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Why Are Parents Dead in Fiction?

24 Sep

Announcements:

ShannonAThompson.com hit 18,000 followers! As a surprise, I shared the meaning behind all the chapter titles in Take Me Tomorrow on my Facebook page. Every chapter title is actually a direct quote from the chapter you’re about to read. This is to represent the clairvoyant drug, tomo, since it allows takers to experience the future. For those who haven’t read the story, tomo does not necessarily give you clear visions. It affects all people and all senses differently. Sometimes, you hear it, taste it, smell it, or feel it. In fact, it’s hardly ever clear as to what is happening. Only those who are experienced with the drug are able to interpret what they are experiencing, and even then, everything is just a guess, and the drug itself is debatable. But the chapter titles aren’t! If you go through the novel you will see the titles later on in the prose. Chapter One – Don’t Come Back – is found in this quote, “My heart lurched at his sudden change in demeanor, but I managed a nod toward the north. The forest opened up to the only park Topeka still had. ‘Don’t come back.’”

When Eat Books For Breakfast reviewed Take Me Tomorrow, she said it “was definitely an intriguing read—different from most of the other books in its genre…I would recommend it to readers of young adult dystopian fiction.” Read the full review by clicking here or check out my latest novel here.

I would also like to take a moment to thank Dan Thompson for including Take Me Tomorrow in his post Two Books Are Better Than One. (And no, believe it or not, we’re not related.)

Thank you for reading my announcements today!

Why Are Parents Dead in Fiction?

The other day, I was sitting in a hookah house while attending an online event. (I don’t always have the Internet at home, so I go there to work.) That’s when a good friend of mine came up to keep me company, and I was telling him about a novel I am working on. The main character is an orphan. That’s when we got to talking.

Why are parents always dead or absent?

This isn’t a new conversation. I’ve had it with many people, mainly in regards to Disney movies, but I think it applies to most fiction, especially young-adult fiction, but I’ll get to why I think that in a minute. First, I would like to admit that my stories are no exception. The Timely Death Trilogy involves two protagonists – Eric’s biological mother committed suicide, and his father doesn’t have the best relationship with his son, while both of Jessica’s biological parents died in a car wreck, but she was adopted, and she does have a good relationship with her adoptive parents. In Take Me Tomorrow, Sophia’s father is practically absent due to his traveling job, and her mother hasn’t been in her life since she was seven, but she does live with a mother-sister figure named Lyn. Why did I do this? I can’t speak for every author when I explain my theories, but I will explain my personal reasons for deceased or absent parents as well as a hypothesis from the literary side. Before I continue, I want to clarify that I am (in general) talking about fiction for children and young adults.

Literary reason:

Coming-of-age is a popular topic among fiction for teens and preteens, mainly because they are going through it themselves. That being said, I think a huge factor of “coming-of-age” is finding yourself through independence. This is one of the main reasons I believe parents aren’t included in fiction, whether that is through death or absence, but another reason includes freedom. I know. I know. I sound horrible for saying freedom in regards to an absent parent, but I don’t mean “freedom” as a good thing. I mean it as a driving force for a character to venture outside of their home, to go on adventures, to strive to survive on their own. If they had a perfect family at home, this need for survival or adventure would be hard to justify. But I would like to point out one thing that others seem to forget to mention. Even if a character is an orphan or under other unfortunate circumstances, the character (usually) has a parental figure, and I think that is just as important as having a “real” parent in the story. To me, a “real” parent doesn’t have to give life to a child or adopt a child or anything in terms of a traditional definition. I believe a parent can be anyone who is the main guide and protector for a child. In that sense, I don’t believe we take parents out of fiction. I think we show readers that parents (guidance) can come from many places, which can be vital during a time in which young people are striving for independence outside the home.

From The Write Catch

From The Write Catch

Personal reason:

I am only including this section to give insight to an author’s reasoning behind it (rather than my above section that simply guesses as to why we find ourselves in those instances.) When it comes to dead or removed parents in fiction, I can relate to it. My mother died when I was 11, and my father was a traveling businessman. I hardly saw him growing up. In fact, I saw nannies more, and we never had the same one for long. Mainly because my brother and I were rather…well…angry might be the best way of saying it. The only time we did have another parent in the house was my stepmother, and she was only married to my dad for a year before they were divorced, and we definitely didn’t get along. Whew. Is that enough personal information? I don’t necessarily have a problem sharing it, even if it makes others uncomfortable, because it was my life. My life is much better now. But it’s hard for me to imagine a teenage-life with parents being actively involved, so I personally write about orphans or absent parents because that was my life growing up, and my characters are going to reflect certain parts of my life, even when I don’t realize it. That being said, I still believe that parents are in my fiction (like Lyn with Sophia in Take Me Tomorrow or Jessica’s adoptive parents in The Timely Death Trilogy, not to mention Eric’s stepmother.)

So where am I going with this?

Sometimes authors aren’t writing about orphans or neglected kids for literary reasons. Sometimes they are writing from their heart, and – in reality – I have met more teenagers who can relate to absent situations than not. Having a “perfect” family is…let’s be real…impossible. No one is perfect. Everyone is human. And families will reflect that both in life and in fiction.

The reason that parents are generally dead and/or absent is simple: it happens. But that doesn’t mean we can’t add more parents to story lines. In my little opinion, including them is just as fine as not including them as long as the author is being true to the story.

Feel free to comment below with your reasons or thoughts on this topic! I know we’ve all at least read a novel or seen a Disney movie that includes this debate, so chat away,

~SAT

When Reading is a “Fad”

22 Sep

Announcements: 

During my latest interview, I had to fight a blush when The Random Book Blogger asked me which Take Me Tomorrow character I would marry if I had to chose one. Read my answer by clicking here, or read her book review by clicking here. The Random Book Blogger shared a favorite quote from the story, so I thought I would share it, too, “Family,” Noah emphasized, “is important.”  If you want to know why Noah said this, you can check out the book here. ::wink wink::

When Reading is a “Fad”

Fad, according to the dictionary, is “an intense and widely shared enthusiasm for something, especially one that is short-lived and without basis in the object’s qualities; a craze.”

I think we can all agree that fads happen in the reading community often. Even if you aren’t a reader, popular titles have taken over the big screen. Twilight, Divergent, Harry Potter, Fifty Shades of Grey, and The Fault in Our Stars were everywhere, and even more novels will pop up in the future. Anymore it seems like most movies are based on novels, which is understandable considering most major production companies want an audience before they spend millions creating a film for the big screen, but it has only increased the visibility of reading fads. In fact, bookstores have even changed. The one near my house have an entire shelf dedicated to books for the big screen, and it includes books that are currently in the theatre as well as books that will be released as movies later this year. Someone is always standing by that shelf, and it was my recent trip to the bookstore that forced me to think about this.

Are reading fads positive or negative? Should we pay attention to them or write them off as nothing but entertainment?

That’s what I’m talking about today. Below, I’m going to be focusing on the pros and cons of book fads, including why you should stay updated on the latest and why you shouldn’t care. (Because that’s the unbiased thing to do, right?)

trending-intro-image

photo from myshopsdiscount.com

Why you should care:

For me, this is a given, but I’m also involved in the publishing world. I want to know what’s in and what readers are talking about mainly because I’m obsessed with the book market (and it is a part of my job). That being said, I want to ignore that part of my life for a minute, and talk about this from strictly a reader’s perspective. It can be fun to share reads my friends and family who also read. By reading what is “in”, I’m increasing my chances to being up-to-date in my personal life as well as my work life or just plain ol’ conversations at the coffee shop. Paying attention to reading fads can be like paying attention to fashion fads. No one wears poodle skirts anymore, but people love that side braid, so I’m going to attempt that side braid, and when I try it, I might like it, and I might dislike it, but at least the trend pointed me to an opportunity I didn’t previously consider. Not a bad thing if I actually find myself enjoying what is “in”. (And that never means that I have to give up my traditional ponytail – a.k.a. my other books – that I’ve always loved and will continue to love).

Why you shouldn’t care:

Who cares if poodle skirts aren’t in anymore? I want to wear one, and I’m going to wear it to the bookstore. (Is this metaphor weird yet?) No one has to read what everyone is talking about because we don’t have to conform to the same conversations that everyone and their cousin is having. So what if everyone cannot wait until Valentine’s Day for Fifty Shades? Good for them. I can’t wait for chocolate, and that’s me. (Okay. Not going to lie. I probably will see the movie, but that’s for the top section. Oops.) But readers don’t have to care about what’s in or what might be in or what is in the theatres or whether or not they read the book before the film or even if there is a film at all. Just enjoy the entertainment like you want to, and if someone wants to talk about the in thing, let them (or talk about something else). There’s so much to discover in the world, and who knows? You might discover the next “big” thing before anyone else knows how big it is. That makes you a hipster. (In a good way….no PBR allowed…okay. Fine…PBR allowed, but only if the bookstore is BYOB).

In the end, there are many reasons as to why one reader might enjoy keeping up with the latest trends and there are just as many reasons not to. Being a reader means the reader is allowed to read whatever they want to for whatever reasons they want to. I have no problems with “fad” readers, and I have no issues with readers who strive to avoid trending books. I’ve personally found myself on both sides of the argument only to realize there shouldn’t be an argument at all.

Reading is what we enjoy, and that is enough for me.

~SAT

10 Things Authors Worry About

20 Sep

Announcements: 

The next section of my interactive poetry series on Wattpad has begun! You can read the first poem – The grave of my teenage daughter – by clicking the link. Remember to vote, comment, and/or share for your chance to be mentioned during my next YouTube video.

In other news, Star-crossed Book Blog reviewed Take Me Tomorrow, and she included excerpts and viewpoints on the characters. Read the full review by clicking here, but here’s a small quote, “Noah was a mystery that I enjoyed unraveling. He was broken, dark and even though he never showed it, I couldn’t help but feel as though he was suffocating from having the weight of the world on his shoulders.” Click here to check out Take Me Tomorrow on Amazon.

10 Things Authors Worry About:

One of my more popular posts has always been Being a Writer: Pros and Cons. So much so that I even receive emails about it to this day – mainly from aspiring writers who want a little more detail about an author’s lifestyle. That’s why I got to thinking about this topic, and that is also why I thought it would be fun to share some of those pesky worries authors can go through on a regular basis. Honestly? I probably could’ve gone on forever, but here are ten topics I’ve had a giggle at to start the conversation:

1. Is my title catchy enough? – This is my first one because I dealt with this while writing this piece. In all honestly, this should be titled “things I worry about as an author” but…A. That’s too long. B. Using “I” is generally frowned upon because…A. It’s self-centered B. It subconsciously removes readers from the center of the piece; therefore, taking down your chances of being clicked, read, and commented on. (This is true. Google it.) And let me just point out that this is just a blog post. Titling a novel is even scarier! That’s when even more questions arise: does it make sense, does it represent my novel, will readers enjoy it, is it eye-catching, how will it look on a cover? Even worse: how will it look like on a spine or as a thumbnail? Just. Title. Me. (and by “title” I truly mean “hit”)

2. Can I stare at this picture of myself forever? – Generally in reference to whatever photo we decide to use for various purposes, including our websites, business cards, and book covers. I don’t care how awesome someone looks or how stunning a photographer makes you look, seeing the same photo day-after-day-month-after-year is really strange (and borderline creepy). It is almost like staring in the mirror too long. Eventually, you start thinking, “Do I really look like that? Is that how people see me?” Ah! I just want to hide my face in a book.

3. Are my characters (fill in the blank)? – Too happy, conceded, whiny, or – the worst one – flat. It’s this solid shadow of worry that is impossible to forget.

4. What am I doing wrong? – Okay. Okay. This is just a question that I’m sure everyone has about numerous things in their life, but I feel like this question represents so much for authors. Why are my rankings so low? Why haven’t I gotten more reviews yet? How can I connect further with my darling readers? Everything is lined with this “I know I can do better, but first I need to know what I’m doing wrong so I can improve” and it slowly becomes this obsession of Googling for advice and begging fellow authors for some sort of know-it-all secret, but it results in one thing: you’ll get better. And you slam your forehead on your desk because you know they’re right.

5. Ratings, Reviews, and Rankings (Oh! And sales!) – Even if we try our hardest to ignore them, they are often discussed within the writing community. I can admit that I try to pay attention to everything – especially the reviews my readers post, because I look at it this way: if they are going to take the time to read and review my book (not to mention send me a link), I am definitely going to take the time to read their thoughts. Thanking them is the least I can do. That being said, this combination of numbers and scales can be just as exhausting and discouraging as it can be enthralling and encouraging, so there’s definitely a careful line we have to keep in mind if we’re going to keep our minds on these things, and I definitely don’t recommend that every author pay attention to these things. It’s completely up to the author’s personal preferences, especially in terms of whether or not someone can just have fun with it. (But that’s a different discussion entirely…that I’m already planning on posting about in the near future).

for

6. What am I going to do in 2017? – Yes. 2017. I don’t know about many authors, but I think a lot of authors have year-long plans if not longer plans as to what they want to work on, release, and distribute next. While we’re publishing one novel, we’re probably already writing another one, and we might be writing a second one when we’re on break. It takes years to write and publish, so writers’ lives are generally planned out a year in advance. It can get overwhelming sometimes, especially when you want to fit in a new project or change directions entirely.

7. When will I write next? – As contradicting as this can be, a writers publication calendar can be set for a year or three, but finding time to write or edit or a number of other writerly things is entirely up to the writer and their personal life. Wait. I’m open from 3 a.m. to 6 a.m. next Thursday? Not anymore. #amwriting

8. Am I reading enough? Am I writing enough? – Reading and writing go hand-in-hand into the sunset…while riding separate horses…that sometimes like the go in different directions. Balancing two passions can be hard, sometimes impossibly difficult, but we find a way.

9. Am I writing for fun enough? – Much like the above issue, it can go hand-in-hand with simply writing, but writing with deadlines can sometimes take that original fun out of it, and even authors need to take time to write something silly they never have to worry about releasing or sharing with four editors and the world.

10. Social Media – It was the best of nights and it was the worst of nights. I love it, and – sometimes – I do hate it. (Please don’t tell social media that.) It can be repetitive, and it can be so exciting that you fall off your desk chair and your cat leaps five feet in the air due to your sudden movements. Even then, your eyes can only stare at that little glowing screen for so long before you have to step away and remember what real-life colors look like without an alien illumination behind them. I can still love how it connects me with you all, though, and I enjoy speaking with everyone in the comments below, but I also worry about whether or not you’ll enjoy my next article, my approaching poem, or my non-HD video. (Sorry, a writer’s life isn’t always a rich life. I can’t afford HD yet, even though you all deserve it!) But I try to push my worries away, so I can fully enjoy the ride.

Let’s enjoy this ride together! Comment below, and we’ll chat about what you worry about as a reader or writer. Honorable mentions go to editing, mistakes that make it through editing, and other writer problems we all tweet about.

~SAT

Coffee & Cats: Episode 5

18 Sep

Announcements:

AEC Stellar Publishing has signed a cover artist for Death Before Daylight, and if you’ve been following my progress bar on the right side of my website, then you know I’ve hit 60,000 words in the content edits. (Eeeee!)

The Timely Death Trilogy is still moving forward! And, today, The Other Side of Paradise reviewed, book 2, Seconds Before Sunrise: “Jess and Eric’s love was ever so prevalent and I became obsessed. I felt an emotional pull and fell in love with the couple’s journey. I’m not even ashamed to say that I shed a few tears. Believe me, you will become a part of this book. It is an epic story with unforgettable characters and moments that make you hold your breath.” Read her full review here, but it does include the ending of book 1, Minutes Before Sunset.

Speaking of book 1, Written Art reviewed Minutes Before Sunset, and you can read the full review by clicking here, but here’s a small excerpt, “Just enough romance mixed with danger to make me look forward to the next book in the trilogy.”

Thank you to all the wonderful readers who take the time to read and post their reviews up! I truly appreciate it. :D

Coffee & Cats: Episode 5

The day has come. After four Fridays, you have voted for your favorite poems on my Wattpad, and today, you can watch a reading of the winning poem – To the thunderstorm I used to love – but that’s not all. Below the video, I have explanations and short stories for each poem that I released as well as a link to the writings in case you missed them. I know it’s rather taboo to explain your poems, but – what can I say? – I am a taboo, so check out the behind-the-scenes if you want. (Just to clarify, even if you read what the meaning was for me, please allow the poem to still have the meaning you read it as.) I hope this also allows everyone to get to know me as a person better because most of my poems are based very much in reality.

This month – I thanked Marcia_94 for voting – and you can be mentioned next month. Just remember to vote, comment, and share every Friday when I release a new poem.

To the thunderstorm I used to love,

Opening line: you pounded me, beat the windows with your fists,

This poem is more literal than what readers would probably think. I wrote it during a thunderstorm because – to be quite frank – I have damage in my back from various car wrecks, and I’m in severe pain during rainstorms. I own a conversion table, which helps, but I still get very sad and angry during the rain, because I also love the rain, so rain and I have a hate-love relationship. I first fell in love with the rain when I lived in Georgia, but I truly did try to save butterflies from thunderstorms, and yes – they did suffocate in the cages I put them in. (I was seven. Give me a break.) But that doesn’t mean this poem doesn’t have other meanings for me. It does. But even I have meanings behind particular writings that I don’t feel comfortable sharing, and this is one of those instances.

Fukushima Daiichi

Opening line: You told us about the samurai crabs that day,

You might recognize the title, but you might not, so I would first like to clarify that Fukushima Daiichi is the nuclear power plant that had a meltdown in 2011 after a tsunami hit Japan. I was, in fact, in a Japanese history class that semester, and the day after the meltdown, my professor attempted to recruit students to go over and help. But no one signed up. And he seemed very upset over the whole ordeal. That being said, I referred to him as my “Kasa Professor” because he used to wear one of the traditional hats, and the story of the samurai crabs is actually a real legend he told us about that day, but no – no one pulled out a blunt and smoked in the middle of a lecture.

The French (History) Teacher

Opening line: You’re not actually French. You just brought in a French textbook,

This one almost won. It only lost by one comment. That being said, this is an exaggerated version of two stories mixed together. I was in high school, and I was enrolled in AP European History. My teacher collected old World War I memorabilia, and he mentioned that he would’ve loved to bring in an old gun to show us for educational purposes (it was broken, of course) and he tried to get permission to show it to us, but the school didn’t allow it. He did bring in a gas mask, and he did let us put it on, but he also tried to bring in an old history book from France, but the office wouldn’t allow that either, so he simply told us about it. After that, I was in psychology class, and we viewed a video from France that asked various citizens about World War II, and a few really did say that it hadn’t happened, so I mixed those two moments together and added a bit of Bogart. I do want to thank Antonin Tabard, my friend from France, for being so encouraging of this poem.

How She Loved Me

Opening line: After she broke her neck, the diagnosis advised her to

Again, a true story. When I was living in Georgia, my mother broke her neck in a car wreck. Yes, you can live through a broken neck, but she had to get three vertebrae fused together, and the surgery was really hard on her. This is actually one of the main reasons she was on the painkillers that later killed her. She wasn’t able to do much – like go on rollercoasters – but she took me once anyway, and it is honestly one of my fondest memories of her. I was also huge into gymnastics, and she showed me a few tricks on the trampolines. Again, despite her injuries. Of course, she shouldn’t have done this, and it’s controversial for me to say how thankful I am that she did anyway. But those are the moments I saw her laugh, and those are the few times that she truly seemed alive. Now that she’s gone, I love those memories even more. Even though I had two moments with her, they are precious instances.

I hope you enjoyed the short explanations as both an opportunity to see behind-the-scenes and maybe a way to get to know me a little bit better! I look forward to sharing more poems every Friday on my Wattpad page, and I cannot wait to create another post like this next month.

Happy reading,

~SAT

My Love Story: Poetry Edition

14 Sep

Announcements: 

Bonnie Brown’s Book Reviews posted her thoughts on Minutes Before Sunset, stating, “This was a book I slowly fell in love with. When I first picked it up, I wasn’t instantly hooked on it but as the pages ticked by I realized I was falling further and further in love with the story and characters. Until it became one of those books that you think, ‘okay, just a few more pages before work…….’. Then you look up at the clock and realize your already supposed to be at work and your still in your jammies… reading the book…~Oops~It’s one of those books.” But you can read more of her love story by clicking here.

My Love Story: Poetry Edition

I’ve been receiving a handful of messages and emails about my interactive poetry series on Wattpad, so I thought I would address my poems a little bit more today. But – first – I am so grateful that you’re enjoying my latest endeavor, and I look forward to sharing more in the near future. Many of you have asked me about my poetry – mainly regarding my voice and subject matter – and I am here to announce one thing: I will be explaining the poems during my YouTube posts, and you can expect the first post later this week. That being said, today I’m telling a story. (Because I’m still a story-teller) and that story is my love story with poetry.

When we met:

Strangely enough, it was a college breakup that brought us together. My brief breakup with fiction writing. It was the second semester of my freshman year, but during my previous semester at KU, I had taken a fiction-writing course that I was extremely dissatisfied with. So dissatisfied that I decided to reject studying fiction altogether. I was only comfortable with this because I felt like I knew enough about fiction that I could study it on my own. So I turned my attention to genres I wasn’t familiar with. I forced myself to get out of my comfort zone, and I signed up for poetry. (I would later return to studying fiction and also screenwriting as well.)

Our first date:

Oddly enough, it wasn’t in the classroom. It was outside of the classroom. Over winter break, I had picked up a few poetry books, and I was reading “Sailing Around an Open Room” by Billy Collins on one of my favorite benches in the Wescoe building. That’s when a class was released, and a woman ran up to me only to sit down SUPER close to me. (If you know me, I’m not a very touchy person, so this sort of scared me.) It turned out she was a poetry professor, and she was hoping I had signed up for her class. I hadn’t. I had signed up for another class because it worked with my schedule. She was disappointed but very glad that I was studying poetry. Her smile was the first moment I started to feel less nervous about it.

How we held hands:

Poetry Writing I by poet Megan Kaminski was the course I took, and she was kind and thoughtful and encouraging and never scary. And that was perfect because I was still sort of terrified. I had never written a poem in my life, and Kaminski promised she was okay with that. I found out that there were quite a few students in the classroom like me, and I still wonder if they giggle at our first poems as much as I giggle at mine. (I also shudder.) But we started reading poetry, and we started talking about poetry, and we started writing poetry, and we discovered so much about one another.

Oh, yes, we kissed:

I wish I could remember if it was snowing that day, but all I remember is how the poem affected my insides. It was “Sleeping with the Dictionary” by Harryette Mullen that got me. And if you read the poem, you will understand what I mean when I say I was “Aroused by myriad possibilities” that poetry gave, and I wanted to explore them as much as I could.

picture from incite faith.com

picture from incite faith.com

And soon, we fell in love:

Somewhere in that exploring I fell in love. I like to say “we” but I have yet to understand whether or not poetry can love one back. Still, I stayed, and I took more courses after that. I even attended Poetry Writing II twice. (Thank goodness KU counted both of them as credits.) And I was able to meet C.A. Conrad and talk to Evie Shockley and my class had lunch with two other poets we read about and my teacher was a poet and it was wonderful. Everything was wonderful.

Kristine

Kristine and I on her 20th birthday.

But it broke my heart:

If you’ve been with me since the beginning, then, you will remember this post – Inspiration Meet: Kristine Andersen – On October 7, 2012, my college roommate, Kristine Andersen, passed away, but you might not have known that we had taken our first class together that semester. It was my senior year, and she had just switched over to an English major, and I was helping her with her writing when she decided to join one of my poetry classes. We sat right next to each other in class, but after she died, I was terrified – so terrified – of returning to that poetry class.

And I had to heal my heart:

When I finally found the strength to return to school, I will never forget how my class still placed her chair in the circle after she died. Her chair remained there. And we continued to learn, and we continued to write, and our poetry was published later that semester in Kristine’s name, and the collection sits on my desk, and I think about her a lot – her writing and her life – and I try not to remember that this October will be two years since she passed, but I make myself remember because that is how we cope – by facing it. By writing about it. By feeling it once again. So I write a poem.

Eventually, I loved again:

I write many poems now, but it has only been recently that I have begun sharing them openly. I believe “Regretful Memories” being accepted by LALUNA Magazine has given me the additional strength and support that I needed, but this website has also given me love and courage. Writing is a journey, and we’re always learning and exploring new possibilities in order to channel our passion so we can share it fully with the world.

Poetry is one of the many ways I hope to help the world with because poetry has helped my world.

I think that is why I call it love.

~SAT

Pros and Cons of an Author Blog

12 Sep

Announcements:

It’s Friday, so you know what that means: it’s also Poetry Friday! In case you missed it, I’ve uploaded a new poem to my interactive poetry series on Wattpad – How She Loved Me. This is also the last one of this particular set. Depending on your vote, one of the four will be read on my YouTube channel, so check them out before it’s too late by clicking here.

But – in other news – two fantastic readers sent me book reviews, and my latest interview was posted, so here we here:

Tranquil Dreams wrote, “Take Me Tomorrow is absolutely impressive. It’s engaging, intriguing and is an absolute page-turner.  I took every single second opportunity to resume reading whenever I could because I just couldn’t wait to see what happen next with Sophia and Noah as the story unfolded.” But you can read her entire review by clicking here.

For The Timely Death Trilogy fans, Read Watch and Think reviewed Minutes Before Sunset: “Do not skip over this book thinking that it is another paranormal romance, if you want to read a quick, interesting plot with a whole new captivating world of shades and light. The core of the story may be romance but the book is not all about it and that makes it worthy enough for me.” Her full review can be found here.

But you can also read my latest interview at Into the Written World. I mainly speak about Take Me Tomorrow, including information on the possible sequel, but I also discussed my passion for writing and reading, so be sure to check it out by clicking the link above.

Whew! Thank you for reading today’s news. Onto today’s post:

Pros and Cons of an Author Blog

On September 25, it will be my two-year anniversary of blogging here. Over time, I have blogged about many topics, but I mainly focus on writing and reading. Because of that, I have received many questions about my decisions regarding blogging. Ex/ how do you choose what to write about, do you think it’s a good platform for selling books, how did you get 17,000 followers, what do you recommend I do? All fantastic questions. (And one of the main reasons I write Ketchup posts and provide a social media assessment through the Author Extension Community.) But today I wanted to share some of those pretty pros and pesky cons for all those that are curious about how blogging can be uplifting but also a stressful adventure – one that I will gladly continue.

Pro: You can share your thoughts

That is the point of blogging, isn’t it? Having a blog is almost like having a public diary, one that includes carefully thought-out posts (instead of emotional ranting about personal topics). Even better, we can connect with others who share the same opinion or be challenged by those who do not. It opens streams of thought from one person to another, even people the entire way across the world. How amazing is that? On top of that, you are cataloging it over time, and in the future, you will be able to go back and see what you were thinking, how you changed, and where you began friendships with readers and fellow bloggers. This is when you realize blogging is beyond blogging. It’s family-building.

Con: People may not enjoy your thoughts, and they might be really mean about it.

This is also a reference to the ever-illusive-but-always-present trolls. I like to believe that I’m fairly open-minded. I don’t mind if someone disagrees with me or a commenter, but the second name-calling or some other form of incredible immaturity happens, I delete it. (You’d be surprised to know how many times this has happened.) Call it censorship. Call it what you want. But I don’t want my blog to be a place people reference when they talk about online bullying and harassment. This means that I take an extra fifteen minutes to monitor my comments so I can guarantee a safe and happy place for everyone to come to without worry, but it was very disheartening to experience it the first few times it happened. Now, my shell is tougher, and my group of readers are (probably) happier – even if no one knows it since I delete all the evidence of my troll-destroying.

Original image from ms. ileane speaks: October 2012

Original image from ms. ileane speaks: October 2012

Pro: You connect with supporters

Everyone always says that writers have blogs to sell books, but that’s bullshit. (Excuse my French.) It’s not to sell books. It is to connect with people. It is not to connect with potential fans of your novels. It is to connect with potential supports of you. (So you can support them, too, of course.) For instance, one of my readers might HATE paranormal romance, but they may have a cousin who loves it, and since we talk, they might tell their cousin about me, but no one is obligated. I don’t expect anyone to do anything at all. I’m simply glad that my reader is here, and I’m grateful for every discussion we share, whether or not it is about my books. In fact, I had this blog long before I ever spoke to my publisher, let alone had a contract, but – Ultimately, I blog because I love to blog, and I love people, and I love blogging with people and for people. It is my other passion. It is a part of me. It is even permanently on my iCalendar. In case you’re curious, my website notes are in orange.

Con: You connect with haters

Ugh. Trolls.

Pros: You created an enjoyable platform

Again, I must repeat myself – writers don’t blog every other day because they want to sell books. Writers blog because they like writing, and blogging is another form of writing. It’s an easy way to express ourselves and connect with others who are interested in sharing their thoughts. Of course, I’m not trying to speak for every writer out there, but writing novels can (sometimes) feel like work, so blogging can be a nice way to take a break but still be involved with everything. That being said, if someone is wondering about starting one for platform purposes, I do recommend writers try it, but I don’t think it’s the end-all-be-all of an author’s social media. It is just one way to tackle it. And my final advice is this: readers can tell if an author isn’t enjoying writing a novel in the same way they can tell if a blogging doesn’t care about their post. Blog if you love it. If you don’t, find another social media venue to try. You can find one you love, and it will work. Just trust that passionate gut of yours to guide you.

Pros: A never-ending array of topics await

There is so much to talk about! Like, so much. And this is coming from someone who strictly focuses on anything to do with writing and reading.

Cons: A never-ending array of topics await

But sometimes, I feel like there are so many things to talk about I cannot decide what to speak about next. This can be overwhelming, and there are other parts that can be overwhelming, too. The amount of time that goes into every blog post builds up, and reflecting on it can be…well…exhausting. But so can novel-writing. So it’s easy to remind myself of my love for it (which might be why I wrote this specific post in the first place).

On September 25, it will be my two-year anniversary of blogging here, and I love it more and more every day. I want to thank all of you for following me. Every time you read, comment, and share, I smile with gratitude, which is why I add this.

You are my biggest pro.

What are your pros and cons of blogging? Share your thoughts below,

~SAT

When Characters Say Too Much or Too Little

6 Sep

Announcements:

I have a couple announcements today. First, I would like to thank The Opinionated Woman’s Musings and Books for Fun for nominating ShannonAThompson.com for the Lovely Blog Award. I nominated six blogs on my Facebook page to keep it going!

In other news, P.S. Bartlett interviewed me, and we discussed my writing process as well as how my works differ from other words in my genres. Check it out by clicking here. I also did another interview with The Examiner, but I will be talking about that today. So let’s get to chatting!

… 

When Characters Say Too Much or Too Little

This is actually inspired from one of my latest interviews. If you haven’t had a chance to read my interview with The Examiner, here is the link, but in case the link doesn’t work, we spoke about topics in Take Me Tomorrow that I didn’t write about in great detail despite the fact that it is a huge factor to the setting, time, and lives of my characters. If you’ve read even the back cover of Take Me Tomorrow, you know there was a massacre prior to the story taking place. After the massacre, the State – a.k.a. the government body – enforced stricter rules on the citizens to prevent another violent uprising. That being said, Take Me Tomorrow is told from one perspective – a 16-year-old girl named Sophia Gray – and she doesn’t get into much detail about the massacre. The Examiner asked me why, and I explained in our interview:

‘I wanted to show more information on the massacre, but Sophia was very young and still is when the novel takes place, so it didn’t come naturally,’ Thompson says. ‘I thought about 9/11 when I considered the event. I was 10 when that happened, and it took me many years to finally grasp it or understand the importance of the event, but I definitely didn’t understand it when it happened. So I took that approach with Sophia.’

I would also like to add that if a sequel is published – which is up to the readers – the massacre as well as many other questions will be answered, but in terms of Take Me Tomorrow, readers are right. I didn’t explain it in great detail. But there was a reason behind my decision as well as many other decisions I made, particularly with Noah telling the story. Although he did in the original version, I had to cut his voice, because of many reasons – the main one being that it isn’t his story. It’s Sophia’s – but the secondary reasons revolve around his character. (Spoiler alert) When he’s on drugs, his voice makes no sense, and when he’s sober, he tells way too much information. Like way too much. Like the ending too much. Mainly because he can see into the future. But that’s another aspect entirely.

So where am I going with this?

Authors are often struggling with characters. We love them, but the characters – not the author – are in charge, which means they make decisions we don’t like, but we ultimately accept them because they are the ones telling the story. There are four instances that authors deal with in terms of characters, and those four things are listed below.

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Sometimes characters don’t want to talk

I’ve mainly had this problem with my dual-perspective novels. I’ll wait for the boy to talk only to realize he is just not interested, and then, I realize I am going to have to write the entire novel from one perspective. But – eventually – he pops up, and then, I have to go back and add him later. Worst case scenario, they never talk at all, and I struggle to find a way to get around it or to coax them out. But I’m sure many authors have dealt with this, even labeling it writer’s block. I like to call it character’s block – because it’s them, not me – and I wait patiently for them to get over whatever is blocking them. Yes, I realize these are people in my head, but trust me when I say – sometimes – they won’t even talk to me.

Sometimes characters want to talk too much

This is when authors start screaming, “Shut up! Just. Shut. Up. You cannot tell everyone who the murderer is on the first page. Idiot. Then, we don’t have a story.” It happens. Oh, it happens. A character wants to give away everything the second they get a chance to speak. But it can be an easier problem to solve. A simple, “Hold back a little bit.” can solve everything, but it is still difficult when a character insists on exposing information an author wasn’t planning on telling until the end. Most of the time, I bite my lip, listen to the character, and hope they have a reason. They normally do. That being said, I have had to censor a character here and there for giving too much away too quickly. We need some suspense, after all.

Sometimes we (authors) force it

When I say “force” – for once – I don’t mean this as a bad thing. Sometimes, authors get lucky. We find spots that we can slide information in without having to destroy our character’s honesty in the process. I am referring to characters finding newspaper articles or television sets explaining certain events that characters might not understand. This helps because an “outside” source can explain what is happening without the character necessarily being involved. That being said, we don’t try to create these moments. If they happen naturally, fantastic, but we also don’t want to rely on these at every moment we are tempted to do so. (Because we are oh, so tempted.) But this can often lead to info-dumping or other uncomfortable circumstances if authors aren’t careful.

Other times we (authors) don’t force anything

This is what happened with me in Take Me Tomorrow. I could’ve forced information in, found a way to blame the information on the surroundings, but I realized many things when I contemplated that: The State wouldn’t leave documents of the massacre laying around for a 16-year-old girl to get her hands on. (That’s why the only info she does receive is from her father.) The news wouldn’t talk about it, and even if they did, Sophia spends too much time out in the woods to watch the news anyway. She might be oblivious to some of the political situations, but she is 16. Not only is she busy being 16, but she is busy surviving in her environment. Worrying about her dad, Lyn, Falo, and Argos is more important than understanding something that happened when she was 12, even if it was only a few years ago. I also had to keep in mind that she wasn’t directly affected by it at all in terms of her comfort zone (her family and friends.) If she had been, I would’ve been looking at a different situation. So I left it out because Sophia would leave it out. That being said, she is a different person at the end of the novel, and she might figure these things out in the sequel if it happens. But refocusing on not forcing it: sometimes characters need to be true to themselves, even if it is slightly destructive to the story. I don’t regret not having this information involved because I know that I was true to the circumstances, to Sophia, and to the world she lives in. And that isn’t destructive at all.

Sometimes authors have to make big decisions, but most of the time, characters do that for us. We just have to accept it and do the best we can do with their decisions.

Have you ever had these issues with a character? Experienced character’s block? Ever wondered why a character didn’t say something earlier on?

Talk about it below!

~SAT

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