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When to Stop Writing

26 Oct

When to Stop Writing

This post is inspired by a comment that happened on my Facebook Author Page recently. The other day, writer – Angie Neto – asked me a fantastic question I’m sure all writers can relate to:

“Were you nervous when you published your first novel? I have edited, rewritten and changed chapters so many times now and still doing last minute searches for errors. When do you say enough?”

My Facebook answer:

“I still get nervous. I think that’s natural. You’re working hard to share your intellectual creation. It’s nerve-racking, knowing you will be judged off of it, but it’s well worth it. But I do think – at some point – you have to step away and have beta readers and editors deal with it, and eventually, you have to turn the manuscript in, and one day, you have to know you can’t change anything anymore (even though you’ll be dying to!)”

Special shout out to Angie Neto! Because of this conversation, I wanted to expand on this topic. That being said, I believe writing is always unique to the writer. Hemingway liked to drink while writing. I couldn’t write drunk if I wanted to. But I have been found writing in a dark closet before. (Don’t ask.) So I want to take a moment to share three times that I stop writing.

1. When I’ve spent WAY too much time editing and re-editing and re-editing

I’m only starting with this one because that was the main reason of writing this post. Editing is vital. Don’t get me wrong. But it can also be destructive, and I know this because I’ve been there before. I’ve hauled myself page over page over page over year over year – only to realize I’ve been editing this manuscript to death. At this point, I’ve basically butchered the entire manuscript because I’ve sliced my confidence apart a million times. What I mean to say…well, let me describe a sad recollection of events: Shannon writes book, Shannon edits book halfway through, Shannon decides to rewrite the entire script, Shannon edits that book, Shannon edits it again, Shannon edits again, Shannon still finds the wrong “you’re” in a sentence, and Shannon breaks down about how awful of a writer she could be to miss such an editing mistake five times in a row, and now Shannon believes the entire manuscript is this way, so she deletes it and starts over…Do not – and I repeat – DO NOT do this to yourself. Edit it as many times as you want to, but always remember that other editors are out there for a reason. Let them assess it. Let them help you. Breathe. Put down the red pen. It will be okay. If we don’t learn when to stop editing, we will – literally – never stop editing. A manuscript is like a person. It will never be perfect. The imperfections give it character. (Just don’t give it too much character if you know what I mean.)

notestop

 2. When I’m physically ill

Sadly, I do not mean that I have the flu. I can admit that I – in fact – have found a pen in my hand when I was bedridden. Safe? Healthy? Probably not. But I’m a writing addict. That being said, I don’t actually mean to say the flu is the problem. The problem is when I CAUSE the flu to happen in the first place because I’ve stressed myself out so much over writing that I stop taking care of myself and – in turn – I get ill. Stress ill. Headaches and body pains from sitting at my desk for too long ill. Don’t do that to yourself. In this case, strain is not gain. Strain is sickness that will only put you behind schedule even more, and it will only cause more pain.

 3.  When I start losing my love for writing

I never lose my love for writing – not entirely anyway. But I do have days where I step back, and I realize that I am struggling. In fact, I can confess that I went through this yesterday. I’ve been so focused on the edits of Death Before Daylight that I have forgotten to give myself time to write in a current novel I am very much emotionally involved in. Don’t get me wrong. I’m involved in Death Before Daylight as well. Very involved. But working on something new is quite the refreshing energy boost that I need to keep powering through edits of a novel. Although I love editing, working on the same project for long periods of time can be draining, especially since I’m more focused on the publishing side of things rather than the writing side of things, so I have to return to the “just writing to write” part of me often because that part of me is the most important in terms of enjoying my writing. I only have to remind myself of that.

In the end, you might have noticed that I don’t necessarily “stop” writing. I simply change my focus of writing or a take a moment to step back in order to relax. In fact, I was very serious when I said I’m going through the last one right now. Between my car and my laptop breaking down this week, my stress level peaked (and not in a good way at all). Writing is my coping mechanism, but working on edits was the last thing I needed. I had to shelve Death Before Daylight, and I had to do what I wanted to do the most desperately, so I worked on a new novel I’ve referred to before on here as TGO, and I felt much better afterward – almost like I learned to breathe again, and in all honesty, I might have to do this again next week. I’m still not sure I’m over it. All that matters is getting back on my feet again one way or another.

Do you have any times that you stop writing?

Feel free to share below! It’s also that time again – expect Website Wonders and October’s Ketchup to be posting soon.

~SAT

Why Writers Should Watch “Adult World”

24 Oct

Announcements: 

The latest poem in my Wattpad poetry series has been added! Share, like, and comment for your chance to be mentioned during my next YouTube video. This week’s poem is titled – The Affair – and here are the opening lines:

I fell in love with childhood,

he wore a red cape

made of polyester plaid,

There are a few spoilers in my latest interview with Read to Write Stories, including what The Odyssey has to do with the sequel and why certain elements of the book were mentioned in very subtle ways, so I hope you check it out by clicking the link.  I even talk a little about November Snow and how much my writing has changed in seven years, but – again – I’ll leave that up for you to read about.

But that wasn’t my ONLY interview I did. On Life of a Young Adult Writer, I talked about my personal life, the sequel, Death Before Daylight, and writing advice. When asked how I create believable characters, my first piece of advice was to stop thinking of them as characters, but you can read the entire conversation by clicking the link!

Finally, Real Rad Reads reviewed Minutes Before Sunset, stating, “Whenever I read a really good book, and something amazing happens, I find myself compelled to shout the author’s name out of excitement. Rick Yancey (The 5th Wave) and Susan Ee (Angelfall) have been some recent authors included in my repertoire for this, and Shannon’s name was added to the mix just last week after I read Minutes Before Sunset. In other words, I enjoyed this book.” Check out why she enjoyed Minutes Before Sunset by clicking the link! (And click here to check out Minutes Before Sunset on Amazon – only $3.89)

Why Writers Should Watch “Adult World”

Every now and then, I stumble across a movie MADE for writers. Last time, I wrote Why Writers Should Watch “Authors Anonymous” and now I am here to explain why you should also watch “Adult World” – especially if you are a poet.

MV5BMjIzNDY1NjgzOV5BMl5BanBnXkFtZTgwNzMzMDEwMTE@._V1_SY317_CR0,0,214,317_AL_Here is the IMDB synopsis:

Amy, a naive college graduate who believes she’s destined to be a great poet, begrudgingly accepts a job at a sex shop while she pursues a mentorship with reclusive writer Rat Billings.

Amy is played by Emma Roberts, and although I am a HUGE fan of American Horror Story, I’ve never really been a fan of hers. The presence of Evan Peters convinced me to watch it, and I must admit – I enjoyed Emma Roberts a lot in this role, so I must take this moment to praise her for that. In fact, I enjoyed every bit of this movie. It’s charming, hilarious, and very relatable to a young writer’s journey.

We see a budding writer’s obsession with the famous – in this case, Sylvia Plath – and we see the melodramatics of someone trying to force drama in order to be the stereotypical “writing is misery” cliché, which – as good timing has it – I’ve written about recently (click the link). But we also see someone trying to find themselves, fighting to follow their dreams, and unexpectedly making a connection with a fantastically talented poet they’ve always loved, only to realize that role model may not be who they hoped they were.

On the surface, Adult World might seem like it is simply about writing, but it’s so much more than that. It’s about finding yourself and learning how to live so that you can write better each and every time you pick up a pen.

John Cusack is also a genius, and I hope sharing my favorite line that his character speaks might convince you to try this writer’s movie out on a rainy night.

“If you want to make art, you have to fail. And so, the hardest job is to fail better.”

Adult World is a perfect reminder of that.

~SAT

 

How a Writing Career Changes in Two Years

22 Oct

Announcements: 

Read to Write Stories posted a writing exercise called – How to Begin and End Chapters – and it features Take Me Tomorrow. Check it out by clicking the link. The post also includes passages from my latest novel. If you’re looking for a fantastic website to enhance your writing, I definitely recommend Read to Write Stories. The weekly pieces are great setups for new writers and wonderful practice for writers hoping to tune their craft.

How a Writing Career Changes in Two Years

The other night, I was doing something that most writers dread: Cleaning old documents off my laptop. Pretty much everyone I know dreads this, but writers – I believe – have a little extra to sift through. Between years of daydreaming, note-taking, and attempting to start numerous novels only to shelve them, writers can stack up hundreds if not thousands of mislabeled, unfinished, and probably unorganized pieces of writing, and I doubt I am alone when I say this, but it is so impossibly difficult to delete old writings…but I manage to do it anyway. When I do, I hold my kitten to make the pain bearable.

It was on one of these horrid nights that I found a document titled “Book To-Do.” I, being the unorganized cat lady that I am, had no idea what to expect from this docx icon I found buried among old college assignments and music wishlist bulletins, but I knew I could not delete it without reading every word of it, so I opened it.

I found gold.

Book To-Do was written on September 04, 2012. At this point in my life, November Snow was my only piece of work released, but I had quit publishing a long time ago. This document was also written approximately 20 days before I began this website, and the entire point of this single document was to outline where I was with my writing as well as label where I wanted to go next. I can’t share all of those notes (Spoilers are everywhere, even about books I haven’t told beta readers about yet!) but I am showing notes on pieces you will recognize:

November Snow

  • Old version: 125,978 words
  • New version written as of now: chapter 1—11: 30,265 words
  • Currently writing chapter 12

Take Me Tomorrow

  • Finished editing, sent query, responses gained, speak with author in contact.

The Dark Trilogy

….

So, where am I going with this?

The gain! Look how much has changed in two years alone. The Dark Trilogy became The Timely Death Trilogy, and Death Before a New Day morphed into Death Before Daylight, and all three received a rewrite, an edit, and a contract. Same with Take Me Tomorrow, and although I’m still working on November Snow’s rewrite, I am still moving forward with it, but the important piece was how I felt upon seeing this dated list: I realized how easily all of this hard work can be forgotten.

My friend made this two years ago, purposely using ‘right’ instead of ‘write’ to give me a hard time

Two years ago, my friend made this, purposely using ‘right’ instead of ‘write’, and the joke has stuck. I truly was writing a paper for college, and that is my lucky Elvis t-shirt.

You see, as an author, I am always looking forward, and I never think I am doing well enough (and especially fast enough) to further my career in order to meet more readers. That focus isn’t necessarily a bad thing, but sometimes I believe I get too caught up in moving forward that I forget how much work I have done to get to where I already am, and I found a lot of excitement in seeing physical reminders of that progress. It reminded me that I am – in fact – working hard, but it also forced me to take a step back from the pressures I put on myself, and it allowed me to pat myself on the back for a little bit (all, of course, while thanking anyone and everyone who has helped me along the way).

It’s safe to say that I didn’t delete this document. Instead, I updated it with today’s date, and I left a little encouraging note for my future self to stumble upon another two years from now.

Who knows how far we can all be by then?

It’s definitely a practice I would recommend other authors try. I know it brought a smile to my face, and it is for that reason that I want to take a moment to thank all of you again – for allowing me to share my words and for sharing your words with me.

In two years, I hope to see you again,

~SAT

The Sequel Can Wait

18 Oct

Announcements:

The third section of my interactive poetry series has begun, and you can read the first poem – Miscarriage – by clicking the title. Here are the opening lines:

If I hadn’t stepped outside, I would not

have seen the cloud buried deep in the approaching

storm I vaguely remembering hearing about.

(Vote, share, and comment for your chance to be mentioned during my next YouTube video.)

Special thanks goes out to The Incorrigible Reader for reviewing Minutes Before Sunset and Seconds Before Sunrise, book 1 and book 2 of The Timely Death Trilogy, here. Find out why she said, “I really did love this series! It was intriguing, exciting, romantic, and so hard to put down!’ 

Another huge thank you goes out to SDAV Reads for reviewing Take Me Tomorrow. She describes both the character development and the world-building, but here’s a quote, “So even amidst some very serious fights, explosions, and runaway escapes worthy of Doctor Who, there is a lot of time spent with the emotions of the characters so that you end up feeling as connected to them as you ought to. They’re very well developed…If you like Dystopic books, or even if you don’t and you just want a good thriller, Take Me Tomorrow is certainly one to add to your shelf!” Read her full review here.

And I am thanking one more book blogger – Note to Selph Book Reviews – for also reading Take Me Tomorrow. You can read her full review by clicking the link, but here is a quote from her, “The overall plot was intriguing and exciting, filled with plenty of action running from police and sneaking out at night.”

I cannot thank you all enough! Please check out my books by clicking these links: Minutes Before Sunset and Take Me Tomorrow. If you write a review, let me know, and I will be sure to share it right here!

The Sequel Can Wait:

Before anyone freaks out, no, this is not about the release dates of Take Me Yesterday or Death Before Daylight. Not entirely anyway. Instead, it’s rather about the pressure writers can put on themselves to get the next book out – and fast – and how destructive it can be to the entire writing (and reading) experience.

You see, I once heard that authors nowadays are expected to release a novel every six months. I’ve actually heard this more than once, but I believe one of the times was during a discussion author, Ryan Attard, had on his podcast, The Lurking Voice. He was simply discussing this trend, not necessarily agreeing with it. I want to clarify that because I think the idea of getting a novel out every six months is fantastic. It’s just extremely difficult, and it should not be expected. Ever.

A lot goes on behind the scenes in the publishing world. Writing isn’t even half of it. Content editing is completely different than line-editing, and a line edit is different than just an edit. Those are just three types of editing, not to mention formatting for both an eBook or a paperback or – god forbid – the hours that go behind an audio book. And cover art! Geez. I could go on forever, and I’m not even talking about the amount of hours, people, or cost behind it all (or the fact that most of these people have second jobs).

1280px-Old_paper

Don’t get me wrong. I think it is great if an author can get a book out every six months. It can be done, and it can, in fact, be professional. After all, four months passed between the release of Seconds Before Sunrise and Take Me Tomorrow (but that explanation is for another post). It can be done, and it can be done well, but that does not – by any means – mean that every author should do this. Unfortunately, especially in the Indie market, authors are often competing with one another (a rather ridiculous notion in itself, but moving on…) and I’ve seen a lot of arguments that authors can’t possibly release books that quickly.

Again, it can be done, but I think authors should pick their timelines based on nothing but themselves. Basing it on readers’ expectations can be really destructive. For instance, you might rush editing to meet a deadline, and now, there are more mistakes readers are picking out in your novels, but if you hadn’t been trying to meet a deadline, you might have been more careful.

I say this with great caution. I know that this topic can cause a lot of bad blood, but I am author, and I go through the pressures of releasing the next book every day. The pressures are mainly focused on three things: get it out quickly, efficiently, and professionally. I’ve lost sleep over it. I’ve worried I was going to lose readers if Death Before Daylight took an extra three months to release. I’ve given myself writer’s block over it. And let me tell you – it isn’t worth it.

How do I know this?

Well, to be quite honest, I don’t. I’m still learning, and I still mess up. I estimated that Death Before Daylight could be cut down to 80,000 words in content edits, and I’ve already surpassed it. That being said, this had added time to my timeline, so it will probably come out later than AEC has been anticipating, and I have been losing my little writer’s mind over it. I feel guilty, and a huge part of me feels irresponsible at timing, satisfying my readers, and estimating my work abilities. That is a hard pill to swallow. But it is even harder to realize it isn’t a pill I have to swallow. Things happen in this industry, and we must roll with the punches, and readers will, too.

In fact, the other day, one of my all-time favorite authors, Meg Cabot, announced she will be releasing book 7 of the Mediator in 2015. Just to let you all know, it has been 15 years since book 6 came out. 15. And you know what? Readers are ecstatic. I’m ecstatic. 15 years is nothing for a fan. Look at all the talk about Harry Potter coming back. That’s about 10 years, and everyone is practically begging for it. And The Mortal Instruments movie was canceled, but the T.V. show is coming out, and although some are reluctant, I think most fans will give it a shot.

Of course readers want the sequel now. I am a reader myself. I understand the anticipation. Waiting for City of Heavenly Fire was so painful I cannot even begin to describe the countdown on my iCalendar, but I still picked the book up when it finally did release, and I never held it against Cassandra Clare, and I will always be excited for the release of a sequel whenever it happens. But – sometimes – I forget that as an author. On the writer side of things, I tear myself down, but on the reader side, I am only filled with excitement, and I think every author can benefit by remembering the support readers feel for authors. That pressure to release the next book is not pressure. It is support. It is encouragement. It is an excited fan-base authors should be proud of, not worried about, and it is the next step to enjoying every release, no matter how long it takes.

No matter how much time passes, words are endless, and there will be someone to read them. 

~SAT

Writing is Misery

10 Oct

Announcements:

The last poem of the second voting section has been added to my interactive poetry series on Wattpad. Remember to vote, share, or comment for your chance to be mentioned on my YouTube channel, Coffee and Cats. The poem is titled – To the Anti-American Teacher…We Knew You Were Pro-World – and here are the opening lines:

A clause in your contract slated your signature for patriotism.

You never signed, they never checked, but you took down your flag

after that.

Writing is Misery

Warning: I will curse in the first three sentences of this post. Not including these two or the next one. You have been warned.

Recently, I spoke with a writer I deeply respect, and one of things I said was something along the lines of “I am enjoying every minute of my writing.” To which he replied, “If you’re enjoying every minute, you’re not a writer.”

This has been one of those bitch-slapping moments of my half-assed career. I say half-assed with deep respect. I don’t mean it as a bad thing. Truly. I mean it as a reflection of how the general public sees my writing career, and I promise, there is no ill-will toward anyone who sees it that way.

Even though I don’t agree with the general public, I get it. I do. Oh, trust me. I really do. I am a writer, a lover of words, and although every part of me is tempted to agree with this author (who I respect so much I will take this moment to remind everyone how much I respect him) I – alas – cannot agree, even though I have contemplated the words for weeks. However, I will say this. He is right about one thing. I am miserable. But he is wrong about one, pesky detail. I love my misery.

You see, to me, there is no greater delight than exploring the deepest, darkest corners of life through writing, and when I explore, I often find myself in the hollowed out pit of a character’s soul – one that has been etched out through tragedy and despair and loneliness. So much loneliness. And it is in those struggled souls that I find my love for them, my appreciation for their fight, my determination to set their story free – and I write it out.

"I am going to help you write a new book." (Please. Oh, please, readers. Get this joke.)

“I am going to help you write a new book.” (Please. Oh, please, readers. Get this joke.)

This is the moment I lose myself, where my identity no longer matters, where I become another person. This is when my character takes over my existence, and perhaps, because of this takeover, I find myself saying that I am not miserable at all, because I cannot feel misery if I do not exist. Only my characters can.

Because of this peculiar way my brain works, only my character explores this thing called misery. In The Timely Death Trilogy, Eric has to face his fate, his ex-girlfriend’s murder, and his mother’s suicide – not to mention all of the other drama that happens in just the first book alone – but Jessica has to find herself in a world that didn’t allow her to have an identity, and that is really, really difficult for her. In Take Me Tomorrow – oh, Take Me Tomorrow – Sophia has to face the truth about all of her loved ones, but she also has to learn the truth about herself, and I can relate way too well to this instance because I, too, have to learn the truth about myself, and I do that through – you guessed it – writing as my characters.

It is in my characters’ misery that I find my own fight.

Sophia reminds me of how I had to see the truth about my own mother and the addiction that killed her. Jessica showed me how I can find myself no matter how many times I move or lose someone, even if it takes a very long time. Eric proved that tragedy is not an excuse, but that it can still hurt a lot and often and that is okay. And all of my other characters add to those lessons every day, and for that reason alone, I could never be alone.

I never could be miserable.

Yes, life is hard. Following a dream is even harder. But – I believe – even if I fail, I have already succeeded. I have found what I love, and there is no failure in that. Misery does not exist in the hollow depths of passion, because passion is not hollow. It is full of excitement, and love, and perseverance, and cheesy paragraphs just like this one that simply exist in hopes of encouraging someone else to continue on with their miserable head held high…showing off a big grin to prove it.

~SAT

Why Most of my Characters are Male

8 Oct

Announcements:

Red Sands Reviewz read Seconds Before Sunrise and wrote, “You know how they say sequels aren’t as good as the first? This is not the case. It was fun to read from the start to finish.” And now you can read her review from start to finish by clicking here.

Krazy Reads reviewed Take Me Tomorrow, and you can read the entire review by clicking here, but this review inspired my blog post today, so I will be referring to it throughout my post! Even then, here’s a small quote, “Unlike most dystopian novels, this one felt the most real to me. Don’t get me wrong, I ADORE all dystopian novels, but for me, this seemed the most likely to actually happen.” Check out Take Me Tomorrow by clicking here.

Thank you, Krazy Reads.

Why Most of my Characters are Male

I’m doing something today that I have sworn to myself I would never, EVER do. I am responding to a book review. (Oh, the taboo!) Don’t worry. I have Krazy Reads permission, and it’s more or less not a response. It’s a deeper explanation that was inspired by a single section she wrote about my latest novel, Take Me Tomorrow:

Most of the characters are male, and while some people may say that seems unbalanced, to me, it fits perfectly. In the novel, the boys are fighting for a cause, they break laws, set bombs, and carry out rescue missions, so having most of the characters male fits, and I like how there are only three major female roles. Even though Sophia doesn’t always understand, she’s strong, smart, and cunning, and often times, she and her best friend, Lily, are the reason the plans work at all.”

It’s true. I’m guilty. My latest novel, Take Me Tomorrow, has more male character than female characters, and before I explain why, I would like to clarify that I’m specifically talking about Take Me Tomorrow in this post. My other novels are not like this, and there will be minor spoilers throughout this piece. That being said, I am going to have to hold back on some explanations due to the fact that the sequel will deepen many of these explanations, and I don’t want to spoil major parts of the first novel. But I’m going to do my best to explain why I have more male characters than female characters, and I want to explain this because I have received dozens of emails asking me why Take Me Tomorrow is full of boys.

The main reason is, perhaps, the most important one: it was never a conscious decision. It just sort of happened, and it happened naturally. This is the same reason I ultimately never changed it, despite the fact that I had one beta reader in particular suggest it. Don’t get me wrong. I thought about it a lot. I did. I considered each and every character and their gender, but here’s what it ultimately came down to: it was never about their gender. It was about them, and here are the two main reasons, I believe, they were boys in the first place:

Their Past

Although some of the past is seen in Take Me Tomorrow, more is explained in the sequel – Take Me Yesterday (hence the title). But I am going to explain what I can. First of all, a lot of it has to do with how the society works. Even though boys and girls can see each other and go to school together, there are subtle hints the society subconsciously encourages them to be separate. For instance, the boys are more likely to be thrown in military for punishment, while the girls are generally thrown into the correctional houses – and the correctional houses that are blatantly separated by gender. The other subtle part was the dance. Sophia describes it as one of the only instances students from separate schools can meet. Socializing is definitely not encouraged, but let’s get down to physical relationships: Noah and Broden met as children, and although I cannot giveaway their full circumstances, they didn’t just become friends because their parents were friends or that they happened to be the same age. I don’t want to spoil the novel so I won’t explain Tony or the flashback of Liam too much, but those two boys were more or less a reflection of what could’ve happened to Noah if he were older. Pierson is explained in the sequel. (I’m sorry for how cryptic this is.) But I can talk about Miles. If no one noticed, the twins – Miles and Lily – don’t have a father, and again, more details will come in Take Me Yesterday, but I will say this: Miles was very attracted to Broden and Noah, the first two guys that gave him friendship. Lily, too (as explained in the book), but Miles pushed his sister away. I have an older brother. This happened to me. But that’s for my next section.

These are Pinterest photos that remind me of TMT characters

These are Pinterest photos that remind me of TMT characters

My Personal Life

After my mother died, I was practically raised by my older brother. (My dad, too, but he traveled a lot.) So I spent a lot of time with my brother and all of his friends, and – you guessed it – they were mostly guys, especially his best friends. We went hunting and off-roading and ate sandwiches by the lake when we fished. But – during some point – we didn’t hang out as much, and that just happens sometimes. I got friends of my own, but (you might have guessed again) most of my friends were guys. I was comfortable with guys. I was used to spending time with them, and there was no romance there. A girl can be, in fact, just friends with guys. So I think that leaked out with Sophia, but I think it happened because of Lily. That’s right. Because of Lily. Sophia is best friends with Lily, and Lily is the one who introduces Sophia to Miles and Broden. Sophia gets her guys friends by default, and if you read the story, you also might have noticed that Sophia is not a social butterfly like Lily is. Sophia would rather stay home with her dog and read. She was perfectly satisfied with Lily’s company, and Miles and Broden were just extra buddies she gained. And, yes, you will learn even more about all of their pasts, specifically with Broden, Lyn, and Sophia’s mother…oh, and Miles and Lily. Pretty much everyone. But now that we’re talking about the girls…

As an extra, I want to talk about the girls, and I want to start this section off by re-quoting what Krazy Reads said, “I like how they’re are only three major female roles. Even though Sophia doesn’t always understand, she’s strong, smart, and cunning, and often times, she and her best friend, Lily, are the reason the plans work at all.”

Sure, the guys appear to be running things, but sometimes, as an author, I struggle to understand whether certain aspects are forgotten just because gender gets focused on. For instance, Miles is so terrified in the beginning, that he runs away, and Sophia – a girl – takes his place. That’s just one instance where the girls come to the rescue, and yes, there are more rescues and reasons, but sometimes, I worry that literature has trained us readers to focus more on boys rather than girls, which is no one’s fault. I’ve been guilty of it, too. But just because there are more boys does not mean that boys are more important, and in Take Me Tomorrow, they definitely cannot survive without the girls in their lives.

In fact, even though there are more boys in the novel, the numbers should not take away from the importance of Lily, Sophia, Lyn, and later on, Rinley. I wish I could explain what these girls do throughout the novel, but those pesky spoilers prevent me. That being said, these girls – as well as more girls – are seen in the sequel. (And, yes, the boys will be there as well.) But Take Me Tomorrow isn’t about how many boys or how many girls are present. It’s about drug use, abuse, addiction, immigration, tragedy, love, and war. And everyone can go through that, no matter what their gender is.

But – just for kick’s sake – here’s a list of reasons I have more male characters than female characters:

I was true to story.

~SAT

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