Tag Archives: Shannon A Thompson

Shaming the Ship

20 Jan

If you’ve ever attended a movie premiere or book signing, you’ve probably heard someone squeal, “I totally ship them!”

I admit, the first time I heard this was at Cassandra Clare’s book signing in Kansas City over a year ago…and I was super confused. “Ship?” I thought. “Like a boat?” So here I am, picturing Dido singing, “I’ll go down with this ship.” Which, in retrospect, kind of works with today’s lingo. But at the time, a cosplaying Shadowhunter kindly explained to me what she meant, and I still dig her for it.

For those of you who don’t know, “ship” is short for “relationship.” Saying you “ship” a couple means you love those two characters being together. Yes, even when they’re sailing on boats. (Excuse me for my poor humor.) Fans can ship a couple that is actually together in the story or characters you wish were together. The term largely started in fandoms and fan fiction.

Is there a better photo for this article? I think not.

I’m totally for shipping whoever you want. I think it’s so much fun, even when I see people point out ships that are purely imagined. In fact, I’ve come across some ships that I had never even considered, but thought were awesome. (*cough, cough, Elsa and Jack Frost, cough cough*) It’s fan fiction heaven. That being said, there is always a negative side.

Recently, I’ve started to see people say things like, “If you ship those who aren’t together in the story, you’re a bad fan,” or “If you ship X and X, you promote abuse,” or blah blah blah.

Listen, I think it’s great to debate aspects of fiction, like how abuse is displayed. But “debate” is the keyword here. Just because one person feels a certain way about a character does not mean everyone should feel that way. One of the best parts of fiction is how malleable it is. A dynamic character could be seen differently by millions of people. Not to mention that fiction itself is fiction. Just because something criminal happens in a show does not mean it was criminal in the context of the show. Example? Take post-apocalyptic fiction. If it’s the end of world, and you see someone stealing from a store (or even killing another person), you automatically sympathize because survival, right? But if that character was doing that in our world, they’d be a bad person. In the context of a post-apocalyptic situation, the moral paradigm has shifted. Does that make anyone bad or good? That’s up for debate. *wink*

Sometimes, fiction is just fiction. Sometimes, a ship is something we sail on. It doesn’t have to have double meaning or be scrutinized beyond the fact that it’s purely entertaining. Just because a fan ships a couple on a show doesn’t mean they would ship them in a real-life situation. As an example, I thought I’d discuss a movie (hopefully) everyone has seen by now. If you haven’t, don’t worry. Just go to the next bolded line.

Spoilers for The Last Jedi beyond this point:

So, as many of you know by now, there was quite the shift in Kylo Ren and Rey in the last movie. Though nothing traditionally romantic happened (i.e. kissing), many felt their relationship was romantic in nature. Where it goes, no one knows, but that doesn’t stop the fandom from drawing photos, posting theories, and just plain ol’ fan girling.

Do I ship them? Yes and no. To me, I find their dynamic fascinating, which—as someone who is here to be entertained—is all I want in a story. So, yes, I love what happened between them in The Last Jedi, because I never saw it coming, yet it was believable, twisted, and exciting. But no, I wouldn’t encourage that sort of dynamic in real life.

Basically, if my best friend came to me and said, “This masked guy chased me through the woods as I shot at him, and then he knocked me unconscious and tried to read my mind. Later, I scarred him, and he killed his dad, but now we have a universe connection.” I would definitely not ship it. I would call the police. But Star Wars isn’t my best friend. Star Wars is a space opera. It’s not functioning on our moral constructs. In the setup of the fictional universe, you’re literally talking about a dark side and light side colliding in a space war. Of course unhealthy moments are going to happen. Does that mean you can’t enjoy the story? Maybe. Maybe not. If that ruins the story for you, that’s fine. If you want to debate it, go for it! But I draw the line at fans telling other fans what they can/should/want to enjoy.

Spoilers End

If you dislike a ship (or a story), by all means, we’re all allowed to our opinions, but I will always draw a line on those who shame others for enjoying (or disliking) a piece of fiction.

We’re here to be entertained and to have fun, and yes, there are times for debate. Yes, those debates are super important. I’m not telling you to stop debating. In fact, one of my favorite all-time quotes is, “The history books will tell what happened, but the art will tell them how we felt about it.” (Jermaine Rogers.) Debating art is society trying to encapsulate how they feel about current and past issues. Debating fiction is a natural response. All I ask is that we respect one another while we debate. No name-calling. No ship-shaming. Just a couple of fans having a reasonable discussion about how we feel about certain stories. Then, at the end of the day, we can enjoy our fandoms and sail off into the sunset on our preferred ships without trying to sink others.

Who are some of your favorite ships? (Actual boats allowed.)

~SAT

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When A Character Does Something You Dislike

13 Jan

I read a lot. I also read reviews, though I tend to read reviews after I have read a book myself. Why? Well, I used to rely on reviews to pick books, but now I tend to rely on a trusted few (and my own gut) to pick and choose. Even so, my interest in reviews never completely faded, so I tend to set time aside after I finish reading to skim book reviews.

One of the reasons I stopped reading book reviews was the obsession with tearing characters apart.

Don’t get me wrong. Characters are so, so important in fiction. However, I think many have forgotten that characters are supposed to reflect real-life people. They aren’t supposed to be perfect. They shouldn’t do things you agree with on every page. They will make mistakes, even mistakes that seem ridiculous to you.

Sometimes, your hero isn’t going to act very heroic.

Staying on the path of “when characters make mistakes that seem ridiculous to you”: As the reader, you might know more than the character. Or you might understand the tropes of your genre, so you expect certain things to happen (ex. a best friend’s betrayal, a love triangle admission, a mentor figure’s sudden death). However, to that character, they live in a world that doesn’t come with trope warnings (just like we don’t). So when their best friend betrays them and they’re shocked (and you’re not), I don’t think it’s fair to call that character stupid or naïve or etc. Even with dozens of clues, that character loves their best friend. They trust their best friend. As humans, we often lie to ourselves when the truth is looking us in the face. We make mistakes.

As much as characters are designed to entertain, they are also designed to be honest, ugly, thought provoking, loving, twisted, and more. In fact, if you design a character really well, they will be all of those things—sometimes in one scene.

As an example, I recently finished Dumplin’ by Julie Murphy, and holy hell, I love it. I thought the voice was so honest, even though Dumplin has some seriously shallow thoughts. This was the main complaint I saw in reviews. Many called her hypocritical and hard to cheer on. And guess what? Of course she’s hypocritical. Of course she’s hard to cheer on sometimes. And that’s what made her believable. Dumplin’ is a teenage girl struggling with how the world judges her weight. Between that and the recent death of her beloved aunt, her contemptuous relationship with her mother, and her first (confusing) summer fling, I completely understood and sympathized with Dumplin’s emotional struggles. Does that mean I agreed with everything she did and said in every scene? Hell no! But I don’t have to agree with a character in every scene to love them in the end.

How many times has your sister annoyed you, bothered you, done something you thought was incredibly thoughtless? How about your parents? Your grandparents? Your best friends? But you still love them in the end. You give them second chances. You let go of the idea that everyone in your life must take your advice to heart. You understand everyone lives their own life their own way, and that sometimes you won’t agree with it, but that no one needs your approval. In fact, how many times have you done something that wasn’t perfect? How many times have you done something out of character? I know I’ve disappointed myself before. I still do. I’m human. I have moments of selfishness, of jealousy, of anger, of irrational depression. But does that make me worth tearing apart? I would hope not.

I expect characters to disappoint me at some point. I try to sympathize with flaws, but also understand that some flaws are going to be out of my realm. I cheer them on when they’re good and hope they redeem themselves when they’re bad. (And sometimes, I enjoy a good story where a character is never redeemed.) All I ask for is consistency—a sense that, no matter what the character does or believes, I understand them in that moment, even in the moments where they aren’t quite themselves. I need to believe they are real, and if I can believe that, I will more than likely enjoy the journey.

In the end, I want to enjoy the story—and sometimes, stories are told by those you might not understand. Maybe even by someone you would hate. But that doesn’t automatically mean the story is unlikeable.

Let’s be a little kinder to characters, especially character flaws.

We all have them.

~SAT

Setting 2018 Writing Goals

6 Jan

Now that we’re a week into 2018, you’ve probably set new goals and you’re already striving after them. And that’s awesome! But I made a huge mistake while setting goals last year, and I thought I’d discuss it, so you don’t make the same mistake I did when you tackle your writing life this year.

So what happened? Last year, I set three goals (and failed them all), which you can read about here, but I thought I would focus on the goal of connecting with a literary agent. While I definitely spoke to a number of talented folks, I never quite found “the one.” I felt like a failure. But did I fail? I mean, I connected with amazing people! I finished manuscripts. I learned. I revised. I resubmitted. I never gave up. And doors are still open for me, even today. So, I shouldn’t have felt like a failure. I should’ve felt proud, because, even though I didn’t walk away with the shiny new contract, I walked away with more knowledge, connections, and opportunities.

Extra tip: Keep a planner to stay on track, but don’t plan too far ahead. That way, you can adjust if need be.

Where I went wrong: Setting the goal of “I will get a literary agent” was unrealistic. Why? Because it depended on another person, and that person is largely out of my control. Yes, I can always write more and better—and yes, I could always spend more time making connections—but just because you have a great book or idea or following or etc. does not mean you’ll find the right person to represent you and your work. Do I have room to grow? Always. But so do many repped authors. Signing that contract is a largely personal decision from both sides. This goal depends on two people, not just me, so while having the goal to connect with an agent is fine, my goal shouldn’t have been “get a literary agent by the end of the year.” It should’ve been “I will submit my work to # of agents who enjoy my genre” or “I will spend X hours a week researching the industry, so that I am more prepared to query next time around.”

Basically, I learned to set realistic and fair goals. What do I mean by that? Goals should revolve around work you can accomplish, not how others react to your work.

Common, unrealistic publishing goals: How large your advance is, how many copies of your books are distributed, how well something sells (because, seriously, even experts can’t predict why books resonate), and publishing contracts in general.

Solution? Set goals to learn, write more, and submit, submit, submit. Examples: I will read fifty books this year, I will write 10,000 words every week, I will try to connect with new beta readers by this spring, I will submit my manuscript by July, etc. But remember, publishing isn’t a race. While goals should keep you moving, they aren’t meant to be hard deadlines. If you find out you can’t write 10,000 words a week, that’s fine. Do what you can. Never let your goals hurt you. For example, “I will get a publishing contract by December” might negatively impact you, because you’re going to submit when you’re not ready just to meet a deadline you alone set. If you make a goal to meet something by January, don’t beat yourself up if you end up needing to extend it to February. Just make sure you’re ready. You can always edit your goals…and set completely new ones.

In fact, when I really think about it, I set goals all year around.

Whether its spring or fall, rain or shine, I’m constantly considering what I want to do next and/or how to accomplish it.

Actually, I’ve met two goals this year already.

  1. The Timely Death trilogy will be an audiobook with duel narration!
  2. I resubmitted a revised manuscript.

All goals take a lot of time and energy, and I’m really proud I’ve accomplished these two goals. Where those paths will take me, I have no clue, but I am ready to set more goals and move forward in a realistic and positive way.

What are some of your goals for 2018?

~SAT

2017’s Top Ten Articles

30 Dec

Every year, I like to look back and see what everyone was discussing. I try to collect the best discussions and revisit them, so here’s a list of this year’s most popular articles. Normally, I would’ve made this list based on a combination of unique views, comments, and shares, but I didn’t track that as well this year, so it’s only based on unique views. But I hope you enjoy them!

1. The YA Protagonist’s Age: You’re 17? Me Too! 

I’m not going to lie, I’m a bit surprised this was my most viewed 2017 article. But I’m really happy more writers and readers are discussing the lack of variety in the ages of our characters, especially in YA. Teens go through many issues at different times, and it time our stories reflect that.

2. Is Romance Necessary in YA?

Another article focusing on young adult fiction, I discussed whether or not a story HAD to include a romance. While the answer might seem obvious and simple, this conversation is actually a lot more complicated than I wish it was. Sex sells, after all. Yes, even in YA.

3. My Hate-Love Relationship with Historical Fiction

This year, I began writing my first historical novel, and the journey reminded me of my struggles as a viewer/reader/consumer when it comes to historical fiction. I want historical fiction to push boundaries, but that will take a brutally honest conversation about what we understand of history and why we interpret it the way we do.

4. When Writing Makes Reading Hard: a guest post by Susannah Ailene Martin

One of the only guest posts I hosted this year! (Honestly, y’all, if you want to guest post, I always consider thoughtful topics such as this one, so please feel free to message me.) Here’s one writer’s story about how writing can cause writers to struggle with reading.

5. First Person or Third Person? Present Tense or Past Tense? How Do You Decide? 

Choosing how to tell your novel is a personal decision, so how do we make those decisions? This is how I choose tenses and POV, along with some tips to help you decide.

I’m so ready for 2018!

6. Book Marketing Woes

We all have them: book marketing woes. This is a list of common woes, like “I don’t have time,” and actual solutions to help you overcome the issue.

7. I DNF a Book

As an avid reader, I often feel guilty when I’m halfway through a well-written book…and just not connecting. This year, one of my goals was to be easier on myself and allow myself to set down books I wasn’t enjoying, so that I could spend more time reading novels I love.

8. Authors Can Change Their Mind

Five years ago, I wrote an article that was strongly against sex in YA…and now? Well, I haven’t completely changed my mind, but I’ve lightened my stance. Basically, authors can change their mind. This is an article about how we grow overtime.

9. Not All Villains Think They’re Good

“All bad guys think they’re the good guy in their story” has become a popular writing tip, and while I love this writing tip, I push back a little. Find out why.

10. My Editing Process Starts in my Writing Process

Editing is the hardest part of writing, but you can make it easier on yourself by setting yourself up for success early on. Here’s how.

I hope you enjoyed 2017 and all the articles that came with it!

If there are any topics you want me to cover in 2018, feel free to let me know in the comments below.

I’m always here to help.

Onward to 2018!

~SAT

2017 Wasn’t My Writing Year

9 Dec

Last year, I wrote an incredibly positive article called, Dear Writers, 2017 Can Be Your Year! It summed up my 2016 accomplishments and how I got there by taking advantage of every opportunity I could and working hard, and how you can, too. (Oh, how I side-eye myself so hard now.)

This year? 

I failed most of my goals. There, I said it.  

Following the format of last year, I had three main goals.

1. I wanted an internship with a literary agency.

2. I wanted to work for a library.

3. I wanted a literary agent.

To be honest, I got SO, SO close to most of these goals. So close that I feel like crying just thinking about it. But it ultimately didn’t work out.

Why? Well, there are numerous reasons why.

Firstly, adjusting to my new job (while keeping my old job) allows me very little free time. Then I got sick. Like really, really sick. To be honest, I’m still super sick, but I’m currently undergoing a lot of health assessments to figure out what is happening to me. It’s scary not knowing. It’s worse feeling like something unknown has such a negative impact on my life…and there’s nothing I can do about it except get more tests done so I can be healthy again. (Not to mention medical tests cost a lot of money.) My savings for conferences has gone toward medical expenses.

Basically, it didn’t matter that I took advantage of every opportunity I could…because most of the opportunities I received I couldn’t take advantage of due to health, finances, and other issues.

Basically, this year failed. I failed. I failed so hard.

I’m trying to be kind to myself though.

I mean, I didn’t completely “fail” in 2017. Clean Teen Publishing released Bad Bloods: July Thunder (#3) and July Lightning (#4). My first audiobook released! I revised one of my books three times. (I’m determined to make this book work.) And I began writing my first historical. I attended my first writing retreat, joined SCBWI (and an in-person writers group), and began a new job as a publicist for a YA/MG publisher. As an editor, I worked with some amazing authors, and I was featured in YASH and signed books at BFest in Barnes & Noble. On top of that, I was invited to speak at Wizard World Comic Con again! (Oh, how I wish I could’ve attended.) Denver Comic Con also featured my monster panel, even though I couldn’t attend last minute, but fellow Clean Teen authors enjoyed it, and that makes me happy.

2017 highlights

So why do I feel so awful?

It hurt so much watching opportunities pass me by. It still hurts. But I’m grateful that those offering opportunities thought of me in the first place. I’m hoping I’ll have more opportunities in the future when I am healthy—and have more time—again. I’m not giving up. Just because I failed my goals this year doesn’t mean I can’t succeed in those goals next year. In fact, I’m holding onto my 2017 goals as I move into 2018. I’ll probably add new goals, too!

Who knows what 2018 will bring? Maybe I’ll repeat a successful 2016. Maybe I’ll repeat my terrible 2017. Or—and here’s a crazy thought—maybe 2018 will be 2018, with all its failures and accomplishments and surprises.

Not every year is going to be successful and wonderful and feel amazing, but you can always try your best. And that’s what I’m planning for 2018.

Here’s to working as hard as I am able to and keeping my chin up.

I hope you keep trying, too!

~SAT

How Writing Conferences Can Surprise You

4 Nov

Today, I am attending a writing conference. (In case you’re wondering, I’m at the Middle of the Map Conference in Overland Park, Kansas.) While prepping last night, I began thinking about how much I love conferences—and about how many writers are on the fence about attending them.

I always tell writers to attend conferences if they can. Why? Because they might surprise you.

You see, I attended a different conference back in March with the wild hopes of snagging a literary agent.

Extra Tip: You don’t have to travel to attend conferences! There are now online conferences. But make sure to take a business card with you to in-person events.

When the conference was posted, I paid to attend. I also volunteered to help.

Here I was, thinking “volunteering” meant I’d hand out water bottles or get to chat in the early morning hours before arrivals…and then, they asked me to pick up agents and editors at the airport. FYI, I’m TERRIFIED of driving. Like, seriously, I’ve been in three major car wrecks. (None of which were my fault.) I had to go to therapy over it, but I’m much better now, and I wanted to stick to my word and help. So, I diligently practiced driving the route the day before. Later, one of the attending editors complimented me on my driving through the city in the rain. (This was a major accomplishment for me, who’d struggled for so many years with driving. I was really proud of myself for not backing down.) That was the first day.

To give you a better idea of my personal life and how this conference affected me, I work two jobs on a nightshift. I’m awake from 3 PM to 3 AM. On average, I get to bed about 7 AM. I had to attend this conference at 8 AM the very next day. I was exhausted and running on coffee-fueled adrenaline. Like many writers, I’m not wealthy, but I work my hardest, and I often work every day. Still, I paid $300 to attend and an additional $150 to pitch three different agents. It took me WEEKS to save up that money, and I don’t regret spending that money because something amazing happened.

After pitching three different agents, I walked away with three full manuscript requests and endless hope. Seven months later, one request resulted in a denial after we discussed a potential publisher who pushed it through acquisitions (a publisher that I LOVE, but who also didn’t work out in the end). One requested a R&R, and one request is still pending. Back in March, I naively thought I’d found the one, and though I’m still agent-less (and no longer actively querying), I still had a blast.

You see, while I waited for my turn to pitch, I began a conversation with another volunteer. She was a local writer, and we started talking about publishing/writing/reading/everything. She kept cheering me on, and I really appreciated how much she helped me keep my head up, especially since I was so bone-achingly exhausted. At one point, she mentioned her writer’s group, and I mentioned that I’d been struggling to find an in-person one. She invited me to attend hers later that month.

I couldn’t believe my luck. Here I was, an awkward/exhausted/out-of-money author, who’d been looking for a local writer’s group for MONTHS, only to be invited to one when I wasn’t actively searching. My hopes soared. I was so excited—and terrified.

What if they hated me? What if they hated my writing? What if I got a taste for an awesome group, only to be rejected when I asked if I could become a member? What if, what if, what if?

Later that month, I attended a meeting, not knowing what to expect, and now, I’m a regular part of the group. I look forward to our monthly meetings, and I’ve already grown a lot as a writer. Even better, I made friends.

I didn’t find an agent that day, but I did join an amazing writer’s group that changed my life for the better.

Publishing is an awkward, exciting, terrifying road, but more than that, it’s unpredictable.

So attend those conferences if you can. Those surprises can change everything.

~SAT

Should You Revise & Resubmit?

21 Oct

Querying can be terrifying.

Whether you’re searching for an agent or applying directly to an editor/publisher (or even your own agent), sending your work out there is a nail-biting experience for nearly everyone, including established writers. In fact, most writers will tell you that rejection is a constant part of the publishing process. No matter who you are. So is submitting.

Everyone faces rejection and acceptance eventually. And then, there’s the revise and resubmit.

A R&R is not a “no,” but it isn’t a “yes” either. 

It means an agent/editor/publisher liked your work enough that they believe in it and can see it moving forward after some significant changes. More often than not, an agent, editor, or publisher will give you some sort of feedback about what they believe you need to change. It’s not a guarantee, but it is an opportunity.

Should you revise & resubmit?

If you think you’re heading in the same direction, I say go for it. Your manuscript will be better in the end, no matter what happens, and I think that’s worth it. If you’re unsure about the revision notes, I honestly believe that means the notes didn’t resonate strongly enough to justify a revision. However, that is just me. Every writer is different. But I can admit that I learned this lesson the hard way.

Yes, I have revised and resubmitted—and received a “no” and a “yes” afterward.

There was one major difference between the “yes” and the “no” scenarios.

The biggest difference? I should’ve known the “no” situation from the beginning. When I received the initial feedback, I was unsure, but I felt too guilty to walk away. I mean, an R&R is a rare opportunity, right? Shouldn’t you take advantage of every opportunity? That was my thinking, but that sort of thinking isn’t always right. Why? Because my heart was never in it, and readers can sense that. With the “yes” opportunity, I received feedback that just resonated.

The moment I read the note, I felt like the team understood the heart of the manuscript. In only a few lines, they directed me in a way that felt right. In fact, it felt better than right. It felt like the place my manuscript should’ve been in all along. Instead of the confusing dread I felt with the “no” scenario, I felt complete and total excitement with the eventual “yes” scenario. Now I feel a lot more confident about when to accept a R&R.

Here’s my step-by-step guide for writers who receive a R&R:

  1. Make a decision: Take a little break to truly ask yourself if the revision notes resonate with you—and your manuscript. Once you make a decision, ask yourself one more time. Make sure you’re not talking yourself into it for an opportunity that doesn’t actually work with your vision. This will save you—and the other party—a lot of time and energy. Don’t feel guilty if the notes don’t resonate. Do feel gratitude for receiving feedback anyway.
  2. Let the other party know. Either way, thank them for their feedback. If you decide to revise, ask the other party when they expect a return (if there is an expectation), and make a plan.
  3. Now sit down to write.

It might be your revisions. It might be your next manuscript. Just keep writing.

Either way, you’re on your writing path to success. Enjoy it.

~SAT

P.S. I’m giving away a FREE audiobook of Bad Bloods: November Rain! Enter the Rafflecopter hereI’m also searching for audiobook reviewers, so if you love YA fantasy AND audiobooks (or you know someone who does), point me in the direction of their awesome blog. Good luck & thank you!

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