Tag Archives: sandra proudman

Pitch Wars 2021 Wishlist!

11 Sep

Hello, Pitch Wars hopefuls! For a downloadable, plain-text PDF version of this post, click hereThis year I am partnering up with the fabulous Sandra Proudman to mentor a middle grade science fiction or fantasy writer for Pitch Wars. We are Team Stellify. Stellify means to change or be changed into a star. It’s associated with myths and magic, and we are ready to channel all of our magic to stellify our mentee! We’re going to work hard and fight hard for you and your book, but we’re also here to have fun and be supportive.

If you want more information about Pitch Wars, check out pitchwars.org for more info. If you’ve somehow arrived at my blog first, please take a minute to go visit Sandra Proudman’s blog, where she talks about who we are, what we’re about, and lists the movies, TV shows, and books we absolutely love! Who knows? You might find a good comp title in there 😉

Below, you’ll find our mentoring style as well as our official wishlist! 

WHAT WE BELIEVE WE CAN HELP OUR MENTEE WITH:

  • Character development
  • Dialogue
  • Line edits
  • Pacing
  • Stakes
  • Query letter
  • World building 

If you’ve won a critique from us in the past or know us from social media: Please feel free to still submit to us! We’ll be removing names from submission items to be as impartial as possible.

Our Communication Style:

We’ll be with you every step of the way during your Pitch Wars journey. From explaining why we might be offering a certain comment/suggested change to guiding you through the querying process if this is your first time entering the querying trenches. Our goal is that by the time the showcase comes around, you’ll feel confident querying your work, whether you get one request for pages or thirty. 

We talk on Zoom a bunch, so we are always open to hopping on a Zoom call. If you’re not into video conferencing, we can always hop on the phone or chat online. We’ll work with you at your comfort level! We believe in equal access, and we’re willing to be flexible with deadlines. 

What We Are Looking for in a Mentee:

We are looking to work with a passionate writer who is dedicated to making their story the best it can possibly be, even if this means a possible complete rewrite. Be positive and ready to put in hard work. There is, of course, a temptation to say ‘yes’ to be selected even if you don’t think your novel needs lots of work; if you truly know that you would not be open to major revisions, we may not be the best selection for you. 

CATEGORY: MG 

GENRES: 

  • Fantasy (portal, magical realism, other)
  • Adventure
  • Horror
  • Steampunk
  • Sci-Fi (space opera, near future, dystopian/post-apocalyptic, cyberpunk, soft, time travel, other)
  • Retellings
  • STEM
  • Romance (sci-fi, fantasy)
  • Contemporary with a dash of speculative

And now….

OUR WISHLIST:

Diverse characters written as the heroes of their own stories written by diverse writers. Sandra is Latinx, so Latinx (especially Afro-Latinx) stories hold a special place on our wish list. 

Stories by LGBTQIA+ writers also hold a special place on our wishlist. Especially by writers of color.

Lush or strange fantasies with a diverse cast of characters set anywhere! Contemporary fantasies are our specialty!

Stories about found family and friendships, witty banter a plus!

Retellings, especially with a diverse twist and/or unique tales/myths/creatures.

Immersive settings and awesome world building!

Horror with twists and turns at every corner. We want witches/brujx, ghosts, haunted forests, bloodline curses, all of it! Give us your spooky tales, your ghosts, your monsters, your nightmares that come to life.

We love sci-fi, though tend to lean toward fantasy stories for Pitch Wars. If you do want to send us sci-fi, we specifically love space/androids/robots/AI and parallel universes, or any stories revolving STEM. We would love to see all the genre-bending sci-fi fantasy stories.

Fierce girls that don’t need a hero to save them and who rebel against the life others want for them. 

Epic action scenes reminiscent of the Agni Kai scene between Zuko and Azula in Avatar the Last Airbender! 

What we’re likely to pass on:

  • Most importantly, we are not a good fit for stories with themes of terminal illness or explicit scenes of sexual violence or assault. Please no stories that would require a heavy trigger warning. 
  • We are not mentoring Adult or YA books. Don’t waste a slot sending us your book if it’s in these age groups! *Okay to send us a YA book that you want to age down.
  • We are not the best fit for sports books or hard science fiction with a lot of technical aspects. There will likely be a lot that we couldn’t comment on or help with.
  • Please eliminate as many typos as you can prior to sending as they can often distract from getting into the story!

We cannot wait to read your submissions and no matter what happens, you finished a manuscript, you are amazing!

With all our support, 

Shannon & Sandra

Pitch Wars 2021 Middle Grade Mentors’ Wish Lists

  1. Tracy Badua
  2. Eric Bell
  3. Julie Artz
  4. Shannon A. Thompson and Sandra Proudman
  5. George Jreije and LQ Nguyen
  6. Darlene P. Campos
  7. Rebecca Petruck
  8. Graci Kim and Karah Sutton
  9. Shakirah Bourne
  10. Kim Long and Jennifer L. Brown
  11. Adrianna Cuevas and Sarah Kapit
  12. Sylvia Liu
  13. Cindy Baldwin and Amanda Rawson Hill
  14. Erin Teagan
  15. A.J. Sass and Nicole Melleby


Click here to view all Pitch Wars 2021 Mentors’ Wish Lists. To view the wish lists by genre, visit this link.

Behind the Scenes of Pitch Wars with Team Snickersnee

14 Nov

Behind the Scenes at Pitch Wars with Team Snickersnee

In case you missed it, Team Snickersnee announced our 2020 mentee for Pitch Wars! (But more on that below.) Since announcement day has come and gone, I thought it would be fun to give everyone a behind-the-scenes peek at what went down with Team Snickersnee. 

We asked for anything under the science fiction or fantasy sun, including young adult and new adult (if willing to age down to young adult). You can reference our original wishlist by clicking here.  

Here are our stats: 133 submissions 

Sci-Fi: 

  • Space Opera: 4
  • Near Future: 2
  • Dystopian/Post Apocalyptic: 11
  • Cyberpunk: 2
  • Steampunk: 1
  • Soft: 15
  • Military: 1
  • Science-Fantasy: 2
  • Time-Travel: 2
  • Other: 3

Fantasy: 

  • High/Epic: 21
  • Urban/Contemporary: 19
  • Magical Realism/Fabulism: 5
  • Historical: 2
  • Portal: 11
  • Paranormal: 1
  • Other: 22

Horror: 4

Thriller/Suspense: 2

Contemporary: 2

Adventure: 1

Top three trends we saw: 

  1. Elemental powers
  2. Zodiac 
  3. Witches 

We definitely had a blast reading everyone’s words! In fact, we put more than half of our submissions in the “maybe” pile. It was really hard to dwindle down to just one person. 

So how did we break it down? 

As a team, Sandra and I split the submissions in half. She read the first half, and I read the second half. We took notes on the ones we loved, and then we sent each other the list so that the other person could take a look at the submissions, too. We made it a goal to choose 5 manuscripts to request. We then read the first 50 pages of each and discussed again. (We even requested two more fulls!) We messaged each other a lot, discussing various aspects of the manuscripts, possible edit letters, etc.—until we felt that we had found the manuscript. Our final decision happened over an hour-long ZOOM call. Ultimately, while we loved so many manuscripts, we had to factor in how much work the manuscript needed in the time allotted, if our vision aligned with the author’s, and if we were the right mentors for this particular mentee.   

It was a hard choice!

There was so much incredible talent, and we definitely would’ve taken on more mentees if we could have. If you submitted to us, thank you for trusting us with your words! We truly enjoyed reading our submissions. 

Now for a fun Q&A: 

What was your biggest surprise reading through submissions this year?

Shannon: This was my first time being a Pitch Wars mentor. Going in, I thought the writing itself would be the ultimate factor in choosing which manuscripts to read more of, but honestly, all the writing was so good! I relied on the synopsis a lot more than I thought I would. It showed me how the story unfolded and if I felt like there were structural issues we could help with or not. I was definitely looking for someone we could mentor. If someone’s package was 120% perfect, I moved on. Some writers are definitely ready to query without a mentorship!

Sandra: This was my second year mentoring, and what was surprising was how different the submissions were this year from last year! I loved getting to read a whole new batch of stories from writers who might not have subbed to me last year. I was also just in awe of the quality of work submitted; there is so much talent in the world right now. There’s not one entry that I read that I didn’t think the writer would find representation, whether with the manuscript submitted or with another.

Any writing tips for those who submitted?

Shannon: Use beat sheets (like this one on Jami Gold’s website) and swap with critique partners. Most importantly, make sure each scene is driving your story forward, and that your protagonist has agency. (They should be happening to the story, not the other way around.) A common mistake I saw is a scene where we meet the protagonist’s best friend or family, and that’s it. See if you can combine your meeting scene with an actionable scene. (Ex. Could the best friend be introduced while the protagonist is dealing with an unexpected issue?) If you have any scenes that feel like your protagonist’s “regular” day, it should probably be changed or cut.

Sandra: To Shannon’s point, knowing your character’s arc is in my opinion the most important part of any story. Who is your character at the beginning and who do you want them to be by the end of the manuscript? And what turning points will help you get them there. Whether you’re a pantser or a plotter, or somewhere in between, knowing the turning points you want to hit is so important to keeping the pacing and character arc’s moving forward. And hitting them at the right places. One of the things I love doing with my work is deciding the word count I want to hit before I start to write. So if I want to write an 80K manuscript, I know I need to hit that first turning point at 25% of the book, so at 20K, and my midpoint at 40K. Aside from that, to just keep writing and reading! I didn’t land my agent till my third queried manuscript, so perseverance is key and learning what you can from other writers and published works.

Publishing tips?

Shannon: Watch your word counts. There was a surprising amount of manuscripts that were 100k and higher, which is a really hard sell to an agent or editor for a debut. Make sure that your manuscript is in line with the expectations of your age category and genre. If you’re struggling to cut, ask a beta reader to help. Consider combining characters or scenes. Don’t be afraid to take a break from your story and come back at a later date to analyze what is truly, absolutely 100% necessary. In regards to querying, I highly recommend Query Shark and Query Tracker

Sandra: Totally agree with Shannon on word counts! I’ve seen some agents and editors talk about this on Twitter lately as well!

It’s also interesting seeing trends as well and what ideas seem to spread like wildfire and become popular. This is also really hard to see because it means the market is saturated in these stories, and you’re likely competing for an agent’s attention who has already received several stories with the same general idea. One of my biggest publishing tips and something I’m working hard to do myself, is how to take a common idea and have a twist to it. So if your book is about vampires, how can you freshen up a trope that an agent has seen often? Same if your story has elemental magic. Can you do something in your manuscript that sets the story apart so there’s a good spin in the query you’re sending out? Just making sure that your story is as unique as you can make it, and that you’re showing off what makes it unique to the fullest! Genre-bending is also very popular and a great way to freshen up tropes!

What are we most excited about?

Working with our mentee, Miranda Sun! She wrote an amazing heartfelt #ownvoices YA contemporary fantasy filled with magic forests, generational secrets, and humor! Did we mention the slow-burn hate-to-love romance with a ghost? Give her a follow on Twitter and stay tuned! (Fun fact: Miranda’s submission was #31!) 

~SAT

A Writer’s Freakout Schedule

29 Aug

Between COVID and (insert any number of other awful things happening right now), freakouts are commonplace at the moment. Right? RIGHT???

I don’t know. Maybe you’re not going through it, but I know I’ve certainly had my moments of heightened stress, which is probably why I’ve spent a lot of time thinking about the delicate balance of productivity and mindfulness. On one hand, I want to maintain my level of productivity, be successful, follow the dream. On the other, I just want to eat this tub of ice cream and be left alone. So, I guess the solution is to sit here with my ice cream while I write this article. (It’s Cherry Garcia, if you’re wondering.)

Writers are used to wearing a lot of hats. Between day jobs and family, squeezing in time to write is nothing new to the aspiring novelist. Neither is imposter syndrome or writers’ burnout, not to mention writers’ block. But the other day, I finally heard a new one. 

A writers’ freakout schedule.

But first, a little backstory: 

Once a month, I meet up with some fellow writers on ZOOM just to chat about what we’re going through and how we’re handling it. We talk about our projects, but there’s no pressure to exchange pages or anything. If you don’t have something like this in your life, I highly recommend it. I look forward to it every month. 

During one of these monthly calls, I was talking about how bonkers life is at the moment and how to manage all these tectonic plates that are now life, when Jessica Conoley (authorpreneurship coach) mentioned how knowing her “freakout” schedule has helped her manage.

The moment she mentioned it, a lightbulb went off in my head. I had never thought about the concept of a freakout schedule before, but I also recognized how true the sentiment was right away.

Understanding when and how you will react to news, such as a critique or a rejection, can help you stay focused and calm, especially in these strange and twisty times. 

That being said, I wasn’t always aware of my freakout schedule. In fact, I’m pretty sure my roommate had to point it out to me once. (Okay. So, maybe a couple dozen times.) Basically, I used to think I didn’t have a freakout schedule. I would hear criticism or get a rejection and brush it off pretty quickly. Publishing is just business, right? I can adjust and keep trying. And I would. Right away, I would dive into revisions or go about writing life as normal…but two weeks later, the doubt would creep in. Then, the inevitable imposter syndrome. Soon, I’d be asking friends if I was delusional in my capabilities to finish a likeable story. I would threaten to put everything down, eventually declaring, “This is it! I quit!” 

The next day, I’d sit down at my computer, determined to delete it all and never look back…but hey, it couldn’t hurt to read it one last time. Soon, I’d be revising. And reading. And writing like nothing ever happened. 

My freakouts definitely have varying degrees, depending on what caused the situation to spiral. 

A little writers block isn’t going to last as long for me as a brutally honest critique from a trusted colleague. However, for someone else, it might be the complete opposite. Which brings me to my next piece of advice:

Understanding what sets you off—and for how long—is just as important as understanding you’re in a cycle. The cycle will end. 

This is just your freakout schedule.

~SAT

P.S. You may have noticed a new badge on my website. In case you didn’t, I am officially going to co-mentor with Sandra Proudman for Pitch Wars this year. Pitch Wars is a mentoring program where published/agented authors, editors, or industry interns choose one writer to spend three months revising their manuscript. It ends in February with an Agent Showcase, where agents can read a pitch/first page and can request to read more. Learn more at PitchWars.orgOur wishlist will go up right here on September 12!

Writing Science Fiction with Science Resources

7 Mar

Science fiction, by definition, has science weaved within the story, but as a science fiction writer, I often get asked where my inspiration comes from. Where do I learn about science? Do I have a science background? How does one get started when pursuing science fiction? All great questions!

There are many ways to find inspiration when tackling science fiction. First and foremost, you’re going to want to figure out whether you’re writing hard sci-fi or soft sci-fi. As the name suggests, hard science fiction typically requires more rigorous research; the science has to make sense and have strict, believable rules, whereas soft science fiction is a bit more lenient. After that, you’re going to want to study sub-genres, such as space opera—like Star Wars (though you could make the argument Star Wars is fantasy, not science fiction)—or cli-fi (climate-centered science fiction, such as The Day After Tomorrow).

Decisions aside, science will come into play, so where do you start?

Many get science fiction inspiration from, well, reading and watching science fiction. And that’s totally valid. But aside from reading the latest science fiction books, or watching that hit near-future TV show, there are more resources out there—and you’re going to want to expand your knowledge if you want your story to stand out from what’s already out there.

Magazines & Newsletters

I’m lucky enough to work in a library, but I’m especially lucky that my library provides free magazines. Subscriptions can get expensive; even the online versions can cost money. But I can pile up a collection of science journals and magazines on my desk every month for free. (Here is my plug, asking you—yes, you—to go get a library card.) I love flipping through magazines like Wired, Scientific American, and Discover, not to mention magazines covering topics I’m not so great at, i.e. fashion. (I mean, clothes have to exist in the future too, right? But I digress.)

If you don’t have access to magazines, there’s always the online sphere. One of my favorites is Futurism. Articles cover quick, trending topics, as well as some obscure, bizarre news. You will absolutely feel inspired by all the weird, possible, amazing tech out in the world. And who knows? Maybe you’ll dream up your own.  

Podcasts & Audiobooks

There are some awesome science podcasts out there, and most of them are free. Some also have Patreons where they offer additional content. My favorite is Flash Forward, a podcast that explores future tech as if it already existed. They start with a “play” in the time of the tech, and then talk to experts about all the nitty gritty details that go into it. An episode I recently enjoyed was CRIME: Moon Court. There’s also the Ologies podcast, a comedic science podcast that explores all the different “-ologists” of the world. Did you know there are experts in procrastination for instance? Listen to this episode of Volitional Psychology, and maybe you’ll find ways to stop procrastinating on your scientific research. 😉  

Similar to podcasts, there are always nonfiction audiobooks. Last year, I enjoyed Astrophysics for People on the Go by Neil DeGrasse Tyson and The Rise and Fall of Dinosaurs: A New History of Their Lost World by Steve Brusatte. Two starkly different topics. And yet, I learned so much—all while doing the laundry and dishes.

Channel your inner three-year-old: Ask why, why, why, why

Let’s pretend for a minute that audiobooks, magazines, and podcasts don’t exist. Do you know what you still have? The world! Science is happening all around you every day. I mean, how does your coffee pot heat up? How do those lights at work know when to turn on when you enter the building? Why do those clouds look purple and bumpy today?

Ask yourself why and how about anything and everything—and then, look it up. Read everything you can on it. Or dream up your own world’s explanation.

Science is often found in the little everyday things all around you.

Discover truths. Discover possibilities. Discover the future.

Discover science.

~SAT

P.S. Sandra Proudman and I started a new weekly hashtag on Twitter called #LiftABookUp. We announce themes on Tuesday and spend Wednesdays lifting up books we love. I hope you’ll join us to chat about science fiction books on March 11! Find Sandra Proudman @SandraProudman and I’m @AuthorSAT

You might also notice that I have a new headshot. I recently chopped off seven inches of hair. (YES, SEVEN INCHES.) So, I figured it was time. I managed to get my favorites in the pic: coffee, cats, and world domination (for cats).

If you’re new around here, I post a new article on the first Saturday of every month. Let me know what you want to hear about next in the comments below, then check back in on April 4. If I choose your idea, you get credit!

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