Tag Archives: Pitch Wars

SCBWI KS/MO Middle of the Map Conference Announcement!

20 Sep

I have A LOT of wonderful events and opportunities coming up, so I wanted to keep today’s post short, sweet, and informative. Mostly, I’ll be teaching and critiquing at the SCBWI KS/MO Middle of the Map conference. I’ll also be mentoring a YA writer throughout 2022, but applications open up on November 7!

It’s all virtual, so I hope to see you there!

I put my specific events below, but you can check out the full lineup here.

November 3, 2021: SCBWI KS/MO Middle of the Map Conference: How to Write a Series WebinarLearn how to write a series by exploring how to use outlines, book bibles, and subplots to keep each book consistent, but also fresh and exciting. We will also cover how to avoid that middle book slump and nail that cliffhanger ending. Walk away with a resource list that includes recommended craft books and websites for further research.

November 6, 2021: SCBWI MS/MO Middle of the Map Conference: Critiques: I’m offering critiques in both YA and MG. Read details here

November 7, 2021: YA Mentorship with SCBWI KS/MO: Don’t miss out on the opportunity to win a free mentorship with our faculty author and local PAL member, Shannon Thompson! The 2022 KSMO Writer’s Mentorship will focus on Young Adult manuscripts.  Applications will be accepted Nov. 7-Dec. 5. Winner will be announced in January 2022! Check out details here.

P.S. Pitch Wars is also going on right now! I’m co-mentoring a middle grade writer. On Saturday, October 9, I’ll be taking over the Pitch Wars InstagramCome stop by to say hi and see the day in the life…

Pitch Wars 2021 Wishlist!

11 Sep

Hello, Pitch Wars hopefuls! For a downloadable, plain-text PDF version of this post, click hereThis year I am partnering up with the fabulous Sandra Proudman to mentor a middle grade science fiction or fantasy writer for Pitch Wars. We are Team Stellify. Stellify means to change or be changed into a star. It’s associated with myths and magic, and we are ready to channel all of our magic to stellify our mentee! We’re going to work hard and fight hard for you and your book, but we’re also here to have fun and be supportive.

If you want more information about Pitch Wars, check out pitchwars.org for more info. If you’ve somehow arrived at my blog first, please take a minute to go visit Sandra Proudman’s blog, where she talks about who we are, what we’re about, and lists the movies, TV shows, and books we absolutely love! Who knows? You might find a good comp title in there 😉

Below, you’ll find our mentoring style as well as our official wishlist! 

WHAT WE BELIEVE WE CAN HELP OUR MENTEE WITH:

  • Character development
  • Dialogue
  • Line edits
  • Pacing
  • Stakes
  • Query letter
  • World building 

If you’ve won a critique from us in the past or know us from social media: Please feel free to still submit to us! We’ll be removing names from submission items to be as impartial as possible.

Our Communication Style:

We’ll be with you every step of the way during your Pitch Wars journey. From explaining why we might be offering a certain comment/suggested change to guiding you through the querying process if this is your first time entering the querying trenches. Our goal is that by the time the showcase comes around, you’ll feel confident querying your work, whether you get one request for pages or thirty. 

We talk on Zoom a bunch, so we are always open to hopping on a Zoom call. If you’re not into video conferencing, we can always hop on the phone or chat online. We’ll work with you at your comfort level! We believe in equal access, and we’re willing to be flexible with deadlines. 

What We Are Looking for in a Mentee:

We are looking to work with a passionate writer who is dedicated to making their story the best it can possibly be, even if this means a possible complete rewrite. Be positive and ready to put in hard work. There is, of course, a temptation to say ‘yes’ to be selected even if you don’t think your novel needs lots of work; if you truly know that you would not be open to major revisions, we may not be the best selection for you. 

CATEGORY: MG 

GENRES: 

  • Fantasy (portal, magical realism, other)
  • Adventure
  • Horror
  • Steampunk
  • Sci-Fi (space opera, near future, dystopian/post-apocalyptic, cyberpunk, soft, time travel, other)
  • Retellings
  • STEM
  • Romance (sci-fi, fantasy)
  • Contemporary with a dash of speculative

And now….

OUR WISHLIST:

Diverse characters written as the heroes of their own stories written by diverse writers. Sandra is Latinx, so Latinx (especially Afro-Latinx) stories hold a special place on our wish list. 

Stories by LGBTQIA+ writers also hold a special place on our wishlist. Especially by writers of color.

Lush or strange fantasies with a diverse cast of characters set anywhere! Contemporary fantasies are our specialty!

Stories about found family and friendships, witty banter a plus!

Retellings, especially with a diverse twist and/or unique tales/myths/creatures.

Immersive settings and awesome world building!

Horror with twists and turns at every corner. We want witches/brujx, ghosts, haunted forests, bloodline curses, all of it! Give us your spooky tales, your ghosts, your monsters, your nightmares that come to life.

We love sci-fi, though tend to lean toward fantasy stories for Pitch Wars. If you do want to send us sci-fi, we specifically love space/androids/robots/AI and parallel universes, or any stories revolving STEM. We would love to see all the genre-bending sci-fi fantasy stories.

Fierce girls that don’t need a hero to save them and who rebel against the life others want for them. 

Epic action scenes reminiscent of the Agni Kai scene between Zuko and Azula in Avatar the Last Airbender! 

What we’re likely to pass on:

  • Most importantly, we are not a good fit for stories with themes of terminal illness or explicit scenes of sexual violence or assault. Please no stories that would require a heavy trigger warning. 
  • We are not mentoring Adult or YA books. Don’t waste a slot sending us your book if it’s in these age groups! *Okay to send us a YA book that you want to age down.
  • We are not the best fit for sports books or hard science fiction with a lot of technical aspects. There will likely be a lot that we couldn’t comment on or help with.
  • Please eliminate as many typos as you can prior to sending as they can often distract from getting into the story!

We cannot wait to read your submissions and no matter what happens, you finished a manuscript, you are amazing!

With all our support, 

Shannon & Sandra

Pitch Wars 2021 Middle Grade Mentors’ Wish Lists

  1. Tracy Badua
  2. Eric Bell
  3. Julie Artz
  4. Shannon A. Thompson and Sandra Proudman
  5. George Jreije and LQ Nguyen
  6. Darlene P. Campos
  7. Rebecca Petruck
  8. Graci Kim and Karah Sutton
  9. Shakirah Bourne
  10. Kim Long and Jennifer L. Brown
  11. Adrianna Cuevas and Sarah Kapit
  12. Sylvia Liu
  13. Cindy Baldwin and Amanda Rawson Hill
  14. Erin Teagan
  15. A.J. Sass and Nicole Melleby


Click here to view all Pitch Wars 2021 Mentors’ Wish Lists. To view the wish lists by genre, visit this link.

What Writers Can Learn from Reading Their OLD Work

30 Aug

I’ve been writing stories ever since I learned how to write. I’m not kidding. My first pieces of work go back to when I was 4 years old. My first story was a 5-page rambling piece about my new husky throwing a party so that the two older dogs would attend and possibly befriend him. (Totally based on a true story. But more on that below.) 

Lots of writers have stories like mine. That first attempt in grade school. Then, the first REAL attempt. You know, the one where you wrote wayyyyy too many words over a span of years. Maybe you finished; maybe you didn’t, but you *think* there’s a copy of it somewhere on an old laptop or shoved in a dresser drawer somewhere. If you have it, I encourage you to go find it today. 

I’m a big believer in keeping old work. I’m a bigger believer in re-reading it. Not just to evaluate where you started and who you’ve grown to be, but also to simply enjoy it. 

Those words brought you joy at some point, and I think you’ll be surprised to find they still do (even if your writing wasn’t exactly what you’d call “seasoned”). You might also learn a thing or two about yourself that you weren’t expecting. 

Let’s take my dog story as an example. I wrote it because we had literally just welcomed a new husky puppy to the family. We had two other dogs. They had to learn to get along. BAM. Storytime. At least, that’s how I saw it at the time. Looking back, the theme of friendship isn’t lost on me. As someone who moved around the country every two-ish years while growing up, I was a very lonely kid, and stories often were the only things to keep me company. My characters were some of my best friends. They still are, in fact. (I certainly spend more time at my computer desk than at brunch catching up with buddies.) Friendship was something that always eluded me and, honestly, it still feels that way most days. I often write about that feeling in my current novels. What surprised me, though, was my four-year-old self considering it. Even before I knew what a theme was, I had threaded it into my storyline while also expressing my own wants and fears. And isn’t that what storytelling is about? Personal expression?

I bring this up because I think it’s quite common to lose sight of storytelling basics the more you learn and grow. In an industry where you constantly hear that’s been done before; everything’s been done before; why is your story unique?; why should we care?, it’s easy to start tweaking plot to add more action; changing characters to shift dynamics; moving or cutting whole scenes to keep up the tension; and before you know it, the story feels stale, and you cannot for the life of you figure out why (especially after twelve revisions).

Maybe—in all those revisions—you accidentally lost track of why you wanted to write the story in the first place or why the story mattered to you. Maybe you cut out that theme of friendship in favor of a romance subplot you’ve been told would be more popular. Worse, you can re-read your new version a 1,000 times and never see what’s wrong because it isn’t there anymore. 

That’s why you keep old work and old versions. It reminds you of why you began and what you were trying to express. In fact, I’ve been re-reading a lot of my old work for this purpose. I’ve even been asking myself what I want out of my stories as a whole.  

Call it an existential crisis brought on by the pandemic, or writer’s block, or self-discovery, or whatever. But I decided to do a deep dive into all my old work. 

Some of those ideas I came up with in high school were brazen and wacky and just plain old rubbish. But they were fresh. So fresh, in fact, that I doubt I could come up with some of those ideas today. Back then, I wasn’t worried about writing to hit a trend or fulfilling genre expectations. (Both of which aren’t inherently bad things to keep in mind while writing professionally.) I simply wrote, and within those writings, I found some shiny pieces. Things that, if I came up with today, I might outright dismiss because “no one will want to read that.” I’m re-learning how to love that wild freshness again.

This past month, I sat back and re-read the Timely Death trilogy. (Yes, my own books.) It felt weird at first. Certainly egotistical. (Why spend time reading my own books that are complete and published when I could spend time reading others’ novels or re-reading a WIP that has hope for the future?) Trust me, I thought the same thing. But the books had been nagging at me for weeks. I just had this feeling that I wanted to dive back into that world and re-experience it. 

Some things I learned from reading my own work:

  1. I did not remember large parts of my own trilogy. It’s been so many years, it was almost like reading a book someone else wrote. This helped me judge it from a third-party perspective (and enjoy it)! I tried to take note of which parts of the book I loved and which slowed me down. They were surprisingly different than I remembered! 
  2. I can certainly see where I’ve grown—my word choice is stronger, my transitions are swifter, and my dialogue feels more natural. I also think my world building ability has grown, not just the literal world, but also how it is introduced and why. That’s a good feeling! 
  3. I can see where I regressed. Granted this point is a little bit more complicated. I have to be careful not to compare a final, published piece with my current WIPs, but I still feel like my characters were more vulnerable back then than they are now. They certainly have more imperfections and layers, and so do their relationships. I think there’s a lot of pressure right now for characters to be more “perfect” than they were in the past. For example, if a character thinks or feels something controversial, it can be seen as the author’s opinion, especially if another character doesn’t correct them, and I (personally) think that’s a slippery slope. Many of my characters act and think in ways that I do not. I’m just trying to tell a story, and sometimes stories follow controversial people or situations, especially in fantasy where the rules of that world do not align with the rules in our world. I think it was Will in Cassandra Clare’s book that said, “Requited love is ideal but doesn’t make much of a ballad,” and I feel that way about stories in general. If my characters acted or thought “correctly” all the time (or, in the case of the quote, loved each other correctly), it would become a very boring book. But that’s probably another topic for another day! Basically, I feel like I regressed in the darker parts of my books and characters. I’ve held a lot of their vulnerability back out of fear for how it would reflect on me. And I hope to break that mold again. 

As an extra, re-reading definitely rekindled that flame for the books. I spent a week or so outlining an adult followup for the trilogy, and it was so much fun!

My biggest takeaway:

Looking back on all my old books and manuscripts, I realized I have the same central theme threading through all of them—except for the ones I’m struggling to connect with. It was a EUREKA moment for me. This theme, which I’d rather keep to myself for now, is an essential part of who I am as a writer. Somehow, somewhere, I lost sight of that. I lost that feeling. Now I’m working on getting it back. 

Have you ever read an old work of yours and realized a truth about your writing?

~SAT

P.S. There won’t be a blog post on Monday, September 6th. It is Labor Day, and I will be taking the weekend off. The next blog post will be the Pitch Wars blog hop, which takes place on Saturday, September 11.

For those who didn’t see the announcement, I am returning to Pitch Wars this year as a co-mentor with Sandra Proudman! We’re Team Stellify, and we’re going to mentor a middle grade writer. We’re so excited to meet our mentee! For more information, visit pitchwars.org. You can see my Pitch Wars profile here.

If you’re a middle grade writer interested in this mentorship program, I encourage you to come to the Pitch Wars Middle Grade Mentor chat this Saturday, September 4 at 12 PM EST! Click here to add it to your YouTube watchlist.

Behind the Scenes of Pitch Wars with Team Snickersnee

14 Nov

Behind the Scenes at Pitch Wars with Team Snickersnee

In case you missed it, Team Snickersnee announced our 2020 mentee for Pitch Wars! (But more on that below.) Since announcement day has come and gone, I thought it would be fun to give everyone a behind-the-scenes peek at what went down with Team Snickersnee. 

We asked for anything under the science fiction or fantasy sun, including young adult and new adult (if willing to age down to young adult). You can reference our original wishlist by clicking here.  

Here are our stats: 133 submissions 

Sci-Fi: 

  • Space Opera: 4
  • Near Future: 2
  • Dystopian/Post Apocalyptic: 11
  • Cyberpunk: 2
  • Steampunk: 1
  • Soft: 15
  • Military: 1
  • Science-Fantasy: 2
  • Time-Travel: 2
  • Other: 3

Fantasy: 

  • High/Epic: 21
  • Urban/Contemporary: 19
  • Magical Realism/Fabulism: 5
  • Historical: 2
  • Portal: 11
  • Paranormal: 1
  • Other: 22

Horror: 4

Thriller/Suspense: 2

Contemporary: 2

Adventure: 1

Top three trends we saw: 

  1. Elemental powers
  2. Zodiac 
  3. Witches 

We definitely had a blast reading everyone’s words! In fact, we put more than half of our submissions in the “maybe” pile. It was really hard to dwindle down to just one person. 

So how did we break it down? 

As a team, Sandra and I split the submissions in half. She read the first half, and I read the second half. We took notes on the ones we loved, and then we sent each other the list so that the other person could take a look at the submissions, too. We made it a goal to choose 5 manuscripts to request. We then read the first 50 pages of each and discussed again. (We even requested two more fulls!) We messaged each other a lot, discussing various aspects of the manuscripts, possible edit letters, etc.—until we felt that we had found the manuscript. Our final decision happened over an hour-long ZOOM call. Ultimately, while we loved so many manuscripts, we had to factor in how much work the manuscript needed in the time allotted, if our vision aligned with the author’s, and if we were the right mentors for this particular mentee.   

It was a hard choice!

There was so much incredible talent, and we definitely would’ve taken on more mentees if we could have. If you submitted to us, thank you for trusting us with your words! We truly enjoyed reading our submissions. 

Now for a fun Q&A: 

What was your biggest surprise reading through submissions this year?

Shannon: This was my first time being a Pitch Wars mentor. Going in, I thought the writing itself would be the ultimate factor in choosing which manuscripts to read more of, but honestly, all the writing was so good! I relied on the synopsis a lot more than I thought I would. It showed me how the story unfolded and if I felt like there were structural issues we could help with or not. I was definitely looking for someone we could mentor. If someone’s package was 120% perfect, I moved on. Some writers are definitely ready to query without a mentorship!

Sandra: This was my second year mentoring, and what was surprising was how different the submissions were this year from last year! I loved getting to read a whole new batch of stories from writers who might not have subbed to me last year. I was also just in awe of the quality of work submitted; there is so much talent in the world right now. There’s not one entry that I read that I didn’t think the writer would find representation, whether with the manuscript submitted or with another.

Any writing tips for those who submitted?

Shannon: Use beat sheets (like this one on Jami Gold’s website) and swap with critique partners. Most importantly, make sure each scene is driving your story forward, and that your protagonist has agency. (They should be happening to the story, not the other way around.) A common mistake I saw is a scene where we meet the protagonist’s best friend or family, and that’s it. See if you can combine your meeting scene with an actionable scene. (Ex. Could the best friend be introduced while the protagonist is dealing with an unexpected issue?) If you have any scenes that feel like your protagonist’s “regular” day, it should probably be changed or cut.

Sandra: To Shannon’s point, knowing your character’s arc is in my opinion the most important part of any story. Who is your character at the beginning and who do you want them to be by the end of the manuscript? And what turning points will help you get them there. Whether you’re a pantser or a plotter, or somewhere in between, knowing the turning points you want to hit is so important to keeping the pacing and character arc’s moving forward. And hitting them at the right places. One of the things I love doing with my work is deciding the word count I want to hit before I start to write. So if I want to write an 80K manuscript, I know I need to hit that first turning point at 25% of the book, so at 20K, and my midpoint at 40K. Aside from that, to just keep writing and reading! I didn’t land my agent till my third queried manuscript, so perseverance is key and learning what you can from other writers and published works.

Publishing tips?

Shannon: Watch your word counts. There was a surprising amount of manuscripts that were 100k and higher, which is a really hard sell to an agent or editor for a debut. Make sure that your manuscript is in line with the expectations of your age category and genre. If you’re struggling to cut, ask a beta reader to help. Consider combining characters or scenes. Don’t be afraid to take a break from your story and come back at a later date to analyze what is truly, absolutely 100% necessary. In regards to querying, I highly recommend Query Shark and Query Tracker

Sandra: Totally agree with Shannon on word counts! I’ve seen some agents and editors talk about this on Twitter lately as well!

It’s also interesting seeing trends as well and what ideas seem to spread like wildfire and become popular. This is also really hard to see because it means the market is saturated in these stories, and you’re likely competing for an agent’s attention who has already received several stories with the same general idea. One of my biggest publishing tips and something I’m working hard to do myself, is how to take a common idea and have a twist to it. So if your book is about vampires, how can you freshen up a trope that an agent has seen often? Same if your story has elemental magic. Can you do something in your manuscript that sets the story apart so there’s a good spin in the query you’re sending out? Just making sure that your story is as unique as you can make it, and that you’re showing off what makes it unique to the fullest! Genre-bending is also very popular and a great way to freshen up tropes!

What are we most excited about?

Working with our mentee, Miranda Sun! She wrote an amazing heartfelt #ownvoices YA contemporary fantasy filled with magic forests, generational secrets, and humor! Did we mention the slow-burn hate-to-love romance with a ghost? Give her a follow on Twitter and stay tuned! (Fun fact: Miranda’s submission was #31!) 

~SAT

A Writer’s Freakout Schedule

29 Aug

Between COVID and (insert any number of other awful things happening right now), freakouts are commonplace at the moment. Right? RIGHT???

I don’t know. Maybe you’re not going through it, but I know I’ve certainly had my moments of heightened stress, which is probably why I’ve spent a lot of time thinking about the delicate balance of productivity and mindfulness. On one hand, I want to maintain my level of productivity, be successful, follow the dream. On the other, I just want to eat this tub of ice cream and be left alone. So, I guess the solution is to sit here with my ice cream while I write this article. (It’s Cherry Garcia, if you’re wondering.)

Writers are used to wearing a lot of hats. Between day jobs and family, squeezing in time to write is nothing new to the aspiring novelist. Neither is imposter syndrome or writers’ burnout, not to mention writers’ block. But the other day, I finally heard a new one. 

A writers’ freakout schedule.

But first, a little backstory: 

Once a month, I meet up with some fellow writers on ZOOM just to chat about what we’re going through and how we’re handling it. We talk about our projects, but there’s no pressure to exchange pages or anything. If you don’t have something like this in your life, I highly recommend it. I look forward to it every month. 

During one of these monthly calls, I was talking about how bonkers life is at the moment and how to manage all these tectonic plates that are now life, when Jessica Conoley (authorpreneurship coach) mentioned how knowing her “freakout” schedule has helped her manage.

The moment she mentioned it, a lightbulb went off in my head. I had never thought about the concept of a freakout schedule before, but I also recognized how true the sentiment was right away.

Understanding when and how you will react to news, such as a critique or a rejection, can help you stay focused and calm, especially in these strange and twisty times. 

That being said, I wasn’t always aware of my freakout schedule. In fact, I’m pretty sure my roommate had to point it out to me once. (Okay. So, maybe a couple dozen times.) Basically, I used to think I didn’t have a freakout schedule. I would hear criticism or get a rejection and brush it off pretty quickly. Publishing is just business, right? I can adjust and keep trying. And I would. Right away, I would dive into revisions or go about writing life as normal…but two weeks later, the doubt would creep in. Then, the inevitable imposter syndrome. Soon, I’d be asking friends if I was delusional in my capabilities to finish a likeable story. I would threaten to put everything down, eventually declaring, “This is it! I quit!” 

The next day, I’d sit down at my computer, determined to delete it all and never look back…but hey, it couldn’t hurt to read it one last time. Soon, I’d be revising. And reading. And writing like nothing ever happened. 

My freakouts definitely have varying degrees, depending on what caused the situation to spiral. 

A little writers block isn’t going to last as long for me as a brutally honest critique from a trusted colleague. However, for someone else, it might be the complete opposite. Which brings me to my next piece of advice:

Understanding what sets you off—and for how long—is just as important as understanding you’re in a cycle. The cycle will end. 

This is just your freakout schedule.

~SAT

P.S. You may have noticed a new badge on my website. In case you didn’t, I am officially going to co-mentor with Sandra Proudman for Pitch Wars this year. Pitch Wars is a mentoring program where published/agented authors, editors, or industry interns choose one writer to spend three months revising their manuscript. It ends in February with an Agent Showcase, where agents can read a pitch/first page and can request to read more. Learn more at PitchWars.orgOur wishlist will go up right here on September 12!

#WW Pitch Competitions

4 Nov

Although many of you know me as an author, I work a full-time day job as an editor and marketer. I also give publishing advice and help writers with their websites. It was during this job one of my clients asked me if I had ever participated in a #Pitch competition.

If you don’t know what this is, don’t worry! I didn’t either. Not at first anyway. In fact, I embarrassingly admitted to my client that I once participated in the Twitter feed to talk to other writers without realizing a competition was going on. (This is actually okay, since it’s about making friends, but the Twitter feed is generally for those who have entered or plan to enter in the future.)

All of the Pitch competitions are different, but they generally have a theme, are run by a number of agents and mentors, and at the end, a couple of lucky authors get to skip the slush pile and apply to agents and publishers directly. Most of them you apply to via email (following all the rules!), and then you have daily discussions via Twitter while the agents are picking winners. That’s the basic rundown.

Now, after I talked to my client about this, I told them I would do some more research and figure out how to join the next one and what to do during it. Huzzah! #PitchSlam and #NoQS (Nightmare on Query Street) were taking place about a month in the future. (These events happened in October. Isn’t this time warp thing crazy?) I found the rules via the hosts’ blogs, and I relayed all of the information and deadlines. I told my client everything, but they still weren’t sure. They wanted personal information from someone with firsthand experience.

So…I joined.

At the time I was struggling with approaching my own publisher with my pitch for my latest manuscript, so I figured why not get advice from people in the industry? I was too close to the manuscript—much in a way that an editor can’t edit his or her own writing alone—and I needed help from someone else.

I entered #PitchSlam

One of my favorite PitchSlam tweets

One of my favorite PitchSlam tweets

I am going to start out by saying, I LOVED this entire experience. Not only was there an awesome theme surrounding Harry Potter, but there was also three separate days of events and support from the agents and the community. On day 1, 200 lucky writers received feedback on their 35-word pitch. On day 2, another 200 lucky writers received feedback on their first 250 words. I was super lucky. I was picked on both days, and by the end of the week, six mentors had helped me fine-tune my project.

I was through the roof. And from reading the feed, so were many other writers.

Pitch competitions are priceless. I made friends in the writing community I might not have ever made, and I learned a lot from those around me. I had fun, and I never once saw someone feel defeated by “losing.” Because there is no “losing” in these competitions. There’s just friendship, support, understanding, and teaching.

I highly recommend trying one out if you have a completed manuscript and you’re looking for an agent/publisher and/or honest/professional feedback on your work (or even if you just want to make some writer friends)!

Just to help you out, here is some extra information on upcoming ones:

  • Follow @Michelle4Laughs on Twitter for information on Sun versus Snow, a query competition coming in January. Info.
  • There’s another PitchSlam in March of 2016 as well. Info here. It’s a bi-annual contest. Here’s a list of the PitchSlam Profressors. Follow them for future updates.
  • News on PitchWars: They’ll have news on the next one after the New Year: Info.
  • Pitch Madness starts in February: Info

So get ready for the next one! I’m sure it’ll be fun. And of course, I wish you the best of luck. (And of course, be sure to follow those rules!)

~SAT

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