Tag Archives: ya review

NA or YA? College-Aged Protagonists

27 Jan

If you live on Twitter like me, then you probably saw last week’s discussion on college-aged protagonists in young adult fiction. Many were calling for it. Others pushed back. Personally, I’m somewhere in the middle.

I desperately want college-aged protagonists, but I want them placed in NA, and I want NA to rise up on its own as an age category full of various genres.

Why?

Fun fact: I graduated high school in 2009. I graduated from the University of Kansas in 2013.

1. The Teens I’ve Listened To:

When I sign books at Barnes and Noble, specifically for BFest (a teen festival), I get to speak with a lot of teens. And I listen. I listen a lot.

Teens are already telling me that they feel left out of YA fiction. They ask me for sweeter, funnier, feel-good stories about friendship and finding your place in the world. Many tell me they’ve stopped buying YA altogether (opting out for fan fiction online) because YA feels too dark, too violent, too sexy for them.

Where are the sweet, just-for-fun road trips? Summer camp stories? Where are the books about friends? Not everything has to be a twisted romance filled with fighting to the death over a crown. (Not hating on those. In fact, I love them. But you know what I mean.)

By adding college-aged protagonists to YA, I fear that YA will only be aged up even more. It will get darker, with more violence and more sex. And that’s fine if teens want to read that. But there is a large portion of young teens that don’t want that, and we’re ignoring them.

Basically, I feel like we’re failing younger teens, and they need to be prioritized when it comes to YA.

2. We Need to Embrace NA

New Adult is a long-existing category. It isn’t new. But unfortunately it carries the stigma of erotica-only. Not that erotica is bad. (I work as an editor, and many of my clients are erotic authors, and I LOVE them. They SLAY.) But if a consumer base thinks that’s the only plot that exists within NA, then NA will turn those away who don’t want erotica. It will also set up those who want erotica to be disappointed if they buy a book in that age category when it’s clean. NA should be full of space pirates and sweet romances and twisty heists, with and without the X rating. But it isn’t right now. And that’s our fault. I understand that we’ve tried to expand NA before, but we need to try again. There’s no reason it should be for only romance. And now that there are more people pushing for NA, I think this is an optimal time to use our fan bases to spread the word about the age category and all the potential it holds.

3. Libraries/Families and How They Work 

Cycling back to the sweet stories in YA and non-erotic NA. They are out there, but they aren’t being prioritized on the shelves. Personally, I see younger YA and non-romance NA in the indie industry, but the indie industry is not as accessible. Libraries often chose what to carry from publishers’ catalogs, which automatically discount self-published or small press books. If they go to the edges of publishing, libraries still want books that have been reviewed by recognized editorials, and those editorials? They generally favor traditionally published novels. At my library, they carry very few indie titles, even when I put in requests. So while there are sweeter YA and non-erotic NA, libraries, schools, etc. might not have access to those, which is why I think pushing college-aged protags into YA wouldn’t be fair to young readers in particular. Also, Teen Librarian Toolbox has a fantastic thread on how families will chose reads for teens, why libraries label books the way they do, and how labeling college-aged teens as YA could negatively impact shelves. She also explains why YA was a wrong term to begin with in the first place. Definitely worth the read.

So what age category are you in if you write college-aged protagonists?

That depends on three things:

1. Voice: A lot of YA books have literary prose (Like “The Reader” by Tracy Chee), but if your book is written in the style of George R.R. Martin, you’re probably leaning more towards adult rather than young adult, even if your character is nineteen. An example: “Don’t You Cry” by Mary Kubica follows a college-aged woman dealing with her roommate acting very very strangely, but the voice isn’t YA. If NA was a thing, I would put it there, but since NA is still struggling, I personally think it leans more toward adult. Voice expectations are something you’ll pick up on by reading within your genre and age category.

2. Themes: Even the agents/publishers calling for college-aged protagonists in YA were clear on one thing: it still had to feel coming-of-age. If your book has a nineteen-year-old protagonist, but they are pretty settled into their life, then you’re probably looking elsewhere. In this case, think college-aged protags struggling to leave home, trying to find independence, a place between home and ultimate adulthood. However, this is largely going to depend on how YA and NA swing in the coming months.

3. Who you are submitting to: Always, always read submission guidelines and research agents/editors/publishers thoroughly. What works for one might not work for another, especially in this case. One agent might think a college-aged protag is YA as long as it features coming-of-age themes, while another might think you have no idea what you’re doing if you query them a YA novel with a nineteen-year-old protagonist. Adjust accordingly. Find a good, professional fit for you and your work.

In the end, everything is just a label, and labels can change overnight. In fact, this whole article is my little, humble opinion. Nothing more than that. And, honestly, my opinion could change.

Still, my best piece of advice has never changed: Read a lot. Write what you’re passionate about. Research thoroughly. Stay up-to-date on the latest news and shifts in the industry. Make friends. And you’ll be just fine.

~SAT

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Authors Who Give Up

14 Oct

As writers, we discuss lots of ups and downs. Writer’s block, in particular. But what about something stronger than writer’s block?

What about feeling like you want to give up?

“Giving up” is hard to define. Quite frankly, the definition will be different for every writer. One author might feel like giving up writing altogether, while another writer might only want to give up pursuing publication. These two versions of “giving up” are very different, but could appear similar to those on the outside.

This is why defining what you want to “give up” is important.

By considering what, exactly, you are giving up, you might realize what is actually making you so miserable.

For instance, I’ve talked to a lot of authors who feel like giving up because marketing is so difficult, or getting an agent feels impossible, or self-publishing is too expensive. But all of these issues have solutions that don’t involve giving up everything. If marketing is difficult, reevaluate what and where you’re marketing. Consider posting less. (Your readers will understand, trust me.) If querying agents/publishers is putting you down, slide that goal aside for a while. Write something new instead. If self-publishing is too expensive, save up or consider options like Patreon. This list goes on and on. Many writing issues that cause the “giving up” bug have solutions. Sometimes stepping away and taking a break will help clear your mind so you can sort things out.

But what about actually wanting to give up writing?

Who knows what caused it. Maybe it was one major disappointment that took place on one horrible afternoon. Maybe it was a million disappointments all compounded together over time. Either way, feeling like you want to give up is valid. It’s okay. And if you choose to give up, that’s okay, too. One of my recent writer friends actually took this path—not because they couldn’t handle the stress of a writing career, but because they no longer felt joy while writing their last two books. Until they get that joy back, they don’t want to write anymore. That is their choice.

I know I won’t give up. Not right now. Not any time soon. Hopefully, never. But that doesn’t mean I haven’t felt this way sometimes. It happens every now and then—more than I’d like to admit—but many authors have felt this way, and we either overcome it, or we move on to a new dream.

In the end, I will never judge an author for shelving their manuscripts. It’s their life. I will support their decision to leave, and I will welcome them back with open arms—both as a reader and a fellow writer—if they ever choose to return.

Just because a writer gives up on writing, doesn’t mean the community has to give up on the writer. 

But I hope no one gives up on their dreams,

~SAT

P.S. My first audiobook is going on tour! You can listen to free review copies and interview the narrator and me by signing up here.

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