Tag Archives: revising

Should You Revise & Resubmit?

21 Oct

Querying can be terrifying.

Whether you’re searching for an agent or applying directly to an editor/publisher (or even your own agent), sending your work out there is a nail-biting experience for nearly everyone, including established writers. In fact, most writers will tell you that rejection is a constant part of the publishing process. No matter who you are. So is submitting.

Everyone faces rejection and acceptance eventually. And then, there’s the revise and resubmit.

A R&R is not a “no,” but it isn’t a “yes” either. 

It means an agent/editor/publisher liked your work enough that they believe in it and can see it moving forward after some significant changes. More often than not, an agent, editor, or publisher will give you some sort of feedback about what they believe you need to change. It’s not a guarantee, but it is an opportunity.

Should you revise & resubmit?

If you think you’re heading in the same direction, I say go for it. Your manuscript will be better in the end, no matter what happens, and I think that’s worth it. If you’re unsure about the revision notes, I honestly believe that means the notes didn’t resonate strongly enough to justify a revision. However, that is just me. Every writer is different. But I can admit that I learned this lesson the hard way.

Yes, I have revised and resubmitted—and received a “no” and a “yes” afterward.

There was one major difference between the “yes” and the “no” scenarios.

The biggest difference? I should’ve known the “no” situation from the beginning. When I received the initial feedback, I was unsure, but I felt too guilty to walk away. I mean, an R&R is a rare opportunity, right? Shouldn’t you take advantage of every opportunity? That was my thinking, but that sort of thinking isn’t always right. Why? Because my heart was never in it, and readers can sense that. With the “yes” opportunity, I received feedback that just resonated.

The moment I read the note, I felt like the team understood the heart of the manuscript. In only a few lines, they directed me in a way that felt right. In fact, it felt better than right. It felt like the place my manuscript should’ve been in all along. Instead of the confusing dread I felt with the “no” scenario, I felt complete and total excitement with the eventual “yes” scenario. Now I feel a lot more confident about when to accept a R&R.

Here’s my step-by-step guide for writers who receive a R&R:

  1. Make a decision: Take a little break to truly ask yourself if the revision notes resonate with you—and your manuscript. Once you make a decision, ask yourself one more time. Make sure you’re not talking yourself into it for an opportunity that doesn’t actually work with your vision. This will save you—and the other party—a lot of time and energy. Don’t feel guilty if the notes don’t resonate. Do feel gratitude for receiving feedback anyway.
  2. Let the other party know. Either way, thank them for their feedback. If you decide to revise, ask the other party when they expect a return (if there is an expectation), and make a plan.
  3. Now sit down to write.

It might be your revisions. It might be your next manuscript. Just keep writing.

Either way, you’re on your writing path to success. Enjoy it.

~SAT

P.S. I’m giving away a FREE audiobook of Bad Bloods: November Rain! Enter the Rafflecopter hereI’m also searching for audiobook reviewers, so if you love YA fantasy AND audiobooks (or you know someone who does), point me in the direction of their awesome blog. Good luck & thank you!

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Back to Blogging!

30 Sep

Hey, everyone!

I’m back, but the major change around here will be my posting day. Instead of Mondays, I will post every Saturday. It should be easier to remember. I mean, I’m SAT…and I’ll post on SATurdays. Aside from one exception…

This year I’m a featured author in YASH, a.k.a. The Young Adult Scavenger Hunt. Here is the official announcement. So what does that mean? It’s an awesome blog hop that features over 100 authors, and you get to win a stupid amount of prizes. (Not going to lie, I totally enter this every year as a reader, so I’m super thrilled to be an author this year.) I am on the Purple Team! The blog hop runs between Oct 3 – Oct 8, so be sure to visit this website to enter. If you can’t wait to get involved, you can vote for Minutes Before Sunset on this Goodreads Listopia list. (P.S. The extra I’m providing might be about the never-before-seen prequel.)

This means that my regular posting schedule will start on October 14.

 In other news…

I went on my first writing retreat with SCBWI. We went to a monastery in Northern Missouri, and aside from getting caught in the worst thunderstorm of my life during the drive back, I had a freakin’ blast! I’m currently working on some major revisions (again), but hey, that’s just how an author’s life goes, right?

My first audio book released this past month! If you love to listen to books, check out Bad Bloods: November Rain, now available through Audible. The narrator, Jonathan Johns, is amazing. In fact, in order to get the characters *just* right, he had the opportunity to learn some behind-the-scenes info no one else knows. So I hope you’ll check it out and enjoy it! You can already listen to a sneak peek of the November Snow audio book here. How cool is that? Please leave a review!

Special thanks to everyone who came out to Barnes & Noble in Kansas City for BFest! I really enjoyed meeting you all, and I can’t wait to see you again next year. If you’re in the KC area, you can still pick up a few signed copies at the Zona Rosa store!

A Not-So-Great SAT Update

I am working hard at setting up publications for 2018, I promise, but I have to be honest about something else. I originally talked about this in my newsletter, but I’m having some health issues. I’m not dying or anything, so please don’t worry too much, but I don’t want to share details. That being said, I find out in March if treatments are working. Until then, I’m hanging on. I will let everyone know as soon as I know about more publications, but please understand if 2018 isn’t very exciting. I really need to concentrate on my health. But, hey, I received my author copies of Bad Bloods: July Thunder and Bad Bloods: July Lightning! I hope you’re enjoying the newest duology in the Bad Bloods universe! If you’re curious what happens next in the Bad Bloods series, I have been working on the next books. October Blood and October Bone are told by Ami and Skeleton, and focus largely on the Highlands after a certain (very important) character is killed. But that’s all I’m saying for now. If you love this series, be sure to share it and leave a review. Every review helps me more than I can express. In fact, if you’re a blogger and interested in reviewing Bad Bloods, feel free to e-mail me at shannonathompson@aol.com for a review copy! 

And last but not least…Can you believe my five-year anniversary for blogging happened? Thank you for sticking it out with me these past couple of years. I hope you’ve enjoyed learning about writing, reading, and publishing. I know I sure have! You all are the light of my life, and I’m glad to be back.

Thanks for letting me take a break,

~SAT

Editing (Rewriting) the First Draft

3 Jul

This month, I’m covering my editing process, so if you haven’t checked out the first part— My Editing Process Starts in My Writing Process—check it out. Today, I’m continuing the writing journey by explaining what happens after I finish writing a first draft.

1. Review Your Notes & Plans

Hopefully, you took a break between finishing your first draft and this step. Why? Because you’ve been really close to this manuscript for a while now, and you need to clear your mind in order to see issues you couldn’t see before. Think of writing a book like creating a painting. You were painting one bit, inch by inch, but now you need to step back to take a look at the whole picture. Once you step back—and reevaluate—make sure your notes are in order, so you can create a clear plan for moving forward. (Caveat: It’s okay if you don’t have a clear plan yet; you can rewrite your draft as much as you need to.)

2. Start with Sweeping Changes

I always start with my biggest changes. Is Chapter Three now Chapter Fourteen? I move it and make sure everything else is in chronological order. That way, as I move through the manuscript, I can take new notes on what is revealed and in what way. After that, I move through each chapter, along with those chapter notes, and tighten everything, including my prose. I’ll keep grammar in mind, but the focus here isn’t to nitpick every little thing but rather solidify my story. This is also where I’ll make big decisions—decisions that, I hope, will be final. Maybe I’ve been on the fence about that one side character being five or eight. This is where I’ll choose. That doesn’t mean it won’t change again, but I’ll try to stick with a decision throughout the final manuscript to see how it flows. If it doesn’t, I’ll try again. If I cut out whole scenes, I put them in an “Unused” folder, in case I decide to add them back later.

Much like you’d create a writing plan, create an editing plan and a deadline goal.

3. Address Weaknesses—Big & Small

Maybe you’re cringing at your kissing scenes. (Like I do, every time.) Or maybe you use the same word way too often. (We all have a crutch list, whether we know it or not.) Personally, I keep a small list of elements I know that I will have to look out for, no matter what. Example? I have a note to take my time on romantic scenes, because I often brush over them during first drafts. I go back and make sure to give each scene added attention to detail. I also keep a vocabulary sheet. This helps me track words I overuse and also reminds me of words I typically forget but are perfect words for certain situations. In some cases, I keep whole vocabulary sheets for sections of books, because the demanded vocabulary might not come as naturally at first. (I even keep notes on gestures, descriptions, etc., because it’s easy to fall back on the same notion over and over again.) Examples?

Crutch words to avoid: though, worse, curious, all the while, eyed

Gestures/Description Example:

  • Brow Action: pinched brow, lifted brow, raise one brow, a frown etched between her eyes, regarded her with a crease between his eyebrows, her brow narrowed, wiped his brow
  • Brow description: sparse, plucked, trim, thick, bushy, caterpillar.

Words about Light/Bright:

  • Prismatic: of, relating to, or having the form of a prism or prisms
  • Effulgent: shining brightly; radiant.
  • Phosphorescent: light emitted by a substance without combustion or perceptible heat
  • Scintillation: a flash or sparkle of light.
  • Refraction: the fact or phenomenon of light, radio waves, etc., being deflected in passing obliquely through the interface between one medium and another or through a medium of varying density.
  • Luster: a gentle sheen or soft glow, especially that of a partly reflective surface:
  • Lambent: (of light or fire) glowing, gleaming, or flickering with a soft radiance: lambent torchlight

Words relating to the ocean: Aquatic, briny, breeze, barrier reef, bays, beach, birds, body of water, breaking, breakwater, buoy, climate, coastline, crustacean, coral, current, depth, dock, diving, froth, tides, waves, sand.

This method isn’t for everyone, but I love having lists of words that I can reference for fun—and helpful—reminders. It both challenges me and aids me when I have that word on the tip of my tongue but can’t remember it.

Once I finish polishing up my drafts into something I absolutely love, I know I’m ready for a “final” edit. However, there’s one more step. When I get that polished draft in my hands, I send it to a few trusted beta readers. Why? Because what’s the point in perfecting the grammar if my beta readers point out half of it needs to be rewritten? Granted, this is going to differ for everyone. Some beta readers, for instance, are going to want grammar to be as perfect as possible before they read, because they are also looking for grammatical errors, but I tend to have different types of beta readers: ones who help me with the basic story and ones who will read later and help me polish the technical stuff (and ones who do both). The key is to communicate with your beta readers about what you’re looking for and when they want to participate in your writing process.

So send off the manuscript to your beta readers, get some feedback, write/edit some more, and soon, you’ll be on your way to the next and final step: the final draft.

Next week, I’ll cover editing your “final” draft.

Stay tuned,

~SAT

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