Writing with Barbie

19 Apr

Prepare for laughter during today’s post. But – before we get onto the giggles – I want to share two important bits of news.

Paris Carter reviewed Seconds Before Sunrise, stating, “The novel also includes several internal struggles for Eric and Jess that sparks tension throughout the entire novel, and it’s the chaos of them struggling to work out their answers and fight themselves that bring Shannon’s novel to a second dimension.” Read the entire review here or check out his review of Minutes Before Sunset first.

I also participated in an interview with Doodles, doodles everywhere. We talked about what hurts me the most as a writer, and I expanded on the research that went behind The Timely Death Trilogy. Check it out.

It’s been a few days since I participated in my first podcast interview, but I wanted to write about something fun since my last post was rather dreary. That’s when my mind immediately returned to The Lurking Voice. (Just a small, Kansas City update though, they found the Highway Shooter, so things feel a lot better around here. Maybe that’s why I’m so eager to post something I can laugh at…I mean, laugh with you…as you laugh at me.)

Back to the topic.

If you listened to the full interview – which you can by clicking here – then you know that I confessed to many writing strategies that I haven’t mentioned before, although “strategies” will quickly turn into a debatable term during this post. My ultimate, reluctant confession happened when we discussed November Snow, my first published novel.

I was 11 when I started writing it and 16 when it was published. It’s safe to say that it isn’t my best work, but I am planning on re-writing it. As we were discussing this, Ryan Attard asked a great question. How does a preteen plan a novel out? That’s when I said it.

November Snow was based on a game that I played out with my Barbie dolls as a much younger kid. Now, if you’ve read November Snow, then you might be concerned, considering how violent the book is, but there’s no need to be concerned – (I think.) That’s what I told my high school teachers anyway when I was asked about the dark nature of it. But that’s another story for another day.

Today, I wanted to share a funny truth to November Snow. No matter how dark the story is, many of my characters were actually based on the dolls I used. I admitted to it on the podcast, and now I am re-confessing it on here. Even better, I dug through some boxes, and I found the old toys, so I’m sharing a few of them as well as small excerpts from the novel that proves this goofy aspect of my writing.

You’ve been warned.

A little background before we begin:

November Snow is a young-adult, dystopian novel, and it is told from dual, first perspectives: Daniel and Serena. Unfortunately, I lost the Serena doll (she might have lost a limb or two or maybe even a head.) But I still have Daniel, who you will see soon. I’m going to share three pictures, and each picture has numerous characters on it. Below each picture, I will have a one-sentence background, and below that, I’ll be sharing the real excerpt from the novel. I’ll also include page numbers as well as who was telling the story at the time (Daniel or Serena.) I am also including a little note, explaining how my 11-year-old brain worked. Got that? Okay. I even think I’m lost, but trust me – it’s organized. Hope you chuckle as much as I did writing this post! Traveling to the past can be a funny adventure.

First picture: from the left to the right: Robert, Daniel, and Calhoun. 

theboys

Robert: 19, leader of the Southern Flock (hates hugs)

“I turned around to see Robert’s dark brown eyes staring at me, and my heart lunged into my dry throat…He muttered something, his brown hair shagging in his face, and I laughed. “ (Serena, 156-7)

Note: Believe it or not, he’s not the antagonist. Sort of?

Daniel: 18, leader of the Northern Flock (all around hunk)

“The guy looked like Daniel. He had the brown, muffled hair and tanned skin. He even had the blue and white jacket down, but he wasn’t responding to his name.” (Serena, 181)

Note: So, if you didn’t notice, I even based some clothes off of these toys.

Calhoun: age unknown, Daniel’s mentor. (kind of a hard ass)

“From the bottom step he could have been mistaken for a modern-day giant. His face was strong, as were his muscles, and he looked like he could barely fit into the sweater he was wearing. He had been in a POW accident, in which he had lost one of his arms, but he refused to tell the story. Normally, he had a fake arm in, but tonight, a gray sleeve dangled at his side, blowing in the chilled November wind.” (Daniel, 25)

Note: if you listened to the podcast, then you know this character actually ended up being very similar to my real father. Except my dad has both arms. And he’s not a vet. But I swear they are alike.

Second Picture: from left to right: Daisy and Maggie

girls

 Daisy: 16, member of the Southern Flock (I hate her.) 

She doesn’t deserve a note or description. Seriously. Have you ever hated your own characters so much that you regret bringing them into existence? I think Daisy might be in my top three of characters I’ve created and despised. #authorproblems.

Maggie: 16, member of the Northern Flock. (crushes on Adam in private)

“The front door opened, and Maggie walked in. She was wearing a small, pink coat and white disco pants that had gone out of style a century ago, but she still pulled them off easily.” (Daniel, 240)

Note: is it just me or is Daniel incredibly aware of fashion trends?

Third picture: from left to the right: Amy, Justin, and Marisa

Now for the youngsters, the category of characters that caused one of my high school teachers to ask if I needed to talk to someone after she read my novel and discovered only a few of the characters survive. (Seriously. It’s on the back of the book…) From left to right, we have Amy, Justin, and Marisa.

kids

Amy: 14, member of the Southern Flock. (Hates being called “Amy.” Her name is Amiel Marie Young.) 

“Amy’s hair was tied back in a French braid.” (Serena, 144)

Note: So this was more of a hairstyle thing, and you can’t really see it in the doll anymore, but it was there. I promise.

Justin: 6, member of the Southern Flock (borderline obsessed with hockey)

“Justin, blond-haired and brown eyed, was whisked off his feet by the collar of his shirt.” (Daniel, 479)

Note: There’s actually a hockey scene in the book just for this hockey-themed doll. (I really have no shame as I share this, do I?)

Marisa: 7, member of the Northern Flock (too small to crush on Adam, but apparently, all the girls like Adam…maybe I should’ve shared Adam.)

“A small girl struggled her way into Adams’s lap and leaned her bony elbows onto the table. She had long, brown pigtails that rested on the wiggling table and innocent eyes.” (Daniel, 44)

Note: The hair is there. The hair is totally there.

So there you go. My young-adult novel that almost got me in trouble as a teen was originally created during playtime as a kid.

Try to figure that one out.

I sure haven’t.

~SAT

If you want to check out the collector’s first edition, click here.

If you want to check out the collector’s first edition, click here.

 

Writing Tips: Dealing with Controversy

17 Apr

I live in Kansas City, and right now, if you watch the news, I’m sure you’ve heard of the recent tragedies that have happened here. I drive on the highways where the “Highway Shooter” is every day, and I live less than one mile away from the Jewish Community Center where three people died. In fact, I heard the sirens from my living room when it happened, and one of the victims went to Blue Valley High School, the same school I graduated from in 2009. But this isn’t about me. It’s about the effect it has on the Kansas City community.

I am reminded of how quickly a community can change, how the feeling of safety is a fleeting comfort, and how important it is to come together during this time. But I wanted to discuss an aspect of a writer’s life that these instances reminded me of that I’m sure many writers struggle with:

When we’re writing about sensitive issues, and they occur in real life – and occasionally, right down the street – we question ourselves.

I went through this when I wrote “Sean’s Bullet.” My military fiction story that was published in 2013: A Stellar Collection is fiction, but it deals with real-life issues, including friendly fire and PTSD. My recently published YA novel, Seconds Before Sunrise, deals with underage drinking and reckless driving. During this past week, I am going through some of the same thoughts I had when I was writing these stories.

Am I being true to the story? Am I not being sensitive to the victims? Am I portraying this respectfully and honestly? Am I over-thinking this? 

These thoughts run rampant through an author’s mind when they are facing a story with controversial events, but the answers are harder to find when the events are right outside your window.

My current manuscript – which I have yet to reveal – has a few instances where guns are used. Being a Kansas City resident during a time where we’ve had recent shootings and murders, creates a sensitivity to these things. I am a fantasy writer, but things that happen in fantasy can still happen in reality, and when that happens, it causes this pause – this hesitation that seemingly stops everything. For me, this pause is caused by guilt.

I feel guilty for having scenes that have affected real people. I want to find another way to entertain people in my stories. I break away from my story and question whether it’s right or not. But, eventually, I have to accept the fact that my story is fiction, that my scenes with violence or pain are not creating what occasionally happens in reality – near or far – and that I am doing my best to be a respectable artist.

So what can writers do when they face this issue?

I can’t tell every writer how to approach this. There is actually a lot of debate as to how to handle many controversial subjects in fiction, but I am not going to talk about what I consider appropriate because that’s my opinion. Instead, I’m giving advice.

1. Step away from your manuscript – when there’s an event that shifts your emotions about a piece, take a day and forget it. Then, return and think about it carefully. Is this event directly related to your work or is it just similar?

2. Cope with your emotions – This can include many types of coping. For instance, you can cope with a real-life event and then cope with an event in your fiction. You might realize they aren’t similar at all, and your thoughts will help you realize if your opinions have changed (or even if your characters’ opinions have shifted.)

3. Consider the actual event carefully – what makes it controversial? Who is affected by it? Have you personally dealt with it? Have you researched those who are affected by it?

4. Be willing to change but also be willing to keep it the same – sometimes bad things happen. Just because it’s in fiction doesn’t mean that it is directly related to something real. But if your opinions change, you might have to find a new way to go about a scene, and both are perfectly okay.

These things are very difficult to discuss. Even writing this blog post was challenging because these moments are very emotional, and we all react in our own way, but – in the end – we want to be respectful while pursuing our art in a passionate way. Every experience in our lives results in a lesson, good or bad, and it creates who we are. Personally, I have used my mother’s death as inspiration. Does that make me a bad person? No. It allowed me to cope in a creative way. That is me. I shouldn’t feel ashamed of it. But – at the same time – I strive to use that experience in a respectful manner. That’s all I can do.

I can either hide behind my guilt or I can embrace my emotions and pursue my art.

There are limits, but they are self-imposed, and every artist must decide what is appropriate for them and their audience. It is a responsibility of an artist, and it is one to be considered carefully.

I discussed this today with a heavy heart, but I wanted to open a safe place to talk about this, because I know many artists who struggle with the same emotions. If you’ve had an instance where you have dealt with this, feel free to discuss below.

~SAT

Editing Tips

15 Apr

My publications picture has been updated:

All of my publications. :D

All of my publications. :D

Thank you for your support. I am looking forward to adding to the collection as time continues forward. I also want to take a moment to thank Taking on a World of Words for uploading the picture below to Instagram. They received Minutes Before Sunset in the mail, and she shared the moment with me. These pictures mean a lot to me, so please check out her website.

instambs

As of right now, I am working on editing my next manuscript. (It’s not Death Before Daylight, but that is coming.) I am looking forward to revealing more details about my next manuscript in the future. However, that day is not today. It is tomorrow. (If that sentence seemed strange, there’s a reason for that. You just read my first hint, and that hint reveals a lot if you’ve been with me for a while…or are willing to search through some posts.)

Aside from that, working on this manuscript has reminded me of some editing techniques I have never shared before. Today, I’m sharing my methods that I consider to be unique. However, I will not be talking about the stereotypical ways to edit: read out loud, read backward, and read it again. Okay. We get it. Read it many times and read it in different ways. Having a beta reader and hiring an editor is obvious. I want to discuss editing beyond this because we neglect the unique methods writers use to rewrite and edit. We always talk about how writers all write differently, but we never talk about how writers edit differently. I will also be sharing comments from my Facebook author page.

So we are starting with a completed manuscript. It is written, and “The End” appears at the bottom. But it’s not the end. It’s the beginning of a new process. Depending on the writer and the story, this can be a place where someone completely rewrites a story or where someone just starts an editing job. I am going to write about editing as if we aren’t doing a complete rewrite. The first piece isn’t unique necessarily, but I need to explain it for the other pieces.

1. Create “Final” Notes

I call it “final” because it means you can’t change it after this. Writers have to make a decision, and they have to stick with it. Personally, I make dozens of “final” pages which I actually keep separate from one another so I don’t mix them up. These pages include a final background page for the characters history, a description page that includes physical, emotional, and habitual uses, and finalized maps, so I can make sure that all of my facts are lined up. On my description pages, I even include things like common speech patterns (like if they call a certain character by a nickname only when they are annoyed.) These pages are pages, not one page or one paragraph. I normally have these before I start writing, but – let’s be honest – things change while we write, so it’s often important to go back and make a clear decision on how old that side character was when she met the protagonist (and I check it every time it is brought up in the story, even if I’m pretty sure I’m right.) In my most recent manuscript, I actually kept numerous description pages, because their descriptions changed halfway through the story, but it’s completely up to you how detailed you want to be. I’m sort of a perfectionist, but I will share a story below that explains why I am that way and how these pages saved me.

2. Shoebox Method

I shared this on my author Facebook page, and that’s where I got the idea to write this blog post. I am not a writer who edits on my laptop. I can’t. I need the physical pages in front of me because I think it makes it easier to see everything. Because of this, I have a stack of papers that I must lug around. Most would suggest a three-hole-punch notebook or a folder. I slam my hand on my desk and scream, “Enough.” (For those who watched my poetry reading on YouTube, you might find that statement humorous.) This is what I use:

edittt

I use a sliding shoebox. I never have to punch holes, number pages, or worry about dropping my folder and causing a paper explosion of a disaster. The shoebox also fits other notes, like a dictionary or my “final” notes I was just talking about. Believe it or not, this is also a fantastic excuse to start a conversation in public with potential readers. Someone is bound to ask you why you have a shoebox with you. Take that minute to share your elevator speech and grab a business card out of your back pocket. You just meet a reader.

3. Love Your Office Supplies: Colored pens, sticky notes, etc.

Now that you have the manuscript in front of you (and hopefully a cup of coffee), you are staring at the black and white words with nervous excitement. I used to just grab a pen and go at it, but that turned out to be a mistake when I went back to see what I changed, moved, or corrected. I never use a black pen to edit. The black pen eventually becomes something my eyes skip over. I use red for grammatical errors I come across, but everything else gets its’ own color, too. For instance, I might assign a blue pen to mistakes in the characters – like if I got their history wrong or even if I want to check it later on – but I used purple when I want to move an entire paragraph or scene somewhere else. When I’m moving something, I use sticky notes to mark the place so I don’t forget. We, as writers, never know when we’ll have to take a break, so it’s best to have all the relevant notes in place for when we return. We can’t tell ourselves we will remember because we won’t always remember. Think of all those great ideas we had when we were away from our computers that we later cursed ourselves for because we didn’t write it down. You don’t want this to happen while you’re editing, so write away and write a lot. When I am moving a scene, I even put a check box next to it, so I can check it once I move it.

4. Act Your Scenes Out

Now, if you read my Facebook author page, author, Ryan Attard, said, “Read out loud. Act it out. If it FEELS right, then you’re set. Then, it’s just rereading to correct content.” I love that he said this because I participate in this in many ways. If you want to read more about it, I wrote Writing Tips: Method Acting a while back. I scream my dialogue at myself in the car. I jump around my room and pretend to be different characters. I use place-holders to see if the scenes work, meaning if the characters are facing in the correct directions. (This is where my maps come in handy.) I wouldn’t want my character to storm away to the kitchen by turning to the left when the kitchen should be to his right. Little things like this can matter. For instance, I had a reader realize that the kitchen in the Welborn house is on the second floor during the second novel, Seconds Before Sunrise. She actually went back to the first book, Minutes Before Sunset, to check it and found out that she had read over the information but it was there. If I had changed it, she would’ve caught it, and that would’ve looked like the world wasn’t real.

5. Here are some other answers from authors on my Facebook Author Page:

Join me on FB, and your website might be shared next!

Join me on FB, and your website might be shared next!

I asked, “Do you have any unique ways of editing? What makes it unique? How do you approach editing? This can be a content edit or a grammatical edit.” And here are some responses:

Anthony Stevens: After one or two content edits, where I try to assure a logical flow to the tale, I give it at least two days (sometimes a week) to simmer. When I’m ready, I take my time and slowly read it outloud to myself. Anytime I find myself stuttering or it just doesn’t sound right, I drop back a few paragraphs and try to sort out the problem. It has to sound right out loud before I’ll continue.

Nadia Skye NolanI have an editing checklist. It reminds me to eliminate passive voice and taglines as well as “Lazy descriptors.” I go through my writing and just cut away all the fluff, then I turn it over to my friends and family.

Alexis Danielle Allinson: I do the first couple of edits to weed out errors in my story line, add detail and such. Then I hand it to an editor who doesn’t balk about giving me his 2 cents worth so that the story can be better. We sometimes have lengthy discussions about things I have not written yet because he points out that even though each novel I write is its own story they are all interconnected and if I don’t have it plotted just right I will create a paradox that fan will never forgive me for.

Do you have any methods that stand out? Any advice? Be sure to share below. You might even win a chance to become a guest blogger.

~SAT

A Reading of “Regretful Memories”

13 Apr

Coffee, Books, and Art by Sarit Yahalomi reviewed Seconds Before Sunrise, and Sarit also posted the review for Minutes Before Sunset right below it, so you can read both. Find out why she said, “Again it was a page turner and full of action, and I couldn’t stop reading until I reached to it’s end.” Click here to read her reviews, and click here to go to Amazon.

covers

As many of you know, I recently started my YouTube Channel – Coffee & Cats - and I was supposed to upload a video of myself as I interviewed for The Lurking Voice. But Weebo, my computer, threw a hissy fit, and I lost the video. But you can listen to the podcast by clicking here, so there’s no need for a tiny violin of sadness to start playing.

I’m sure many of you can relate to the horrible frustration of losing an entire document or hour-long video you’ve edited for another hour. It isn’t pleasant, and the hardest part is to accept it and let it go (unlike the time I spent an entire day taking it back and forth between Apple stores only to be told nothing could be done…blood pressure is rising.) So, I’ve learned to move forward when I lose work I’ve started, including novels, but I have been waiting for another opportunity to record another video. Well, I got it.

‘Regretful Memories’ was a poem of mine that was recently published, and I shared it during my last blog post. I hope you all enjoyed reading it because today I am reading it to you. (Special thanks to Zach Hitt, Anthony Stevens, Steven SanchezRaymond Vogel, Jennifer Coissiere, and Angie Neto for their encouragement on my Facebook Author page.) I promise the reading isn’t boring. In fact, I’m surprised I didn’t hurt myself while performing it. I even committed a poetry sin.

Join me on FB, and your name might pop up next!

Join me on FB, and your name might pop up next!

Are you enticed yet? Because I am. 

Watch it below, click this link to watch it on YouTube, and/or click here to read along as I perform my debut reading. You know how social media works. Please like, share, and comment. Wink. Wink.

Hope you enjoyed the reading!

Remember, if you subscribe to my YouTube Channel, you get to watch the videos one day early.

Much love,

~SAT

My Poem is Published

11 Apr

In case you didn’t see the update during my last blog post, my first podcast interview was posted. Click on The Lurking Voice to listen to it. The author, Ryan Attard, described it as, “Now, I’m not gonna spoil anything, but Shannon is one of those pure artistic souls with a dark side (Darth Shannon) and we talked about everything. And I mean everything.” I like Darth Shannon. I had a fantastic time, so I would love for you to have a laugh with us as you listen to it.

Next, PRLog sent out a new press release for Seconds Before Sunrise, so check it out by clicking here. It’s titled “Award-Winning Paranormal Fiction Author Publishes Second Book In The Timely Death Trilogy.” I found it all pretty exciting to see, because I have never had a press release until Seconds Before Sunrise came out, and I got two :D

And I also want to take a moment to thank Sandra Danby for nominating ShannonAThompson.com for the Wonderful Team Member Readership Award. Check out her award-winning blog of fiction, short stories, and everything on writing and reading.

It began after I wrote this blog post: Photography and Writing.

I had begun to miss photography again, so I joined Instagram to simply admire photographs from my cell phone. That’s when I began to follow Sofie Sund Photography. After admiring her stellar self-portraits, lined with hauntingly true quotes, she announced to her 193,000 followers that she had founded a magazine with four other artists. She also mentioned that submissions were open to photographers, drawers, and poets.

Naturally, I submitted. (Because, like my father always says, “You can’t win if you don’t play.” – he generally refers this when speaking about the lottery. I, on the other hand, like to apply this to publishing by changing it to, “You can’t get published if you don’t submit.” So, yes, I submitted. 

Over time, I continued to follow them. I “liked” their Facebook page, and enjoyed their news when they announced that they had won two awards - best logo and best booth – for their sales’ team. I subscribed to their website, and I continued to watch from afar, eager to see who they would include in the first edition of their magazine.

The actual photograph I was taking that morning.

The actual photograph I was taking that morning.

It was March 3 when I heard from them. At four in the morning, I can admit that I hadn’t gone to bed yet. I was awake, taking pictures of the sunrise, and I received an email. LALUNA staff was congratulating me on my acceptance. One of my poems will be in their first issue. I couldn’t believe it because I truly admire the work of these young artists. While they are based out of Norway, I find the distance a beautiful and telling tale – we can be connected oceans apart. In fact, AEC Stellar Publishing has an author in Malta. Let’s just take a moment and really let that sink in. We live in a world where we can be published across the world.

It’s amazing.

I also believe that LALUNA Magazine stands for everything I believe in: a magazine dedicated to inspiring the youth.

My dream is to inspire young people to follow their dreams, so I could not be happier to be a part of this encouraging project.

Thank you to LALUNA Staff. 

In case you’re curious about my poem that is now published, it is titled “Regretful Memories.” It’s a standalone poem that has sat in my desk drawer for some time but has now found its time to be released. I wrote it during college, and I might do a reading on my YouTube channel so you can hear it, but you can buy the ebook of the magazine here or even check out a preview here. I’ve also added a new page to my website for it, which you can visit by clicking here, and it has been added to my page that lists my publications. I’ve now been published six times, adding up to 1,211 pages, and every time it happens, my writing heart is filled with more encouragement, excitement, and endless love. 

As always, I thank you for your timeless support and your daily words of kindness that continue to guide me down this passionate life path. To you – my reader – I am most grateful. 

~SAT

Poem

Poem

 

My First Podcast Interview

9 Apr

Update: Here is the podcast

The press release for Seconds Before Sunrise released, and Ky Grabowski was kind enough to share it on her blog. Check it out by clicking here.

Originally, I was going to post another YouTube video introducing this, but Weebo (my laptop) was not cooperating with me, and I lost the main part of the video. She must be as exhausted as I was, so I am sorry, but please listen to Ryan’s podcast, The Lurking Voice. Our interview goes up on April 10th. We talk about a lot, including my novels, what it has been like to be an author as well as the C.O.O. of a publisher, and my personal life. I’ve even included a small list below of some of the questions I answered. The Lurking Voice has been on my list of favorite podcasts since it started, so this was an experience I was looking forward to for a long time, and for great reason! I had a wonderful time, and I think you will, too. Ryan is hilarious and to the point. I am still looking for my April guest blogger, so if you let me know what your favorite part was as well as what you would like to blog about, you could win the slot! 

Here are some of the topics we discussed:

What did you do for your marketing and website in order to get as many fans as you did?

How different was publishing in 2007 than it is today in 2014?

How does November Snow compare to Minutes Before Sunset in The Timely Death Trilogy?

Screen Shot 2014-04-05 at 2.20.05 PMWhat was it like growing up in different environments? How does it affect who you are?

Are you an adventurer? If you had to pick one place to travel, where would you go?

How did the loss of your mother and roommate affect your writing and your career?

What’s your style in poetry? Do you plan on publishing any poetry collections?

What was your main influence as a child? What teachers influenced you?

Where are my gremlins? (haha. Seriously, this is why you need to listen to it.)

How did you start off writing? What were your first writings like? Was November Snow your first piece of writing?

Publishing as young as you did, how did the editing go? How was the writing?

How did you celebrate graduating college?

My favorite quote? 

“I can kill small animals and children…in books. In books, people.” – Ryan Attard

But be warned.

Tentacles are featured.

Click here to visit his website. Click here to visit the podcast page. 

~SAT

How Desk Trinkets Can Inspire You

7 Apr

I added a YouTube page to this website, so you can catch up here as well as on YouTube. I am expecting to upload my next video soon, but I’ll always make an announcement. If you subscribe to my channel – Coffee and Cats – you can watch all of my videos one day early.

I know. I know. A desk can be a clattered mess, a scattered collection of book remains, an abyss of wonderment, the aftermath of a chaotic genius. Chances are your desk is already filled with pens, photographs, and paperwork. The last thing you need is more trinkets. Right?

Wrong. Every time I think this, I am wrong.

I love trinkets. I love trinkets too much. I do not think my love for trinkets will ever stop. And today I am sharing a few of mine that I haven’t shared before because they help me during my every day stresses and excitement. In other words, the little things remind me of the important stuff – the feelings that make me work harder and smile longer – and I hope you might consider adding a positive reminder to your desk and/or share the ones you already have.

My Tiger’s Eye Statue and Stone:

Fun fact: I’m obsessed with meanings behind things. Whether it is the meaning of a name or the meaning of a certain type of flower, I could spend hours reading about how certain labels came about. Tiger’s Eye is my favorite stone. They are beautiful, but they are also associated with protection and clarity. Below, you’ll see two Tiger’s Eyes that I keep on my desk. One is a stone I was gifted, and the other one is a statue of a coyote that a very kind woman carved for me after my husky passed away in 2007. These stones remind me of many things, such as my love for my dog, Shadow, but they mainly remind me of the clarity I believe in that I am doing the right thing by following my dream as well as the protection I receive from all of my loved ones, passed on and still alive.

coy

Willow Tree Statues:

Obviously, I have a thing for statues, but Willow Tree (Demdaco) is one of my favorite companies. These are two gifts I received which both happen to be by Willow Tree. The one on the left is known as the Mother and Daughter. I received this from my aunt right after my mother passed away. I have my mother’s bracelet draped around the statue, because I used to wear it every day until the clasp broke. I considered fixing it, but I almost lost it, so I decided to keep it on my desk instead. The one on the right is the Love of Learning. This was given to me as a birthday gift from a great friend who is actually in the acknowledgements of Minutes Before Sunset. She’s always been so supportive of my novels. In a way, both of these statues remind me of the loved ones in my life that support my dream as well as all of the love that surrounds me.

stat

Maneki Neko

And my latest one that I received yesterday from my aunt. As many of you know, I really want to travel to Japan one day. She was just over there, so she brought me back a Maneki Neko, a.k.a. Fortune Cat, Lucky Cat, etc. You can read more about it from this article: 5 Interesting Facts About Fortune Cats, but I am sure it will fit right next to my “All You Need is Love…And a Cat” paperweight.

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So do you have any trinkets that inspire you? How do they inspire you? Do you think trinkets can help you throughout the day? Do you think they can hold good luck or good fortune? Be sure to share your thoughts and stories below! You never know. Your good luck trinket might help you get picked out to be April’s guest blogger.

~SAT

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