Tag Archives: Jami Gold

Pay-To-Play in Traditional Publishing, and Why We Need to Talk About It

1 Aug

A few weeks ago, I was querying when I kept coming across agent after agent who was closed to submissions except from those who they’ve met at conferences. Below that, a list of conferences was provided, where a writer could go and purchase a ticket (often in the hundreds), and then an additional ticket to pitch them (somewhere between $50 and $200 extra). 

I almost went on a Twitter rant about accessibility and paywalls, but decided against it. 

Then I saw this:

Of course discourse followed, many of whom were against the offering. But honestly? It feels a little hypocritical to me. Or, rather, willfully ignoring the overall bigger issue here. 

There are lots of ways to pay-to-play in traditional publishing, and it was only a matter of time before it got egregious.

The traditional publishing landscape has always had issues–nepotism, lack of accessibility, etc.–but what I find the most frustrating is how contradicting the landscape can seem to a new writer. 

One of the first pieces of advice writers will hear is that money should always be flowing to the author. Agents shouldn’t be charging reading fees, editors shouldn’t be charging packaging fees, etc. However, we have created an environment where there’s exclusive conference pitching, MSWL’s e-consultations, and the freelance hiring of editorial staff and agents for query/manuscript critiques. 

As someone who works in library programming where our speakers are often literary agents, editors, and authors, I understand that we all need to make money here, but we’ve largely ignored how this environment has confused up-and-coming writers–many of whom fall prey to scams because of it. A more common issue I’m seeing, though, isn’t necessarily writers falling for scams, but rather writers feeling obligated to pay-to-play. In fact, I have been one of those writers before. I think most writers have at some point. How could you not, when you keep hearing success stories from those who could afford that one conference, service, or MFA program? The odds feel stacked against you. And the truth is, they are.

Networking is an essential role in any business, and networking—more often than not—costs money and time.   

This reality is why so many turn to buying opportunities. In fact, I’ve blogged about one conference I personally attended when I was not in the financial place to do so (but why I didn’t regret it). You can read that piece here: How Writing Conferences Can Surprise You 

I was so desperate to move up in my writing career that I sacrificed my health, wealth, and other well-being for a measly chance at talking to somebody–anyone, really. I didn’t end up with an agent, but I did find some of my best writer friends that I still have to this day. I don’t regret it for that reason. But I haven’t paid that much to attend a conference since. I just can’t justify it. Not when querying is free. In fact, I got my first agent through the slush pile. Not at a fancy conference. Not through a consultation. A free, one-page query I workshopped with fellow writers I found online. (Again, for free.) 

This is why I tell newer writers that conferences/meetings are great, but not to spend money if you are struggling. Querying is FREE. There are lots of free resources and opportunities, including scholarships. 

Here’s a quick list:

  • QueryShark
  • QueryTracker (there is a premium version, but you do not have to use it)
  • MSWL (search the database for free; some classes are also free; other classes and consultations are not.) 
  • Free newsletters and articles through Writer’s Digest, Publishers Weekly, etc. 
  • Google around for writing blogs! Especially from writers you read. 
  • Jami Gold
  • IWSG (Insecure Writers Support Group) 

We also have free writing and publishing classes at The Story Center, open to anyone in the world. You do not have to have a Mid-Continent Public Library card to use our services or attend our programs.

Speaking of libraries, if you have access to a library near you, you may have free craft books and publishing resources that you can check out. 

These resources are great to help any writer begin their publishing journey. 

You can also apply for scholarships funding memberships and conferences. Many don’t know that you can also volunteer your way into a space. It never hurts to message the conference manager and ask what your options are.   

That said, I’m not asking agents/writers/editors to not charge money for critiques or pitch opportunities. What I am asking for is a greater focus on accessibility and affordability. 

If you’re only going to be open to those who can attend conferences, make sure you’re contributing to conference scholarships. If you’re often sharing your services, make sure you’re sharing free writing blogs/tips you see that you think your followers will find helpful. You may consider doing a giveaway every once in a while. 

On a larger scale, we need to be advocating for publishers to pay their editors a living wage. We need agents/writers to make a living wage, too. That way, we’re not all side hustling ourselves into a pay-to-play model only few can benefit from. 

Most importantly, we need to be championing free resources more often. 

We need to make sure everyone feels welcome in the traditional publishing landscape, not just those who can pay. 

~SAT

Behind the Scenes of Pitch Wars with Team Snickersnee

14 Nov

Behind the Scenes at Pitch Wars with Team Snickersnee

In case you missed it, Team Snickersnee announced our 2020 mentee for Pitch Wars! (But more on that below.) Since announcement day has come and gone, I thought it would be fun to give everyone a behind-the-scenes peek at what went down with Team Snickersnee. 

We asked for anything under the science fiction or fantasy sun, including young adult and new adult (if willing to age down to young adult). You can reference our original wishlist by clicking here.  

Here are our stats: 133 submissions 

Sci-Fi: 

  • Space Opera: 4
  • Near Future: 2
  • Dystopian/Post Apocalyptic: 11
  • Cyberpunk: 2
  • Steampunk: 1
  • Soft: 15
  • Military: 1
  • Science-Fantasy: 2
  • Time-Travel: 2
  • Other: 3

Fantasy: 

  • High/Epic: 21
  • Urban/Contemporary: 19
  • Magical Realism/Fabulism: 5
  • Historical: 2
  • Portal: 11
  • Paranormal: 1
  • Other: 22

Horror: 4

Thriller/Suspense: 2

Contemporary: 2

Adventure: 1

Top three trends we saw: 

  1. Elemental powers
  2. Zodiac 
  3. Witches 

We definitely had a blast reading everyone’s words! In fact, we put more than half of our submissions in the “maybe” pile. It was really hard to dwindle down to just one person. 

So how did we break it down? 

As a team, Sandra and I split the submissions in half. She read the first half, and I read the second half. We took notes on the ones we loved, and then we sent each other the list so that the other person could take a look at the submissions, too. We made it a goal to choose 5 manuscripts to request. We then read the first 50 pages of each and discussed again. (We even requested two more fulls!) We messaged each other a lot, discussing various aspects of the manuscripts, possible edit letters, etc.—until we felt that we had found the manuscript. Our final decision happened over an hour-long ZOOM call. Ultimately, while we loved so many manuscripts, we had to factor in how much work the manuscript needed in the time allotted, if our vision aligned with the author’s, and if we were the right mentors for this particular mentee.   

It was a hard choice!

There was so much incredible talent, and we definitely would’ve taken on more mentees if we could have. If you submitted to us, thank you for trusting us with your words! We truly enjoyed reading our submissions. 

Now for a fun Q&A: 

What was your biggest surprise reading through submissions this year?

Shannon: This was my first time being a Pitch Wars mentor. Going in, I thought the writing itself would be the ultimate factor in choosing which manuscripts to read more of, but honestly, all the writing was so good! I relied on the synopsis a lot more than I thought I would. It showed me how the story unfolded and if I felt like there were structural issues we could help with or not. I was definitely looking for someone we could mentor. If someone’s package was 120% perfect, I moved on. Some writers are definitely ready to query without a mentorship!

Sandra: This was my second year mentoring, and what was surprising was how different the submissions were this year from last year! I loved getting to read a whole new batch of stories from writers who might not have subbed to me last year. I was also just in awe of the quality of work submitted; there is so much talent in the world right now. There’s not one entry that I read that I didn’t think the writer would find representation, whether with the manuscript submitted or with another.

Any writing tips for those who submitted?

Shannon: Use beat sheets (like this one on Jami Gold’s website) and swap with critique partners. Most importantly, make sure each scene is driving your story forward, and that your protagonist has agency. (They should be happening to the story, not the other way around.) A common mistake I saw is a scene where we meet the protagonist’s best friend or family, and that’s it. See if you can combine your meeting scene with an actionable scene. (Ex. Could the best friend be introduced while the protagonist is dealing with an unexpected issue?) If you have any scenes that feel like your protagonist’s “regular” day, it should probably be changed or cut.

Sandra: To Shannon’s point, knowing your character’s arc is in my opinion the most important part of any story. Who is your character at the beginning and who do you want them to be by the end of the manuscript? And what turning points will help you get them there. Whether you’re a pantser or a plotter, or somewhere in between, knowing the turning points you want to hit is so important to keeping the pacing and character arc’s moving forward. And hitting them at the right places. One of the things I love doing with my work is deciding the word count I want to hit before I start to write. So if I want to write an 80K manuscript, I know I need to hit that first turning point at 25% of the book, so at 20K, and my midpoint at 40K. Aside from that, to just keep writing and reading! I didn’t land my agent till my third queried manuscript, so perseverance is key and learning what you can from other writers and published works.

Publishing tips?

Shannon: Watch your word counts. There was a surprising amount of manuscripts that were 100k and higher, which is a really hard sell to an agent or editor for a debut. Make sure that your manuscript is in line with the expectations of your age category and genre. If you’re struggling to cut, ask a beta reader to help. Consider combining characters or scenes. Don’t be afraid to take a break from your story and come back at a later date to analyze what is truly, absolutely 100% necessary. In regards to querying, I highly recommend Query Shark and Query Tracker

Sandra: Totally agree with Shannon on word counts! I’ve seen some agents and editors talk about this on Twitter lately as well!

It’s also interesting seeing trends as well and what ideas seem to spread like wildfire and become popular. This is also really hard to see because it means the market is saturated in these stories, and you’re likely competing for an agent’s attention who has already received several stories with the same general idea. One of my biggest publishing tips and something I’m working hard to do myself, is how to take a common idea and have a twist to it. So if your book is about vampires, how can you freshen up a trope that an agent has seen often? Same if your story has elemental magic. Can you do something in your manuscript that sets the story apart so there’s a good spin in the query you’re sending out? Just making sure that your story is as unique as you can make it, and that you’re showing off what makes it unique to the fullest! Genre-bending is also very popular and a great way to freshen up tropes!

What are we most excited about?

Working with our mentee, Miranda Sun! She wrote an amazing heartfelt #ownvoices YA contemporary fantasy filled with magic forests, generational secrets, and humor! Did we mention the slow-burn hate-to-love romance with a ghost? Give her a follow on Twitter and stay tuned! (Fun fact: Miranda’s submission was #31!) 

~SAT

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