Tag Archives: author

How I Use Social Media as an Author

2 Aug

Social media is generally seen as a must-have nowadays for creatives. Some writers love it. Others hate it. I find most fall somewhere in between. Which is why I wanted to talk about it. 

Being online can certainly come with its pros and cons. I have days where I love the connections I make and the information that I learn—and I have days where I feel how much of a time suck it can be. (Not to mention the dreaded imposter syndrome.) That said, I learned a long time ago that you must treat social media like a job. That often means adjusting your approach, researching new options, and paying attention to stats. 

Here are the main platforms I use in the order that I prioritize them and why (and a few tips along the way). That doesn’t mean this will work for you. It’s just to show you why I chose the platforms that I’m on and how I utilize them to the best of my ability. 

First and foremost, I recommend utilizing a third-party scheduler. I use one for every single platform that I’m on. I typically use the one integrated into the platform, which is why I’m putting this at the top with no specific name. For Twitter, I use the “Schedule Tweet” feature. For Instagram, I use the Later app. For Facebook, I use the Creative Studio. And so on and so forth. Scheduling saves me a lot of time and effort (and it prevents me from spending all day online). I highly recommend it! There are third-party schedulers that will cross-post on multiple platforms, but I’ve found those to look clunky and less than ideal on certain places. (Ex. An Instagram link will post on Twitter rather than the photo.) 

Finally, I’d recommend having an easy-to-remember, relevant username that is consistent across all your platforms. I use @AuthorSAT. I could’ve been @Coffee&Cats23, but that name doesn’t tell people what my platform is about. Make yourself easy to look up, and connect all your platforms on your website.

Without further ado, here are the specific platforms I use: 

TwitterI’ve met some of my best writer friends on Twitter, and I’ve also come across hundreds of writing opportunities on there. If you’re a writer, Twitter is the place to be. That said, more writers are leaving Twitter than ever before, too, so that may change in the near future. For now, I really enjoy my interactions. I aim to tweet at least once a day, and I log in twice a day to respond to interactions or DMs. Overall, considering the trend of leaving Twitter, I think Twitter is a lesson in not putting your eggs in one basket. What’s in one day could be out the next. So make sure you have 2-3 platforms that you use throughout the year. Be authentic, and honor the 80-20 rule. (20% or less of what you post should be about your products.) 

InstagramI’ve definitely ramped up my Instagram as of late. (Like, really recently.) It used to be a place where I periodically posted what I was reading, but as of January 2021, I realized that I truly enjoy the photo-focused feed. I like to take photos, so it seemed like a natural fit. I also find it a lot easier to interact with writers and readers on Instagram, rather than just writers on Twitter. 

FacebookI admit, I neglected my Facebook page a lot in 2020, but now that I’m back on schedule, it only takes me a minute to copy and paste my Twitter/Instagram posts onto the Creator Studio in Facebook so that it shares on there, too. And that pays off! I’m actually getting a lot more interaction on Facebook than I ever expected. So much so that I’m considering spending a lot more time and effort on there rather than other platforms. This might be because I mostly focused on Facebook when my novels were releasing a number of years ago, so I have a lot of readers who’ve actually read my work on there. It’s hard to say. But I’ve enjoyed it, and I find it much easier to keep the page going with fun memes and book/writing discussions than other platforms that favor more independent content. 

WordPressObviously, I’m using WordPress right now to write this blog post. I’ve been on here since 2012, and my blog has gone from posting every other day to once a month to today’s schedule of every first and third Monday of the month. I love blogging. When I first started, a lot of others did, too. I admit, blogging has since fallen out of favor—and that might’ve been one of the reasons I stepped back—but at the end of the day, I love blogging, so I am going to continue to do so. Weirdly, statistically speaking, my views haven’t dipped much at all. It’s the interactions that have slowed down. It can be discouraging, but I am trying to give myself more room to do what I want to do, and blogging is one of those joys for me. 

MailchimpI have a newsletter that I send out four times a year. It used to be more, but with no book news, I think four times a year is enough (for now). My newsletter includes an exclusive sneak peek at my WIP, giveaways, secret writing tips, and a behind-the-scenes look at where I’m at in my writing career. I love this newsletter, and I look forward to the day I can send it out more often! Just need to get that book deal first. 😉 I recommend every author have a newsletter. It might not feel necessary now, but you’ll be grateful that you have one when you need to share exciting news and you don’t have to depend on social media feeds to favor you that day. 

GoodreadsAs a writer, I’m also a reader, and I love nothing more than tracking what I read. Goodreads has been that place for me. I don’t necessarily use it to interact with folks, but I do notice readers who follow me elsewhere liking and commenting on my reading updates. To me, it seems that readers enjoy seeing what authors are reading. It gives us something to fangirl over together, and to me, that’s precious. That said, if you are an author, I would discourage you from writing reviews, especially poor reviews. I only rate my favorite reads with five stars, and that’s it.  

PinterestI mainly use Pinterest for writing planning. I love nothing more than pinning inspirational pictures to secret boards for WIPs I’m still dreaming about. But I also use it to share blog posts. No matter where your content is, make sure you’re sharing it on other platforms. One of my biggest articles on this website is because it became a popular “Writing Tips” pin that still circulates today. If you can create custom images for Pinterest, even better. But I don’t have enough time for that. I just pin the image of the article and make sure to use good SEO. 

LinkedInI certainly use LinkedIn more in my library career life, but I also have my blog synced with my LinkedIn, so every post on here goes directly to that website. It’s a simple way to spread content without much hassle, and it works! I get a dozen or so views from there every time. Again, make sure you’re sharing your content on other platforms and not become siloed.  

WattpadI’ve been on Wattpad for years now. My novel, Take Me Tomorrow, actually started as a Wattpad book, before it was published by a small press that later closed down. When that press closed down, I decided to put it back on Wattpad rather than try to get it published elsewhere. It’s a fun place to share stories that you don’t plan on pursuing traditional publication with. I now have Take Me Tomorrow and Took Me Yesterday (book 2) on Wattpad for readers to catch up on, as well as some Bad Bloods prequel stories that die-hard fans can check out. But again, I wouldn’t recommend posting any work that you plan on pursuing traditional publishing with. Only side stories. And those definitely come last on my radar. My books that I am pursuing publication with must come first. But having a piece that I can share with readers is really delightful since I’m in between publications at the moment.

Of course there are plenty of other socials out there. TikTok is on the rise, for instance. I actually have one, but I’ve only used it to watch. I also used to have a YouTube channel, and it’s still up, but I haven’t updated it in years. I just didn’t have the time, energy, or technology to make that platform what I wanted it to be. And that’s okay. 

I’m a big believer in being on the platforms that you love the most. I also believe you should be spending more time creating art than talking about it. So, writing comes before socializing online. But that’s just me. 

For those of you who love stats, I thought I’d share my biggest referrals to my website: 

My biggest referring to my website by far was Google, and then the WordPress Reader. After that, in order, I have Twitter, Facebook, Pinterest, Instagram, LinkedIn, with others’ blogs scattered in between. Interestingly enough, these are a different order than what I prioritize. But that comes down to one fact: These are just referrals to my website. Of course WordPress Reader would be at the top, because my website itself is a WordPress site. That stat may seem interesting, but it doesn’t show how many people find me on Twitter and go to my Facebook or Amazon page, or vice versa. 

Basically, keep your stats in mind, but also trust your gut. You may not be getting the whole picture through behind-the-scenes numbers.

I actually wrote about this in July 2014, if you want to see how my socials have changed. Here’s that post. If I were to sum it up, I actually used to spend a lot more time online being social. Mostly because it was my day job at the time and I had books actively releasing. I didn’t like Twitter much, mostly because my timeline was full of spam in comparison to today, but I’ve definitely started spending more time on what I want to do rather than what I think I should be doing. 

How do you use social media as an author?

~SAT

Want an Accountability Partner? Consider This First.

19 Jul

Maybe you’ve heard of accountability partners. Maybe you’ve considered getting one. But what is an accountability partner, really, and how do you get someone to help?

For those of you who aren’t familiar with the term, “accountability partner” is teaming up with someone who will keep you accountable for your writing progress. For example, your friend may check in with you every Tuesday to make sure you’ve written 1,000 words that week, and if not, you may jump on Zoom for a quick write-in.

Accountability partners look different to everyone because every writer has their own unique goals.

It may include critiquing, or it might only be a verbal check-in. The partnership can go both ways or not. Your accountability partner might not even be a fellow writer. Finding what works for you is what’s key.

Here’s how I set up my accountability system without anyone but me knowing.

As of late, I’ve spent most of my writing time revising rather than writing a first draft. That said, I have a hard time concentrating on one novel at a time. On any given day, I tend to have three going: One I am revising, one I am writing, and one I am dreaming about (or outlining). That way, I have different projects for different energies. (If I only revise, I lose my motivation fast.) But working on three separate projects doesn’t come without difficulties.

How do you know you’re writing enough? What time do you dedicate to which project? When will you get it all done?

These were questions I had to ask myself. When it comes to revising, I know that I need to get it done as fast as possible, but I also need it to be quality edits, not just speed. That’s why I put most of my energy into that project. That said, I know I need to honor some creative/writing time for myself. If I don’t, I get burnt out. Nevertheless, it’s easy for me to forget that and fall into a responsibility trap, where I end up drained and frustrated.

This was why I knew I needed to make a specific, time-set goal around creative writing.

That goal? Every month, I will write two new chapters for my monthly critique group.

Sometimes I send more if they have the reading time and I had the writing time. But I tend to only manage two chapters. That’s about 20 pages. It’s very minimal. But guess what? It’s better than nothing. Believe it or not, by the end of the year, I tend to have a full-length novel.

But do my critique partners know about this? No, not really.

Here’s the deal: I don’t have accountability partners in the traditional sense. No one is going to email me and say, “You told me you’d have X done by this date, so where is it?” The way I approach it is a lot more light-hearted.

No one in my group knows that my goal is two chapters every month. No one gives me a hard time if I don’t meet that. But every month, my iCalendar bings the week before our meetup and asks me if my pages are ready. If they aren’t, I focus solely on those pages until they are good to go.

For me, accountability is about giving yourself permission to set everything else aside to focus on that one time-set goal you promised yourself.

It’s investing in your work, your future, and your writing. Finding a pattern that helps you do that is key. Sometimes discovering that requires help from a friend or a family member (or an alert on your calendar). Don’t be afraid to ask those around you if they’d be willing to check in. That said, I’d recommend considering your goals before you talk to others. That way, you can tell them what you need.  

My advice?

Set a small writing goal, but don’t forget to consider your accountability.

I will write (# of words) every (time: month, week, etc.) for (my critique group, my website, myself).

If you’re feeling really brave, add stipulations: As I approach my deadline, I will set aside (TV, other projects, dessert) until I complete it. I will also not hesitate to ask for help on (laundry, dishes, childcare, etc.) if I need extra time.

Lastly—and as always—it’s okay to adjust your goals.

Even your accountability partner will understand if you say you can’t write the same amount of words in the fall as you can in the spring. Life happens. Don’t punish yourself for not hitting your goal. Instead, ask yourself why. Are you being too hard on yourself? Are your expectations too high? Adjust your word count or time, and try again.  

It took me a long time to find my happy place with creative writing vs. revising, but I would never have found it if I hadn’t adjusted along the way.

For instance, I used to write 10,000 words a week. That number makes me gasp now. With a full-time job, a house to take care of, and the understanding that I need more time to be human, I’m nowhere near that output anymore. And that’s okay! I have new goals now. And with those, I am staying accountable.

What about you? Do you have accountability partners?

~SAT

Looking Back on my Pantser Novel

3 Apr

“Are you a pantser or a plotter?” is a common question writers hear. Why? There’s something inherently interesting about how someone turns a blank page into a 350-page novel. Sure, it’s easy to say that one word after another leads to a sentence, which eventually becomes a chapter, before those chapters build a book. But there’s so much that happens in between all that. 

Writing a novel is not a linear adventure. Even for a plotter—and take it from me who is a writer who normally has a very, very detailed outline from the start—unforeseen plot twists can throw the entire plan off. An edit letter can trigger a domino effect that tumbles your entire house of cards. Part of the fun is rebuilding your piece over and over, until you have finally found the story it was always meant to be. But this process can also drive you mad. 

Cue the time I decided to be a panster. 

I actually wrote a short blog about this a little while ago. You can catch up here: Finishing My First Pantser Novel

Basically, a few years ago, I was pretty fed up with writing and decided to tackle a “for-fun only” project to take out all my rage in. I had no plan, not even an idea of what I was doing or what my story was trying to say. But before I knew it, I had decided to pursue it seriously, and by the time I finished a first draft, the book was a mess. One that I confidently felt I could polish and fix, because—and I wish I was kidding—I took notes while pantsing. 

To be honest, I severely underestimated how much polishing it needed. I was used to fixing books that had a solid plan from the beginning, not books that were messy from so many angles even explaining it made my mind spin. With my outlined books, a list of notes absolutely helps me revise fairly quickly. With my pantser novel? It honestly became more of a mess. 

Overall, I think this is where my issue began. My issue is that I tackled editing and revising my pantster novel the same way I tackled editing a novel that I had plotted. Looking back, it’s no wonder I got stuck so many times. In fact, I actually put this book down twice—once for over six months—before I got to the point I’m at today. (Did I mention my wonderful beta readers? I had eight people total helping me revise it, including my agent. That’s a lot more than my usual 3-4.) 

To be honest, I’m still working on this book. I’m on the fifth major overhaul and in the last 100 pages. For the first time in a long time, I’m feeling good about it again. I’m excited for what it’s become and how it’s going to read from now on. 

If I could go back and redo my approach, I’d probably throw out the entire first draft and rewrite what I could recall. (I forget which author famously does this, but it is a method I have yet to try. Maybe one day!) If I had done this, I think I would’ve boiled down the substance I needed to keep (and delete) much more effectively. 

Will I pansted a novel again? 

Probably not one I will pursue seriously. Then again, that’s what I told myself last time…

Have you ever pantsed a novel or attempted outlining when you’re not used to it?

I’d love to hear about what you’ve learned along the way!

~SAT 

P.S. I am still moving! Basically, we bought a house in March, and we’ve been using the entire month to renovate. (So. Much. Paint.) I’m really excited though. We’re actually putting in the last of our flooring today, so I’ll be physically moving our belongings over soon. Hopefully by next month we’ll be all settled in. ❤  

How to be Flexible with Writing

6 Feb

“How do you have time to write?” is probably in the top three questions I get asked, and I always answer the same way: I don’t have time to write. I make time to write, and I remain flexible. What works one year may not work another year. But if we dive a little deeper, flexibility with your schedule is just one aspect. You should also learn how to be flexible with your writing. 

Flexibility with your writing means you can easily shift from one project to another, even when it wasn’t in the plans. 

Why is this important? 

Whether or not you are traditionally publishing or self-publishing, there’s going to be times where you’re in the middle of writing your urban fantasy and get notes back from your agent/editor/audiobook narrator that means you need to focus on your murder mystery right away. Why does this happen? Working on the next piece while subbing/publishing another one is common practice, and it’s inevitable these two pieces will collide on your calendar. 

Woman in yoga pose
A quick yoga break helps me, too!

Learning how to pivot from one WIP to another with ease will help you be more productive (and hopefully make the process less stressful and more fun). 

Just last year, I was writing an adult fantasy while getting beta reader notes back on my adult science fiction and waiting for the go-to signal from my agent to revise a totally different adult science fiction piece. I’m constantly hopping from one project to the other. It’s been difficult at times, but I’ve certainly learned some tricks that make it easier. 

Here’s some quick ways to help with flexibility:

– Pinterest mood board: quickly scrolling through my inspiration reminds me why I love it and what the tone is. 

– Playlist: Even if you don’t listen to music while writing, try to make a playlist that you associate with your WIP. Maybe you use it when you’re brainstorming. Maybe you only listen to it as you sit down at your computer. Even better if they have totally different sounds. Five minutes of sensory encouragement can make all the difference! 

– Speaking of sensory help: Candles! I am in love with candles. I always have a candle on my desk. It’s my splurge. I actually use two different ones right now depending on the book I’m writing (and they’re both almost out!) Weird way to see how much time I spend on a book, but it certainly helps set the mood. I have a campfire one for my book that takes place in autumn and a fresh one for the project that takes place in winter. It’s calming and energizing. 

 

– Make a plan before you pivot: This is probably the biggest tip that has helped me. Before I leap out of a project to tackle another one, I open a new document and summarize everything I’m thinking/feeling/planning for the next scene. In fact, it’s almost so detailed that I only need to fill in a couple lines of prose to write a whole new chapter. It helps me feel more comfortable when I come back (and confident right away)! 

Finally, setting boundaries and expectations is important!

Right now, I’m in a monsters in space revision (the fifth revision)! I finally hit a spot where I know things are going to get difficult, so I stopped. It was an excellent place to take a break, clear my head, and work on something else. I’m now jumping back into the first draft of my monster murder mystery academia book. Two totally different tones and settings. The genres aren’t even the same. But I know that I stopped right before my midpoint chapter, and I left myself a ton of notes so that jumping into that scene will be as easy as cutting butter. When I get back to my monsters in space revision, an outline of all the major changes I want to make is waiting for me. 

Granted, any day I could get notes back from someone and have to pivot again, but I am ready. I know where and how to make clean breaks, and I’m comfortable with returning whenever I can. 

I hope these tips help you, too!

~SAT

P.S. I’ve added a new page for book clubs & teachers! It includes fun questions to lead a book discussion about Minute Before Sunset, book 1 of the Timely Death trilogy. There’s also a fabulous lemon bar recipe, in honor of Mindy Welborn who constantly bakes these throughout the series. If you’d like me to stop by your book club or classroom virtually, be sure to use my contact page! I’m happy to if my schedule allows.

Writing Method: Two Steps Forward, One Step Back

2 Jan

With the New Year upon us—HALLELUJAH—I know many of you are gearing up to tackle your 2021 goals. Whether that’s to finally finish that WIP you’ve been working on or to start writing a novel for the first time, I thought I’d share a new writing method I’ve been using to crank out more words than I have in a long time. 

It’s what I call the Two Steps Forward, One Step Back Writing Method.

You might be able to guess what I do just by the title, but a little background first. 

I’m constantly trying to find ways to better my writing. I read craft books. I study writing tips. I play with new tenses, POVS, age categories, and genres. I love to challenge myself. But sometimes I can get caught up in all the writing advice and lose sight of my own knowledge, specifically my gut instinct. 

One example is my writing output. 

Three years ago, I used to revise while I was writing, but then a writer friend of mine talked about how they finished first drafts so much faster if they just kept going. I took a hard look at my own productivity and realized I could benefit from the same method. I’d work on the same section for weeks—only to completely cut it by the third or fourth draft. What a waste of time, right??? 

Wrong. 

Despite finishing my first draft so much faster when I ignored revisions on the first go-around, I got stuck pretty quickly. In fact, I printed it out, readied myself to revise it into a second draft, and completely froze. Despite keeping an organized list of revision notes while I was writing, I was immediately lost. I forgot what certain notes meant. Some notes canceled out other notes. I couldn’t find notes I swore I took down. I didn’t know where to begin or even if any of it made sense anymore.

Cue the panic. 

Once I put my Imposter Syndrome aside, I realized that I wasn’t so organized, after all. (And admittedly, that book is still not where I want it to be.) That said, I’m really glad I tried the no-revising method. It helped me face the fact that I would get too caught up in perfectionism in a first draft and, regardless of how I felt about not revising while writing, that part of me had to change. I didn’t want to fall back into the pits of perfectionism. I knew I had to find a balance.   

End of story: Not revising at all while drafting wasn’t working for me, but neither was revising whenever I felt like it.   

I needed to find my rhythm again—a new one that worked for me that embraced all I had learned from my recent experiences. 

So, on my next WIP, I tried an experiment, and I found a happy medium that became the Two Steps Forward, One Step Back Writing Method.  

Basically, I let myself write 2-4 chapters at a time. Then I stop and reevaluate what I created. Did all go according to plan? If it didn’t, why not? What did I learn? What was unexpected? How does that change where we’re going? 

If I spot something in that window that I realize I want to adjust, I allow myself to go back, but only if it’s in that 2-4-chapter window. Anything outside that window I jot down for my first major overhaul. 

What I’m left with is a piece I’m feeling more proud of and less notes for future me. It was a little less confusing for my beta readers. (Yes, I share my first drafts with betas, but that’s another story for another day.) 

I truly enjoyed creating it, and I think I’ll stick to this method for a while. 

Who knows? Maybe you’ll love it, too! Maybe you won’t. 

Either way, don’t lose sight of what works for you and your book. It might change from project to project, or youmight change from project to project. What’s important is that you’re learning and enjoying the process.  

You can always find that happy medium. 

~SAT 

P.S. I’m teaching Starting a Writing Project for The Story Center at MCPL on Wednesday, January 13 at 6:30 PM (CT). The event is virtual, completely free, and open to anyone in the world. I’d love to see you there! 

2020: The Strangest Writing Year (Hopefully?)

19 Dec

Every year I like to reflect and talk about expectations, goal-setting, writing life, changing trends, etc., and as strange as this past year has been, I still want to keep that tradition going. That said, looking back, January feels like it happened three years ago, not eleven months. In fact, right at the beginning of 2020, I taught my first writing course—Starting a Writing Project—and over 40 people attended. I was super proud. Still am! But seeing photos of everyone crowded into one room has me reeling now. 

That’s why I decided to name 2020 the strangest writing year. Not only because it was absolutely bonkers (and still is), but because current events have also shifted our way of thinking about other times. They’ve also affected us emotionally, physically, and spiritually, too. For me, spiritually has more to do with energy levels. You know, keeping your hopes up. Holding onto focus. Maintaining a level of discipline and using your energy to keep on keeping on. 

That was hard this year. But I’m choosing to focus on the positive.

When we went into lockdown in March, I thought Kansas City would be back to normal by June, August at the latest. Well… I’m still working from home, and I barely leave my home office. Sharing my workspace with my writing space has certainly taken a dent on my productivity, but going virtual hasn’t been all bad. In fact, my virtual world is pretty neat. I attended WriteOnCon, the Kansas City Writing Workshop, and YALLFest online. I also taught my first writing class online for Woodneath Writers. More regularly, I attended virtual write-ins with friends in California and Canada! I also continued to see my two local writers’ groups every month via ZOOM. 

my life pre-lockdown teaching to a crowded room vs. my life after lockdown at virtual write-ins

In my spare time, I also wrote an article for my local SCBWI scribbles newsletter, and later that year, I was the local author feature. Even more mind-blowing? I was chosen as a co-mentor in Pitch Wars with long-time CP and friend, Sandra Proudman. Only three years ago, I was submitting to Pitch Wars as a hopeful mentee, so being able to give back to that is so much fun. (Fun fact: Sandra and I actually met because of Pitch Wars.)  

At work, I was awarded Maggie Jackson Community Spirit Award for helping The Story Center at Mid-Continent Public Library go virtual. It’s the first time I’ve been awarded anything. It was a true honor. I’m so proud of everything my team and I were able to do for The Story Center and our customers during the lockdowns. In fact, I recently got to watch 21 of my students complete the Storytelling Certificate Program (which is currently free, virtual, and open to anyone in the world). What a way to celebrate all their hard work!

In personal news, I got engaged! My partner and I have been together for almost nine years now, so this is an exciting step for us. We’ve been house hunting, too, which is fun and new to us. I also became student debt free this year, which, if you remember my post from last year, I never thought I’d get to see that day. I am so relieved. And happy. (And absolutely still rooting for student loan forgiveness! It’s such a predatory system, and I hope others get forgiven soon.) 

In publishing news, I went out on sub with my agent, and I’m soon to go back out on sub in the new year. 

Over this past year, I sent my first-ever adult science fiction novel to my agent and started an adult fantasy novel. Since then, I’ve completed one major overhaul of my adult science fiction book and I’m currently working on revising it some more. I also revised a totally other book, too (which is what we’re going out on sub with)! In regard to my adult fantasy book, I’m currently 40,000 words in. I also played around with four new ideas and even received some feedback from an editor through SCBWI on my first middle grade verse novel!

That said, this environment definitely took a toll. I used to write about 10,000 words a week pretty consistently, and that did not happen for me this year. Between adjusting my day job and just life in general, my overall productivity was down, but I’m pretty happy with what I managed to cover this year. (Also a little sad I didn’t complete anything brand-new, but I did what I could.) 

I have no idea what 2021 will hold. Then again, I never know what the next year will bring. 

Maybe 2021 will be stranger. Maybe good-strange. Maybe not. 

All I can do is keep writing, keep trying, keep dreaming.

My only goal? To do the best that I can!

Here’s to 2021,

~SAT

If you’re interested, here’s my previous years:

Teachings from my Twitter Poll Story

17 Oct

It was noon, the sun was high, and I was standing on my back porch trying to get some fresh air during my lunch break when I heard strange music coming from the woods behind my house. Naturally, my imagination ran off with dreams of fairy parties and otherworldly adventures. It was a brief moment of respite in today’s ever-changing environment. 

Which is probably why I tweeted about it. 

(Okay, so I tweet about everything, but I digress.)

If you follow me on Twitter @AuthorSAT, then you’ve probably seen my Twitter poll story. If not, no worries! Here’s a link to the first part to catch you up. 

What is a Twitter poll story?

Basically, I write a little scene within Twitter’s 280-character limit that also sets up a question for readers to answer via poll. It’s reminiscent of the Choose Your Own Adventure stories that were really popular in the 90’s and early 2000’s. The biggest difference is that you don’t have to write the endings for the other choices; you only follow the path that the majority wanted to see. It reminds me a lot of RPG (role playing games) I’d play with my friends when I was young, or stories that we would take turns writing. (You email me Chapter One, I’ll then write Chapter Two, etc.)  

Writing those stories with friends used to bring me a lot of joy between classes in school, which is probably another reason I decided to run with this online. (A little bit of nostalgia goes a long way.) What I didn’t expect was to learn more about storytelling, reevaluate a current WIP, and have in-depth discussions with my writer friends—all topics I wanted to share with you all today.

There’s something to be said about being able to summarize your next plot point in 280 characters or less (and 2-4 choices in less than 25).

Every time I sat down to write the next scene, I really had to ask myself what could realistically happen next while also weighing its overall importance. If it was too easy to write, then the scene probably didn’t have enough risk. If it was too difficult, then I was probably getting ahead of myself. It definitely made me think about fluff. This goes for choices, too. 

Once I started expanding the story, I realized I wanted the votes to be as close to 50-50 as possible. Why? Well, mostly because it’s more exciting! The choices a character must make in a book should be difficult. Readers should be able to believe the character would make both choices, and those choices should make it so that they can’t go backwards and redo it. Basically, this is a great way to double check that your characters have agency. (They should be happening to the story; the story shouldn’t be happening to them. Though, it’s totally fine if a few scenes mix it up.) I only used two choices throughout this particular story, but I might try 3 or 4 next time!

In fact, I’m currently using this method to try and smooth out an outline for my new WIP.  

It’s been a lot of fun! And really insightful, too. 

My imagination can often get bigger than the story truly needs, and this has helped me make hard decisions about efficiency. It was also really fun! 

The most unexpected lesson? A story can benefit from playing into the readers’ desires. Not everything has to be shocking or a fresh, new twist. Sometimes, giving in to what the reader wants can be just what a story needs to feel alive again. In regards to poll stories in particular, involving readers can also be exciting. Along the way, I had a few readers comment with advice for the characters, and bringing them into the character’s thoughts made it feel like the readers were inside the story. (If only there was a way to do this with novels! If I ever get a series deal, I’m totally doing a giveaway for a character to be named after a reader. That’s a promise.)  

My Twitter poll story also caught the eye of some writer friends, and I was asked some questions that I thought would be fun to share:

  • How did you plan it? I didn’t! Not at all. I literally posted the first tweet from real life, and then just ran with it. I never wanted to get ahead of myself, because readers genuinely chose paths that I didn’t think they would follow (which was so fun to see)! 
  • What was the hardest part? Keeping my eyes off Twitter! Seriously, I was having so much fun, I just wanted to spend time on Twitter all day. 
  • Any tips for starting my own? Have fun. Make sure you can post around the same time every day, so that readers know when to check in for the next poll. I post on my lunch break M-F, and let each poll run one day. Let readers know when they should expect an update.

I hope you try this exercise with your WIP. If you create an online poll story, be sure to tag me @AuthorSAT! 

I’d love to follow your poll stories, too. (And vote!)

~SAT

Speaking of voting, the election is coming up! PLEASE VOTE.

2020 Author Goals

4 Jan

2019 is over, and honestly it feels like a blur. 

I know this post is going to seem like a hard brag. I promise that isn’t my intention. I accomplished a lot this year, but I can’t say that I allowed much happiness into my life, especially toward the end of 2019. The beginning felt like a lot of highs: New job! An agent! Another birthday! The end felt like a lot of lows: My cat’s health problems. My health problems. Student loan problems. My depression. 

I’m still in a depression fog at the moment. I won’t lie. I had a really difficult time even stringing together this blog post. At the same time, though, that’s why I forced myself to write it. 

We need to take a moment to acknowledge all of our hard work. 

Today, I ask you to join me. 

Grab a pen and paper. Think of everything you did in 2019, and write it down. Leave nothing out. Include all the things, even the little things others might consider insignificant. With every bullet point you add, really think about all the help you received, the support, the encouragement, the opportunities, the sacrifices, the dedication, the passion. Have you thanked these people? Have you thanked yourself for trying? Have you allowed yourself the space to celebrate and be happy? 

In 2019:

  • I was promoted at the library to Story Center Program Manager. Now I’m surrounded by storytellers all day, and I absolutely love it! 
  • I guest spoke at numerous teen writing groups at various libraries, my local chapter of SCBWI, and at Writers United for Johnson County Library
  • I also had my first school visit, ever
  • I was chosen for a mentorship through Science Fiction and Fantasy Writers of America 
  • I got a literary agent! 
  • I also went out on sub with my agent. 

Capture

Photos show my writing retreat, finishing a WIP, releasing a book on Wattpad, my first school visit, and my new job, which included hosting a publishing panel at Johnson County Library and meeting Janet Evanovich!

But that’s not all! I released Took Me Yesterday (book 2 of the Tomo Trilogy) on Wattpad after readers kept asking for it for five years. I attended two conferences, went on a writing retreat, hosted #BeMyLi, was included in YASH twice, and attended my local critique group every month. (Not to mention exchanged pages with online beta reader friends all year long.) And I tracked my progress. 

I began 2019 with 26,996 words in a YA science fiction novel. I was also, 55,623 words into a revision of my historical fantasy. 

I end 2019 not only with a completed version of my YA science fiction novel, but a majorly revised and polished version, too. I’m on sub with a different science fiction novel, and I finished revising my historical fantasy as well. I even started a new project! And I’m brainstorming even more. 

In 2020, I already know that I’m teaching my first writing course. Only in a few days, too. (If you’re in Kansas City, join me for Getting Started on a Writing Project.) I’ll be teaching my first publishing course in April during Publishing Week at the Library. I also have plans to attend the Kansas City Writing Workshop and the LitUP Festival. And I’m sure there’s more to come: more firsts, more rejections, more congratulations, more plot twists, more tears, more laughter. 

I know this because I’ve written articles just like this one for the past four years:

And every year, I read each one in rescinding order. 

This year I didn’t know if I wanted to write this article. I didn’t think I could. But after reading my past posts, I remembered why these have become so important to me. I can look back. I can remember. I can put it all in perspective. 

Right now, my 2020 perspective is hopeful. Grateful. Humble. 

I promise to try my best to be my best self: as a librarian, an author, a cat lady, a friend. 

I promise to continue.

What do you promise? 

~SAT

My Favorite Books of 2019

7 Dec

According to Goodreads, I’ve read 98 books this year, and it was the year of the audiobook! My new job requires a lot of driving around to various library locations. I’m often spending 2 hours on the road, an hour there, an hour back. I’ve really embraced my time in the car by listening to audiobooks, mostly nonfiction (because I have the hardest time listening to fiction? Is that just me? I love reading fiction, but it doesn’t seem to stick when I listen to it. Anyway…)

Just like last year, I wanted to share my ultimate favorites in each category. These books didn’t necessarily release this year. I just read them this year. If you want a complete list of books I read, check out my 2019 Goodreads challenge. Also, follow me on Twitter! Every day in December I’m sharing a book I read this year and why I loved it.

I hope you find something to read!

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Favorite Picture Book

Mr. Fuzzbuster Knows He’s The Favorite by Stacy McAnulty

What can I say? I’m a sucker for cat books, especially black cat books. But really, this is an adorable book. The artwork is clean, crisp, and fun. Plus, there’s all sorts of pets in this book, so if you have a little one who love animals, this is a great one.

Favorite Middle Grade

Tunnels of Bones by Victoria Schwab

This is book #2 in the Cassidy Blake series, so definitely check out book #1, City of Bones. It’s about a girl who can cross the veil between the living and the dead, with a plot twist. Her best friend is a ghost! And she travels with her ghost-hunting parents to various famous locations for spiritual activity. It’s spooky and fun. I cannot wait for book #3.

Favorite Book Told in Verse

Other Words for Home by Jasmine Warga

This beautifully written book is told from the perspective of a young girl who must leave Syria. While she’s in America, she must cope with her family left behind, the new family members she lives with, and culturally differences. It’s really powerful, and I encourage everyone to read it.

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Favorite Graphic Novel

They Called Us Enemy by George Takei

This is such a powerful (and important) graphic novel. It’s technically a nonfiction graphic novel, too, which is a genre on the rise, and I really enjoyed reading this. It’s a real-life account of George Takei’s childhood spent in a Japanese internment camp in the United States. What I found especially powerful about this graphic novel is how Takei decided to stay in his child’s mindset, showing how he perceived his reality and what was happening to his family. It’s very touching and absolutely disturbing at the same time. I also enjoyed the artwork and the few notes Takei included to explain what was actually going on. Both of his parents were amazing people, but I really remember his mother from the graphic novel. She was a saint.

Favorite Adult Fiction

Vigilance by Robert Jackson Bennett

I’m a huge fan of TOR, and this is one of their recent releases. It’s very, very short, so if you want a quick read, I recommend this one. It’s a future America, where everyone is pressured to carry firearms with them. (Your life is your responsibility.) To remind citizens of this, America hosts a gameshow where they randomly orchestrate mass shootings. That’s all I’m going to say. The book is absolutely politically charged and very heavy, despite its short length, and I found myself thinking about this book for months after reading it. To be 100% honest, I wouldn’t say it was one of my favorites while I was reading, but at the end of the year, when I was reflecting on everything I read, I didn’t forget this one, and I wanted to desperately to talk about it again. If that’s not a win, I don’t know what is. That’s why I recommend this one.

Favorite Adult Nonfiction

In Praise of Poison Ivy by Anita Sanchez

This category was arguably the hardest one for me to pick a winner. 2019 truly was the year of adult nonfiction. I read so much of it, and I’m only starting to read more. There are a bazillion books I wanted to put here, but in the end, In Praise of Poison Ivy stayed with me the longest. Why would I read about poison ivy, you ask? I mostly picked it up because I was rewriting my botany-focused books and wanted to expand my knowledge. And I couldn’t put it down. The history of poison ivy – how it was discovered, why it was spread world-wide, which famous figures in history wrote about it – is fascinating. I honestly couldn’t believe everything I learned in this book. Plus, now I have tons of home remedies for poison ivy.

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FAVORITE YOUNG ADULT CONTEMPORARY

Doomsday by Katie Henry

This book is about a girl who believes the world will end one day, and she is ready for disaster. She doesn’t like to call herself a prepper, so I won’t either. In the end, though, I really loved this book. Honestly, it was a book I could’ve used as a teen. It has some great conversations about anxiety and mental health, and I really appreciated it. There’s also aspects of religion (particularly Mormonism) that you don’t typically see in young adult novels, as well as conversations on homelessness and generational trauma. It’s a bit long (over 400 pages), but I thought it was well worth the read.

FAVORITE YOUNG ADULT SCIENCE FICTION

Contagion by Erin Bowman

Technically, I wanted to nominate both Contagion and its sequel Immunity for this category, but the second one would’ve forced me to talk spoilers, so I thought I’d focus on book 1. This book is amazing. It takes place in space, but isn’t too bogged down by science, and it’s full of action, plot twists, and terror. I was legit scared while reading parts of this book, and that never happens. I loved everything about this book, but I don’t want to say too much, because I think it would spoil some of the experience. Just know that you’ll be terrified and thrilled while reading if you love science fiction and are okay with being scared in space.

FAVORITE YOUNG ADULT DEBUT

Frankly in Love by David Yoon

This book is incredibly sweet, also very honest. It follows Frank Li, a Korean-American teenager, as he navigates dating with his parents pressuring him to date a Korean girl rather than his American girlfriend. But he is navigating so much more than that. I highly recommend this book. There are so many layers, I can’t even get into all the characters. I picked it up thinking I was reading a love story, when I ended up crying over his family’s relationships. It’s a very touching book, about family, friends, loss, and culture.

Biggest Surprise

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The Kingdom by Jess Rothenburg

I love young adult fantasy and science fiction. It’s sort of my thing. So it might come as a surprise to many of you that MY biggest surprise was a YA SFF crossover, but I’ll explain. THE KINGDOM was heavily marketed as HBO’s West World for young adult readers. And I admit, I am not a fan of West World. (What?! I know. But I digress.) I LOVED this book. It takes place in a Disney-type theme park, where patrons are invited into a princess-filled world to fulfill all their dreams. Except there’s been a murder. And we’re reading the book from the potential murder’s perspective. Also one of the robot princesses. There are so many awesome plot twists in this book, subtle nuances, and conversations on AI, freedom, and dreams. I loved everything about it. I felt so immersed in the creativity, and the time shifts from after the murder to the times leading up to the murder kept me captivated until the end. So good!

MY ULTIMATE FAVORITE

American Royals by Katharine McGee

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If you’ve been following me for a while, this might not be a huge surprise for you. I’m a HUGE fan of Katharine McGee. The Thousandth Floor trilogy has a place in my heart as one of my favorite light sci-fi series. This is her newest series. It follows multiple characters just like her last series, but this time, it takes place in an alternate America, where America has a royal family. The drama is there, the tension is unbreakable, and the plot twists keep coming. I love how McGee always makes the worst possible thing happen to her characters right when you think they might get a chance at happiness. It’s such a guilty pleasure, and I didn’t put this book down once. I cannot wait for the sequel. I am DYING for the sequel. I need it now.

I hope you enjoy the reads!

What were your favorite books this year?

~SAT

How I Revise My Novels

3 Aug

I talk a lot about writing, creating, marketing, editing, etc. But I haven’t specifically discussed the revision process. But isn’t revising and editing the same thing, you ask. No, not really. Though the lines can definitely blur, revising is a stage that comes before editing. Revising is knowing what to keep in your work, what to cut, and what to adjust; editing is making all of those changes pretty. You’ll do a ton of both during your writing journey, so I wanted to discuss how I revise my novels.

I have three main revision stages:

  1. Major Revision
  2. Beta Reader Revisions
  3. Final Revision

So let’s go through them one by one.

The Major Revision:

After the first draft, I start my “major revision,” which is basically a giant rewrite. I used to be a big believer in outlining, but the more experimental I got with my writing, the more I realized my outline was holding me back. I was always trying to force my characters to do what they needed to do, not what they wanted to do. Nowadays, I still rely on a basic outline, or what I refer to as my road map. (I know where I’m starting, where I’m ending, and a few pit stops in between, but I mostly let the book lead itself.) Granted, this method definitely creates a lot more revising in the end. In fact, there’s enough revising needed that I’ve also stopped going back and revising as I write. If I did that, I’d constantly be going backward. Instead, I jot down notes as I go and let it go until the end. (No point in making sense of it until I have all the puzzle pieces, right?) In my WIP, I have editing notes on almost every chapter; on top of that, I keep two documents: To-Do Editing and World Building Needs. These will anchor me when I’m finished and need to organize my thoughts. At the end, I look at all my notes, probably take even more notes, and revise. A lot.

Beta Reader Revisions:

I tend to send my work to beta readers after I’ve significantly revised. (More on that later.) Right now, I have 2 or 3 different groups of betas I work with. Typically, my in-person writing group here in KC gets my work first. (Enter revision.) After that, I send it to 1-2 trusted online friends. (Enter another revision.) Then—and I don’t always do this as much as I wish—I try to get the opinion of a non-writer. During these various stages, I might send the work back to the same beta numerous times. If that’s the case, I love to work in revision mode on Scrivener. (Or Track Changes in Word.) That way, it color codes what version I’m on, and they don’t have to re-read my whole manuscript.

RevisionMode

I’m actually not revising in this scene. I’m using revision mode to organize my thoughts. I love color-coding everything.

Instead they can read the color-coded parts and give me feedback on those. Though, to be honest, I typically use the revision mode during writing by myself too. (There’s also a handy screenshot button that lets you keep various versions of the same chapter in one place…but I’ll stop advertising for Scrivener now.) The key to working with beta readers is finding ones that are compatible with your work and your style. That doesn’t mean you connect with someone who praises everything you do; rather it means that you have an understanding of their goals and know how to approach each other in a positive, constructive way. If you don’t vibe with someone well, that’s okay. Move on. Find someone who works well with you. Two amazing writers can be in the same room; that doesn’t mean they’d make good beta readers for each other. (Or, as my father says, two great people can be in the same room; doesn’t mean they should be married.) And you want a marriage…er, a long-term partnership.

Final Revision:

Once I get most of my revisions done, I take a HUGE break. And I mean significant time away from the manuscript. This helps clear my mind. Without that, I’ll probably make the same mistakes I’ve been making in the past. You want to come at your project with fresh eyes. Once that happens, I focus on a basic read through, and I make no changes. Instead, I put sticky notes on places I want to make changes with later. (Yes, I tend to print out my manuscript. I know, I know, what a waste of paper. But this goes back to getting fresh eyes on everything. You’ll see things on paper that you can’t see on a computer screen.) Here’s a photo of my manuscript I worked on with my agent.

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If you didn’t catch on, I love office supplies. (Seriously, there’s nothing better than fresh pens and paper and Sticky Notes.) In case you’re curious what you’re looking at:

Blue = grammar

Orange = plot I know I need to fix

Pink = other things I want to consider

Green = current reading place

I actually go back and fix my grammar first. But that’s because I have so little to fix at this point. (I work on my grammar during the beta readers stage.) After that, I’ll tackle the orange and make an outline of each issue. Once I have a list of page numbers, I’ll fix each problem at a time. That way I know what the rhythm is like and I have my obvious problems out of the way by the time I move into pink. “Other things I want to consider” tend to be strange bits of info that caught me off guard during my initial read through. Something I wasn’t expecting but something that I might want to reconsider. The possibilities are truly endless, but this is another reason to come at your work with fresh eyes. You might realize you accidentally left something from version one of your book’s world building in the current script even though it no longer matters (or, worse, isn’t true anymore).

Now these stages aren’t necessarily taken so cleanly. My latest piece for instance? I started taking the very first draft to my writers’ group, no revisions beforehand. Why? It felt right to me, and sometimes (okay, all the time) you gotta go with your gut. In this case, I wanted to revise as I created. I think a part of the reason this happened was because I began this book for fun. I literally never thought I’d pursue it seriously, so I had no plan, no outline, no road map. It’s been really exciting, but also very challenging. Having beta readers help along the way was the right move. My point being, of course, is that just because you find a revising style that works for you doesn’t mean that you won’t adjust your own methods from project to project.

Be honest with yourself while revising. Find others who will also be honest with you. And revise as many times as your writing heart can take it (and then a few times more).

~SAT

P.S. I recently made the leap and decided to pay WordPress for the premium edition, so you shouldn’t have to see any more ads. I hope you enjoy the cleaner look! (The ads were really starting to bug me.) If you see an ad, take a screenshot and send it to shannonathompson@aol.com. Because they def should not be there.

P.S.S. I also decided to shut down my editing services. After six years of editing, I came to love so many of y’all’s work, and I will forever be a fan. (Shout out to C.E. Johnson, Steve Ramirez, Grant Goodman, Rich Leder, Kristin and Ryan King, and so many more.) I didn’t make this decision lightly. Between my new job at the library and my new goals with my writing career, though, I just couldn’t keep up with the quality and demand anymore. I know this is the right move for me (and for my authors), but my little editor’s heart is sad. I’m sending good vibes to all my authors out there. Thank you for trusting me with your words all of these years. ❤ It was an honor.

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