Tag Archives: novel writing

#MondayBlogs Writing Tips: Naming Your Characters

22 Aug

Naming characters is really important! It can also be fun…and a little daunting. Choosing them can take hours, and on top of that, publishers might change them anyway. But that doesn’t mean you can’t enjoy the process. In this article, I’ll list a few aspects to consider while naming your characters, and I’ll include websites you can use as tools to find the perfect name.

Have fun!

1. Time & Culture

Is it believable that your character’s parents would name them something within the setting’s restrictions? Of course, there are exceptions, but consider the year. 1880 is going to be VERY different from 2030. Research your setting! If you want, you can actually look up popular names through the years at SSA, [Social Security Association.] Also, BabyNames.com allows you to explore baby names based on origin, ex. Irish names, Persian names, etc. Babynames.com provides thousands of names within cultures, meanings, genders, and more. You can even save your favorite names as you skip around. (Don’t be surprised if people ask you why you’re looking up baby names in public. I’ve been “congratulated” on a number of occasions.)

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2. Last Names and Family Lineage

Remember most parents use iambic pentameter for names. The rhythm should work. On top of that, you can consider naming a character after another character. A son may be named after his father or grandfather. Last Name Meanings provides a list of last names and where they derived from, along with the meaning behind them.

3. Unique and Memorable

Of course everyone knows not to use names already used in very famous novels, but what about within your own book? Avoid repetitive names or sounds. You probably don’t want to name everyone with a “J” name. It’d be hard to follow Jack, John, Jared, and Jill around. Personally, I suggest making a list of characters names in alphabetical order so you can physically see what is represented. Consider start, end, and syllables. The exception generally happens within relationships. Example? If you have brothers, maybe they will have similar names, but don’t overdo it.

4. Mixing Names (Sci-Fi/Fantasy)

Listen, we all know sci-fi/fantasy generally calls for unique names, but tread carefully. Having a character names Zzyklazinsky is going to be WAY too hard for a reader’s eyes. Sometimes, your best bet is taking well-known names and simply mixing them to create something more relatable but unique, ex. Serena + Violet = Serolet. Try NameCombiner.com to see what you can come up with.

5. Look All Around You

There are so many references on the Internet to find names. Other than those websites stated above, get creative. Pick up an old yearbook. You’ll be surprised how many different first and last names (along with rhythms) you can find. However, I suggest not using a person’s exact name, but rather use it as a reference. Maybe a first or a last. When I recently atteneded a high school graduation, I kept the pamphlet with all the names on it. There’s nothing like needing a quick reference – a real one – that isn’t online. Even funnier? A real Noah Welborn was on there. (My male protagonist from The Timely Death Trilogy is named Eric Welborn, but his little brother is named Noah Welborn.) Sometimes, reality fuses with fiction. And, of course, life in general. If you’re at a restaurant and notice your waiter’s name on his nametag, jot it down. Even if you don’t use it now, you might in the future…which brings me to my last point.

Keep a list of names that you love (and maybe even why you love them). That way, when you’re ready to write another book, you have a notebook filled with ideas already, and you can start right away.

A mixture of all these things creates a list of believable characters, and I really hope you’ll enjoy playing around with names more than before!

Original posted April 29, 2013

~SAT

Here are two of my FREE books:

Bad Bloods: November Rain

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Minutes Before Sunset

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#WW When You Shouldn’t Write That Book

10 Aug

There comes a time in every writer’s life when they realize they cannot write that book….and I’m not talking about writer’s block. I’m talking about when you want to write a book, but you know you shouldn’t. Maybe not yet. Maybe never.

Of course, I’m not saying a writer CAN’T write that book. Not forever anyway. But just like a construction project, certain books require particular tools, and if you don’t have those tools, building anything might be for naught…or even dangerous.

So here are three questions to ask yourself while deciding if you are ready to write that novel or not.

1. Have You Researched EVERYTHING Properly?

This is particularly true in historical fiction, but research shouldn’t be overlooked for any type of fiction. This means you are researching your setting, your themes, and your characters thoroughly. If you are writing anything outside of your personal experiences—which is more likely than not—it’s best to read articles, watch documentaries, and even talk to those who do have those personal experiences you’re lacking. If you haven’t done this, you most likely don’t know enough to write about certain topics and people from a respectful and knowledgeable place. You might even add to damaging stereotypes or incorrect presumptions. Take the time to get to know your novel’s needs…as well as your audience’s.

2. Have You Read This Genre?

You should be reading in and outside of any genre you want to write in, but you should definitely be familiar with trends in your market. Being able to recognize writers, publishers, and various novels is key to understanding your audience and what purpose your book serves. What does it add to the market? What does it give to your readers? If you’re unsure where your book would be on a shelf, you’re probably not ready yet. But don’t worry! All you have to do is read more. (And who doesn’t love reading?) I went through this myself recently. As someone who mainly reads and writes YA fantasy, I wanted to tackle a contemporary novel when I wasn’t fully equipped to do so. Though I read contemporary still, I knew almost immediately that I wasn’t familiar enough with the current shelf to proceed. I need to collect more tools. I need to read more. And I am.

Who doesn't love an extra excuse to read more?

Who doesn’t love an extra excuse to read more?

3. Why Are YOU The Right Person to Write This Book?

Listen, I’m not here to tell someone if they are the right person to write a book or not. That’s between the author, their book, and the creative process. But I honestly believe we can get to a moment where we realize a book—while it’s good—might be better for someone else to write. This is going to vary from person to person, and it ultimately weighs on how much you are willing to dedicate yourself to a story. If you’re hesitating to research, for instance, you’re probably the wrong person for that book. That doesn’t mean you can’t overcome obstacles or hurdles in your way, but it’s also okay to move on from something you realize isn’t right for you. If you’re on the fence—and you’re unsure how you’re feeling about this topic—one question you can ask yourself is WHY you’re even writing it. Seems obvious enough, but when you take a step back, you might see that you were, in fact, chasing a trend or a surface idea without the will to dive deeper. That’s okay. There are a million stories out there for you to write, and I’m sure you already have plenty more to chase. It’s a matter of figuring out which one feels right to you.

When you should write a book, it will come to you.

Enjoy the adventure,

~SAT

Read my latest interview on Crazy Beautiful Reads: “Every writer’s life is paved with rejections.” Comment for your chance to win some awesome books!

It’s official! Author Natasha Hanova will be sharing a table with me at Penned Con in St. Louis this September! Check her out, say hi, tell her I sent you, and come visit us in September. We’ll be signing books, talking books, and just having a great ol’ time.

*FREE BOOK ALERT*

Bad Bloods: November Rain is FREE!

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Bad Bloods: November Rain

Bad Bloods: November Rain

#MondayBlogs Writing Tips: Different Perspectives

8 Aug

I love writing from different perspectives. Both my YA series—The Timely Death Trilogy and Bad Bloods—are written in first POV but from two different speakers. I love using this technique for novel writing, because I enjoy first person, but I dislike how it restricts the storytelling to one character, especially when a scene would be better from a different perspective. So, I have two protagonists, and of course, there are complications that come along with this. What’s the most common question I am asked?

How do you make each voice unique?

I’ll provide a few aspects to keep in mind, but of course, this journey will be different for every writer and every novel. First, know that every character should have its own distinct voice. A reader should be able to open the novel and know who is speaking immediately. This is more difficult than it sounds, but it can get easier over time.

1. Perspective. 

The most obvious change between one voice to another is their unique perspective. What is their background? How do they feel? Where were they educated? Are they affecting the words, or are you? It’s important that characters have their own voice, and that voice will come out in combination with their personalities and backgrounds. For instance, your character who is a fashion designer would definitely use specific colors and fabrics to describe clothes, but your mechanic character might not.

2. Pay Attention to Diction and Syntax

Just like authors have their own “voice,” so do characters. Because of their backgrounds, characters will have different vocabularies. One character may use very flowery language, while another may have less of a need to elaborate. Consider their education, where they come from, and what they might know. The way they speak should differ, whether they are talking out loud or explaining the scene inwardly. Sometimes, syntax can be used to emphasize certain speech patterns, but be careful not to overuse syntax. Too many exclamations or repeated habits/phrases can become tedious and boring rather than unique and fun. Sometimes less is more. Little clues are normally enough.

3. Consider Rhythm

Honestly, I think rhythm is often overlooked, but paying attention to subtle changes in sound and length of sentences is important. One character’s thoughts may drag on, so their sentences are longer, while another might make short lists to contain their thoughts. Like everything making up your character, a person’s rhythm will depend on their personality, background, and goals. It could even change from scene to scene, but consistency is key.

All four of these women would tell a different story about this picture.

All four of these women would tell a different story about this picture.

One of my favorite exercises:

Write a chapter in which the two characters are talking. Write it from POV 1, and then, rewrite the exact same scene from POV 2. Check to make sure the dialogue and the physical actions are the exact same, but then, compare the thought process. How did the scene change? What does this change mean? Do they each bring a unique perspective? And out of those perspectives, which one is best to use?

As an example, two people can be talking and Person A could notice Person B is fidgeting. Person A may assume Person B is nervous, but when you tell it from Person B’s perspective, you learn that they are distracted, not nervous. These little bits can truly morph the way characters interact. I always encourage this exercise when starting out, even if the writer isn’t planning on telling from another’s perspective.

This exercise helps me understand the characters, and I feel more confident when I move onto a new scene. (Sometimes, it even helps me choose which scene to use…and worse case scenario, you have an extra scene to release as an extra for your readers.)

Have fun and good luck! 

Original posted March 31, 2013

~SAT

Bad Bloods: November Rain is FREE across all eBook platforms right now! (And I’m dutifully working on the next installment, too!) Happy reading.😀

November Rain

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November Snow, 

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Bad Bloods Free Book

Bad Bloods Free Book

 

#MondayBlogs: Writing Tips for a Trilogy or Series

4 Jul

So, you have an idea for a trilogy or series. Awesome! Writing a series can be a lot of fun. I mean, who doesn’t want to spend more time with their characters and worlds? But many aspiring writers aren’t sure where to start, and writing a series is a lot of work. With these three steps, though, it might be a little easier than you think.

1. Determine the arc for the series—and each book

This step is important for your series whether or not your books will be standalones or need to be read in order. Each book should have an arc (and don’t forget that every character in your series should have an arc, too). On top of that, your overall series should have an arc. This means each book is building up to something by itself and working together to build up to something bigger. One easy way to do this is to consider your “sub-genre.” Maybe your first book of your paranormal romance trilogy will be a mystery (Who is the villain?), while your second book will be a thriller (We have to run from the villain!) and your last book will be your adventure (We have to go after the villain!). This method ensures each book brings something new to the series, while also working through an overall arc (in the example’s case, defeating the villain). Again, this is only one method, but you can mix and match to study your series and determine if you are keeping your books fresh and exciting but also unified.

Writing Tips for a Trilogy or Series

Writing Tips for a Trilogy or Series

2.  Keep Notes

Consistency is SO important. You might think you know your characters from top to bottom, but chances are, you don’t. We’re only human. We can only remember so much, and as your cast grows and changes, it gets harder and harder to remember every little detail. That being said, you must remain consistent throughout each book. You wouldn’t want a side character who is allergic to chocolate in book one to eat chocolate ice cream in book five. Same goes for scenes. If you’ve said a door was to the right, it better be to the right in the other books, too. Personally, I keep a file on places and characters, and I create an overall timeline. What’s a timeline? This tracks years before and during the books. This means if I have a character who says she broke her leg at five years old in book one, she says she was five in book three, not nine. Another file I keep is a summary of what was told to each character in previous chapters so I know what my characters know from scene to scene. It seems easy to remember, and it might be for some, but sometimes, we have to go work on something else or step away for a few months, and it can be hard to remember when you return. Keeping notes is never a bad idea.

3. Be Open

Writing a series is hard, even with a plan. But don’t fret! We all know that writers aren’t completely in charge of their characters, worlds, or ideas. Sometimes, the protagonist throws a curve ball, and everything changes. That’s okay! Think of writing a series like a road trip: You know where you’re starting, you probably know where it’s going to end, and you might have places you want to visit in between. But there might be some surprises along the way. Embrace them, and keep going. That’s where the fun is. And don’t give up! Following your dream is worth it, even if you have to rewrite that dream a couple of times along the way.

Original posted September 5, 2013

In this article, I discuss lessons I learned while writing my first two trilogies.

~SAT

A new review came in for November Snow! “Truly, Thompson has done an incredible job here of story weaving. Just wonderful. Don’t underestimate your need for tissues here people, don’t do it. Prepare yourself with tissues and a cuddly stuffed animal.” – Babbling Books (Seriously, listen to her advice. Tissues will come in handy.)

Catelyn's Story on Wattpad

Catelyn’s Story on Wattpad

This week, Catelyn’s Story released on the FREE Bad Bloods Prequel on Wattpad. This is also the first origin story seen from the Southern Flock’s perspective. They formed later than the Northern Flock, so from now on, you’ll see stories flip back and forth between the two flocks. If you ever wondered why the groups of bad bloods are called flocks, this origin story explains why! In Bad Bloods, Catelyn is Serena’s best friend. Here is a preview: The girl was pretty enough for plenty of crimes. Read her story by clicking the link.

Pre-Order Bad Bloods

November Rain, Part One, releases July 18, 2016

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November Snow, Part Two, releases July 25, 2016

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#MondayBlogs Writing With Barbie

13 Jun

Authors use various methods to write novels. Some of these strategies are popular, while others are simply bizarre, and two years ago I confessed one of my strangest approaches.

Barbies.

You see, I began writing what would be my first published novel when I was 11, and because I was 11, I loved to daydream with dolls. Instead of plotting with a pen and paper, I pulled out those Barbie dolls—the same dolls that told me I could be anything while I was growing up—and I assigned each one to a potential character. I played out scenes, I tested dialogue, I assessed locations, and I watched my book come to life…Well, a plastic life. And the results were pretty humorous.

Many of my characters’ physical descriptions were actually based on the dolls I used. You can see more of this in the original novel, but some of the characters changed in the remake. That’s right. I’m talking about my upcoming release, Bad Bloods.

Bad Bloods began as a game I played with my Barbie dolls when I was a kid.

Now, if you’ve read the original or even the back covers, then you might be concerned for 11-year-old Shannon, considering how violent the book is, but there’s no need to be concerned. (I think.) Today is meant for laughter. Today, I wanted to share that funny truth behind Bad Bloods, no matter how dark the story is. Even better, I still have these toys (and I definitely still use them to this day), so I’m sharing a few of them as well as small excerpts from Bad Bloods that prove this goofy aspect of my writing.

You’ve been warned.

A little background before we begin:

Bad Bloods in 35 words or less: 17-year-old Serena is the only bad blood to escape execution. Now symbolized for an election, she must prove her people are human despite hindering abilities before everyone is killed and a city is destroyed.  

Bad Bloods is told from dual, first perspectives: Daniel and Serena. Unfortunately, I lost the Serena doll (she might have lost a limb or two or maybe even a head), but I still have Daniel, who you will see soon. I’m going to share two pictures. Read below for info on the characters, including a one-sentence background and a real excerpt from the novel. I’m also including a little note, explaining how my 11-year-old brain worked. Got that? Okay. I think I’m even lost, but trust me—it’s organized. I hope you chuckle as much as I did while writing this post! Traveling to the past can be a funny adventure.

theboys

Robert: 20, leader of the Southern Flock (hates hugs)

“Everything is fine.” Robert’s light voice didn’t match his stiff movements. When he ran a hand through his hair, his brown bangs stuck up. “But everyone needs to be quiet.”

11-y-o Note: Believe it or not, he’s not the antagonist. Sort of? Okay. Let’s go with antihero.

Daniel: 18, leader of the Northern Flock (all around hunk)

Daniel walked through the crowd, but it wasn’t much of a walk. It was more like stumbling and I had never seen Daniel stumble. Not once. Not even when he was fighting. But he was wearing the blue-and-white plaid jacket and it fluttered amongst the crowd of black coats and gray sweaters. He was practically asking to be arrested.

11-y-o Note: So, if you didn’t notice, I even based some clothes off of these toys.

Calhoun: 57, Daniel’s mentor (kind of a hard ass)

Before I had the chance to knock, the door swung open and smacked against the brick wall. An enormous man filled the entrance. The muscles in his left arm were hard to ignore, but the sleeve that should’ve been tightly wrapped around his right arm was dangling at his side, limbless. Despite his injury, Calhoun wasn’t troubled one bit. A shotgun swung outside and pointed toward my chest.

11-y-o Note: So, my one-arm GI Joe helped create this character, but this character’s personality is very similar to my father. Though, my dad has both arms…and he’s not a vet. But I swear they are alike. You might also remember me mentioning Calhoun in Tackling YA in Diversity, where I explain how I went about writing a character with a disability.

girls

Michele: 17, mother figure of the Northern Flock (Her origin story is up on Wattpad: Read Michele)

But the most beautiful one was the woman. She was tall and willowy, with long white hair and gray eyes like mine. Unlike me, though, every part of her seemed soft, like a warm glow followed her around wherever she went.

11-y-o Note: I definitely kept her white hair, and the character is almost always wearing black in the book as well.

Ami: 14, member of the Southern Flock. (Hates being called “Ami.” Her name is Ameline Marion Lachance.) 

When I first laid eyes on the girl, she was dressed head to toe in pink. Her blonde hair was threaded back into intricate braids, and a bow sat at the end of the braids where the golden strands came together. When Ami cried, she swung her head back and forth, and the bow swayed like a pendulum, all neat and tidy like a present.

11-y-o Note: You can’t really see the doll’s hairstyle anymore, but it was there. I promise. I also used pink on this character a lot.

Tessa: 9, member of the Northern Flock (too small to crush on Adam, but apparently, all the girls like Adam…maybe I should’ve shared Adam…Adam’s origin story is also up on Wattpad: Read Adam)

I pointed to the girl with pigtail braids. “That’s Tessa.”

“So what?” Tessa said, looking over her shoulder at Adam, then to me, her earthy brown eyes matching her powers and her complexion.

11-y-o Note: Her hair, like Ami’s, used to be tied up, too.

The End.

On a serious note, I think writing can be explored in a million ways, and I love my shameless Barbie play. I’ve legitimately called my #1 beta reader complaining of being stuck and she has asked me if I pulled the Barbies out yet. Having a physical representation works for me. I definitely don’t use their descriptions in newer writings, but I wanted to keep what I could for the rewrite since this particular work was built upon them. Imagination shouldn’t be chained to rules. Find what works for you, explore how you want, and daydream until the end of time. Even if that means playing with dolls.

Original posted April 19, 2014

It actually has different dolls and characters, but some of those characters have changed, so I didn’t include them in this post.

~SAT

To everyone I met at BFest this week, thank you for coming out! 

I had a blast!

BFest2016

If you missed out, you can buy signed books from Barnes & Noble in Oak Park Mall in Overland Park, KS and in Zona Rosa in Kansas City, MO!

For you online readers, don’t forget that Minutes Before Sunset, book 1 in the Timely Death Trilogy, is FREE right now. (And book 2 and book 3 are available, so no waiting!)

Minutes Before Sunset: book 1:

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Pre-Order Bad Bloods

November Rain, Part One, releases July 18, 2016

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November Snow, Part Two, releases July 25, 2016

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#MondayBlogs Confessions of a Slow Writer

9 May

I’m a slow writer. There. I said it. I’m a slow writer. (Just for extra measure.)

You see, I used to think I was a fast writer. “I can write a manuscript in two months,” “I wrote that novella in a few days,” “That short story took me an hour.”

Okay. So, I’ve never actually said the last two, but they sound similar to the first one…which I have said. And it isn’t a complete lie. My average speed for writing a manuscript is three months. Ish. But, what I don’t say, what I can’t deny to myself, is that manuscript is not truly written at all. It’s not even close to written. It’s a jargled mess of incomprehensible crap. (And I’m being nice when I say that.)

bogslow

My first drafts might take me three months, but that’s exactly what they are: first drafts. I almost ALWAYS rewrite my novels two or three times. In fact, I just finished one I’ve been working on since I was 19. That’s five years in the making, almost six. To some, the writing process – about one month – seemed ridiculously fast, but in all honestly, I already had 62,000 words written, and while most of it changes, the world was previously built, the characters were already made, and the overall plot was ready to go. That being said, something about the manuscript was not quite right, so it was rewrite after rewrite, year after year. And I’m okay with that. I’m okay that I just figured it out, that I JUST finished the draft that will move into the editing stages. Some might say I should’ve abandoned it, moved on, or simply turned it in as is, but you know what? That’s not me. And I like being me, ten rewrites and all. It might have taken me five years to figure it all out, but I finally feel like this manuscript’s draft is the one I can be truly proud of.

I’ve learned to accept I go through many phases while writing a novel. It normally starts with a dream, moves into an out-of-order screenplay, then an in-order screenplay, then a first draft, then a second draft, then a third and fourth draft, and then, it’s done!

That, for me, is when my novel is born. Finally. And more often than not, a few years pass between the initial idea and the collection of words sent off to my editor. I’m okay with that. I am. But don’t get me wrong. I wasn’t always okay with that.

There is a lot of pressure in the industry to be a “fast” writer, to release a new novel every few months, to use less curse words, to have more sex, to avoid clichés, or add romance. There is pressure everywhere—sometimes conflicting pressure—but I think it’s more important to not break under that pressure. I believe it’s important to be you and to be the best you that you can be.

Stand your ground. Be yourself. Write slowly.

Original posted August 22, 2015

~SAT

You can officially sign up for Bad Bloods Book Blitz through Xpresso Book Tours! I hope you’ll sign up to support this little author out. (You might also win some awesome prizes while you’re at it!)

BadBloodBlitzBanner-1

wattpadMicheleAlso, the next short story in the Bad Bloods Prequel released on Wattpad! If you didn’t get a chance to read it, check out Michele’s story today. Who is Michele? Well, in Bad Bloods, she’s the “mother” figure of the Northern Flock, but in the prequel, she’s just a kid. A kid with a gift. And her prequel story actually shows up in November Snow, so reading her story will give you more details when you read the novels this July….which brings me to my next point.

If you want to find out what happens to Calhoun, Daniel, Adam, and Michele – the four characters so far discussed in the Bad Bloods prequel – you can pre-order both Bad Bloods books today! 

November Rain, Part One, releases July 18, 2016

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November Snow, Part Two, releases July 25, 2016

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#MondayBlogs What It’s Like To Co-Author With Your Mother

4 Apr

Intro:

Recently, I had a blast working with young adult author Bronte Huskins and her mother, Sarah Newton. Together, they wrote the novel, Never Mind My Thigh Gap, a story about a young girl joining a model competition to overcome her insecurities while finding friends along the way. (I love this novel, by the way.) When they offered to write an article about their co-authorship, I invited them on here immediately. I hope you’ll enjoy their story as much as I do.

Disclaimer: The views and opinions expressed in guest articles are those of the author/s and do not necessarily reflect my own. To show authenticity of the featured writer, articles are posted as provided (a.k.a. I do not edit them). However, the format may have changed.

What It’s Like To Co-Author With Your Mother by Bronte Huskins

The question, “So, what was it like to work with your mum?” gets asked a lot, with the expectation of the answer being, “It was very challenging” or, “It was so difficult and at times I wanted to rip her head off!” But the answer, the real answer, couldn’t be more opposite. Writing a novel with my mum taught me a lot about my writing and actually made me a better writer.

Working with my mum on a novel we are both passionate about was actually a really enjoyable experience. There was never a time where I got so frustrated that I had plotted how I would kill her in her sleep that night. Of course it was hard work; writing a novel is certainly the most challenging thing I’ve ever done, but I think that having my mum there writing it with me actually helped keep my sanity in check. She understood my frustration when the characters were being a bit too moany and cried with me as we wrote the ending. It’s an experience I’m glad I could share with her.

0 (1)The one thing I was surprised about was how much I learnt from co-authoring Never Mind My Thigh Gap. My mum showed me what my strengths and weaknesses were and how to play with them and use them to my best advantage. She taught me that I was great at characterisation, conversation and description, but not so good with the nitty gritty, in-between stuff, which she turned out to be good at. She made me a better writer and we just worked together as co-authors.

We managed to get a rhythm going pretty early on in the process; I wrote the main text and my mum would edit it and write Oscar’s point of view. This involved a lot of sending the book backwards and forwards, and doing it again we realised that it would’ve been a whole lot easier just to send my mum the whole thing once I had written the first draft. We know that now but despite this, I wouldn’t change a thing. It was a learning experience and was a real bonding experience. I can’t imagine writing a novel without her anymore.

My tips on co-authoring with or without your mother.

Start with a plan

The main tip I would give to anyone who co-authors is come up with a plan of action beforehand. Writing this novel could’ve easily turned into a disaster, but we planned the outline of the story before actually writing it. Even though the story did change as we went on, having the first outline was extremely helpful.

Learn to compromise

I would also advise that you learn how to compromise; the trouble with co-authoring is that it’s not just your book, you have to share your baby with someone else. Whilst it does take some of the pressure off, it does also mean that you have to combine your ideas with someone else, and not all of them make the cut.

Be honest

First with yourself and then with the other person. Often the other person may say or do something that you instantly have a negative reaction to. Stop first and think about what they are saying, could it be true, even if a little bit? I remember once my mum saying I use too many words and my first reaction was to scream at her, but she was right – I do and when I got over myself and listened to her, the book was better. Also I felt completely at ease being honest with her and not hurting her feelings. I never held anything back as I didn’t want there to be any tension between us.

Know your strengths

Part of this process helped us both get really clear what our strengths are. I am very good at character development and speech, my mum showing the reader what is happening and the emotional impact of the story. When we realised what we were both great at, it allowed us to settle in to our respective parts.

I know it’s not for everyone, but I found and still find co-authoring with my mum a great experience.

Bio:

0 (1) (1)I am an 18-year-old student at Bath Spa University currently studying Creative Writing and Publishing. My first book ” Never Mind my Thigh Gap” is based on my own experience of entering a model competition to get over my body image issues. I write about ordinary, everyday heroines who are more likely to don a new lipstick than a suit of armour. I want my heroines to be real and relatable, acting like a teenager does in real life; unsure, scatty and indecisive.  With my writing I want to inspire young girls who feel they don’t fit into society’s norm to be comforted by the down-to-earth related characters in our books and realise, in their own way they are heroines too.

Want to be a guest blogger? Now is the time to submit. I would love to have you on! I am accepting original posts that focus on reading and writing. Pictures, links, and a bio are encouraged. You do not have to be published. If you qualify, please email me at shannonathompson@aol.com.

~SAT

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