Tag Archives: literary agents

Why You Should Make Time To Write While Editing/Revising

10 Feb

I’m not going to lie. I’m basically writing this article because I failed at this, miserably, and I want to prevent others from making the same mistake. 

Once upon a time, I wrote a book. The moment I was inspired to write it, I knew it was more special than my other books. Not that I don’t love my other books, I do, but some stories leap out at you and steal your soul from your body. Others are just fun to write. And this book felt like the “one.” The one that would lead me to my next step in my career, the one my readers would love the most, the one that I could spend years in writing sequels or spin-offs or short story extras.

With unattainable excitement, I sat down and wrote. I cranked out the first draft in less than a month, and I spent a couple months rewriting and editing. I worked with betas and rewrote some more. I loved it. I thought others would, too. So, I started submitting. Sure enough, a couple people did love it! Yay! But then, I was asked to revise. 

Treat your writing projects like plants: water them all.

So I revised. I revised a lot. I revised until I forgot which version I was writing.

That’s when my emotions got messy. Sometimes, I would mess up versions, or backtrack too much, or be too set in one scene to try something new again. Sometimes, revision notes came back contradictory, and other times, the notes didn’t match my vision at all. But I didn’t want to miss out on an opportunity…which caused me to learn a hard lesson. See my past article: Should You Revise and Resubmit? I was spending every moment of my writing time revising. Meanwhile I was watching some of my awesome writer friends get agents and book deals with pieces of work before they had to revise anything again. And I wasn’t getting any promises from anyone.

I was spinning in circles, but I couldn’t stop myself.

I believed in my work so much. I loved the story endlessly. And every writer in the world will tell you that revising is part of the process, that every good book will find a home, that every writer willing to work hard will find friends and fans and supporters. But I just…wasn’t. I was beginning to feel a little crazy when the inevitable “Your writing is spot-on, your idea is so imaginative, and I loved it…but not enough. Send me your next piece.” would come in.

My next piece? I would think. What next piece? I had been so busy revising this piece for everyone for so long that I had completely disregarded my next piece.

I forgot to give myself time to create.

I forgot to be a writer, not just someone who is revising or editing.

No wonder I was so miserable.  

I spent almost the entire year revising and editing one book. As long as it was a better version that remained true to my story, I believed I was heading in the right direction. And while I still think I was heading in the right direction, I should’ve given myself time and space elsewhere. Granted, if I were 100% honest, I wrote half of another book, and I outlined/researched a couple awesome ideas, but all of those projects inevitably got pushed aside to edit this one, special book.

That book is still my special book. I love it with all my heart. In fact, I still don’t know if I’ll ever love another book this much again, but my love for it doesn’t have to be defined by others’ love for it. I can love it, whether or not anyone gets to read it in the future. And something I’m unsure about might be something others fall head over heels for. The “one” (if there is such a thing) might be a book idea I left sitting on my shelf while being too busy revising. It could be a book I have been neglecting to create. It could be a book that I learn to love, rather than falling in love right on the spot.

Don’t let your writing identity get wrapped up in one piece. Why? Because that piece might fail to work out in the way you had hoped, and then it’ll be harder to get back up on your feet again. Getting back into the creative swing was the hardest part for me, anyway. I struggled to settle on a new idea. I had to start over a lot. I had to come to terms with shelving a piece I loved. But I began to love writing again. Now I have so many pieces I want to finish.

There is nothing wrong with investing a significant part of your time in editing or revising, but you also deserve time to create.

So go write.

~SAT

P.S. I have some exciting news to share! I am officially a Youth Services Associate for the Mid-Continent Public Library! As some of you know, my dream has been to work for a library, and I tried really, really hard last year, but it didn’t work out. See past article: 2017 Wasn’t My Writing Year. I didn’t give up on my goals though! Now I am here. I’m super excited to help the young people of Kansas City with everything the library has to offer. Wish me luck!

Setting 2018 Writing Goals

6 Jan

Now that we’re a week into 2018, you’ve probably set new goals and you’re already striving after them. And that’s awesome! But I made a huge mistake while setting goals last year, and I thought I’d discuss it, so you don’t make the same mistake I did when you tackle your writing life this year.

So what happened? Last year, I set three goals (and failed them all), which you can read about here, but I thought I would focus on the goal of connecting with a literary agent. While I definitely spoke to a number of talented folks, I never quite found “the one.” I felt like a failure. But did I fail? I mean, I connected with amazing people! I finished manuscripts. I learned. I revised. I resubmitted. I never gave up. And doors are still open for me, even today. So, I shouldn’t have felt like a failure. I should’ve felt proud, because, even though I didn’t walk away with the shiny new contract, I walked away with more knowledge, connections, and opportunities.

Extra tip: Keep a planner to stay on track, but don’t plan too far ahead. That way, you can adjust if need be.

Where I went wrong: Setting the goal of “I will get a literary agent” was unrealistic. Why? Because it depended on another person, and that person is largely out of my control. Yes, I can always write more and better—and yes, I could always spend more time making connections—but just because you have a great book or idea or following or etc. does not mean you’ll find the right person to represent you and your work. Do I have room to grow? Always. But so do many repped authors. Signing that contract is a largely personal decision from both sides. This goal depends on two people, not just me, so while having the goal to connect with an agent is fine, my goal shouldn’t have been “get a literary agent by the end of the year.” It should’ve been “I will submit my work to # of agents who enjoy my genre” or “I will spend X hours a week researching the industry, so that I am more prepared to query next time around.”

Basically, I learned to set realistic and fair goals. What do I mean by that? Goals should revolve around work you can accomplish, not how others react to your work.

Common, unrealistic publishing goals: How large your advance is, how many copies of your books are distributed, how well something sells (because, seriously, even experts can’t predict why books resonate), and publishing contracts in general.

Solution? Set goals to learn, write more, and submit, submit, submit. Examples: I will read fifty books this year, I will write 10,000 words every week, I will try to connect with new beta readers by this spring, I will submit my manuscript by July, etc. But remember, publishing isn’t a race. While goals should keep you moving, they aren’t meant to be hard deadlines. If you find out you can’t write 10,000 words a week, that’s fine. Do what you can. Never let your goals hurt you. For example, “I will get a publishing contract by December” might negatively impact you, because you’re going to submit when you’re not ready just to meet a deadline you alone set. If you make a goal to meet something by January, don’t beat yourself up if you end up needing to extend it to February. Just make sure you’re ready. You can always edit your goals…and set completely new ones.

In fact, when I really think about it, I set goals all year around.

Whether its spring or fall, rain or shine, I’m constantly considering what I want to do next and/or how to accomplish it.

Actually, I’ve met two goals this year already.

  1. The Timely Death trilogy will be an audiobook with duel narration!
  2. I resubmitted a revised manuscript.

All goals take a lot of time and energy, and I’m really proud I’ve accomplished these two goals. Where those paths will take me, I have no clue, but I am ready to set more goals and move forward in a realistic and positive way.

What are some of your goals for 2018?

~SAT

A Writer’s Best Friend is Google

18 Nov

As an author, I LOVE helping fellow writers. In fact, I encourage writers to message me whenever they want with whatever questions they have. But don’t forget, folks.

Google is your best friend.

Recently, maybe due to NaNoWriMo, I’ve received A LOT more messages than usual. The most common one: “How can I get my book published?”

When I search “How can I get my book published?” on Google, the first three articles are actually pretty legit. One is about how to self-publish on Amazon. Another is a list of self-publishing tips by Forbes Magazine. The third is a step-by-step guide on how to get traditionally published. (No results were vanity presses, yay!) My favorite article that popped up toward the top was Start Here: How to Get Your Book Published by Jane Friedman.

If the writers who had emailed me had Googled their question first, they would’ve had these amazing articles at their fingertips…and as much as I wish I could deliver long, thoughtful pieces every time someone messaged me, I simply don’t have the time. I will ALWAYS try to point you in the right direction, but honestly, Google is often better.

Whether I’m researching publishing news or searching for information I’ll use in my books, Google is almost always open on my computer.

Don’t get wrong, though. I get it. I do. Publishing is hard. And there is so much information out there that it can be overwhelming/contradictory/seemingly impossible to navigate on your own. But guess what? 

Learning how to navigate your publishing journey is going to be key to your success.  

Why do I say that? Because I’ve been there. Publishing has confused the hell out of me, too. And I still have days where I get confused, because aspects of publishing constantly change. Knowing how to research and determine what is true/false/helpful/scam is going to save you a lot of time and pain. Asking others might not always work, because others also fall for false information and scams, so you need to be able to sift through information to form your own opinions. But don’t worry. You don’t have to navigate everything alone.

No one can get a book published by themselves. It takes a team to get a book from an idea to a draft to an editor’s pick to a novel on a shelf. There’s beta readers, proofreaders, sensitivity readers, reviewers, and more that will help you get from step one to step infinity. So you will need writer friends. You will even need their help. But before you message an author/editor/publisher, try to answer the question yourself. Why? Because you’ll probably find the answer to “How do I get my book published?” but then come across publishers that—no matter how much you research—you’re still unsure about. THAT is the perfect time to message a fellow writer (preferably a writer who is associated with said publisher) and ask them if they recommend that house.

If you are reaching out, specifics are a lot easier to answer. “Would you recommend this publisher?” is easier for me to give my opinion on than when I’m asked “What type of publishing should I go for?” A lot of questions I’m asked are, quite frankly, not answerable by anyone other than that writer. Choosing how to publish is a very personal choice. I can’t make that decision for you, no matter how much I want to help.

Show initiative in your pursuit of publication. Be brave. Research. But don’t read this article and think you can never reach out ever again.

If you were about to message me about how to publish, I won’t bite your head off. (Maybe just your fingers.) And I’ll still try to point you in the right direction—though there are lots of directions to consider.

Here are some of my favorite resources for writers.

Writer’s Digest: The go-to online resource for writers. If you’re starting out, set a goal to read a couple articles once a week.

Publishers Marketplace: This lists current sales and other important publishing news. Some pages on this website cost money, so if you can’t afford it, sign up for Publisher’s Lunch, which is free.

Janet Reid: She blogs every day about various topics and creates an amazing community of writers to rally behind. I still read her blog every day. It’s how I start my morning.

Pub Rants: A blog by Nelson Literary Agency. One of my all-time favorites. Her Agenting 101 class caught my eye in 2006, and I’ve been following it ever since.

BookEnds Literary Blog: Another blog from a literary agency. They talk about lots of topics as well, but mainly about getting agents and the publishing process afterward.

Query Shark: For learning how to query.

Query Tracker: For keeping track of querying. (This website is free, but you can also pay $25 per year to look at extra information.)

An Alliance of Young Adult Authors: Lots of helpful tips from fellow YA writers, whether you’re self-publishing or going traditional.

Oh! And right here. I try to blog about various writing and publishing topics every single Saturday. Use the search bar at the top of this page to look up topics I’ve discussed in the past. (Because, trust me, I’ve been blogging since 2012, I’ve probably covered it.)

If you have a topic you want to see me blog about, I always take suggestions. I’ll even blog about a topic I’ve discussed before if the article is outdated and/or not detailed enough. (And, yes, you can send the suggestion via email.)

But while you’re online, I suggest opening Google and becoming best friends again.

I think you’ll love the friendship more than you know.

~SAT

How Writing Conferences Can Surprise You

4 Nov

Today, I am attending a writing conference. (In case you’re wondering, I’m at the Middle of the Map Conference in Overland Park, Kansas.) While prepping last night, I began thinking about how much I love conferences—and about how many writers are on the fence about attending them.

I always tell writers to attend conferences if they can. Why? Because they might surprise you.

You see, I attended a different conference back in March with the wild hopes of snagging a literary agent.

Extra Tip: You don’t have to travel to attend conferences! There are now online conferences. But make sure to take a business card with you to in-person events.

When the conference was posted, I paid to attend. I also volunteered to help.

Here I was, thinking “volunteering” meant I’d hand out water bottles or get to chat in the early morning hours before arrivals…and then, they asked me to pick up agents and editors at the airport. FYI, I’m TERRIFIED of driving. Like, seriously, I’ve been in three major car wrecks. (None of which were my fault.) I had to go to therapy over it, but I’m much better now, and I wanted to stick to my word and help. So, I diligently practiced driving the route the day before. Later, one of the attending editors complimented me on my driving through the city in the rain. (This was a major accomplishment for me, who’d struggled for so many years with driving. I was really proud of myself for not backing down.) That was the first day.

To give you a better idea of my personal life and how this conference affected me, I work two jobs on a nightshift. I’m awake from 3 PM to 3 AM. On average, I get to bed about 7 AM. I had to attend this conference at 8 AM the very next day. I was exhausted and running on coffee-fueled adrenaline. Like many writers, I’m not wealthy, but I work my hardest, and I often work every day. Still, I paid $300 to attend and an additional $150 to pitch three different agents. It took me WEEKS to save up that money, and I don’t regret spending that money because something amazing happened.

After pitching three different agents, I walked away with three full manuscript requests and endless hope. Seven months later, one request resulted in a denial after we discussed a potential publisher who pushed it through acquisitions (a publisher that I LOVE, but who also didn’t work out in the end). One requested a R&R, and one request is still pending. Back in March, I naively thought I’d found the one, and though I’m still agent-less (and no longer actively querying), I still had a blast.

You see, while I waited for my turn to pitch, I began a conversation with another volunteer. She was a local writer, and we started talking about publishing/writing/reading/everything. She kept cheering me on, and I really appreciated how much she helped me keep my head up, especially since I was so bone-achingly exhausted. At one point, she mentioned her writer’s group, and I mentioned that I’d been struggling to find an in-person one. She invited me to attend hers later that month.

I couldn’t believe my luck. Here I was, an awkward/exhausted/out-of-money author, who’d been looking for a local writer’s group for MONTHS, only to be invited to one when I wasn’t actively searching. My hopes soared. I was so excited—and terrified.

What if they hated me? What if they hated my writing? What if I got a taste for an awesome group, only to be rejected when I asked if I could become a member? What if, what if, what if?

Later that month, I attended a meeting, not knowing what to expect, and now, I’m a regular part of the group. I look forward to our monthly meetings, and I’ve already grown a lot as a writer. Even better, I made friends.

I didn’t find an agent that day, but I did join an amazing writer’s group that changed my life for the better.

Publishing is an awkward, exciting, terrifying road, but more than that, it’s unpredictable.

So attend those conferences if you can. Those surprises can change everything.

~SAT

Should You Revise & Resubmit?

21 Oct

Querying can be terrifying.

Whether you’re searching for an agent or applying directly to an editor/publisher (or even your own agent), sending your work out there is a nail-biting experience for nearly everyone, including established writers. In fact, most writers will tell you that rejection is a constant part of the publishing process. No matter who you are. So is submitting.

Everyone faces rejection and acceptance eventually. And then, there’s the revise and resubmit.

A R&R is not a “no,” but it isn’t a “yes” either. 

It means an agent/editor/publisher liked your work enough that they believe in it and can see it moving forward after some significant changes. More often than not, an agent, editor, or publisher will give you some sort of feedback about what they believe you need to change. It’s not a guarantee, but it is an opportunity.

Should you revise & resubmit?

If you think you’re heading in the same direction, I say go for it. Your manuscript will be better in the end, no matter what happens, and I think that’s worth it. If you’re unsure about the revision notes, I honestly believe that means the notes didn’t resonate strongly enough to justify a revision. However, that is just me. Every writer is different. But I can admit that I learned this lesson the hard way.

Yes, I have revised and resubmitted—and received a “no” and a “yes” afterward.

There was one major difference between the “yes” and the “no” scenarios.

The biggest difference? I should’ve known the “no” situation from the beginning. When I received the initial feedback, I was unsure, but I felt too guilty to walk away. I mean, an R&R is a rare opportunity, right? Shouldn’t you take advantage of every opportunity? That was my thinking, but that sort of thinking isn’t always right. Why? Because my heart was never in it, and readers can sense that. With the “yes” opportunity, I received feedback that just resonated.

The moment I read the note, I felt like the team understood the heart of the manuscript. In only a few lines, they directed me in a way that felt right. In fact, it felt better than right. It felt like the place my manuscript should’ve been in all along. Instead of the confusing dread I felt with the “no” scenario, I felt complete and total excitement with the eventual “yes” scenario. Now I feel a lot more confident about when to accept a R&R.

Here’s my step-by-step guide for writers who receive a R&R:

  1. Make a decision: Take a little break to truly ask yourself if the revision notes resonate with you—and your manuscript. Once you make a decision, ask yourself one more time. Make sure you’re not talking yourself into it for an opportunity that doesn’t actually work with your vision. This will save you—and the other party—a lot of time and energy. Don’t feel guilty if the notes don’t resonate. Do feel gratitude for receiving feedback anyway.
  2. Let the other party know. Either way, thank them for their feedback. If you decide to revise, ask the other party when they expect a return (if there is an expectation), and make a plan.
  3. Now sit down to write.

It might be your revisions. It might be your next manuscript. Just keep writing.

Either way, you’re on your writing path to success. Enjoy it.

~SAT

P.S. I’m giving away a FREE audiobook of Bad Bloods: November Rain! Enter the Rafflecopter hereI’m also searching for audiobook reviewers, so if you love YA fantasy AND audiobooks (or you know someone who does), point me in the direction of their awesome blog. Good luck & thank you!

#MondayBlogs Dear Writers, 2017 Can Be Your Year!

21 Nov

This year, I had three writing goals.

1. I wanted to sign one of my books during a Barnes & Noble event.

2. I wanted to attend a book convention as an author (booth and all!)

3. I wanted—and this one I thought I’d never reach—to receive a full request from a literary agent.

I’m proud to say I reached all of these goals and more. In fact, I’m going to break my experiences down and explain, but trust me, there’s a reason for this article beyond just me and my goals, so stick with me for a bit.

First, Goal 1. Barnes & Noble! I hosted not one, not two, not three, but FOUR Barnes & Noble signings, including a Valentine’s Day Romance Author Event in Wichita, Kansas and BFest in Kansas City, Missouri and Overland Park, Kansas. There was nothing like signing in a Barnes & Noble my late mother took me to as a kid, where she used to tell me I could write a book one day. It was priceless.

How was this accomplished? To be honest, no one in my hometown ever returned my phone calls. Not once. I was terrified of calling Barnes & Noble after quite a few disinterested phone calls and e-mails and in-person meetings. Then, CTP author Tamara Grantham invited me to her local B&N during the VDay Event in Wichita, Kansas. This is a five-hour drive for me…and I work a night shift. But you know what? I jumped at the opportunity to attend. And that one event opened up all the other stores to me. Now, I have a great relationship with one right down the street from my new house. (And I write in there all the time.)

Barnes & Noble Events

Barnes & Noble Events

In regards to Goal 2, I attended not one, but TWO conventions as an author. The first one being Penned Con in St. Louis, where I shared a booth with the wonderful Natasha Hanova. The second convention was Wizard World Comic Con in Tulsa, Oklahoma…where I also had the AMAZING opportunity to be a panelist on Villains vs. Villains. On top of that, I have plans in the works to attend more next year. This was an opportunity I never planned nor saw coming, but I’m eternally grateful for it. I had a blast! (And now I’m the owner of a Pusheen plushie and a Sailor Moon blanket…and a cat T-shirt…and fudge…) I also attended a writer’s conference—The MWG annual conference—and I went to YALLFest in South Carolina as a reader.

How was this accomplished? Anyone who has ever attended a conference knows it takes planning. In fact, most conferences ask you to buy your booth a year in advance, which I did with Penned Con in St. Louis back in 2015 when I attended as a reader to see if I liked it or not. The person sharing my booth changed three times, but it all worked out in the end, and I had a blast! Out of the blue, I was invited to Wizard World Comic Con through Genese Davis, who knew…Tamara Grantham. (Tamara is the best, can’t you tell?) I never expected to be a speaker, and here I was, driving five hours to speak about what makes characters evil. Spoiler alert. Worth it. But more than half of these events weren’t planned, so keep your mind open!

Conventions and Conferences

Conventions and Conferences

So now, we come down to the agents. The reason I said I never thought a full would happen is because I haven’t traditionally queried since 2007…and a lot has changed since then. I set out to challenge myself by joining competitions and making connections. Much to my surprise (and shock), I received my first full almost right away—in the first week of February—and I’ve had the utmost joy of working with a few agents ever since on numerous fulls and even a few revise and resubmits.

How was this accomplished? I joined every online competition/opportunity I could to reach out to the writing community. Honestly, even if you’re not looking for an agent, these competitions are the bomb. (Does anyone say that anymore? No? Oh, well.) I love them, and I plan on joining more of them if I can in the future. That being said, most of my fulls (and even my revise and resubmits) came from the slush pile. Yes. The slush pile. Writing those query letters, getting feedback from writing friends, and sending off every e-mail one by one until someone gave me more feedback or took a bite actually works. I wish I could say more…but alas, this situation is pending. 😉 Don’t fear the slush.

On a side note, I also managed to complete two manuscripts and publish two YA novels with Clean Teen Publishing! …And I work a full-time day job. (Not going to lie, I’m totally exhausted. But it’s been a great year!)

Manuscripts and Books!

Manuscripts and Books!

Why am I sharing this with you?

Because creating and meeting goals as a writer is HARD…and often unpredictable. When I wrote down my three goals for 2016 on a little green Sticky Note that I kept on the back of my desk (it looks pretty torn up and ugly now), I never thought I would reach most of them (and more) within the first two months. I could attribute it all to luck (which of course comes into play), and I could definitely cite connections (thank you again, Tamara and Natasha and Genese and and and!), but I have to be kind to myself, too.

I jumped at every opportunity I could, even if that meant I would be up for 48 hours straight and driving for 5…and spend some extra money that, logically, I shouldn’t have. (But definitely don’t regret.) Right now, I work three jobs, including being an author, and I’m more exhausted than not. But I know following my dream is worth it. Somewhere in my gut I am always filled with excitement and hope and energy…and every now and then, all of this work leads me somewhere unpredictable and wonderful.

So what’s my tip?

Beyond basic goal setting advice, I am going to stick my neck out there and say something crazy.

For every “realistic” goal you set, set a crazy “unrealistic” one, too.

Why? Because maybe “unrealistic” isn’t so unrealistic once you get started, but setting it will force you to get started. Setting goals causes you to miracle jump over that hurdle you thought you couldn’t even climb on your best days. For me, I honestly believed most of the goals I set for 2016 were unreachable…or at least would take a very, very long time. Why? Because I had tried to accomplish them before and failed. 2016, for me, was the year of reaching failed goals. 2016, for me, became the year “unrealistic” became a reality.

2017 can be yours.

~SAT

 

#WritingTips No, Reading Is Not An Option.

17 Feb

As an author and full-time editor, I’m coming across more and more writers who don’t read their own genre, or—even worse—don’t read at all. There are generally two types of these writers.

1. Writers who claim to read but obviously don’t (and I’ll get to how it is obvious later).

2. Writers who haven’t read anything since they left high school twenty years ago.

Spoiler Alert: Neither of these options is okay.

Writers, please, oh please, you must read—and you must read often, especially in your own genre. As the famous Stephen King once said, “If you don’t have time to read, you don’t have the time (or the tools) to write.” I adamantly agree with him.

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Reading is the foundation of writing. Much like how crawling helps a child learn how to walk, then run, and so on, reading helps a writer learn how to form sentences, structure a plot, and introduce something new and interesting to the market. That last one is a big deal (and I think the most overlooked one). This is also the main way agents/publishers/readers figure out you’re lying if you claim to read but you don’t. Recently, I was reading an article from an agent who was talking about his number one pet peeve in query letters. There is a huge trend in writers saying, “My work is better than anything X genre has ever produced.” This signaled to him that A. You don’t read X genre, and B. You don’t respect your own genre, fellow co-workers, or your readers. So why are you writing in this genre? He’s not the only one with this opinion either. Another article by Writer’s Digest pokes fun of this trend: 10 Ways to Never Get Published.

Constantly reading allows you to familiarize yourself with the genre and to see how the genre grows. As an example, I’ve seen MAJOR changes in young adult since I was fourteen. (And they are awesome changes!) But if I had stopped reading YA when I started seriously writing it, I wouldn’t know what readers are looking for. I wouldn’t know what has been done already. I wouldn’t know the appropriate language, word count, or topics/themes for that audience. I, basically, wouldn’t know anything. I wouldn’t have those “tools” Stephen King talked about in regards to writing.

So pick up a book. Pick up five. Try a new one, try an old one, try one you never thought you’d read, research the latest releases, talk to authors in your genre, study Writer’s Digest and Publishers Marketplace, and stay up-to-date on publishing conversations like #MSWL. Even if you’re not trying to get an agent or publisher, publishing feeds are great (and easy) places to read about current trends and market needs.

You’re not losing writing time by reading. In fact, you’re enhancing your writing by reading.

So go pick up that book you’ve been dying to read and fall back in love with reading all over again. After all, reading is the reason you started writing in the first place. Reading is why every writer started writing. Reading is why every writer can write.

~SAT

Have you checked out this amazing gift basket Clean Teen Publishing is giving away this month? It has over $130 worth of goodies including a Kindle Fire, several print novels, sweets, swag, and more! Enter to win here.

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If you would like a signed copy of any book in The Timely Death Trilogy, e-mail me at shannonathompson.com. Barnes & Noble in Wichita has a few copies left, and they will ship you one.

Minutes Before Sunset: book 1: FREE 

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Seconds Before Sunrise: book 2:

AmazonBarnes & NobleiBooksSmashwordsKoboGoodreads

Death Before Daylight: book 3:

AmazonBarnes & NobleiBooksSmashwordsKoboGoodreads

This THURSDAY, I will host #AuthorinaCoffeeShop Episode 7 on Twitter at 7 PM (CDT) via @AuthorSAT. I normally host it on Friday, but a few of you have expressed Thursday as a better day, so I will probably test out the next four episodes (7-10) on Thursday to see which days are best. I hope to see you there!

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