Tag Archives: read

How to Enjoy Reading as a Writer (And Complete Those Reading Goals)

21 Jun

It’s summertime, which means beach reads are among us. Not to mention the fact that we’re halfway through 2021. (Eek!) How far along are you on your reading goals? I aim to read 52 books a year. I’m definitely not there yet. But I know a lot of us take this time of the year to catch up on our TBR pile, so I wanted to chat about books from the writer’s perspective. 

As Stephen King once said, “If you don’t have the time to read, you don’t have the time or the tools to write.” It’s a very popular writing advice quote that most writers have probably heard here and there. I tend to agree with it. Reading is an important step of becoming a writer. But what happens when you don’t enjoy reading anymore? What if reading starts to feel like a chore? 

More often than not, I hear three reading issues from writers:

  • I can’t read while I’m writing. I fear accidentally taking those author’s words and using them myself in my current WIP. 
  • I don’t have enough time to read and write. My schedule doesn’t allow me to sit down and do both, so I have to skip the reading part. 
  • I don’t enjoy reading anymore. All I do is compare my work to theirs and/or I see tropes/mistakes/what’s coming rather than enjoy the moment.  

Sound like you? I’ve certainly been here before. The one that bit me the hardest was the last one. I used to get in such a writing headspace that I felt like I was studying every book I was reading rather than sitting back and enjoying the story. Eventually, I realized that I had to consciously set aside my writing brain and invite my reading one in. But more on that below! 

Combining reading with a beautiful place doesn’t hurt either!

If you’re the kind of writer that struggles with reading, here’s some quick tips:

  • Try reading in a different medium: I love audiobooks. They are absolutely perfect when it comes to my schedule, because I can read while driving, cooking, or doing other chores. They also give me a chance to rest my eyes and hands, which often get sore between my day job and writing. I’ve personally found audiobooks to help with separating reading from writing. My writing brain is easier to turn off when I’m listening to an audiobook because I don’t write in that same format. This required some lifestyle adjustments, though. In fact, I deleted all writing advice podcasts from my phone, so that I would stop associating audio with advice. Audio is now solely a place for joy—not advice—and making sure I honor that has helped my brain stay in that happy place for longer. 
  • Try reading a genre or age category that you don’t write: This is a good fit for those of you who fear accidentally taking something from a book you’re currently reading and putting it into your own words. If you’re reading a different genre/age category, it will feel more separated than if you’re reading something along similar lines. It may also help with the comparison bug. (It’s harder to compare your work to someone else’s when they are so vastly different.) 
  • Embrace how you’re feeling: What you’re feeling is perfectly normal. I find the writers who fight these feelings are the writers who struggle with it the most. I know, because I was one of these people for a long time. I often had to find ways to beat back the comparison bug. For instance, whenever I was reading something amazing and I started to think “I’ll never be able to write like this”, I would immediately flip to the back of the book. There, I would read the Acknowledgements page and read the growing list of people who helped that author get their story to where it is today. This was a factual reminder that my WIP was still a WIP; this book was a story dozens of people had helped shape. Seeing that almost always made me feel better. So yes, embrace what you’re feeling. Ask yourself why. Then tackle it. Once you do, you’ll find a solution. 

There are lots of ways to tackle reading and bring back the joy if you’re struggling. For instance, if I read something I admired—be it a trope, scene, or even a word—I would write it down. That way, I was acknowledging something my writer brain loved, but also took a note to deal with it on another day. At the end of reading, I’ll come back and analyze it.

It may take some experimenting, and you may experience hiccups along the way, but never give up on your love for reading. So many of us started writing because of reading. In fact, if you remember those old favorites that inspired you, I would encourage you to pick them up again. Enjoy that experience again. Remind yourself why you love the written word, and I’m sure you’ll be reading again in no time!

Do you have any reading tricks or tips? Feel free to share them with me! 

~SAT

P.S. Wednesday, June 23 is my 30th birthday! Where has time gone?!

How to Name Your Characters

31 May

Naming your characters, especially your main characters, can feel like a daunting task. Some enjoy the thrill of it; others struggle a lot, and never quite feel like they found the “right” name. 

I, for one, love naming characters. I often joke that baby name books are some of my favorite reads and, in fact, I’ve been this way for a while. I hated my name growing up and spent a lot of time vicariously living through my characters with fanciful or meaningful names I much more preferred. (Fun fact: I’m named after the song “Shannon” by Henry Gross.) 

Naming characters can be a lot of fun and, with the right tools and a little bit of imagination, you can enjoy the process, too. 

First and foremost: 

When should you name characters? Honestly, whenever you want to. I tend to name my characters long before I start writing. (I spend a significant time researching and playing with the names before I attempt Chapter One.) This has benefits, but it also has drawbacks. I’ve had to change character names after the fact, and due to my attachment, it was a lot harder. (I still secretly call them by their original names to my beta readers.) But I love getting to know my characters long before I meet them on the page. 

How should you name your characters? Consider the setting of your novel. What time period are you in? What culture? 1880 in Russia is going to be VERY different from 2030 in Brazil. Once you figure that out, consider who is naming your character. Technically, it’s you, yes, but in the world of your character, they were named by someone and/or adopted a name for themselves. Knowing this motivation will help you not only build your world but get to know your character better. A daughter may be named after her grandparent, or a man may reject his name because he hates who he is named after. The nickname he adopts could mean something to him or be something he saw off of a billboard. Either way, that says a lot about what is happening. Remember most parents use iambic pentameter for names. The rhythm often works and will help your character names shine. 

Where can I find names?

Babynames.com provides thousands of names within cultures, meanings, genders, and more. I love BabyNames.com. You can even save your favorite names as you skip around. (Don’t be surprised if people ask you why you’re looking up baby names in public. I’ve been “congratulated” on a number of occasions.)

Aside from BabyNames.com, I get creative. I flip through old yearbooks, magazines, etc. I’ve even used my own family’s genealogy as a place to get inspired. For historical pieces, I tend to look at popular names through the years at SSA, [Social Security Association.] I also consider last names very carefully. Last Name Meanings provides a list of last names and where they derived from, along with the meaning behind them.

Can I make up names?

Absolutely! I tend to get this question from fantasy/sci-fi writers, because sci-fi/fantasy generally calls for unique names, but tread carefully. Sometimes, your best bet is taking well-known names and simply mixing them to create something unique, ex. Serena + Violet = Serolet. Try NameCombiner.com to see what you can come up with.

Pinterest board sneak peek

Is choosing a name holding you back from actually writing? Embrace filler names. I use filler names all the time. Basically, I have a list of names that are placeholders for certain personalities. I consistently use these names while first drafting, until I settle on a “real” name that feels right. If you don’t have these, grab some from a name generator. I don’t use Scrivener to get my character names. However, there’s a name generator that I think is an awesome tool that is often overlooked. It’s found in the same place: Edit -> Writing Tools -> Name Generator, and you can select from a variety of choices: names by country origin, first letter, ending letter, alliteration, and more. More recently, I’ve started a private Pinterest board where I pin baby name articles and other fun names I come across. Now it’s easy to just hop on and scroll through ones I’ve been saving for future use. 

Once you get a full cast, it’s best to double check the list and ask yourself how they’ll appear throughout the series. Too many similar names might make it hard for readers to follow. Avoid repetitive names or sounds. You probably don’t want to name everyone with a “J” name. It’d be hard to follow Jack, John, Jared, and Jill around. I suggest making a list of characters names in alphabetical order so you can physically see what is represented. Consider start, end, and syllables. The exception generally happens within relationships. Example? If you have brothers, maybe they will have similar names, but don’t overdo it. Granted, this solution might not fit every scenario. There are times where similarities can be too meaningful to change. But it doesn’t hurt to consider all your options. 

A mixture of all these things creates a list of believable characters, and I really hope you’ll enjoy playing around with names more than before!

~SAT

P.S. I’m teaching a free, virtual writing class on Wednesday, June 2 at 6:30 PM-8:00 PM CDT. It’s all about Starting a Writing Project. So, if you’re looking for more inspiration and fun tools/tricks, you can register here.

Is it Possible to Read Too Much as a Writer?

5 Jan

Last year, I read 167 books according to Goodreads. Granted, this is a mixture of everything under the publishing sun: adult fiction, YA, MG, graphic novels, and, yes, even picture books. My job at the library has definitely broadened my reading sphere, for which I’m super grateful. (I never knew picture books could be so extensive—and gorgeous! When I was a little, I feel like we had two options: Dr. Seuss and Chicka Chicka Boom Boom. But that’s beside the point.)

I read a lot, and lately I’ve wondered if I read too much.

Is that even possible? (Especially for a writer.)

I don’t know. Maybe, maybe not. I don’t think this question has a simple answer, as it depends on the writer’s life: how much free time they have, their access to books, how reading affects them, their writing goals etc. If, for instance, you are on a serious deadline, you probably need to put writing ahead of reading in order to meet that. In contrast, if you’re a new writer, it’s recommended you spend more time reading in order to understand storytelling, the market’s needs, etc. As Stephen King famously said, “If you don’t have time to read, you don’t have the time (or tools) to write. Simple as that.”

But what happens when you spend all your time reading and not writing?

When I look back on 2018, I know I read a lot more than I wrote, which is fine. Between starting two new jobs and having to move, writing often felt like too much. But I could handle reading. It was my reprieve from everything else. Writing usually is as well, but almost every time I sat down to write, I felt way too weighed down by everything else. Now that I’m more adjusted to my new life, though, I feel a bit burnt out on reading—and yet, I’ve struggled to tune down my reading time to make more room for writing. Why? Maybe I got used to reading more and writing less, and now I have to readjust again. Who knows. One thing that’s helped me is taking my laptop to work and writing during my lunch break; then, when I come home, reading. It’s still a lot more reading time and less writing time, but I’m hoping the slow adjustment helps my writer’s brain turn back on.

It’s such an isolating feeling watching your fellow writers crank out chapter after chapter when you’re only reading them. But reading is definitely good for writers too. That being said, I have a goal of reading less this year. I spent so little time writing I feel like I need to re-fill that well in my life. So far, writing during my lunch breaks has helped me write more than when I was trying to sit down at home. Even if it’s only a couple hundred words a week, it’s enough. I can see my word count moving again, and I can feel myself getting into the motion of writing more. I’m being more critical about the books I take home, and putting down ones that I don’t want to finish (instead of forcing myself through them).

In the end, I don’t think I spent too much time reading this year, because of my circumstances. It was right for me at the time. But I definitely can see how reading can take over a writer’s life if they aren’t careful. (I mean, most of us started writing out of a love for reading, right?)

In the end, I think a writer can spend too much time reading. But they can also spend too much time writing, or querying, or editing, etc. It’s all about balance and figuring out what works for you.

So what do you think? Can a writer spend too much time reading?

~SAT

P.S. I’m blogging again. Thanks for your patience! To be honest, I have a very small goal of posting once a month (on the first Saturday), but I hope you enjoy them regardless!

P.P.S I’m also posting TAKE ME TOMORROW on Wattpad again, with the plan to follow up with the sequel. I plan on blogging about the decision, but you can read more about that on Wattpad by clicking here. A new chapter goes up every Saturday! I hope you’ll stop by and support me.

Writing in a New Genre

3 Feb

Maybe you hit a slump with your usual genre. Maybe you’re feeling the urge to explore. Maybe you just want to. Sometimes, authors want to write in a genre they’ve never written in before, but they don’t know where to start. Well, that’s what I’m here for. In fact, I recently went through this myself, so today I’m sharing three tips and a little story about what I learned from this attempt. I hope it helps you explore a new genre!

1. Ask Yourself Why

First and foremost, I truly believe every author should ask themselves why they want to write the project they are currently sitting down to write. Why? Because being honest with yourself might save you some heartache. If you’re chasing a trend, you might find your passion burns out rather quickly (or when the trend passes…because it will, probably before you finish your first draft). This will make you feel like you wasted your time and energy, even if you did technically learn from it. So…take a step back before you sit down to write. Why are writing this book? Why are you writing in this genre? Are you following trends? Are you the best person to tell it? What is the main reason for switching genres: the story, the genre, the characters, the challenge, etc.? What drives you the most is up to you. Knowing why you’re writing it and what your goals are for it will help you stay focused.

Isn’t it fun to discover a new genre?

2. Read the Genre

If you’re not reading, you don’t have the tools to write. I know, I know. There are so many people who loathe that rule, but it’s true. Reading within and outside of your genre helps you see what has been done before, what is expected, and where you can succeed. Have you read widely in this genre? Have you seen gaps that need to be filled? Do you understand your reader’s expectations? What about successful tropes or overused ones? Read, read, read. You will love it. And if you don’t enjoy reading it, then you probably won’t enjoy writing it. Find the genre where you feel at home.

3. Research the Genre

This is a step I’m not sure many consider, but researching the history of your genre can give you excellent insight. You’ll come across controversies, learn how it correlated with history, and watch it expand into what it has become today. By knowing this, you might be inspired by the greats or see where the shape of your genre is most likely headed. Rather than chasing trends as they pop up, this might help you walk down an educated path of where that trend might pop before it ever happens…and you’ll have your book written, rather than scrambling to finish something. Again, this isn’t about chasing trends, but rather—at a fundamental level—knowing what needs to be done next in order to fulfill readers’ wants/needs/desires ahead of time. Make sure to check out writing blogs. Look up your favorite authors in that genre and see if they offer writing tips in interviews or elsewhere. They’ve already written this genre and made mistakes, so listen to their lessons ahead of time. You might still make the same mistakes, but at least you’ll recognize it for what it is and move on to the next step. Let knowledge guide your passion.

As an example, I generally read and write YA SFF, but last year, I set out to write my first historical. I still haven’t finished. It’s been SUPER hard, much harder than I anticipated, but I set out knowing I wanted to learn first and worry about publication later (if I ever pursue publication with it at all).

I began by reading all the historical fiction I could get my hands on. (I already read historical fiction, but I pushed to read more.) I tried different sub-genres and time periods and styles. In between books, I researched my time period thoroughly. I took notes. I researched again. I took MORE notes. I visited libraries and museums. I took notes again. I organized. Then, I began to write. Funny enough, even though I thought I had all the notes I needed to write, it became quite clear the moment I sat down that historical fiction demanded more than I expected and totally different tools than SFF. I made mistakes. I backtracked. I set it down. I came back to it. I wrote again. I took it to my beta readers. I deleted over half of it. I started over. I continued to write. Most recently, I’ve set it down again. But I still love it. And I don’t feel like I wasted a second of my time.

In the end, I was passionate about the tale. I was willing to learn and make mistakes. I still haven’t finished the novel, as it was my first attempt, but I believe in the story. I might pick it back up. I might not. But I believe in trying new genres and following your heart and challenging your art. Just don’t let bumps in the road convince you that you’re failing. You are trying. You are learning. And that’s something to be proud of.

Every author in the world had to write in their genre for the first time.

Why can’t this be your first leap toward success?

~SAT

Burning Out on Your Fav Genre

28 Oct

Before every YA fantasy writer in the world loses their mind, I want to start out by saying that I, myself, am a YA fantasy writer and reader. Again, try not to lose your minds. This isn’t a personal attack. There’s some AMAZING YA SFF coming out right now. My most recent fav was Warcross by Marie Lu. But lately, I have been so burnt out on YA fantasy.

Being burnt out on YA SFF makes me sad, too.

Honestly, this is really difficult for me to admit. I LOVE YA fantasy. I’ve always read it, I mainly write it, and I’m constantly on the lookout for more of it. But recently, I have picked up book after book after book—and I’ve barely been able to connect. Worse? At first I thought it must’ve been the authors or the stories. Then, after a self-criticizing conversation with myself, I realized it was my fault.

You see, all I’ve been reading and writing is YA SFF—and that’s the problem. While writers are constantly told that they need to be reading what they are writing, we aren’t told as often to read outside of what we’re writing, and reading outside of your genre is just as important. Why? Because it teaches different approaches, different voices, different everything. And it helps you from burning out.

So what do you do when you burn out on your favorite genre?

 1. Try a different sub-genre

One genre has a million sub-categories, so try one you don’t usually pick up. For instance, fantasy is a HUGE umbrella term. Maybe you’re reading too much epic fantasy or urban fantasy. Try historical fantasy instead. Or reach into the fringes and grab that alien-vampire-cowboy mash-up you’ve been secretly eyeing.

2. Try a new age category

Don’t forget that there’s a fantasy section in the children’s, YA, and adult sections. Heck, grab a graphic novel. Each age category tends to have a unique approach, and it might help freshen your understanding of your genre. If you’re super unsure, see if any of your favorite writers write in different age categories. Ex. Victoria Schwab writes YA and adult fantasy.

3. Try a new genre completely

Yes, you’re supposed to write what you read, but seriously, reading other genres is just as important. Pick up a contemporary book. Browse some poetry. Reach into the great unknown. Honestly, this option is the one that helps me the most.

I’ve recently been reading more—*gasp*—contemporary, like Queens of Geek by Jen Wilde and Tiny Pretty Things by Dhonielle Clayton and Sona Charaipotra. (Both highly recommended by the way). And, honestly, I wish I started reading them earlier this year. I wasn’t paying attention to how burnt out I was getting—how much reading and writing only fantasy was drowning my creativity and enjoyment—but these books quickly pulled me out of a slump once I started them. I’ve even been able to read fantasy again—and sure enough, after a little break, I started loving each story.

Basically, the point of this post is to remind writers that, yes, while you should always be reading what you write, you should also make time to read genres and age categories that you don’t write. Why? Because it expands your pallet. It resets your writing gears. It resets everything.

And it’s fun.

~SAT

The Difference Between a Fan and a Follower—and Why It’s Okay to Have Both

21 Aug

Marketing books can be difficult. And confusing.

When I talk to brand-new writers who venture out into the marketing side of things, one of the first discussions we have is the difference between a fan and a follower.

A fan = someone who reads and/or buys your books

A follower = someone who follows your social media, but doesn’t buy or read your books

Why do I separate these two types of people? Because many newcomers get confused when they send out a newsletter to 800 people and only get 100 buyers. (Or post to Twitter or Facebook or Instagram or so-on.)

Extra thought: A “follower” is also a fan. They are a “fan” of you. 🙂

Take my blog for instance. I currently have 21,000 followers. Did I sell 21,000 copies of my latest release? No. Because not every follower of mine is here to buy my books. They are here for my writing tips, my publishing insight, and (hopefully) my cat photos. And guess what? I’m perfectly okay with that.

There’s huge pressure to convert all your followers into fans, and I’m just not buying it. Don’t get me wrong. I would be ecstatic if 21,000 of you bought my book, but I also understand that my books aren’t for everyone.

What if all 21,000 of you bought my book, but it was only written for 10,000 of you? Well, that’s 11,000 1-star reviews just based on the work being inappropriate for that audience. My ratings would tank. Not that ratings are everything—but I’d rather have those who are genuinely interested in my books try them out. Attracting the right audience for the right things is more important to me than tricking the wrong audiences into buying something they probably won’t enjoy.

Granted, I get it. Sometimes it can hurt that thousands of people are following you for (insert # of reasons here) for years but won’t check out your books to show support, but, at the same time, aren’t they showing support by connecting with you? By cheering you up on Twitter? By reading your articles? By sharing your posts? By simply being there?

Don’t let the marketing world convince you that your work is only worth what is bought.

Your work connects you with others. It builds relationships. It allows you to reach out and be a part of the world. It gives you a way to express yourself.

You may have fans, you may have followers, and you may have both. But converting those into sales isn’t the most important thing in the world. (And those sales will come in time.)

What matters most are those connections you’ve made—and you’ve made those by chasing what you love.

Enjoy that,

~SAT

P.S. If you’re a follower who is considering becoming a fan, I have two free young adult books out right now on Amazon. 😉

Two free YA SFF books!

YA Female Protagonists in STEM

7 Aug

We need more female protagonists in STEM fields, especially in YA. For those of you who don’t know, STEM covers science, technology, engineering, and math. The reason STEM needs to be explored more in YA fiction is to encourage young women to explore those fields in real life more.

Hold the eye rolls.

I get it. I know that there are real-life role models to look up to in those fields already. But a lot of younger people—myself included—enjoy looking up to fictional role models, too. When I was a kid, fictional characters strangely felt more attainable, more inspirational, more…like me.

Sometimes, it’s easier for a fourteen-year-old to look up to a fourteen-year-old scientist rather than Marie Curie. (And more fun.) This is why I’m advocating for a bigger emphasis on STEM in YA fiction, but there’s another, more personal reason as well.

Oh, hey there, science.

Here’s the deal. I hated science in school. Loathed it. Biology was the hardest course for me in high school and college. I hated biology…but I loved chemistry. I also love math. I also love technology and engineering. But as a young girl, I hit a couple roadblocks while studying it.

In school, for instance, I signed up for Tech 101 instead of Home Ec. I was immediately approached by an office clerk who thought I made a mistake. On top of that, one of my teachers actually had to the gall to “make sure” I wanted to take Tech 101 instead of Home Ec since I didn’t have a mother at home. If that wasn’t discouraging enough, I came second place in a bridge building competition later that semester…only for the teacher to pull me aside and tell me I should’ve won. (The winner, it turned out, had cheated. But did the school correct it? No. I just got a secret pat on my back.) If I could tell you what it felt like to then see that boy congratulated, to hear my fellow classmates say “You almost lost to a girl, dude” like that was the worst thing ever, I would. But I still don’t have words for it.

STEM didn’t exactly welcome me.

I recall these moments in my life where I loved science, technology, engineering, and math—and I was good at it, too—but numerous adults in my life discouraged it anyway. Granted, I’m not saying I would’ve chased an engineering degree if these things hadn’t happened. In fact, I’m pretty sure I would’ve chased English no matter what. Why? Because my university asked me to become a math major after I scored 100% on one of their harder exams…and I still turned it down.

Now I’m an author…and authors are engineers of stories. So, I set out to write a book where my protagonist is involved with science.

Kalina came to me that night. She’s sixteen, a botanist, and she invents machines that help water her plants when she’s too busy studying them. Botany takes on a huge role in my book. So much so that one of my critique partners asked an interesting question: How are you going to get readers to sympathize with plants instead of people?

Well…I’m not.

I’m not asking readers to sympathize with plants over people. I’m asking readers to see how interesting plants can be. To see an awesome, smart, and talented young woman studying her scientific passion. To open their minds to science.

Kalina opened my mind, and I love everything she taught me. Granted, I still can’t grow a flower to save my life (especially with cats in the house), but I have a deeper appreciation for botany. Above all, I have a deeper appreciation for science.

YA readers deserve more of that, too.

~SAT

I DNF a Book

22 May

I DNF a book. For those of you who don’t know what “DNF” means, it means I did not finish reading a novel. Not a big deal, right? Wrong.

For me, I rarely put a book down after I pick it up. Why? Because I feel like if I decided to read it, I need to finish it. Aside from needing to know how something ends, there is a societal pressure to finish everything you start, no matter what.

When I find myself dreading my current read, I always end up telling myself that the book will get better, that the plot will take off, that I’ll finally connect with everything and toughing it out will be worth it—and while that does happen, it happens far less than the book never working for me at all. Yet I still try to finish every book I start.

Why?

I think it has a lot to do with my personality. In fact, this “never give up!” mentality has affected me in other ways. When I was younger, for instance, I played tennis for three years without ever really liking it. I finally quit when my first book was published and I needed to dedicate more time to writing (not to mention a part-time job I took at a local sports bar). But I still feel HORRIBLE for quitting, even though, if I were being completely honest, I was awful at it. Eventually though, I had to come to the conclusion that my time was better suited elsewhere, that tennis was fun, sure, but it just wasn’t for me, and denying that was keeping that space on the team away from someone who truly wanted to be there.

Now I’m trying to be better about applying that life lesson to reading.

Just because you don’t finish reading doesn’t mean the novel is bad. It just means it’s not for you right now. It might resonate with you in three years, but it might not, and that’s okay. So why hold onto that library book that’s making you miserable when someone else could be checking it out and enjoying it? Why force yourself through a read when it’s depleting your joy for reading? Why not find a book you actually enjoy?

Of course, there’s a time and a place to force yourself through a read. (School, for example.) And I will always give a book a fair shot. According to Goodreads, I read 47% of the book I DNF. And, honestly, it wasn’t bad. In fact, it was a fresh idea in a unique world, and it had interesting characters…but I just couldn’t. Why? I’m not entirely sure. In fact, I might never know why, just like I don’t know why tennis wasn’t my passion instead of writing, but at least I realized it wasn’t for me. (And I can always give it another shot in the future.) Until then though, I’m glad I returned it to the library so that someone else could check it out and enjoy it.

So here I am, not finishing a book this week, and setting a goal to be better about being honest with myself about books in the future.

DNF bad reader, DNF = honest reader.

And I’m ready to be more honest with myself, so that I can spend more time on books I thoroughly enjoy.

~SAT

Book Release! Bad Bloods: July Thunder

10 Apr

Bad Bloods: July Thunder released today!  

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I hope you enjoy the latest addition to the Bad Bloods universe! As the author, I can tell you that you will meet TONS of new bad bloods. (My personal favorite is Skeleton. He was born a healthy baby boy, but he is slowly turning into a skeleton over time, defying all science along the way. He even emits a poisonous gas.) You will also see some of your favorite characters from the first duology in a new light. Because Violet and Caleb tell this duology, you might see…other sides to people you didn’t see before. Old questions will be answered as well. Ever wonder what happened to Robert? Or did you want to see how the people of Vendona transitioned under a new president? Those questions will be explored (and new ones will come up). Explore sections of Vendona never seen before, including Eastern Vendona, which has the sunken bay. And the characters will finally step into the Pits again.

Keep reading for prizes, an exclusive excerpt, and extras!

Bad Bloods: July Thunder

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Fourteen-year-old Violet has been called many things: a bad blood, a survivor, an immortal…now she has a new name—citizen. But adjusting to a lawful life is not easy, especially when she must live under the rule of the same officers who justified the killings of her flock only eight months earlier.
Segregation of bad bloods and humans is still in effect, and rebellious Violet steps into a school where she is not allowed. When the police get involved, things deteriorate quickly, sparking a new revolution at the wall separating the Highlands from the outskirts.
That’s when Caleb steps in. He might appear to be an average sixteen-year-old bad blood, but he has secrets, and Violet is determined to figure them out. Caleb knows who’s attacking the wall and why, but his true identity remains a mystery—and how he relates to Violet could shake the threatened city to its very core.
Together or not, a storm will form, a rally will start, and shocking truths will be revealed.

Exclusive Excerpt

While the Northern Flock had to be quiet to survive, the herd played music in order to live.

Caleb’s hand found mine. “Dance with me?” he asked, but I hated my answer.

“I can’t.” My confession came with my wrecked knee. With one gesture, Caleb seemed to understand, but as he turned his eyes to his herd—to Britney prancing around with Plato, to Kat covering her ears, to Yasir holding Hanna with his protective gloves between them—Caleb pulled me up to my feet.

“Let me do it for you,” he said, and then, he lifted me up and placed me on the tops of his boots.

As he swayed, I saw the sunburn on the tops of his cheeks, the sand in his hair, the sea salt on his skin. Then, his chapped lips as he managed a shaky smile. For once, Caleb looked disheveled, and I had never liked him more.

“That’s some crew you have,” he said, but I hadn’t noticed anyone else in the world around us until he spun.

Life-sized shadows—dozens of them—danced all around us, and I recognized their shapes as people I would always know. Blake and his teddy bear. Floyd’s stretched limbs, and Ami’s swinging braids. Even Adam’s speed.

Alive or dead, the shadows of every member of my own flock joined in on the dance of a herd, and my heart fluttered at the sight.

Losing control had never felt so great.

Neither had a storm descending down upon us.

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 EXTRAS & PRIZES

Enter to win a Clean Teen Mystery Box, including paperbacks, here

Love bad bloods? Check out the inspiration board on Pinterest to meet lookalike characters and scenic areas.   

FUN FACT: Violet might be the main character in this duology, but she was just a side character in the first duology. She also has a prequel story on Wattpad. Be sure to read her origin story if you haven’t already. She’s also related to The Timely Death Trilogy, and I hope you enjoy that connection!

On top of that, Bad Bloods: July Lightning releases May 1! So there’s practically no waiting to finish this series. If you read, please leave a review. (And if you want me to share your review, send it to shannonathompson@aol.com). I love sharing your reviews! (And I love hearing what you’d like to see in the next duology.) Little authors like me depend on your support, so I greatly appreciate every minute you take to share, read, and review.

Keep on being you.

~SAT

P.S. Check out my latest YouTube video, Bad Bloods Book Release Bloppers in which I make a fool of myself trying to thank everyone for reading Bad Bloods: July Thunder.

Writers, It’s Okay To Log Out

27 Mar

Social media is a must for writers today. Connecting with readers through Facebook, Twitter, Instagram, and other platforms is easy and welcomed, but it can get overwhelming. With the myriad of ways we have of posting information—sometimes live—it’s easy to succumb to publishing pressures. Personally, I still struggle to figure out where my balance is in all the different types of social media platforms. Why? Because they are constantly changing and so is my schedule, but one thing remains the same. Making sure I’m interacting with readers and writers through social media is always near the top of my To-Do list.

There is also staying up-to-date in the publishing world. Whether you’re reading Writer’s Digest or Publishers Marketplace or one of the millions of amazing publishing blogs out there, there’s always something to read, to share, to consider.

But that doesn’t mean you should get lost in social media.

Extra tip: Pick only the social media platforms that you love. You don’t have to do everything.

One of my main pieces of advice to writers is to stop reading about writing and actually start writing. Not that reading about writing is bad. (I mean, I write about writing on this blog.) But if you’re reading more about writing than actually writing, then it might be time to log out. There’s only so much you will learn from studying writing. The best way to grow as a writer is to actually write for yourself. And I’m not an exception. Recently, I had to remove my social media from my phone. Mainly Facebook and Twitter. Why? Because I found myself spending more time reading my feeds than reading books. And quite frankly, it was starting to affect my writing. For example, I sometimes get so wrapped up in trends I forget about what I WANT to write—and honestly, what you want to write is generally the most important thing, because that passion will show in your voice.

Don’t get me wrong. I love these platforms. Twitter, in particular, is an important platform where writers get involved in publishing issues that need to be addressed. I also love joining Twitter events, because they are fun and fast and a great way to meet others who love reading and writing as much as you. But sometimes, I just need to read or watch TV or go for a jog or explore a bookstore without all the scrolling and pinging of notifications.

Setting boundaries and taking care of yourself is important, especially when you feel overwhelmed. In fact, I feel much better now that I’ve taken those apps off my phone. Admittedly, it probably won’t stay that way forever, but it is helping me stay focused on the recent conference I attended as well as my upcoming book releases in April and May. I’m sure I’ll put them back on my phone soon. But until then, I’m grabbing a coffee and sitting on my roof this morning. And I’m definitely logging out.

Don’t feel guilty for logging out. It’s okay to take a day off of marketing or tweeting or Facebooking or sharing photos of your cat on Instagram. (Though if you like that sort of thing, I often post photos of my three cats—Bogart, Boo Boo, and Kiki—via Instagram’s @AuthorSAT. If you post cats, feel free to tag me so I can see. I seriously love cats.)

You can log out, too.

~SAT

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