Tag Archives: critique partners

Inundated with Writing Advice

5 Jul

There comes a point in every writer’s career that they seek out feedback and advice from others. Whether that be critique partners, beta readers, or studying craft books, writers are often doing their best to continuously hone their skills. And while that is commendable, there comes a point where a writer can feel overwhelmed by the amount of information they are learning. They may even get lost or make more mistakes than before—all while trying to improve. 

When and why does this happen? 

This can happen for several reasons, but I believe it happens the most when a writer is at the cusp of something new. For example, a new genre or age category they aren’t used to, or a more complicated story than those they’ve written in the past. Maybe they’ve picked up a craft book for the first time or stumbled across a blog that has lists upon lists of must-do rules that feel endless. (Or, worse, contradictory.) 

It’s easy to feel overwhelmed by all the advice out there. I mean, technically, this is one of those articles, too. Right? (I promise I’ll try not to be overwhelming.)  

I, personally, love to challenge myself, so I try new things constantly—new tropes, new genres, new archetypes. It can be fun, but very challenging, and challenges open you up to advice you may not have heard before. When you hear that advice, it may even contradict lessons you’ve learned in the past. Contradictory writing advice is where I see a lot of writers get stuck. You know the kind. One person wants more in this scene; someone else wants less. An industry expert claims deep POV is the way to go; others ask for lighter fiction. And that trope you love? It’s OUT. You better rethink your entire premise. 

Or not. 

While seeking advice is admirable, there comes a point where a writer must know when to focus on their work by themselves. Learning when to make decisions and how to own them will help you tremendously. I believe it comes down to making decisions with purpose. Boil your reasoning down, and you’ll know why you are writing the piece you are writing—and what you are trying to say with it. 

Still lost?

Sometimes it’s not easy to make decisions. I mostly get stuck when I come across discussions about what needs to be in books and what’s been overdone. For example, the brooding male romantic interest is a trope that many say we don’t need anymore. They’d rather have more cinnamon roll boys or other personality types. And that is totally valid! We absolutely need all different types of characters and tropes to keep publishing fresh and exciting. But I also don’t think we need to throw out everything that has been done either. Especially since there are plenty of diverse voices that haven’t had the chance to cover those topics themselves. 

Though you may see a lot of people say they don’t want that type of character, that is their opinion. You can still write it. And there will always be readers who love the brooding male love interest. That said, I would still encourage you to dive deep and ask yourself how you are making your situation unique. 

Knowing what makes your book and voice unique will help guide your ultimate decisions. Theme is big guiding post, too. If you understand those details about your work, you’ll be less likely to get swayed by outside influence that isn’t necessarily good for your specific piece. It’s better to stay true to what you set out to do than to try to force something into your work that you know won’t come across as authentic. But if you want to attempt new skills and try out fresh ideas, don’t hold yourself back. Remind yourself that it’s okay to feel uncomfortable when trying new things. (That first draft is never going to look as shiny as your final product!) 

This is where critique partner feedback comes in handy. I love nothing more than bouncing ideas off of my writer friends. They certainly help challenge me (and point out parts of my work that I never would’ve focused on in the same light). That said, managing critique partner feedback is its own challenge. My favorite writing tip?

“Remember: when people tell you something’s wrong or doesn’t work for them, they are almost always right. When they tell you exactly what they think is wrong and how to fix it, they are almost always wrong.” – Neil Gaiman

How can a writer keep advice in mind while making better decisions?

Read all the advice throughout your entire manuscript at once and see if you can identify patterns. (Ex. One character keeps confusing the reader.) Those patterns are most likely your biggest issues that need fixing. Regarding small things, stay as objective as possible, but remind yourself that you are not going to please every reader in every scene or sentence. No matter how shiny your book is, you will get 1-star reviews. It won’t be for everyone. Remind yourself of who you wrote this book for and what you want your book to say. 

Other than that, I would pay attention to how you are as a reader. If you tend to love world building as a reader, you’re probably pretty good at that as a writer. You might even overdo it. Make sure to give extra attention to the areas that you skip over as a reader. You might be surprised to find you did the same thing with your writing. 

Regardless, when all is said and done, this book is yours and the advice you get is a gift—a gift that you must decide how to utilize. I may have given you a few checklist items to keep in mind while considering advice, but I certainly hope you don’t feel inundated. ❤ 

Stay true to your story, 

~SAT

P.S. Now that it’s July, make sure to pick up Bad Bloods: July Thunder & July Lightning. The duology takes place in July, and it can be super fun to read each day as it happens in real life. If you’re an X-Men fan, these are for you.

July Thunder (#3)

AmazonBarnes & NobleiBooksKoboSmashwordsGoodreads

July Lightning (#4)

Amazon, Barnes & NobleiBooksKoboSmashwordsGoodreads

#MondayBlogs How To Find Beta Readers

12 Dec

Beta reader (n): an avid reader/critique partner/superhero who looks over your novel/baby/everything before anyone else sees it in order to improve language/characters/grammar/basically the whole package.

Okay, but really, beta readers are necessary, because they are an extra set of knowledgeable eyes on your work. They’ll see those plot holes you understand (but accidentally forgot to add) and they’ll call out your purple prose or tell you what’s working where. Most writers know they need a beta reader, but finding a beta reader? That’s a whole different story.

Beta readers probably shouldn’t be your best friend from high school, but hey, look at it this way, they might become your best friend overtime. In fact, it’d be ideal to get quite a few beta readers on your team. That way, they can serve various purposes on top of general advice. Example? I recently rewrote the beginning of one of my novels, but all of my beta readers had gone over the original already. I needed a fresh pair of eyes. One that hadn’t seen the original. That way, I could know if the beginning was just as clear as the original version. If I had a beta reader who already knew the story, it wouldn’t have been an objective opinion.

beta readers

So, who should be your beta reader? Like I said above, they *probably* shouldn’t be your best friend or sister or parents or a lover or or or. Why? Because people close to us generally tell us what we want to hear. Plus, just because they are close to us, doesn’t mean they are writers, and even if they are avid readers, it doesn’t mean they are experienced in your genre or the market. Beta readers are generally best when they are fellow writers working within the same genre at the same level of experience (or even better, more experience). Of course that doesn’t mean there are exceptions. If your mother is a college professor who teaches young adult literature and you’re writing young adult books, duh, go for it. (Maybe ask her for some contacts, too, you lucky bird.) Also, toward the end of writing, I like to have a few non-writer friends of mine read my work. It’s still a fresh pair of eyes, so friends and family don’t hurt. Just don’t rely on only them.

You might be thinking beta readers sound like mythical unicorns by now, but trust me, they are out there, and they are definitely willing to help. Remember my little example above about needing a new beta reader last minute? Guess what? I found her on Twitter, and she’s awesome. Now how can you find beta readers?

  1. Local Writing Groups/Events: Look up your local chapters of RWA or whatever organization your books fall into. See if anyone is close. Check out your local libraries or bookstores to see if they have writing groups. Join. Pay attention to local events, too. Writing conferences often have writing classes available throughout them, and it can be a place for feedback as well as connections. But for those of you who have social anxiety like me (or work a nightshift like me), I have online solutions for you.
  2. Online: Remember all those agent-pitching contests I’ve shared before? No? Here’s the Pitch Calendar. Join those online and meet fellow writers. Follow writers who are writing similar materials and befriend each other. Overtime, you might find someone who needs a beta reader just as much as you do, and you’re both headed the same direction. That being said, I have one stipulation for online connections: research, research, research. There’s no need to pay thousands of dollars for just a beta reader. Also, as much as I love Wattpad for finding other writers, do not post manuscripts you’re trying to publish. Posting can be considered published, and that will make it harder to find an agent or publisher. Instead, I suggest posting short stories or a sample chapter to try to connect with others in order to find beta readers to work with elsewhere.
  3. Colleges: If you’re in college, colleges often have awesome resources for students. Take advantage of those.

These are three places to start. Good luck in finding your next best friend…er…beta reader.

~SAT

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