Tag Archives: Authors

Writing with a Motivational Calendar

13 Apr

My life has changed quite a bit over the past year. Between moving and starting (two) new jobs, I’ve had to adjust my writing life and the way I think about my writing life. As many of you know, I currently work full time at the library and then work part time as a freelance editor. Suffice it to say, I don’t have a ton of time to pursue writing, but I try not to let that get me down (because I definitely don’t have extra time to feel down about it either, though it happens from time to time).

So what does a full-time working adult do to feel like they’re still pursuing their writing dreams?

Well, write, of course, but I also keep a motivational calendar.

What’s a motivational calendar?

Technically, it could be whatever you want. Mine, in fact, has changed over the years. A couple years ago, for instance, I liked to have a “future” motivational calendar. Meaning, I would write down goals for that week, and then get it done. Now my calendar is focused on the past. Every day, I take the time to record everything I did to pursue my writing goals. Mostly, I write down my current word count, how many queries I sent, how many writing-related jobs (such as a literary internship) I applied for, and other miscellaneous info. I also make sure to outline where I started on Day 1 and then I update that info on the last day. That way, I can see progress. Oh, and my favorite part, I highlight major accomplishments, like a full request from an agent. 

Here’s a snapshot of my January calendar.

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Since it’s small, here’s some facts. I started 2019 with my WIP “The Girl With The Thousand Faces” being 26,996 words in first draft/plotting. At the end, it was 31,533 with significant world building being finalized. My other WIP “The Pharaoh’s Daughter” started at 53,633 in its second draft. It ended with 81,938 words and completed. In that time, I also applied for four jobs and sent out five queries on my YA sci-fi “Immersion.” Most exciting of all? I received a full request from an agent for “Immersion” and won the Secret Agent contest with my historical “The Pharaoh’s Daughter,” which also resulted in a full request from an agent. (P.S. Both are still pending, so keep your fingers crossed for me.)

It might seem tedious or silly to keep track of all the ways you pursue your dreams, but to me, it keeps me motivated. It helps me remind myself how hard I am working – that I haven’t given up my writing dreams because X, Y, or Z in life – and that I will keep trying. Plus, it’s easy to forget all that you do on a day-by-day basis, and by having a physical representation of it, you won’t forget. You’ll know how hard you work (and also know it’s okay to take a break). You might notice, for instance, that I don’t write every day, or do anything some days. And that’s okay. 

One word at a time, one day at a time, right?

Oh, and one more note of importance.

My calendar is definitely cat-themed.

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~SAT

 

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My Average Day as an Author

2 Feb

Despite tons of movies and books revolving around authors and publishers, the life of the average author is still pretty mysterious to most. Why?

  1. Hollywood never gets publishing right. Ever. This is the one fact agents, editors, publicists, and authors agree with.
  2. An author’s journey to publication is unique, VERY unique, and authors’ lives reflect that.

Being an author is hard work. And most authors—yes, even famous New York Times bestsellers—can’t afford to be full-time writers without someone else supplementing their income, health care, etc., and even then most of us have day jobs or a side hustle or both! I could go on and on about the different types of author lives I’ve seen out there, but I thought I’d share mine instead.

So what’s my average day as an author like?

Morning: Time to get up and go to work

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Also, my co-worker got me a desk blanket, so I stay warm all day.

Yes, I work a full-time day job. I currently work in marketing for the Mid-Continent Public Library. Basically, I study our demographics and choose programming that I think would best suit our community. I also change out displays, research tools we could utilize, and work on desk serving the community. (Librarians have to be super flexible. You go wherever demands are needed, and that changes any given minute.) It’s an 8-5 instead of 9-5 (because librarians don’t get paid for their lunch break at my location), so I actually spend a minimum of 45 hours a week at work. That being said, I love my job. It’s pretty fulfilling.

Lunch Break, a.k.a. Precious Writing Time

At my day job, we are required to take a one-hour lunch break (again, not paid). Which is fine with me. I spend about 15 minutes slamming whatever meal-prep nonsense I made the night before, and then I spend the rest of the 45 minutes writing whatever I can in my book. I actually just hit my first 10,000 words accomplished on my lunch break alone, which felt like a huge stepping stone for me. If the writing isn’t working that day, I spend my lunch break writing blog posts (like this one!) or updating my author website, scheduling social media posts, checking my e-mail, reading my beta partners’ latest, or editing work for my clients. Clients, you ask? Yes, I have another job on top of my library job. But I’ll get to that in a minute.

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Finishing Work

Sometimes at work, I get to process books, which basically means checking returned books and giving them the all-clear to go back out on the floor. My work is nice enough to allow us to listen to podcasts or music during these shifts. (They don’t happen every day, but I thought it important to mention since I get some work done during this as well.) Basically, if I’m lucky enough, I can listen to a writing podcast or a podcast focusing on my current research. It helps catch me up some weeks, not going to lie. Also, I’ve learned to love processing as a reader. I stumble across all kinds of books I never would have found on my own, and it’s broadened my reading spectrum like no other. I read more adult books than ever before, and it’s nice to have a reprieve from YA every now and then.

After Work to Bedtime

I drive home, generally listening to more research podcasts. If errands need to be run—groceries, gas, etc.—they’re typically done here. When I get home, it’s time to feed the cats, clean the dishes, make dinner, meal prep for the next day, exercise (or so I tell myself), and get to bed. Very rarely do I have the energy to write during this time frame, but I usually have the time to read. I catch up on my latest and head to bed, ready for another day.

So what about my weekends?

04cc48864d346eebfdf2a4d7e6747617On Saturdays, I spend the entire day working on my services. Between editing during my lunch breaks and editing all day Saturday, I spend about 15-20 hours per week editing. Sometimes more, sometimes less. I won’t lie, I considered shutting down my services when I started my full-time job, but I just couldn’t. I love editing too much, and I have a number of clients I love to work with over and over. (Shout out to Steven Ramirez, C.E. Johnson, Grant Goodman, J.N. Colon, Rich Leder, and more! Seriously, check out their books. They are all so talented.) At the end of the day, editing is still one of my passions, and I want to spend time working with authors on their novels. Not going to lie, though, while I’m editing, I spend time catching up on housework. (Those dishes and laundry won’t clean themselves.) And I drink a lot of coffee. Obviously

I take Sunday off. No emails. No editing. No writing. I even try to refrain from social media. It’s time to spend with family without distractions. And then, Monday starts the chaos all over again.

That’s my average author life.

I work one full-time job and one part-time job, but I try to fit my author life in with everything else.On average, I work 60 hours per week. I may not have the most writing time or personal time or TIME, but hey, I’m doing the best I can every day. Every novel was written one word at a time, just as this blog post was, and I’m about to put more down after this!

Fun fact: I’ve actually covered this three times in the past, because my life has changed that much. If you’re curious, this is what my life was like as a night-working full-time freelance editor and publicist in 2015, and here’s my post in 2013 that covered what my writing life was like as a full-time college senior working part-time at a publisher.

So what’s your average day as an author like?

~SAT

2018: The Year of Writing Limbo

29 Dec

Last year I wrote this article—2017 Wasn’t My Writing Year—and I talked about failing my top three goals. Those goals were wanting an internship at literary agency, working for a library, and signing with a literary agent.

Every year, I write an article like this. But this year, despite struggling to find time to blog, I had to make myself follow up about this year. I mean, come on, I succeeded at one of my major goals! Two months after my past article, I was hired by the library, and last month, I was promoted and became full time. In regards to my other goals, I actually had the opportunity to speak to two literary agencies about internships this year, but with all my life changes going on, I had to back out. But hey, I’m still in contact with them about a future opportunity once life settles down.

This year, I didn’t make any goals for myself.Mainly because I realized how hard I was on myself last year due to the goals I created. In fact, I took a long, hard look at those goals and realized I shouldn’t have goals with uncontrollable results. Ex. “Signing with a literary agent” shouldn’t be a goal dependent on one year. The goal should’ve been “finish writing that new book,” or “query X amount of good fits this summer,” or “take a query workshop to improve your skills.” So, yes, signing with an agent is still a dream of mine, but I’ve learned how to redefine my goals overtime.

So what did I do this year to achieve my dreams?

To be honest, I barely wrote. I sent out a limited number of queries. I didn’t have a single publication come out for the first time in six years.

I could concentrate on the negative, or I could concentrate on this:

I was hired by the library, one of my dreams, and I was promoted eight months later. We moved into a better, healthier house and neighborhood, and my health is improving. I was featured in YASH (the Young Adult Scavenger Hunt) twice! I was invited to speak and sign books at the LitUp Festival, a YA festival run by teens. They were amazing, and I had so much fun. I even got to meet one of my memoir heroes, Ishmael Beah. Clean Teen Publishing released  Bad Bloods: November Snow as an audiobook, narrated by Jonathan Johns, and Minutes Before Sunset also released as an audiobook, narrated by Sarah Puckett and Steve Campbell. They were a blast to work with. I also signed books at the Local Author Fair here in Kansas City, and saw my books in a library for the first time. And I never stopped writing. I finished writing my first historical fantasy during NaNoWriMo, worked on lots of beta reader notes, beta read many books myself, and began writing my next sci-fi.

2018 highlights

So you know what? I did just fine, new publications or not, agent or not, internship or not.

I did my best every day, and I’m going to continue doing my best every day, and I feel pretty good about it in retrospect. Now, to be kinder to myself on a regular basis. I think I’d be a much happier, healthier person.

This is my only goal for 2019.

~SAT

Can Someone Steal Your Book Idea?

21 Apr

Can someone steal your book idea?

I tend to find there are two responses to this question:

  1. Absolutely! YES! Someone did that to meeee!
  2. NO WAY. Never happens. It’s impossible, because your idea can only be written by you.

To be honest, I think both of these answers are a little too black and white. If I had to share my opinion—which, obvs, I am—I believe “stealing an idea” lands somewhere in the middle of these two responses.

What do I mean by that?

I mean that I agree with both of them. Because, yes, someone can steal your idea. If you hand them your pitch or outline or character sheet, those people can take it and do something with it. Granted, now siding with the second answer, no matter what that person does with your idea, it will never be exactly how you would’ve done it, so one way or another, they will make it their own.

Publishing crimes 101

So is it stealing?

I DON’T KNOW.

I think this is one of those gray, really uncomfortable areas of publishing that many people tiptoe around because they are afraid of looking paranoid or offending others or causing an uproar, but why can’t we talk about it? Why can’t we talk about the fact that this does happen sometimes?

When I was younger, lots of writers were on Wattpad; many of which did blatantly “borrow” premises or literal lines from one another’s work without permission. In fact, sometimes I think this happens a lot when writers transition from writing fan fiction to writing something independent of other works. Fan fiction can be a fantastic place to learn about the craft of writing, but it is one of those blurry places. So is “inspiration.” For instance, we can be inspired by another tale, and recreate it into something new.

We never call a fairytale retelling stealing for a reason. That’s because those writers are making that tale their own. It’s unique in the way they reconstruct the story and how they tell the story throughout the piece. But what if someone took Harry Potter and retold it? Would everyone be okay with that? I think it would depend on how similar the two pieces were and what was changed. And to be honest, it wouldn’t surprise me if we see something like that happen sooner rather than later.

So let’s talk about those blurred lines. You know, the ones that happen when #PitMad tweets suddenly seem the same, or how similar novels get sold to different editors at the same time, or how novelists will use current best-sellers as influences when writing a piece. We could get into trends and talk about how publishing is still a business and la la la. But I could go on forever about that, so I thought I’d share a story of my own.

I’ve had something like idea stealing happen to me before.

About two years ago, when MSWL was first taking off, I had my first manuscript I felt was ready to query to agents, and I found a new agent on that hashtag that I thought was a good fit. I sent her my work. She loved the sample pages and requested more, and then she asked for an R&R, outlining what parts she liked and didn’t like. I rewrote, but it still didn’t work out. Not a big deal, right? Right. I totally agree that we weren’t a good fit for one another with that manuscript. However, to my surprise (and a bit of horror), when I logged into Twitter that evening, she had tweeted out a near-replica of my manuscript’s pitch to MSWL. Long story short, another author out in the Twitter verse responded to that sort-of-mine-pitch (seriously, I wish I could explain how close it was, but just trust me, it was unbearably close), and she signed that author who later went on to get a three-figure deal in less than six months. Granted, the book releases later this year, so I have no clue just how similar it is. I doubt it’s that similar. That’s not what bothers me. What bothers me is that I felt like there was a direct violation of author-agent trust. She shared my pitch without asking me, end of story.

So did that agent steal my idea? No, not really. Because she didn’t go and shop my story pretending she had written it. She simply reached out to others who happened to have a similar idea to mine already written. But was it shady as hell? Yes, I think so. To this day, I have anxiety around MSWL because of it, even though it was one instance that I doubt would happen again. In fact, I still sent my next manuscript to this agent, because she asked me to send her my next piece. Her response? Form rejection. But did she tweet out my new idea on MSWL? No. How do I feel now? Still a little weird about the whole thing, I won’t lie, but I don’t think any of it was that personal either, even if it feels that way some days.

Sometimes many of us have similar ideas at the same time. Why wouldn’t we? We all live at the same time in this weird world, often influenced by the same constructs (whether it be celebrities or politics or social scandals). So, it shouldn’t be a surprise when a dozen, if not hundreds, of writers are writing similar stories. To be honest, I think this is what happens most of the time. We share our idea, someone already has a similar idea, and we automatically think they stole it rather than thought of it themselves. But there’s truly no way to prove it. And that’s why this topic is such a sensitive, slippery slope.

The masses in publishing have deemed this sort of claim as immature rubbish, but I think that’s super harsh. After my experience with having my pitch shared without permission, I felt a little violated. I actually stopped participating in many Twitter events for most of last year because of it. But then, I realized that I let this one shady experience ruin all the fun times I was having with other writers. So, I started to share again, and I am having a blast.

If someone “steals” my idea, fine. I have plenty more, and so do most writers. In fact, I think writers really need to keep that in mind when considering if someone “stole” their idea or not. Most of us already have too many ideas in our own heads to have time to consider other people’s ideas. Also, most writers need to feel passionate about something in order to write 80,000 words or more, and then rewrite it over and over and over again. “Stealing” an idea is probably the last way to become successful. Why? Well, A) It’s not your story, and B) You will eventually burnout, or C) The publishing gods will sick writing-idea demons on you, and you will forever be on the ominous blacklist.

Okay. So maybe not that last one. But you get what I mean.

Someone “stealing” ideas is probably very rare, but if you’re feeling that way, take a few breaths and reflect on if it’s truly stolen, and if so, don’t let it get you down. You thought it up. You planned it out. You can still write it. At the end of the day, your story will always be your story. 

Besides, your voice will be how you tell your story. And no one can steal that.

~SAT

 

Why Some Books Resonate and Others Don’t

31 Mar

I’m here to tell you why some books resonate and others don’t. Why? Because so many publishers/agents/editors are out there searching for the next big thing, and many authors are trying to become that. As authors, sometimes we stare at three or four different projects and wonder which one we should work on next (because we want to know which one would be more successful), and if we somehow knew how to predict that, we could cut back on a lot of work stress (and readers could get more books they love).

So how do you know which books will resonate?

Short answer: You don’t.

But the long answer?

There are numerous “reasons” a book will resonate with millions (or even hundreds) of people, but I put the word “reasons” in quotes for a reason. Most of these reasons are theories. Even if we do “know,” it is not necessarily a fact. Confusing? Stay with me. We’re going to talk about it.

Let’s start with the obvious place. The dreaded M word: Marketing.

It’s easy to see popular authors and their huge marketing budgets and think, “No wonder they are so successful! Who wouldn’t be with a billboard on 5th Ave?” But let’s chill out for a minute. Most authors started somewhere small. Most authors, even the current NYT bestsellers, did not get a huge budget on their debut. Their publishers decided to use a huge budget after the sold well the first time. Granted, marketing definitely has an effect, but it’s not the end all be all. Thousands of books get huge marketing deals a year but still don’t become the franchises everyone on the team was hoping for. Some books get very little marketing budgets, but then ARCs go out in the world and readers start clamoring for them and publishers have to rush to get a bigger budget behind it. (A great example of this is Wintersong by S. Jae-Jones. She talked about it on the Pub(lishing) Crawl podcast, so go check it out if you want to hear that story. It’s very informative.) Basically, having backing will definitely help get your books in front of readers, but that doesn’t guarantee those readers will fall for the hype.

So now let’s look at books that did succeed.

Twilight! The Hunger Games! The Harry Potter series! Fifty Shades of Grey! Do you know what these books had in common? Lots of rejections. Lots of closed doors. Lots of what ifs. So clearly, “predicting” the books that will succeed is not obvious, not even for the professionals.

Some of the biggest books of our recent times were not expected to be HUGE hits. But there are some reasons that they succeeded that we can discuss.

So Twilight didn’t just have great timing; Hollywood had great timing too. It was arguably the first time Hollywood acknowledged the potential of a female-focused film fan base and they ran with it. Harry Potter, on the other hand, was a book that resonated with everyone between the ages of 8 and 50+, so it was another perfect option for the books-to-film boom. Not to mention all the new tech, with graphics making chasing sci-fi and fantasy films better than before. Granted, these books were already super popular before they were films, so let’s talk about The Hunger Games, because I think that one has an interesting study behind it. 

Looking back on The Hunger Games boom, many theorists believe it took off because it was published at the same time that the teens reading were the same people who were in middle school when 9/11 happened. And I think that study might be spot-on. (I say this as someone who fits into this exact category.)

Teens at that age in that time were searching for books that explained war and government and tragedy, and The Hunger Games gave not only a safe place to explore those themes but a modern place. What do I mean by “modern”? We all grew up on The Giver and Logan’s Run and all the other dystopian classics, but The Hunger Games was the brand-new dystopian my generation was itching for.

But again, that’s just a theory.

Maybe it was just a fantastic book, but there were millions of fantastic books that came out that year that didn’t take off the same way, so I tend to agree with some theories presented.

Timing is everything, and yet timing is rarely predictable.

Lots of editors and agents and publishers and authors want to have great timing (or think they know what the next trend will be), and maybe they’re right, but no one has ever predicted the HUGE breakthrough sellers with extreme accuracy.

To be honest, sometimes I don’t know if there is a reason to it. Everyone says retrospect is 20/20, but maybe we only say that because we can look back and justify the path that it took, rather than truly understand how that path happened in the first place.

At the end of the day, I look at book sales the way I look at my blog posts. I can’t tell you how many times I’ve researched and spent hours on one blog post that goes nowhere, while in comparison a blog post I slapped together last minute pulled in hundreds more viewers than I ever expected. I can try to track it as much as I like. My website host will show me where my posts are shared (Pinterest, FB, etc.) and what was Googled to get others here, but even then, most of the stats are nonsensical at the end of the day.

Sometimes things just resonate, and sometimes they don’t, so what I do?

I stopped worrying about what resonates with others and started focusing on what resonates with me.  

As the author, if I’m not enjoying what I’m writing, I know my readers won’t. The first step with any book is to write what you care about first. Finish that. And then worry about editing and getting a publishing deal.

Maybe your next piece of work will resonate with the world. Maybe it won’t. But at least you know that it resonated with you. And if it resonates with you, trust me, it will resonate with someone else out there. So if I would leave you with anything, it’s this:

Write what you want to write, always.

~SAT

P.S. I’m in YASH Spring 2018 this year! If you don’t know what that is, it’s the Young Adult Scavenger Hunt, and my post goes up April 3. This also means my usual blog schedule is getting moved around a bit. I hope you’ll stop by on April 3, because there’s tons of prizes to be won. My regular blog posts will return April 14! 

I’m a Writer with Imposter Syndrome

17 Mar

I have imposter syndrome. For those of you who don’t know, imposter syndrome “is a concept describing individuals who are marked by an inability to internalize their accomplishments and a persistent fear of being exposed as a fraud.” At least according to Wikipedia. (And, yes, I see the humor in starting this article with a quote from Wikipedia, but they honestly had the best to-the-point definition I could find, so…)

I’m surprised I haven’t discussed imposter syndrome before. Or maybe I have and it was archived at one point. Either way, it’s time to discuss it, because imposter syndrome is awful.

Imposter syndrome can also make you feel like you’re not yourself, that you’re hiding something, that you’re failing, hard. But hopefully this will help!

I tend to get imposter syndrome for two reasons:

1. I haven’t had a lot of writing time

This is actually my #1 reason. When I don’t have a lot of time to write, I don’t feel like a writer. I mean, writers write, right? (Say that ten times fast.) While, yes, writers definitely write, that statement bothers a lot of writers, because it puts an unnecessary pressure on them to always be writing, and that’s not always the case. Some writers write every day, sure, and that’s awesome! But some writers only write a few days a week. Or only once a week. And that’s awesome, too! Heck, I know published authors who tend to write-write (meaning putting prose on paper) only a few months out of the year. The other months are strictly for other types of writing (outlining, discussing ideas, researching, etc.). Whatever works for the writer and allows them to meet deadlines (and hopefully feel creative and happy) is what matters. But that doesn’t mean we writers don’t have moments where we don’t feel like we’re doing enough, where we don’t feel like enough. Believe me, I’ve been there. In fact, I’m feeling that way right now. (I’ll get to why in a minute.)

So my tip if you’re going through this: While you’re running errands or driving to and from work, really consider why you don’t have time to write. Do you actually have time that you can clear out on your schedule or are you going through a life change? Don’t be too hard on yourself either way. It’s okay to acknowledge that maybe you have been neglecting your craft. Admitting it is the first step to finding time again. If you haven’t been purposely neglecting anything—and your schedule is just rough—consider whether or not it’s temporary. If it’s temporary, relax. Get done what you need to get done. Communicate with agents, editors, publishers, etc. about what is going on in your life and see if anyone (like betas) can help. If it isn’t temporary, try to figure out what you can give up in your schedule for writing. Maybe you don’t need to watch five television shows a week. Instead, reward yourself with the whole season once you finish your first draft. Tah-dah!

 2. I’m pushing myself too hard

Now this is the other reason I get imposter syndrome. If you didn’t notice, it’s basically the opposite reason I listed above, right? Sort of. Sometimes they can go hand-in-hand. How? Well, because I might be pushing myself too hard somewhere else in my life (and still not getting writing time), and when I get exhausted, I get a little irrational. I start thinking there is 24 hours in a day. What do I mean by that? I mean that I forget basic necessities need to be done in 24 hours. You can’t pack all 24 hours with things to accomplish. You also need to sleep, to eat, to breathe. Pushing myself too hard can mess me up, especially when I’m not finding a lot of time to write, because I feel like I’ve done a lot and done nothing at all at the same time. This happens because I forget that writing is a part of my whole life, not a separated life from my job or home struggles. It’s easy to put writing accomplishments in one basket and everything else in the other, but try to put them in the same basket. That way, you’re acknowledging everything you’re doing in your life right now, not just your writing ups and downs, and you won’t feel like you’re failing when you’re actually working really, really hard.

I’m not going to lie. I think I’m going through both of these at the moment. Adjusting to the new job and still dealing with health issues has been rough. Fun but rough. (Fun fact: I found out I’ve been near-sighted my whole life this week, so I’m getting glasses soon. And hopefully, less headaches.) I definitely haven’t had a lot (if any) time to write between that and editing and marketing my current books (and keeping up on my TBR). Basically, I feel really disconnected to my writing, while also feeling too tired to try to write when I have a little time off. Granted, I should be following my own advice from the article a few weeks ago, Tips For Going Through a Life Change, and allowing myself to have an adjustment period, but let’s be real, easier said than done, right?

What I think triggered the imposter syndrome was meeting a bunch of new (and awesome) people who didn’t know I was an author. People, especially people who work in libraries, tend to get really excited/surprised/interested to hear about it when they first meet you, and while that should feel heartwarming, it feels really overwhelming when I’m not actively able to write as much as I like. It makes me feel like I’m neglecting everything, that I’m not accomplishing anything new, that I’m—you guessed it—an imposter.

But I’m trying to take a step back and remind myself that this is imposter syndrome. Though it feels real, it isn’t. Not really. It’s a construct, a pressure I’ve put on myself, and unhealthy at best.

I’m not quite out of the imposter woods, but admitting it to myself has helped me see the light, so to speak.

I have taken a moment to acknowledge how I feel and why I feel that way and what steps I can take to feel better—mainly rest, allowing myself to adjust to my job, and feeling good when I get a few words down. But the #1 thing I’m reminding myself—that I hope will help you—is an ultimatum I don’t see talked about enough.

As long as you’re not stealing someone’s identity, none of us are imposters. We’re writers. We’re all on a different path to publication, and we’re in this together, on good days and bad days. We aren’t “faking” anything if we are trying, and that’s what matters. Love your journey, always remember why you love writing, and love yourself.

There’s only one of you out there, and trust me, you are not an imposter.

You are a writer.

~SAT

Your Story Ideas Aren’t Enough

10 Mar

The other day I was on Twitter and saw someone tweet out something along the lines of, “YOUR STORY IDEA DOESN’T MEAN ANYTHING,” and I about had a heart attack, because WHAT.

I mean, of course ideas matter. In fact, I’m one of those authors that keep lists and lists of ideas, because I believe they all matter. (At least to me. And that’s enough.) But I have to confess… That tweet gave me a heart attack, because she was right. Just because story ideas matter doesn’t mean they are enough. 

Don’t throw away your ideas yet. Stick with me. (In fact, extra tip: never throw away your ideas. You never know when something you drafted ten years ago will click with you.)

Now don’t panic.

Ideas are HARD to come up with. So many ideas have been done before a million different ways that it often feels impossible to put a fresh spin on anything. So I get it. When you have an idea that actually feels fresh—one that you are passionate about—that idea absolutely feels like enough, and to have someone blatantly tell you that it isn’t enough before ever giving you a shot is extremely disheartening. But it’s not meant to be disheartening. It’s meant to remind you of one, important truth: Having the idea is only the beginning. So keep these three aspects in mind when you’re feeling discouraged about your brainstorming:

1. Everyone has ideas. Millions of them.

But so what? How many of those millions of ideas actually get down on paper? How many of those ideas go forgotten in a desk drawer for decades? Who cares how many millions of ideas have been done before? Let’s concentrate on the millions of ideas and voices that haven’t been done before instead. Let’s concentrate on the fact that your idea is your idea and no one else’s. Your voice will make that idea new, your plan will unfold like no one else’s plan, and that in itself will make it unique. Do not get bogged down by the fact that everyone has a story. Let that inspire you to come up with as many ideas as you want to. Create a list. Keep that list. One day, any or all of them could become something huge in your heart (and then on paper)! Just because an idea feels flat one day doesn’t mean that it won’t click next year or the year after that. Sometimes ideas need a lot of time to fully form. Sometimes ideas need a little push.

2. PUSH that idea

Granted, because there are so many amazing writers who come before us, we all know that our ideas have to bring something new to the table. Your road trip story might be awesome, but it also needs to stand out. One thing I like to do when I’m drafting is to ask myself what I can do to push the story. Heck, get a friend involved. Ask them what they would do to make the story crazier or how to get the stakes higher. Truly ask yourself what the most unique aspect of your story is, and then take that aspect and pushhhhhh it. Don’t be afraid to get a little crazy, especially in the drafting stage. Have fun. Make mistakes. Start over. Try again. You might find an idea within an idea within an idea that becomes the book you decide to write. Just remember to actually write.

3. WRITE that idea

I think the main reason this person on Twitter said what she said wasn’t because she was saying ideas don’t matter. They do. Instead, I believe she was trying to remind everyone that if all you do is sit around and daydream about writing some story idea you had, you won’t get anywhere. You actually have to sit down and write. A few years ago, one of my friends learned this lesson. One day, he sat across from me at a café I used to write at and declared that being a writer can’t be that hard. (He’d watched me do it after all, and he had tons of ideas.) So I told him that if he wrote a book, I would be happy to beta read and help him. Less than a month later, he texted me a hilarious, heartfelt apology, because, though he had sat down and written six chapters, he was stuck and what he had wasn’t consistent or legible (his description, not mine). In fact, he never let me read what he came up with, because he decided right then and there that writing wasn’t for him. At least not yet. But what he was going through was perfectly normal for a writer. You have to make mistakes. Major ones. My friend had been playing around with his idea for years before he sat down, but once he sat down, writing wasn’t what he expected. Does that mean he should’ve quit? I don’t think so. (Unless he truly realized he doesn’t enjoy writing.) But one thing remains true. You can plan, plan, plan all you want, but writing a great book requires more than a great idea. It requires practice and patience and passion.

So sit down and try. Write those ideas, change your ideas, practice with your ideas, and one day, publish your ideas. But don’t listen to those that say your ideas don’t matter, because of course they matter. They matter to you, and that has to come first and foremost before your ideas can also matter to others. Pursue as many ideas as you want to. Experiment. Have fun. Find something you’re passionate about, because this is part of the publishing journey, and your ideas are the foundation you will write upon.

Ideas are the beginning of something great.

~SAT

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