about them over the phone late into the night. It was fanfiction of my own imagination. Wild ideas and even wilder characters. Dreamy as they were flighty. Emotions high. Secrets higher. 

The structure of what I’ve learned over the years has broken that all back down. 

Now I look at the Timely Death trilogy—a series I first wrote when I was 14—and wonder if I’d create two-faced, sword-dwelling, Midwest magic teens now. 

Probably not. 

Too bizarre, I’d think. Not in line enough with the market. 

Besides, my teens skip school, and students are on lockdown nowadays. Not to mention the homework on paper rather than take-home laptops.

I feel so out of touch sometimes, I think, who am I writing for?

Years ago, I set out to write for kids like me, but do kids like me still exist? Not really. 

Even the book I am currently writing—a personal story about a child affected by the opioid crisis—would hit differently now than when I was young and needed it. When I was eleven and my mom overdosed, it was unheard of in my neighborhood. I got picked on for it. I didn’t know another classmate whose parent died until I was 16, and that was from cancer. I didn’t know another classmate whose parent died from a drug overdose until I was well into college. And by then, my classmates were overdosing, too. 

Most recently, I’ve written poems about her skipping from pharmacy to pharmacy to fill the same prescription over and over again—and now, there are laws in place that prevent that. (Thank God.) But by God, my truth died with her. Of course there will always be universal truths—grief and all that. But the details of the moment are so dependent on the environment that I fear being unable to connect with the audience I once promised myself I would go back and write for. 

I was 11 and lost in the bookstore. There are still 11-year-olds lost in those stores. But can I help them? Reach them? Will it matter or make a difference?

I have to believe I can. I have to believe in myself. I have to believe that I’ve turned writing into a habit, because it takes dedication to succeed. And honestly, it still brings me a lot of joy. 

Most importantly, to this day, I have yet to find a book that was made for a kid like me. (Though I’d highly recommend “Hey, Kiddo” by Jarrett J. Krosoczka.) 

I cannot put into words how much it would’ve meant to me to see a book in the middle grade section that covered what I was going through. And though I still made it in real-life without those sorts of books, I wish I could tell you about the many kids I met who didn’t make it. But their stories aren’t mine to tell. I can only tell mine. And for now, I haven’t given up.   

I am still writing. I am still pursuing publication. 

For 11-year-old me. For other 11-year-olds like me. For that college senior who knew she wanted something different out of life. For me now, who still enjoys the written word over much else. Who now chat-giggles about her work over ZOOM with her writer friends.

Giving up may not be a giant Aha! moment, but neither is deciding to continue the pursuit. 

It’s a decision you make every day. It can be undone. It can be remade. 

The choice is up to you.

For now, I am still here, writing, dreaming, doing my absolute best. Tomorrow, I hope to make the same decision to continue. 

~SAT

2021: The Year of Dramatic, Unfinished Change

20 Dec

Every year, I take time to reflect on where I am, where I’ve been, and where I’m going. Last year was deemed The Strangest Writing Year (Hopefully?), and this year, I’ve decided to call it The Year of Dramatic, Unfinished Change. (Though, that may be too dramatic in itself.) Onto why that is (and also unfinished)… 

At the beginning of this year, my agent was taking my young-adult-turned-adult sci-fi novel out on submission. I was rewriting a different adult science fiction novel and halfway through writing an adult fantasy novel. At work, I had just been chosen to attend the Doniphan Leadership Institute at William Jewell College, and in my personal life, my fiance and I were considering buying a house. 

I end the year in a very different place. For one, I’m no longer agented. My agent decided to leave agenting back in the fall, so I’m now free to query. That said, I haven’t yet begun. Mostly because I’ve had a lot of other things going on. 

  1. I attended and graduated from the Doniphan Leadership Institute at William Jewell. 
  2. I was chosen to mentor in Pitch Wars with my longtime critique partner and friend, Sandra Proudman. We’re now mentoring D.S. Allen, a middle grade writer, on her horror until the agent showcase next year!
  3. SCBWI KS/MO also hired me to teach at the Middle of the Map conference in November. I taught How to Write a Series, and it was so much fun! I offered critiques to writers, and I will be mentoring a young adult writer in 2022. Announcements go up in January. 

Did I mention my personal life?

In 2021, I got married, and we bought our first home together. We’ve been renovating, too. And traveling a bit more. (My favorite trip was when we went ziplining through the Ozarks.) I also turned the big 3-0. 

It truly has been a joyous year. 

Writing-wise, I finished rewriting that adult science fiction book…only to shelve it. I also added 30,000 words to that adult fantasy book…only to put it on pause at 77k. I switched gears to re-read one of my old adult fantasies, made a plan to revise, and then…put it down. Between all that, I worked on a dozen other ideas and outlined a few of them in full, which is exciting. But mostly, it was the year of the unfinished piece. Not that I can’t finish something. I totally can. What happened was that so many life changes made me redirect my path that I ended up half-traveling down a few opportunities to try to make the best decision about which one to commit to. 

Overall, I estimate that I wrote over 100,000 brand-new words, rewrote 50,000, and outlined 30,000. (And that’s not including this blog or other platforms.) Now, at the end of 2021, I can safely say that I’ve made a decision. 

I am focusing on a middle grade verse novel that is super close to my heart, and I hope to query it in 2022 once I finish revising. (Please send me ALL the good luck and well wishes.) 

Maybe I’ll find the perfect agent to champion my work. Maybe I won’t. But I’ll never know if I don’t try! 

There are so many dreams I am already chasing going into 2022. Hence why I’m calling this year unfinished. I still have so much to do. 

Other than what is to come, my trusted almost-eight-year-old laptop died in November, so I had to say goodbye to it. After all the projects I’d completed on that computer, it was hard! But now, it’s the era of Rosie, my new laptop. I also finished uploading Took Me Yesterday to Wattpad and guest spoke at Kearney High School’s creative writing class and at the Lake Waukomis Women’s Club. I created a Teachers & Book Clubs page for readers to use, and it’s been utilized a handful of times. One of my favorite moments this year was when I was interviewed by Austin Gragg for Space and Time Magazine. It is so incredibly neat to hold a printed interview in my hands—and in such an incredible magazine. 

I was also lucky enough to teach Starting a Writing Project for Mid-Continent Public Library (twice)! For those of you who are interested, I’m teaching it again on January 12, 2022. You can learn more here. It’s virtual, open to anyone in the world, and free.

2021 was not what I expected. But then again, neither are any of my past years. 

Publishing is an unpredictable game. Maybe that’s why I like to roll the dice. I never know what’s going to happen, but I know something will as long as I keep trying. 

Here’s to all the surprises to come in 2022. 

~SAT

Want to see what’s happened throughout my years of blogging?

My Favorite Books of 2021

6 Dec

Every year I blog about my favorite reads, though I admit that this year was hard! I went really out of my comfort zone and read a lot of age categories and genres, but particularly adult romance, including the famous Ice Planet Barbarians series. This was also just a busy year in general for me. My (now) husband and I bought our first home, renovated said home, planned a wedding, got married, and went on a trip. I went back into the office for the first time since March 2020, and we’re still in a pandemic, so naturally, my focus was a little all over the place. I started so many amazing novels that I never ended up finishing, not because they weren’t amazing, but because I had to return them to the library before I got through it, and instead of checking it back out, more holds continued to roll in. That said, I finished reading 87 books this year. You can see the full list on my Goodreads.  To add a little clarity, these are books that I read in 2021, not necessarily books that released in 2021. My favorites are below! I hope you find something to read. I’d also love to hear what you loved this year. 

Verse novels

Under the Mesquite by Guadalupe Garcia McCall and Me (Moth) by Amber McBride are fantastic, heart-felt reads about difficult topics. I greatly admired both stories, and I cannot wait to read more from these diverse authors. These are young adult novels written in verse, but if you’re not used to poetry, I think you’d still be able to easily follow them and enjoy the content. Definitely recommended for kids going through hard times!

Graphic novels

All three of these graphic novel—The Girl from the Sea by Molly Knox Ostertag, A Man and His Cat by Umi Sakurai, and The Magic Fish by Trung Le Nguyen—took my hand and held it as we trapezed through fantastic art, adorable storylines, and heartache. I highly recommend all three of them. A Man and His Cat is a four-book series. Each book is a gem. And they’ll make you want to hug your cats even harder. 

Young Adult Novels

Chain of Iron by Cassandra Clare: I’m a huge Cassandra Clare fan. I’ve been reading her Shadowhunter books since I was 15, and the current trilogy is one of my favorites. Chain of Iron hits you in the feels so many times, it is cruel. I literally cannot wait for the last book. 

Graceling by Kristin Cashore: This book has been on TBR for years. Honestly, I’m a little embarrassed to admit that I only just read it. It’s intense, exciting, and fun. I loved Poe so much, and I know it’ll stay with me for a long time.   

These Violent Delights by Chloe Gong: I listened to the audio book while painting my house and could not have been more enthralled. I actually stopped painting at times just to listen! And honestly, listening to this story was really neat because there are lots of languages, and that narrator speaks them. For me, it added atmosphere. If you haven’t checked out this Romeo and Juliet retelling, do so! The sequel is now out, too. 

Adult novels

Beautiful Bastard by Christina Lauren: This is a pretty well-known adult romance book. It’s heavy on the sex, and yet still has a substantial plot interwoven throughout. I can see why it’s popular. I finished it in a day or so. It definitely comes with alpha male energy, so if that’s not your thing, you may not like this one. But it’s an entertaining read! 

From Blood and Ash by Jennifer L Armentrout: This book had very delicious fantasy trope that you want in a great fantasy series. Despite all the tropes, Armentrout found amazing ways to twist them to give this story a fresh, exciting feel. I immediately put book 2 on hold, and I’m currently waiting on book 3. It’s also a rather large read, but you’ll love every minute if you adore paranormal romance or romance fantasy.  

The Poppy War by R.F. Kuang: This book is epic, both in word count and in content. It’s definitely not for the faint of heart. It’s a very, very gruesome read, but I absolutely loved it. Every scene kept me on the tip of my toes, and I was looking for any excuse to get back to reading. I listened to the audiobook as I read along, so that helped! All three books are now out as well, so you don’t have to wait for the sequel to drop. 

Most Surprising

She Wouldn’t Change a Thing by Sarah Adlakha

I picked up this book knowing that it was about a woman who had to face a parallel version of her life and decide between her old life and her new one. I definitely wasn’t expecting such a dark, thought-provoking read. I emphasize the darkness of this piece, because the description didn’t get into the types of trauma this book covers, and it gets into a lot of really serious topics, so be warned if you have any potential triggers. That said, I could not put this book down. Even in the slowest parts, I just had to keep reading to know what would ultimately happen. The entire book is uncomfortable in the best ways. I had to keep stopping to go debat a new question with my husband every chapter. It’s definitely a great book club read. I still think about it from time to time. 

Honorable Mention

Ferryman by Claire McFall

This is a new category this year, because – to be 100% honest – I had already written this entire blog post before I picked up Ferryman by Claire McFall. (That’s the risk of writing one of these posts with one month in the year to go.) If I had read it earlier this year, it probably would’ve been placed in my favorite YA slots. I absolutely loved Ferryman by Claire McFall. It’s about a girl who dies and then must cross the wastelands of the afterlife with her ferryman…who she falls in love with. Problem is, once she crosses, she’ll lose him forever. I mean, the stakes alone were enough to get me to pick up this read. It’s apparently a re-release. This book originally came out in Scotland in 2013, but released in the US this year. There are two more books in the trilogy, and it’s being made into a movie. I can totally see why! I could not put it down. (And I really struggled to connect with books this year.) This one is a must-read.

Ultimate Favorite

The 33 Strategies of War by Robert Greene

Never did I ever think an adult nonfiction title would top my list. I mean, I am a fantasy/science fiction sort of a gal. But I was utterly engrossed by this book. It tackles the subject of war by looking at different strategies of battle. What I loved most is that it’s organized by strategy, so the book jumps around time, rather than being written in a historically chronological format. This keeps the stories feeling fresh and exciting, and you can start to see the parallels through time more. I loved that Greene gave credit to women and people of color, particularly Alexander the Great’s mother as an influence when she is so rarely referenced in other narratives. I found myself taking pages and pages of notes for a book idea I’ve been working on for a long time, only to realize I was practically writing everything down. It’s worth picking up, and the audiobook is incredible. The narrator has a way of setting atmosphere while never letting it overtake or exaggerate the facts. A must-read if you’re interested in warfare and history. 

These were my favorite reads of 2021! What were yours?

~SAT

An Ode to My Laptop

29 Nov

My trusted laptop since 2014 died the other week. I know that may not sound like a big deal, but for me, it was like letting go of an old friend.

You see, writers spend an extraordinary amount of time on their computers. There are very few days in the year that I don’t use my computer at least once, if not to write, then to work on my platform or connect with writer friends.

Maybe I should blame The Brave Little Toaster for instilling in my Millennial brain that inanimate objects are living, breathing friends to be cherished. But the truth is, when you spend as much time as I do with these computers, you can’t help but feel some sort of connection with them. In fact, I’ve always named my laptops, just like some people name their cars.

This past laptop was named Luna P, after the loyal toy Chibi-Usa carries from the future into the past in Sailor Moon. It helps bring her joy, but it also keeps her company and assists her in fighting the enemy. That’s what my laptop was to me. A companion that encourages me to follow my dreams, defeat my doubt, and continue on my writing journey.

Since 2014, Luna P has been with me through three moves, five job changes, and eight book releases, not to mention signing with a publisher and connecting with my first agent. I’ve written upwards of 15 manuscripts on this computer. Sent out my first queries. Dreamed up countless amounts of ideas and outlines. I took it to Penned Con in St. Louis, YALL Fest in Charleston, and Wizard World Comic Con in Tulsa. Most recently, it ventured to a week in the Ozarks for poetry writing and ziplining. (Okay, so I didn’t take it ziplining with me.)

Over the years, we’ve written in coffee shops, airports, bookstores, and at whatever desk or kitchen table we could find. I secured my first book signing at Barnes & Noble on that laptop. I made many writer friends on that laptop, attending virtual write-ins, critique groups, and chats. I also taught from the first time–both in-person and virtually–via that laptop. I ran my editing business through that laptop. I’ve stayed connected with friends and family throughout the pandemic on that laptop.

There are so many times that my laptop was my connection to the world, but also to myself.

Over the past eight years, I’ve learned so much about my writing style and publishing dreams. I’ve made changes. I’ve made mistakes. Most importantly, I always made the decision to keep going.

Without my Luna P laptop, all of those memories would have been so much harder to make. Maybe even out of reach. I’m very grateful for the access to technology that I am able to have in my life. I’m thankful for how long Luna P lasted and how much we accomplished together.

Alas, it was time to lay her to rest…and begin anew.

It’s scary trying to decide how to move on. So much has changed in laptops since 2014. I spent a few days researching to figure out my needs and what best suited those. I ended up with a MacBook Air. I’ve named my new laptop Rosie, not just for its rose-gold color, but for all the rosie times to come. I’m really looking forward to all the stories we’re going to write together. All the dreams we’re going to meet. All the lessons learned.

Here’s to Luna P and all those fond memories.

Here’s to Rosie and her rose-gold future and friendship,

~SAT

Pitch Wars 2021 Wishlist!

11 Sep

Hello, Pitch Wars hopefuls! For a downloadable, plain-text PDF version of this post, click hereThis year I am partnering up with the fabulous Sandra Proudman to mentor a middle grade science fiction or fantasy writer for Pitch Wars. We are Team Stellify. Stellify means to change or be changed into a star. It’s associated with myths and magic, and we are ready to channel all of our magic to stellify our mentee! We’re going to work hard and fight hard for you and your book, but we’re also here to have fun and be supportive.

If you want more information about Pitch Wars, check out pitchwars.org for more info. If you’ve somehow arrived at my blog first, please take a minute to go visit Sandra Proudman’s blog, where she talks about who we are, what we’re about, and lists the movies, TV shows, and books we absolutely love! Who knows? You might find a good comp title in there 😉

Below, you’ll find our mentoring style as well as our official wishlist! 

WHAT WE BELIEVE WE CAN HELP OUR MENTEE WITH:

  • Character development
  • Dialogue
  • Line edits
  • Pacing
  • Stakes
  • Query letter
  • World building 

If you’ve won a critique from us in the past or know us from social media: Please feel free to still submit to us! We’ll be removing names from submission items to be as impartial as possible.

Our Communication Style:

We’ll be with you every step of the way during your Pitch Wars journey. From explaining why we might be offering a certain comment/suggested change to guiding you through the querying process if this is your first time entering the querying trenches. Our goal is that by the time the showcase comes around, you’ll feel confident querying your work, whether you get one request for pages or thirty. 

We talk on Zoom a bunch, so we are always open to hopping on a Zoom call. If you’re not into video conferencing, we can always hop on the phone or chat online. We’ll work with you at your comfort level! We believe in equal access, and we’re willing to be flexible with deadlines. 

What We Are Looking for in a Mentee:

We are looking to work with a passionate writer who is dedicated to making their story the best it can possibly be, even if this means a possible complete rewrite. Be positive and ready to put in hard work. There is, of course, a temptation to say ‘yes’ to be selected even if you don’t think your novel needs lots of work; if you truly know that you would not be open to major revisions, we may not be the best selection for you. 

CATEGORY: MG 

GENRES: 

  • Fantasy (portal, magical realism, other)
  • Adventure
  • Horror
  • Steampunk
  • Sci-Fi (space opera, near future, dystopian/post-apocalyptic, cyberpunk, soft, time travel, other)
  • Retellings
  • STEM
  • Romance (sci-fi, fantasy)
  • Contemporary with a dash of speculative

And now….

OUR WISHLIST:

Diverse characters written as the heroes of their own stories written by diverse writers. Sandra is Latinx, so Latinx (especially Afro-Latinx) stories hold a special place on our wish list. 

Stories by LGBTQIA+ writers also hold a special place on our wishlist. Especially by writers of color.

Lush or strange fantasies with a diverse cast of characters set anywhere! Contemporary fantasies are our specialty!

Stories about found family and friendships, witty banter a plus!

Retellings, especially with a diverse twist and/or unique tales/myths/creatures.

Immersive settings and awesome world building!

Horror with twists and turns at every corner. We want witches/brujx, ghosts, haunted forests, bloodline curses, all of it! Give us your spooky tales, your ghosts, your monsters, your nightmares that come to life.

We love sci-fi, though tend to lean toward fantasy stories for Pitch Wars. If you do want to send us sci-fi, we specifically love space/androids/robots/AI and parallel universes, or any stories revolving STEM. We would love to see all the genre-bending sci-fi fantasy stories.

Fierce girls that don’t need a hero to save them and who rebel against the life others want for them. 

Epic action scenes reminiscent of the Agni Kai scene between Zuko and Azula in Avatar the Last Airbender! 

What we’re likely to pass on:

  • Most importantly, we are not a good fit for stories with themes of terminal illness or explicit scenes of sexual violence or assault. Please no stories that would require a heavy trigger warning. 
  • We are not mentoring Adult or YA books. Don’t waste a slot sending us your book if it’s in these age groups! *Okay to send us a YA book that you want to age down.
  • We are not the best fit for sports books or hard science fiction with a lot of technical aspects. There will likely be a lot that we couldn’t comment on or help with.
  • Please eliminate as many typos as you can prior to sending as they can often distract from getting into the story!

We cannot wait to read your submissions and no matter what happens, you finished a manuscript, you are amazing!

With all our support, 

Shannon & Sandra

Pitch Wars 2021 Middle Grade Mentors’ Wish Lists

  1. Tracy Badua
  2. Eric Bell
  3. Julie Artz
  4. Shannon A. Thompson and Sandra Proudman
  5. George Jreije and LQ Nguyen
  6. Darlene P. Campos
  7. Rebecca Petruck
  8. Graci Kim and Karah Sutton
  9. Shakirah Bourne
  10. Kim Long and Jennifer L. Brown
  11. Adrianna Cuevas and Sarah Kapit
  12. Sylvia Liu
  13. Cindy Baldwin and Amanda Rawson Hill
  14. Erin Teagan
  15. A.J. Sass and Nicole Melleby


Click here to view all Pitch Wars 2021 Mentors’ Wish Lists. To view the wish lists by genre, visit this link.

How to Enjoy Reading as a Writer (And Complete Those Reading Goals)

21 Jun

It’s summertime, which means beach reads are among us. Not to mention the fact that we’re halfway through 2021. (Eek!) How far along are you on your reading goals? I aim to read 52 books a year. I’m definitely not there yet. But I know a lot of us take this time of the year to catch up on our TBR pile, so I wanted to chat about books from the writer’s perspective. 

As Stephen King once said, “If you don’t have the time to read, you don’t have the time or the tools to write.” It’s a very popular writing advice quote that most writers have probably heard here and there. I tend to agree with it. Reading is an important step of becoming a writer. But what happens when you don’t enjoy reading anymore? What if reading starts to feel like a chore? 

More often than not, I hear three reading issues from writers:

  • I can’t read while I’m writing. I fear accidentally taking those author’s words and using them myself in my current WIP. 
  • I don’t have enough time to read and write. My schedule doesn’t allow me to sit down and do both, so I have to skip the reading part. 
  • I don’t enjoy reading anymore. All I do is compare my work to theirs and/or I see tropes/mistakes/what’s coming rather than enjoy the moment.  

Sound like you? I’ve certainly been here before. The one that bit me the hardest was the last one. I used to get in such a writing headspace that I felt like I was studying every book I was reading rather than sitting back and enjoying the story. Eventually, I realized that I had to consciously set aside my writing brain and invite my reading one in. But more on that below! 

Combining reading with a beautiful place doesn’t hurt either!

If you’re the kind of writer that struggles with reading, here’s some quick tips:

  • Try reading in a different medium: I love audiobooks. They are absolutely perfect when it comes to my schedule, because I can read while driving, cooking, or doing other chores. They also give me a chance to rest my eyes and hands, which often get sore between my day job and writing. I’ve personally found audiobooks to help with separating reading from writing. My writing brain is easier to turn off when I’m listening to an audiobook because I don’t write in that same format. This required some lifestyle adjustments, though. In fact, I deleted all writing advice podcasts from my phone, so that I would stop associating audio with advice. Audio is now solely a place for joy—not advice—and making sure I honor that has helped my brain stay in that happy place for longer. 
  • Try reading a genre or age category that you don’t write: This is a good fit for those of you who fear accidentally taking something from a book you’re currently reading and putting it into your own words. If you’re reading a different genre/age category, it will feel more separated than if you’re reading something along similar lines. It may also help with the comparison bug. (It’s harder to compare your work to someone else’s when they are so vastly different.) 
  • Embrace how you’re feeling: What you’re feeling is perfectly normal. I find the writers who fight these feelings are the writers who struggle with it the most. I know, because I was one of these people for a long time. I often had to find ways to beat back the comparison bug. For instance, whenever I was reading something amazing and I started to think “I’ll never be able to write like this”, I would immediately flip to the back of the book. There, I would read the Acknowledgements page and read the growing list of people who helped that author get their story to where it is today. This was a factual reminder that my WIP was still a WIP; this book was a story dozens of people had helped shape. Seeing that almost always made me feel better. So yes, embrace what you’re feeling. Ask yourself why. Then tackle it. Once you do, you’ll find a solution. 

There are lots of ways to tackle reading and bring back the joy if you’re struggling. For instance, if I read something I admired—be it a trope, scene, or even a word—I would write it down. That way, I was acknowledging something my writer brain loved, but also took a note to deal with it on another day. At the end of reading, I’ll come back and analyze it.

It may take some experimenting, and you may experience hiccups along the way, but never give up on your love for reading. So many of us started writing because of reading. In fact, if you remember those old favorites that inspired you, I would encourage you to pick them up again. Enjoy that experience again. Remind yourself why you love the written word, and I’m sure you’ll be reading again in no time!

Do you have any reading tricks or tips? Feel free to share them with me! 

~SAT

P.S. Wednesday, June 23 is my 30th birthday! Where has time gone?!

What Happened When I Opened an Old Manuscript that I Hadn’t Read in Three Years

7 Jun

Three years ago, I shelved a manuscript that I loved dearly but had to set aside in order to work on another project gaining interest in the market. It wasn’t a hard decision. At the time, I had just finished its third rewrite and, though it had recently won a writing contest, my other piece had already been circulating with agents and was picked up. The book picked up was science fiction; the WIP that I set down was historical fantasy. Anyone who’s gone the traditional route knows that you typically want similar books ready when you go on submission in case the editor wants to see another piece or wants a two-book deal. It seemed rather obvious to set aside my historical to start working on another sci-fi piece, and besides, I had an outline that I was already dying to try out. 

Before I knew it, three years had passed, and my historical still sat in a folder on my computer. Sure, it occurred to me every once in a while. Sometimes I’d tell myself that I’d open it up when I had time—but the time never came. There was always another project demanding my attention. Then one of my critique partners asked about it. 

To my own surprise, I immediately began reminiscing about all the research that had gone into the historical piece. I spoke about it with them all night, lost in the rush of the story again. By the end of our conversation, I realized I missed the characters, the world, the language, everything. I wanted to pick up the book again. So, I decided to. 

The very next day, I rushed to the local FedEx to print it off. (A sucker for new office supplies, I grabbed some color-coordinating pens, too!) That night, I began to read. 

First, I was surprised how strong it was—and how much I’d forgotten.

I went into the experience with low expectations. It had been three years since I had opened this manuscript and, though I could recall the basic plot of the storyline, much of it felt new to me. There were pros and cons to this, but mostly pros. I was really, truly able to read the book with fresh eyes. I could almost compare the experience to reading someone else’s book entirely—and not going to lie, I think that will make my future editing easier. 

I can definitely see areas that I can clean up—and areas I can keep as is. 

I told myself going in I was just going to read and not start editing, but alas, my color-coordinated pens have already made an appearance, and I’ve spent a few hours scratching things out, moving sentences, cutting the redundancy, etc. But overall, I was impressed. Not to toot my own horn, of course. I had genuinely thought my writing was going to be a lot clunkier than it was. After all, it’s been three years, and I like to believe that I am growing as a writer every day. Therefore, I figured my writing would be much further behind than where I am currently. But it wasn’t. Or, at least, it wasn’t as behind as I thought it’d be. 

You see, this was my first attempt at historical fantasy. The first draft was really, really messy, so that memory sticks out in my memory—not the two other drafts I worked diligently on. Looking back, it makes sense that my memory would latch onto the harder, more emotional parts of this draft than the days where I was ironing the manuscript out. Basically, my memory was harder on me than necessary, and that might have been one of the reasons I hadn’t opened it over the years. I was holding myself back. Now, I’m glad I’m not. 

Overall, I’m proud of how far I’ve come.

Though I know that I am constantly working on improving my craft, it’s rare to get such a stark example of where I was three years ago compared to today. I’m not the type to let manuscripts sit untouched for years at a time. For me, this was a first-time experience, and I doubt I’ll ever let another book sit that long again. Though my writing was stronger than I expected it’d be, it was also very clear how much I have improved. Sentences were a tad clunkier, a bit more repetitive, and a little unclear at times. I could tell where I had leaned on crutch words or chickened out in a scene because I didn’t know how to phrase something. I identified those “safe” zones, and now I am breaking them. I am reshaping them. I am making this book something new and beautiful and lovely. 

Once I am done, it is certainly not going back in a drawer. This time, I am promising myself to throw it out in the world and give it the shot it deserved three years ago. 

Who knows?

Maybe you’ll pick up an old manuscript today and find just the story you’ve been looking for, 

~SAT

How to Name Your Characters

31 May

Naming your characters, especially your main characters, can feel like a daunting task. Some enjoy the thrill of it; others struggle a lot, and never quite feel like they found the “right” name. 

I, for one, love naming characters. I often joke that baby name books are some of my favorite reads and, in fact, I’ve been this way for a while. I hated my name growing up and spent a lot of time vicariously living through my characters with fanciful or meaningful names I much more preferred. (Fun fact: I’m named after the song “Shannon” by Henry Gross.) 

Naming characters can be a lot of fun and, with the right tools and a little bit of imagination, you can enjoy the process, too. 

First and foremost: 

When should you name characters? Honestly, whenever you want to. I tend to name my characters long before I start writing. (I spend a significant time researching and playing with the names before I attempt Chapter One.) This has benefits, but it also has drawbacks. I’ve had to change character names after the fact, and due to my attachment, it was a lot harder. (I still secretly call them by their original names to my beta readers.) But I love getting to know my characters long before I meet them on the page. 

How should you name your characters? Consider the setting of your novel. What time period are you in? What culture? 1880 in Russia is going to be VERY different from 2030 in Brazil. Once you figure that out, consider who is naming your character. Technically, it’s you, yes, but in the world of your character, they were named by someone and/or adopted a name for themselves. Knowing this motivation will help you not only build your world but get to know your character better. A daughter may be named after her grandparent, or a man may reject his name because he hates who he is named after. The nickname he adopts could mean something to him or be something he saw off of a billboard. Either way, that says a lot about what is happening. Remember most parents use iambic pentameter for names. The rhythm often works and will help your character names shine. 

Where can I find names?

Babynames.com provides thousands of names within cultures, meanings, genders, and more. I love BabyNames.com. You can even save your favorite names as you skip around. (Don’t be surprised if people ask you why you’re looking up baby names in public. I’ve been “congratulated” on a number of occasions.)

Aside from BabyNames.com, I get creative. I flip through old yearbooks, magazines, etc. I’ve even used my own family’s genealogy as a place to get inspired. For historical pieces, I tend to look at popular names through the years at SSA, [Social Security Association.] I also consider last names very carefully. Last Name Meanings provides a list of last names and where they derived from, along with the meaning behind them.

Can I make up names?

Absolutely! I tend to get this question from fantasy/sci-fi writers, because sci-fi/fantasy generally calls for unique names, but tread carefully. Sometimes, your best bet is taking well-known names and simply mixing them to create something unique, ex. Serena + Violet = Serolet. Try NameCombiner.com to see what you can come up with.

Pinterest board sneak peek

Is choosing a name holding you back from actually writing? Embrace filler names. I use filler names all the time. Basically, I have a list of names that are placeholders for certain personalities. I consistently use these names while first drafting, until I settle on a “real” name that feels right. If you don’t have these, grab some from a name generator. I don’t use Scrivener to get my character names. However, there’s a name generator that I think is an awesome tool that is often overlooked. It’s found in the same place: Edit -> Writing Tools -> Name Generator, and you can select from a variety of choices: names by country origin, first letter, ending letter, alliteration, and more. More recently, I’ve started a private Pinterest board where I pin baby name articles and other fun names I come across. Now it’s easy to just hop on and scroll through ones I’ve been saving for future use. 

Once you get a full cast, it’s best to double check the list and ask yourself how they’ll appear throughout the series. Too many similar names might make it hard for readers to follow. Avoid repetitive names or sounds. You probably don’t want to name everyone with a “J” name. It’d be hard to follow Jack, John, Jared, and Jill around. I suggest making a list of characters names in alphabetical order so you can physically see what is represented. Consider start, end, and syllables. The exception generally happens within relationships. Example? If you have brothers, maybe they will have similar names, but don’t overdo it. Granted, this solution might not fit every scenario. There are times where similarities can be too meaningful to change. But it doesn’t hurt to consider all your options. 

A mixture of all these things creates a list of believable characters, and I really hope you’ll enjoy playing around with names more than before!

~SAT

P.S. I’m teaching a free, virtual writing class on Wednesday, June 2 at 6:30 PM-8:00 PM CDT. It’s all about Starting a Writing Project. So, if you’re looking for more inspiration and fun tools/tricks, you can register here.

Writing Crying Scenes

17 May

Crying is a common experience. “A study in the 1980s found that women cry an average of 5.3 times per month and men cry an average of 1.3 times per month. A newer study found that the average duration for a crying session was eight minutes.” (Heathline) Does this mean your characters should cry that much in your story? Probably not. 

Like flashbacks and dream sequences, crying scenes should probably be used sparingly. Too much can make it feel over the top and lose the reader. However, if you never utilize it, you risk your characters coming across as emotionless robots.  

Here’s some quick tips on how (and when) to include crying scenes: 

Consider how your character feels. 

This may seem obvious, but nothing really is. Crying doesn’t necessarily mean sad. Some people cry when they’re happy or overwhelmed. People cry differently for different reasons. Make sure your character’s emotions are shown to the reader other than the crying detail. This is particularly important when considering your POV. If the scene is in first-person, your character is going to feel physical changes in their body before, during, and after they cry. Again, you don’t need to include every little detail. But consider which details will help set the tone. If the scene is in third person, or someone is watching someone else cry, your scene is going to require different details. You have a whole cast of characters to play with! Make sure you’re picking the right character at the right time. Even if your main character isn’t the one crying, it will still have an impact on the book as a whole. 

Now that you know your character’s emotions, get more specific.

Consider the emotions you have chosen carefully. Sadness, for instance, has a huge range. Someone could be feeling grief, despair, or lonely. Take a moment to ask yourself what your character is truly feeling. You don’t have to literally say this, of course, but it will help you figure out the most believable approach. Consult an emotional sensation wheel used by therapists or flip open the The Emotion Thesaurus: A Writer’s Guide To Character Expression by Angela Ackerman and Becca Puglisi. No matter what, remember that some people full-on ugly cry. Some people sniffle. Some people feel aches and get a tight jaw. Play with these differences to make sure it flows with the character and the scene in a way that compliments your story. 

Double check your biases and consider tropes

This is a big final step that I think all authors need to take with every aspect of their work, but I am going to focus on crying. The main tip I have here? Men cry, too. So do heroes. We all know that trope of the stoic male hero who shoulders everyone’s emotions. It can work in certain genres (like military fiction), but at the same time, readers generally want to see more humanity from your characters, especially your protagonist or hero. Take a moment to ask yourself if you are treating all your characters equally. If you are, your characters are going to display emotions differently. Men will cry—and do cry—for lots of reasons. Make sure you’re not relying on stereotypes. Utilize real life by thinking about times in your life where you’ve seen loved ones cry. Don’t be afraid to dig deep and ask yourself why you cry. Make a list and consult it when developing your characters and scenes. 

In the end, it’s always good to get beta reader feedback. Run your crying scene by some fellow writers or readers of your genre, and ask them how they felt when reading it. This is important because you want to make sure your reader is feeling the intended emotions (which isn’t necessarily the emotions your character is going through, but that’s a different post for another day). A crying scene can be a delicate balance. You’d be amazed how big of a difference a few words can make. Taking the extra time to make sure emotional scenes hit right can make the difference between your reader feeling connected to a story and feeling so-so about it. 

My only personal pet peeve? The crier who doesn’t realize they’re crying. Not that it isn’t realistic. It totally is! But I feel like it’s been way overdone and there’s lot of other types I have yet to see. I also don’t think crying has to happen in the climax, as it often does when it’s centered on the protagonist. While I understand that the main character is supposed to be at their worst in the climax, emotional ranges can be found throughout your book. I’ve found that my favorite scenes in stories are the ones that surprise me in some way. Twist those tropes and you might just get there. 

How and why do your characters cry? 

Share a snippet below from a WIP and you’ll be entered to when a first page critique. Winner chosen Wednesday, May 19.  

~SAT

Don’t miss the giveaway this post! Check out that last line and be entered to win a first page critique. If you feel uncomfortable sharing below, you can always send it to me through my Contact page. If you don’t want to share an excerpt, then just tell me about a crying scene you’re working on or have worked on in the past.

Using the Later App as an Author: A review

3 May

I recently took a social media hiatus while moving, but during that time, I reflected on my social media use a lot. To be honest, I felt a lot better mentally and emotionally being off social media. (Not a surprise considering all the studies that have come out talking about the effects of regular social media use.) It’s not that I don’t like social media—I’ve actually met some of my best writer friends online—but reels of bad news, good news, all kinds of news absolutely uses up a lot of time and energy. I knew coming back that I wanted to change things.

For one, I wanted more time to myself. I wanted to get back to blogging more regularly again. I wanted more energy to dream up new book ideas, not tweets or Instagram posts. 

When I took a look at my social media use, I realized that Instagram—not Twitter—actually demanded the most of my time (and for the littlest return). Taking photos, editing them, then writing captions (along with viable hashtags) was just too much to handle on a regular basis. I didn’t like what I was creating, but I didn’t want to shut it down. I just wanted to adjust how I posted. 

I thought, Wouldn’t it be great if you could schedule your Instagram posts?

That’s where the Later app stepped in. 

Later is a desktop and mobile phone app that allows you to schedule your Instagram, Facebook, Twitter, Pinterest, and LinkedIn posts. For the purpose of this review, I will mostly be focused on Instagram, with a sprinkling of Twitter and Facebook. 

First thing’s first:

I downloaded the app and watched a couple tutorials. 

Pros:

I got my first big hiccup when I connected my Instagram. It was a personal profile, so it wouldn’t let me schedule photos to auto-post. When I changed my Instagram to a business account, Later didn’t notice this change, and I had to reach out for help a few times. But it eventually began working. 

  • You can schedule your Instagram photos and stories to auto-post any time, any day. This cut back on a lot of my free time and allowed me to stay in the moment a lot more. I always dreaded taking photos and then sitting there trying to post while the moment passed me by. It’s nice going about my day knowing that Later is posting my photo at 11 AM while I’m at work and don’t have the ability to check. (And I don’t have to wait until my lunch break to get something out!) I definitely think this feature is my favorite part, and I believe it will keep me posting more than I was able to in the past. 
  • You can use your phone or your computer. I actually used my computer the most, which helped because I type on my laptop a lot faster than on my cell’s keyboard. I scheduled three weeks of content on one Sunday afternoon. 
  • The preview feature on Instagram is so pretty! This is probably my favorite feature. I can preview the future on my Instagram through the app to make sure that my upcoming posts look good next to each other. If they don’t, I can quickly shuffle them around until they look aesthetically pleasing. I’m not *quite* using it that way, but I’m definitely planning on using this to sharpen the look of my social media in the near future. You can see mine from last month in the screenshot below. That said, there is a negative side, which I cover below.
  • There’s a calendar where you can check your timing: This helps if you want to make sure that you’re posting at different times on different days in order to reach new audiences. 

Cons:

  • The preview feature is beautiful, but it doesn’t show you how your feed currently looks. Instead, it updates based on what you’re adding from the top, so the sequence is off. I find this extremely annoying (and odd) that this feature is set up that way, because it’s supposed to be used in a way that helps you coordinate your photos. This oddity in design is definitely one of the biggest drawbacks for me. In order to see my feed the way I like, I often schedule three posts at a time and/or add extra fillers that won’t post so I can get my feed to look the same as my feed on the phone.
  • Unless I’m missing something, you still have to edit your Instagram photos in Instagram if you want a specific filter. The Later app has different filters. I find this design really strange. It would be nice if it could offer the same filters as the app you’re posting on. 
  • It’s not the best for Facebook and Twitter. You have to use an image in order to schedule posts, so if you just want to post a sassy tweet, it’s best to continue using the Twitter scheduler. 
  • If you do schedule through the Later app to post a photo on Twitter, it shows that in the sub-text of your tweet. (My post says Later app rather than Twitter web, if I had just scheduled it through Twitter.) This isn’t really a complaint, aside from the fact your followers will know it isn’t live, which might cut down on interaction. On my end, there didn’t seem to be any difference in how it showed up in the algorithm, which is nice. 
  • You can’t upload videos unless you pay. Not a huge deal breaker for me, especially since other scheduling apps require money far earlier than this app does, but it’s worth noting.
  • You also have to upgrade in order to schedule stories.

There’s a lot more features than just these, but this is what stuck out to me as a first-time user. 

Overall, my only other complaint is that there’s no way to take notes. I really want a place where I can schedule all my social media from one place and take notes, so that I can reference that as I continue to build my schedule. I’ve used Hootsuit and other planners in the past, but so far, I just haven’t found the *one*. 

Maybe one day!

Conclusion: 

I will probably use this app for my Instagram and continue to use individual scheduling for my Twitter and Facebook page. 

Do you use a social media scheduler? What are the pros and cons? What do you recommend?

Also, if you want to follow me on Instagram, I’m @authorsat. Comment on any photo on my Instagram and let me know you found me via this article, and you’ll be entered to win a query critique! Winner chosen Friday, May 7.

~SAT

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