Tag Archives: Shannon A Thompson

Sometimes Writing That Book Was A Waste Of Time

20 Jun

Before you freak at the title, please know that the point of blogging titles is to get you here, and now you’re here, so voilà. 

That said, I really do believe writing a book can be a waste of time. Why is that such a controversial thing to say? 

I know that the publishing industry loves the sentiment of “every book teaches us something new about our writing!” And though that may be true, that doesn’t mean the time and effort we put into the project was equivalent to the lesson learned. It might not have been worth your time. There are, in fact, other projects you could’ve been pursuing with that time that might have had better results. 

Saying that shouldn’t be controversial. 

I’ve personally felt like I’ve wasted time on a project before (and recently). From late 2020 to late 2021, I worked on a science fiction novel for adults that just wasn’t working. I rewrote it three times with my agent at the time, before deciding enough was enough. I put it down. I haven’t opened it since, and I don’t miss it at all. I don’t even want to think about it. 

Sure, there were parts of it I loved. I mean, it was monsters in space. Who couldn’t have fun with that? The world building was interesting. My main character had dynamic qualities. But the manuscript lacked focus. Besides the fun pitch, I couldn’t really tell you what I was trying to do or why I was trying to do it. Maybe I can’t now because I’ve done my best to forget the experience so that I could move on. (Leaving projects unfinished once I’ve decided to pursue them is hard for me! It wasn’t easy to trunk it.) However, I also believe it was a project that lacked focus at its core. In fact, I started writing it as a rage piece. It was just supposed to be a place I went when I was angry to get out my frustrations. I never intended to pursue it. At some point, though, I convinced myself I should and, honestly, I really regret it. I not only regret the time I spent, but I feel guilty for all the beta readers who I brought on to try to help me with the work, including my agent at the time. I feel like I failed them and myself. Not because I eventually said no, but because I didn’t do so sooner. 

Instead of spending the year writing a piece that ultimately fizzled out, I wish I had spent my time cultivating a new project. I could’ve written my novel-in-verse earlier on, or I could’ve already finished the revision of my historical fantasy (which is what I’m working on now). I’ve since written an adult fantasy and started a YA novel-in-verse, as well as a YA horror story I absolutely love. All of these projects are going 1000% more smoothly than my sci-fi ever did.

That said, there were some lessons (I think) I learned:

  • Three POVs is too much for me right now. I love writing two POVs. Both of my published series are written in alternating POVs with the love interests. It’s my jam. That said, I’ve written numerous novels with one POV. Two aren’t always necessary. Three just got out of control. 
  • Too many plot twists is too many plot twists. Enough said.
  • Same with betrayals/switches in alliances. I had wayyyy too many of them. 
  • Blending sci-fi and fantasy tropes can be awesome, but it can also be really hard! I should’ve been better about owning which genre my book would sit best in and leaning into those elements more. 

I acknowledge I learned a few things. But I think I learned these lessons early on in the process. I could’ve stopped a few months in, instead of dragging the book out for a whole year. Maybe I had a harder time discerning lessons earlier on since we were in the midst of a pandemic. But I’m much happier now that I’ve moved on and tackled other projects. Still, I keep regretting all the time/energy/stress I put into that sci-fi (and I’m a little paranoid I’ll do it again). I keep checking in with myself and where I’m at with my current projects. I keep questioning my intensions and my chances of success. If anything, I recognize that I lost some of my confidence writing that book, yet another reason for regret.

Right now, I feel like I wasted a lot of time and energy writing that book. Granted, that doesn’t mean my opinion won’t change one day, but I’ve felt this way for half a year now. 

But, Shannon, you might say, don’t you learn something from every book you write?

Yeah, I learned not to waste my time. 

~SAT

P.S. Usually, I post on the first and third Monday of the month, but since the first Monday next month is July 4, I will share my next post on Monday, July 11. Enjoy the holiday and be safe!

Writing (And Working) While Pregnant: First Trimester 

6 Jun

You may or may not have seen my social media recently, but for those of you who didn’t, well, I have some news to share. 

I’m pregnant!

I’m currently 24 weeks, but I wrote most of this blog post during the first trimester when I wasn’t yet comfortable sharing my status. (I still wanted to blog about it, though!) I figure I can do a three-part series, one post for every trimester, and will inevitably post about being a working-writing mom in the future, too. 

Oh, cue the baby anxiety (and excitement). 

This is my first pregnancy, so everything is very new to me. The first side effect that affected my writing was the brain fog. I had absolutely no clue that it starts so early. I had brain fog before I even knew I was pregnant. (I suppose I should’ve side-eyed that lazy Saturday more suspiciously.) Strangely, though, it came with some perks. 

First trimester pregnancy brain fog brought me a lot of peace. My usually high-strung, ever-plotting/dreaming brain became a rolling tide of sleep, lazy days on the couch, and playing with my cats. Where I’d usually feel bad for laying around all Saturday afternoon, I quite enjoyed it. I slept better than ever before, too, which was weird. And holy dreams. So many vivid dreams. I’ve always used my dreams as inspiration for my books, but that’s because my dreams are typically mind-blowing adventures. Pregnancy dreams? Not so much. They happen in abundance and are completely nonsensical. So, I guess it’s a no on inspiration. 

No writing or inspiration? Surely I can use that energy for something else. 

Oh, wait. The fatigue. 

I was lucky enough to avoid morning sickness until week 9, which was nice. But I still didn’t have much energy for anything other than work and taking care of my cats. 

I have literally never had an issue creating like I did in my first trimester. The brain fog was unreal. No matter how often I sat at my desk or how long I stared at my computer, I just sort of zoned out. I tried everything: creating something new, working on an old favorite, revising one of my novels that’s 90% the way there. But I just couldn’t.

Getting through work was enough of an accomplishment to be honest. 

All that being said, I work full time. Working full time while pregnant is a lot, let alone using up any additional time to create. I’m not pushing myself super hard.

I also heard that a lot of the energy comes back in the second trimester, so we’ll see how that goes in that blog post. 😉 

I’m definitely having some anxiety about how writing will fit into my working-mom life, but hey, many people have done it before, and I have no doubt I’ll keep pursuing the dream as much as I can. 

I won’t lie, though. I’m already looking at my WIPs differently. Which ones can I finish before the baby is due? Which ones will require less energy/research/strain?

I decided to stick with my haunted YA instead of my adult fantasy or historical fantasy. 

I started my writing career by writing paranormal romance. It’s always been my happy place. Why not stay there for the time being? 

My kid is due in late Sept-early October, so it’ll be spooky season all around. 

~SAT

P.S. I have two upcoming events!

On Thursday, June 9, I’ll be teaching How to Write a Series at the Midwest Romance Writers meetup in Lenexa, Kansas. If you’re interested in attending, contact them here.

On Monday, June 13, I am teaching Starting a Writing Project via ZOOM for The Story Center at Mid-Continent Public Library. This program is free, virtual, and open to anyone in the world. Dive deep into creative inspiration, and learn tricks to prevent writer’s block. Then discover tools to help you set realistic goals and stay on track. Come prepared to put pen to paper. More information and registration here.

Writing a Great One-Line Pitch for Your 2022 Query Letter

2 May

Last month, my post—The Difference Between Querying in 2019 and 2022, and Why Your Well-Intentioned Advice May Be Doing More Harm Than Good.—got some attention on writing/publishing Twitter, and I received a lot of great questions. The top two that stood out?

  1. How do you write a fantastic one-line pitch? 
  2. Where do you recommend I research agents right now?

I wanted to tackle writing a one-line pitch first, and then talk about research strategies during my next post on May 23. (For those of you who are new here, I post writing/publishing tips every first and third Monday of the month.) 

So let’s talk about the one-line pitch! 

In my opinion, a great one-line pitch covers your whole book. It’ll highlight character, the stakes, the world, everything–all in one sentence. The shorter, the better. Below I’ve included a logline template that has helped me in the past. 

I encourage you to try this exercise out right now. Take each color/subject, make a list, and shift the order around until you get three pitches you love. Once you have that, send them to beta readers and get their opinions on it. (Don’t tell them which one you love the most. Simply ask them which one caught their eye and why.) Use that information to either revise or choose. 

Another way to write pitches is by looking at pitches. Search through Netflix and see how they summarize each show in one sentence to really grab the viewers’ attention. Even better if you can find some shows that are similar to your book. (Don’t forget, folks, you can always use movies/TV shows as comparison titles, too–though I recommend having at least one recently released book comp.) That said, I like to look at deal announcements. Those often summarize the book in one hooky sentence that is designed to entice readers. (In fact, I based my most recent pitch off of similar deal announcements in the Publishers Weekly Children’s Bookshelf newsletter.)

Honestly, there are pitches all over the internet. From Query Shark to participating in pitch parties on Twitter, you’re going to see hundreds and hundreds of pitches. So how can you make sure your pitch is standing out? First and foremost, you should be studying others’ pitches as much as you can. You should also practice writing them. (Sometimes it’s easier to write a pitch for something you didn’t create, like a favorite show you’re currently watching. That way, the pressure is off your shoulders, and you can focus on the how is this working, not the how is this going to do on sub.) While you’re studying pitches, ask yourself why a certain pitch worked. What caught your eye? What made you sit up in your seat? One of the best posts I’ve seen on writing pitches was by literary agent Ali Herring: The Art of the Quick Pitch. Why do I love this post? Because she shares her clients’ pitches. It’s such a rare gem for agents to share such information, and it’s worth taking a couple minutes to look through. 

Once you have a one-line pitch, take a look at your query. 

Pitches should go at the top. This is for easy access. Agents are slammed right now. I doubt they have time to read every sentence of every query letter they get. Though I’m sure there are agents who do, I like to err on the side of caution and make sure they are getting the best information upfront. I personally like to include my metadata as well. This means I’m defining my age category, genre, word count, and (possibly) my comps. (More likely my comps will come right after the pitch. 

For example:

Dear (Agent):

[Insert personalization of why I believe they are a good fit], [insert pitch and metadata]. This book will appeal to fans of (comps) or This book has the atmosphere of (comp) with the snarky friendships of (comp). 

[insert two paragraphs about book]

[insert small bio] 

Sincerely, 

Me

[insert contact information]

This is the formula that has worked for me. That said, there’s lots of formulas out there that have worked for others, so don’t feel beholden to my method. Try a few different types out and, again, seek out betas who can give you an unbiased opinion about which ones read the smoothest (and, even better, were the most enticing). 

Now get to pitching! 

~SAT
P.S. My quarterly newsletter is going out soon! It includes exclusive writing tips, a giveaway, what I’m currently reading, and so much more. This time, I’ll be giving away a $10 gift card to any local bookstore. Subscribe here.

The Difference Between Querying in 2019 and 2022, and Why Your Well-Intentioned Advice May Be Doing More Harm Than Good.

18 Apr

When I signed with my first agent, it was 2019. I’d queried two manuscripts by then between 2017-2019. In 2021, my agent left the industry. I took some time off, then wrote the book of my heart, and now I’m back in the query trenches for the first time in three years. As an author with books under my belt and previous querying experiences, I’ve seen a lot of well-meaning authors posting querying tips for those currently looking for representation. But you know the saying. 

The path to hell is paved with good intentions. 

Okay, so that may be a little harsh, but I mean it when I say that times have changed. Advice that previously used to be sound is no longer relevant or an accurate depiction of what’s going on in the trenches and publishing industry in general. 

For one, in 2019 turnaround times were typically 2-3 weeks, and I’d often hear back way before that. In 2022? Turnaround times are staggeringly different. Yes, there are some that still get back within the 2-3 week timeframe, but for the most part, I am seeing 6-10 weeks as the norm. In addition, there are a lot more agents saying “no response means no,” so getting closure isn’t even a guarantee. (Did I mention that so many more agencies have adapted a “no” from one is a “no from all” policy?) No shade here, of course. I understand how busy everyone is. But this certainly makes querying via rounds a lot more time-consuming for writers. You used to be able to send out queries knowing that you’d get an answer within a month or so, and then you could readjust for a second round. Not so much in 2022. Not only are response times longer than ever before, but feedback (even on full manuscript requests) is rarer, too. That makes the “query in rounds” advice a little moot. I still recommend it, of course! Just not for the same reasons as I have in the past. This time around, I’d recommend it for sanity reasons. Too much at once can be overwhelming for anyone. I also stand by the fact that you should be getting some requests on your query. Just not as many as before. 

In the past, for instance, some folks would say you should have a 75% – if not higher – request rate. That sort of statistic is just unheard of right now. Granted, it’s hard to discern the actual stats from anecdotes I’ve read online and heard from friends, but the trends I’m seeing are a lot less than 75%. Lots of folks on Twitter today have been sharing that a 10% request rate is good right now. (You can also see trends on Premium Query Tracker.) 

Full disclosure: At the time of writing this, I’ve sent out 10 queries. I’ve been lucky enough to get 4 full requests right out of the gate. 3 of my other queries got denied, but 2 of those were personalized and encouraging (a wrong-fit scenario). The other 3 are still pending and won’t get a response for another 3 weeks. I definitely know I’m the exception. 

So what is my advice for querying right now?

It’s more important than ever to have a great query letter. More so, a fantastic one-line pitch. Even if you feel like you are a seasoned writer with seasoned beta readers, I encourage you to branch out and try to get feedback from a new source. Even better if it’s someone who has secured rep recently. Other than that, I recommend keeping your query as short as possible. (Everyone’s swamped, right?) I, personally, put my pitch and all my meta data at the top (comps, word count, genre, age category). I also add in personalization if applicable. (We met at a conference, you told me to send you more of my work in the past, MSWL fits, etc.) That way, an agent can see right away if they’re interested before diving into the long part of the query. My bio is at the bottom. Once I start querying, I keep track of when I’m supposed to hear back, and if the agent isn’t a “no response means no” agent, then I send a polite one-sentence nudge. Don’t be afraid to nudge! One of my full requests happened because of a nudge. If you can get referrals, great! If you can attend conferences to meet agents, wonderful! But don’t feel like you must spend money to up your odds. If you query in rounds, check out the agents’ response times via Query Tracker, and try to pick a few that have faster turnaround times. That way, you can more easily discern when you want to do a second round. (Remember: Publishing is not a race. It’s better to query well than fast.) Prior to querying, I’ve also asked myself these tough publishing questions to make sure my book has a place in a competitive market. This has worked for me. 

Does that mean I’ll secure rep? Nope, not necessarily. 

Of course I hope that I will. I have 150% confidence in my book, writing, and platform, and my MG novel-in-verse about the opioid crisis is an important story that needs to get into the hands of kids like me, who lost a parent in such an awful way. But I also recognize that the industry is in a tough place. Agents and editors and writers are swamped. We’re all just trying to do our best out here. Which is also why I think out-of-date tips can be harmful.

Try not to give out old-school querying advice without understanding the current landscape. Take a minute to look around at the agencies and agents, both new and established. Talk to those who’ve secured rep recently. Listen to those who are currently in the trenches. Without doing so, traditional advice could ultimately be more discouraging or even point the writer in the wrong direction. For example, if you tell someone that they should revise their book or opening pages because they don’t have a 75% request rate, you could be causing the writer to make unnecessary revisions.

For my fellow querying writers, if you’ve been thinking about taking a break, do so, especially if it’s for your mental health or general well-being. It never hurts to take a pause, consider your options, refresh the creative well, or just step away for a while. In fact, it might be just what you need. Either way, I recommend taking old-school querying advice with a grain of salt. The basics still stand, absolutely. But don’t get discouraged if you aren’t getting a 75% request rate. Try not to let the old way of doing things get you down. Concentrate on the now instead. Find writer friends that are in the trenches with you, join a querying group, and help each other through the process. Friendship truly can go a long way. So can keeping track of all the encouraging notes you receive. Do yourself a favor, and open a Word doc right now. Title it “Book love for (title)” and start saving every compliment, including the encouragement you may receive in a rejection. An example I received? 

“I do hope you find the right agent as you’re pitching around! Stories like these are so wildly important and needed.” 

It was a rejection from an agent who just wasn’t the right fit. But it means a lot to me to have their support! 

No matter what happens, I know I’m going to keep trying. I’ve already started revising my historical fantasy with the hopes of querying that by the fall, should my novel-in-verse not pan out. I also have two other completed manuscripts and two new ones I’ve started drafting (and so many more I’m dreaming about). It’s always good to be looking ahead (and you’re a lot less likely to be disappointed if you have something new and shiny to focus on). 

I wish all of you the best of luck!  

~SAT

Every Detail in Science Fiction and Fantasy Doesn’t Need to Make Sense

4 Apr

This is probably an unpopular opinion–and perhaps a less-than-stellar writing tip–but every detail in science fiction and fantasy doesn’t need to make sense. I’m talking about characters, world building, traditions, landscapes, magic systems, etc. Granted, of course most of your story needs to. Like 95% of it and certainly the most essential parts. But every little detail doesn’t require an origin story or explanation. 

I’ve been writing science fiction and fantasy (SFF) for over a decade now and reading it for much longer. Over the years, I’ve noticed a trend in word counts escalating, and while I love large books as much as the next SFF reader, it’s often unnecessary. 

You can have a fantastic, vibrant magical world without dedicating 700 pages to it. 

The way I write SFF might be a little different than others, but I tend to focus on my point of view (POV) character and plot before I flesh out my world. I mean, of course I know the basics of my magic system, but I don’t get into the nitty gritty until I know exactly what’s needed for the actual story to take place. In fact, I tend to write my first draft without much of my world figured out, not only to see what literally happens but also to get to know my POV character. It’s important to understand what your POV character would truly know. Yes, even about their own culture or circumstances. 

Look at your own world. 

Do you know why daylight savings started off the top of your head? Where wedding traditions stemmed from? How the border of your state or country was decided? What about why your neighbor is rude one day and sweet the next? 

No one knows everything, even if they love random fact-checking. 

Your science fiction or fantasy novel needs to make sense just enough for the story to suspend disbelief. Yes, some readers’ standards are going to be higher than others. But you’re not writing to satisfy every reader out there. You are writing the best story that you can. Sometimes that means cutting back and focusing on the elements that are most important. In fact, I’d love to see more SFF that is as quick and light as a cozy mystery. I want to flip through a SFF book in one afternoon and be blown away. And I know it’s possible. 

Look at The Murderbot Diaries by Martha Wells or Remote Control by Nnedi Okorafor (both published by TOR.) 

We need shorter, quicker SFF. Not only for fun, but for accessibility, too. Not everyone can undertake a 700-page novel. Not everyone wants to. 

Allowing space for shorter, quicker SFF stories may also allow publishers to take more risks on genre mash-ups. Bigger books are more costly to print and shelve. With shorter books, we could experiment and see if readers would love that quiet fantasy that takes place in a fairy’s coffee shop. That coming-of-age story about a tech geek that invents a pet robot and then loses it. A fun rom-com in space. Graphic novels are already doing this. Check out Mooncakes by Suzanne Walker and The Tea Dragon Society by Kay O’Neill. I desperately want more novels like these. 

Science fiction and fantasy doesn’t have to be dark. (Perhaps another post for another day.) It doesn’t have to be 700 pages either. Readers deserve variety in tone, length, and more. In order to achieve this, we need to remove the pressure of explaining every little detail in our stories. Readers and authors alike need to be open-minded to exploring novels with lighter structures. If we do that, I think we’ll see new genres emerge. 

The possibilities are truly endless. 

~SAT 

Publishing Questions I Ask Myself Before I Start Writing a Book

21 Mar

Publishing is hard. We all know that. What makes it harder is bad timing and unclear focus. It’s easy to get lost in the art of writing long before you consider the business of writing, but at the end of the day, publishing is a business. You should have your business plan in mind before you set off on your writing journey. By doing so, you’ll be a lot more prepared for pitching and revisions.

That said, I want to add a caveat before I start sharing the publishing questions I ask myself before I start writing a novel. I’m pursuing traditional publication. That requires different techniques than self-publishing. Putting the publishing method aside, though, if you want to write a book that brings you joy and that’s it, then go for it! I am not here to stop you. It’s important to write and be happy. I have learned that lesson the hard way before. However, I am here to discuss how to hone your skills and focus that joy into a project that stands a higher chance at success. 

By being purposeful in our writing decisions, I believe we increase our chances of success. That doesn’t mean it will absolutely work. But there is something to be said about timing (and a little bit of luck). If you can put the odds in your favor, why wouldn’t you? To do that, I’ve learned to ask myself some pretty hard questions before I start writing. 

Here’s that list:

What does this novel add to the market? 

Maybe it goes without saying, but I think this is probably the most important question you must ask yourself. How does your book stand out from what’s currently out there? How is it relevant but also fresh? Do you have a twist on an old trope that hasn’t been done before? Are you writing it from a perspective not often seen? My advice is always to lean into your most unique aspects as hard as you can without breaking the story. This will help it stand out. 

Are there unique elements that need to be pushed or scaled back?

Once I have a list of my unique elements, I have to take a hard look at the plot/characters. I don’t want to push my unique elements too hard. By doing so, you can break a story. It’s important to understand your limitations as a writer. If you are trying to push yourself to try something way outside your norm, make sure you’re enlisting help from experienced writers or beta readers who avidly read your genre. (You should also be reading avidly within the genre/age category that you’re writing.) Remember: unique is great, but readers also love an old trusted trope. Having some familiar expectations can be a fantastic selling point, too. 

Is the pitch succinct and commercial? 

You certainly have time to figure out your pitching materials, but personally, I start working on a pitch and query letter before I start writing the actual book. Why? Because it quickly shows me if I truly understand the novel I am about to write. Who wants to get 80k into a piece only to realize they aren’t positive about the main themes or twists? Have you attempted to write a query letter to get a better idea of the main theme/plot/character? I stand by attempting your query letter (and maybe even your synopsis) before you start writing. It will reveal the glaring flaws you already have, before going in and finding out the hard way. I will also add that it’s important to recognize that this query isn’t truly your query. I’ve literally never used my starter query as a draft query for when I start to query agents. It’s more like a tool to get me started on the best writing path possible. I often still discover many new (and fun) elements in my work once the writing begins, but having the bare bones of a strong plot keeps me on track and confident that the work won’t fizzle out due to confusion or roadblocks. 

Why would someone pick up this book compared to a comparative title? 

Pretend you’re at a bookstore and your novel is nestled between its comparative titles. Cover aside, why do you want to pick up this book the most? This might go back to the earlier question about what makes your book stand out, but it’s a worthwhile exercise to try out from a reader’s fresh perspective instead of a writer’s. 

Why would you choose to work on this book compared to your other WIPs?

If you’re anything like most of the writers I know, then you probably have a dozen or so ideas bouncing around your noggin that you are dying to write. So why this one? What makes this WIP better than the other ones you are currently playing around with? Not just better to you, but also better to the market? I will caution you not to pick out the idea you have the most fleshed out. Just because you’ve spent more time with it, does not mean it is the best one to pursue right now (or ever). I, myself, recently put my historical fantasy aside to pursue my middle grade novel-in-verse. Why? I’d already written three drafts of my historical fantasy. I had a great revision plan and betas lined up ready to read again. I even had an agent who already requested the full from a writing contest I won before I decided to revise. (They said they were happy to wait until I was done.) By all means, I should’ve concentrated on the historical, right? Wrong. The more I looked at where I stood with that project, the more I realized now was not the right time to pursue it. While I wasn’t confident I could revise the historical and secure representation with it (mostly due to where the market is at with this particular kind of story), I was ready for my middle grade book. Plus, novels-in-verse are finally picking up steam. I wanted to ride that wave before it became a hurricane and mine got lost in the flood. So, I took that leap of faith. I put everything aside to start a brand-new project that I was truly passionate about. I’m now querying and have more fulls than I did with my historical. Sometimes, it’s about reading the water and following your gut when you decide which river to take. (Okay, I’ll stop with the bad water metaphors.) 

Can you spend 3-5 years on this project and be happy? This includes revisions, rejections, more revisions, etc. 

Maybe you thought I was a kill-joy, but I promise, I’m not. I know how important your mental health is when pursuing publication. Writing can be a long, lonely adventure, and those feelings can only get worse if your current WIP is dragging you down. When folks tell me they’re writing a novel (and planning to pursue traditional publication), one of the first chats I have with them is how long it can take. Writing the first draft is typically the fastest part. Beyond that is beta readers, revisions, querying, rejections, more revisions, signing with an agent, going on sub, more rejections, hopefully a book deal! Yay! But 3-5 years between writing your first draft and the actual book release date is pretty common if not expected. Granted, that doesn’t mean you have to be happy every single day for 5 years. That’s unrealistic. But, realistically, will you enjoy working on this book for a long time? The reasons for saying yes, or no, will vary from writer to writer. Some writers can write purely from a business angle, no problem, but others require a little bit more excitement in order to pursue an idea for a long time. 

All of the answers to these questions will be unique to you. They may not even be the best questions to ask yourself. These are just the ones I ask myself before I start writing, and they help me make decisions every time. Maybe they’ll help you, too. 

If you have additional questions, I’d love to read about them in the comments below! 

~SAT

I Almost Self-Rejected Myself Out of a Publishing Opportunity

21 Feb

Last month, you may have noticed my blog post – Yes, Writers Need to Hear the Hard Truths. But Warnings Can Go Too Far. – go up on Jane Friedman’s website. I was absolutely thrilled by this. I’m a long-time fan of Jane’s blog and book, The Business of Being a Writer. I also regularly attend her courses at The Business Clinic. But I never in a million years thought my blog posts were good enough to be featured on her website. So much so that I never considered submitting. I didn’t even know it was a possibility. Then, my good friend Jessica Conoley was featured, and I was amazed by her. 

What an accomplishment! What a dream!

She continued to have her blog posts featured on Jane Friedman’s website over a course of weeks. Each one was thoughtful and interesting and so damn inspiring. I realized then that Jessica had inspired me. (And you can read a list of her amazing blogs posts on Jane Friedman’s website by clicking here.) 

After Jessica’s posts went live, I continued writing blog posts for my own website, but I kept thinking about Jane Friedman’s blog. What sort of posts do I have that would be beneficial there? Could I write one? Could I try?

I told myself that when I came up with a worthy idea, I’d put myself out there and submit. Then, BAM. An idea came. 

I wrote it, but I still wasn’t sure. How could I be? I’d never written a blog post to be submitted elsewhere before. Once I decided I wanted to try that, I reached out to Jessica for tips. 

By the time Jessica got back to me (less than a day later), I was already doubting myself. I told her as much, and she pushed me to send it. I clicked SEND a few minutes later. Soon after, I heard back. Jane was interested in featuring my blog post on her website. 

I was amazed. 

If it wasn’t for my friend’s success, encouragement, and tips, I would’ve simply decided I wasn’t worthy of trying. 

It’s scary to put yourself out there, especially when it’s something new, but do it! 

You never know what will happen. 

Who knows? The next time you click SEND, an acceptance letter could be on the way. 

In fact, right after I was accepted to Jane Friedman’s website, I gained the courage to submit my first short story somewhere pretty special. We’ll see how it turns out! Either way, I’m pretty proud that I already clicked SEND again.

~SAT

Shannon’s Top Three Tips for Writing Romance

7 Feb

It’s February, so romance is in the publishing air. Whether or not you write romance novels or have romantic subplots in your work, almost every writer has had to think through a couple’s relationship in their work. 

Here are my top three tips for writing romance.

1. Read Romance: As Stephen King famously said, “If you don’t have the time to read, you don’t have the tools to write. Simple as that.” Reading romance novels, or novels that have romantic subplots, will help you learn the beats of a romantic plotline. (You should also check out Romancing the Beat: Story Structure for Romance Novels by Gwen Hayes. It’s a nonfiction craft book dedicated to understanding romance beats.) My favorite go-to romance books are Harlequin. Why? Though the various imprints have particular expectations, every book is focused on romance, and it’s so easy to spot tropes from the cover, title, and synopsis. They tend to run very short, too, so you can read a bunch very quickly. Even with a shorter word count, you’ll be amazed how tight these plots are. These authors will really inspire you to find ways to cut to the chase. Keep in mind that the romance books you read don’t necessarily have to be in the same genre that you’re writing in. I primarily write fantasy and, while I definitely read enough fantasy to study those romantic subplots, I’ve found contemporary romance books have actually helped me understand writing romance more. Probably because there is less distraction (world building, war, magic, etc.) Basically, make sure you’re reading romance in your genre, but don’t be afraid to branch out either. 

2. Requited love is nice, but it doesn’t make much of a ballad. Cassandra Clare’s character Will said that when referring to why characters are put through so much hardship in stories, and I’ve never heard such a true sentiment. Listen, you’re writing a story. Stories require tension and excitement. A what if. In romance, that what if is will they get together? You have to string that question out in some way. If your characters famously get along, your reader will wonder why they aren’t together. Some writers take that to mean that a couple must disagree or not communicate, and that’s not true. There’s lots of reasons people stay apart. Beliefs. Expectations. Distance. Responsibilities, such as taking care of their family. Work that doesn’t allow them time to date. Fear of rejection. I could go on and on. You can definitely still have tension even if your couple is communicating well. But there must be tension somewhere. Your couple is made up of different people with their own goals, who happen to cross each other’s path. I think every romance novel benefits when those paths hit a crossroad in some way. Do they choose themselves or their love for each other? Bam. Tension. At the end of the day, something in their lives is unrequited

3. Couples should complement each other in some way. Is he shy and her outgoing? Is she struggling to find the last piece of the puzzle and her lover has it in her hands? Take a look at your favorite bookish couples and you’ll see that they often complement each other’s personalities and goals. They push each other to be better people or to look at the world in a new way. They experience personality traits of the other that their friends/family do not get to see. When you’re revisiting your favorite couples, ask yourself why they appealed to you. What scenes made your heart pitter-patter? Make a list. You might see a pattern emerge of tropes you love, such as the one-bed trope, brother’s best friend, enemies-to-lovers, etc. Once you know what tropes you want to work with, it’ll be so much easier to form your story.

Honestly, though, I could go on and on about romance. If you love reading romance, I’d love it if you check out my young adult paranormal romance, the Timely Death trilogy. The first book, Minutes Before Sunset, is currently free! It’s set in Kansas and follows two magical teens, who realize they’re fated to fall in love… and die.

AmazonBarnes & NobleiBooksSmashwordsKoboGoodreads

~SAT

January Writing Journey Wrap-Up

31 Jan

I recently heard from a long-time reader, who mentioned my old Ketchup posts as blogs that inspired her. Basically, at the end of each month, I used to summarize all the blogs I’d written and showed behind-the-scenes glances at my stats: my top three blog posts, the #1 search term that brought readers to my website, views/comments, etc. I stopped the practice when I stopped blogging so often. (I couldn’t justify a summary post when I only blogged twice a month as compared to my previous twelve-a-month schedule.) However, her comment got me thinking about what I could wrap up at the end of each month. 

Every month, I am going to write a writing journey wrap-up post. It will include how many words I’ve written, what I’m working on, my wins, my losses, and other miscellaneous facts you may find interesting. 

For those who don’t know me, creating this is actually pretty simple. I keep a motivational calendar on my wall, where I write down what I do to pursue my writing dreams every single day. This post will basically make that calendar public. 

Without further ado…

In January…

I had my blog post – Yes, Writers Need to Hear the Hard Truths. But Warnings Can Go Too Far. – featured on Jane Friedman’s website. It actually just went live today, and I am beyond thrilled by this. I have followed Jane Friedman for a lonnnnnnnng time. I am a huge fan of her website, her nonfiction book, and her Business Clinic. I hope you enjoy the blog post! Blog-wise  on my website, my most popular post this month was The Truth About Giving Up Writing. Other than the WordPress Reader, Twitter was my best referrer. I wish I could share search terms like I used to, but they were all “unknown search terms,” and have been that way in my stats for a while. I think that feature has since changed. 

In other news, I chose my mentee for the SCBWI KS/MO YA mentorship. Her name is Anna LaForest, and she wrote a hilarious coming-of-age friendship story that takes place during two girls’ freshman year in college. You can follow Anna here

Our Pitch Wars mentee also submitted her materials for the Pitch Wars Showcase that takes place in February! Sandra and I are so excited for Damara and her novel, Don’t Play the Bone Flute. It’s a super spooky middle grade horror, and we’re so proud of all the work she did to shape up this book over the last few months. Go Team Stellify!

I also wanted to give a shoutout to author M. Phoenix. She is actually the long-time reader who inspired this post. She also read my free trilogy on Wattpad and gave not only an amazing shoutout to Take Me Tomorrow, but she also wrote a lovely review that meant so much to me. It makes my day to hear from readers. Knowing that y’all are still reading my work and enjoying it means more to me than I can express. It truly keeps me believing in the dream. 

Aside from all that news, here’s what I did writing-wise:

I started off January with 8,545 words of my middle grade novel-in-verse revised. I end the month with a finished manuscript, coming in at 23,000 words. I also sent it to five beta readers and revised the entire novel. What can I say? This is one of those projects that is coming way too easy to me. But that’s because it’s based on my childhood. I decided to finally write a middle grade book about an 11-year-old girl who loses her mom to the opioid epidemic. Unfortunately, that’s how my mom died when I was 11. Back then, I couldn’t find a book in the kid’s section about what I was going through, and ever since then, I promised myself I would write it. I finally found that strength. Going into February, I am hoping to finally put it out there! I want to especially thank my long-time friend and critique partner, Sandra Proudman, who not only helped me write this entire novel but also gave me the most thoughtful shoutout on Twitter. She also recently started a graphic design business for authors. If you need book banners, bookmarks, etc., check out The Book Bruja.

My plan to put my work out there is why I spent a mass majority of my January researching agents and agencies. I wrote a query letter, revised it a million times, wrote a 1-page synopsis, revised that, double-checked my formatting, and got my submission package prepped. I then sent my prospective agent list to my writer friends, and I just got feedback on that last Thursday, so I’m doing a little bit more research before I finalize my first round. I probably won’t query until the end of February. 

For fun, I actually dreamed up a brand-new book: an adult fantasy. I wrote the entire outline for it, created a Pinterest board, and started getting it organized in Scrivener. We will see if it goes anywhere beyond that, though. (You never really know. I have so many outlines for books I never actually pursued.) 

Event-wise, I taught Starting a Writing Project via ZOOM for The Story Center at Mid-Continent Public Library. I will teach it again in June, so keep your eyes on my Events page. I also had the utmost joy of guest speaking at Kearney High School’s Writing Club. What a talented group of teens! If you are a teacher or book club, and you’re interested in having me virtually visit, please visit my books clubs/teachers page. 

I also attended virtual write-ins every Tuesday evening, critiqued pages for some friends, hired a friend as a graphic designer, and attended a virtual writing conference. 

In my reading life, I read 9 books: 2 adult romance, 1 adult fantasy, 1 young adult fantasy, 4 graphic novels, and 1 nonfiction. My favorite? House of Hollow by Krystal Sutherland. It had the perfect amount of body horror and spookiness.

All this while working full-time and recovering from COVID. Not a flex. Just blows my mind. 

I really want 2022 to be a successful year. I want to make my dreams come true, and I want to get my books back out in the world again. 

I will do my best to make that happen. I have to believe that it’s only a matter of time (and a little bit of luck). 

Thank you for supporting me, 

~SAT

P.S. My quarterly newsletter goes out in February! It includes a $25 gift card giveaway to any bookstore near you. Subscribe to my newsletter here

The Truth About Giving Up on Writing

17 Jan

Have you ever considered giving up on writing?

I know I have. 

Though I’ve been writing stories as long as I can remember, I consider myself as having two true starts. 

1) When I was eleven, my mom died unexpectedly, and I told myself that day I would spend my life pursuing my dreams, no matter how short my life would be. 

2) Around my senior year in college, I decided I wanted to pursue publishing again after a major break from writing. For a few years after that, I wrote for two indie publishers, and then made the decision to try to get an agent. I got one! Then I lost one. 

Now I’m out here writing again. Dreaming again. Wondering where my future will take me. 

Over the past few weeks, I have had a lot of serious decisions to make. Do I want to write in the same genre? Age category? Pursue the stories I’ve trunked or left otherwise unfinished? Do I even keep writing?

That last question is one I know most writers think about at least some point in their career. I certainly have, though I admit that I eventually realize that the question isn’t whether or not I want to keep writing. I always write. Even when I don’t want to, I find a pen in my hand. Writing is my gravity. The real question is if I want to continue pursuing publication. And that’s a whole different can of worms writers have to contend with. 

Do I want to keep pursuing traditional publishing, or do I want to find another method? Do I want to share my words with the world at all? Why do I feel the need to?

These questions are important for all writers to ask themselves. Why? Well, because of surrender. 

Giving up isn’t a giant Aha! moment, where you throw your pages in the trash and set it on fire, declaring your rage-freedom. 

It’s a culmination of a million little moments, where you prioritize this over that, miss deadline after deadline, trunk project after half-written project, until a striking amount of time has passed without much done. It happens. Sometimes, it happens again and again and again until you no longer remember the last time you gave yourself an afternoon to weave words together. Maybe one quiet morning you find time to sit, only to find all your old weavings in tatters, old files corrupted, versions unsaved or lost. Time now shows the errors you couldn’t once see. Which is just more reason to sigh and click delete, delete, delete until you’re staring at a blank page and have no self-confidence to begin anew.

Why write, you think, when you can buy perfectly good books at the store? There’s no point in making your own. It’s a waste of time and resources. You can simply enjoy what others have made. And yes, maybe you would be happy with that. And entertained. But would you feel pride? 

That’s what I am chasing. 

Pride. Not ego. But rather, feeling proud of myself for pursuing the life I always wanted. The dream I cultivated. Worked hard toward, year after year, no matter what stood in my way.

Writing takes a lot of momentum. For me, it’s not difficult to take breaks, but it is difficult to get started again. Which is why I’m so weary of pauses, especially long ones. During those pauses, I sometimes wonder if I’ve been chasing the dream so long, I don’t even know if I’m dreaming anymore. Have I gotten so used to this chasing that it has become an accepted chore? Is writing more habit than happiness?

Writing used to bring me such joy. Such high. There was nothing like sneaking pages of my romance novels between taking notes in biology class. Nothing like passing pages along to my best friend and chat-giggling about them over the phone late into the night. It was fanfiction of my own imagination. Wild ideas and even wilder characters. Dreamy as they were flighty. Emotions high. Secrets higher. 

The structure of what I’ve learned over the years has broken that all back down. 

Now I look at the Timely Death trilogy—a series I first wrote when I was 14—and wonder if I’d create two-faced, sword-dwelling, Midwest magic teens now. 

Probably not. 

Too bizarre, I’d think. Not in line enough with the market. 

Besides, my teens skip school, and students are on lockdown nowadays. Not to mention the homework on paper rather than take-home laptops.

I feel so out of touch sometimes, I think, who am I writing for?

Years ago, I set out to write for kids like me, but do kids like me still exist? Not really. 

Even the book I am currently writing—a personal story about a child affected by the opioid crisis—would hit differently now than when I was young and needed it. When I was eleven and my mom overdosed, it was unheard of in my neighborhood. I got picked on for it. I didn’t know another classmate whose parent died until I was 16, and that was from cancer. I didn’t know another classmate whose parent died from a drug overdose until I was well into college. And by then, my classmates were overdosing, too. 

Most recently, I’ve written poems about her skipping from pharmacy to pharmacy to fill the same prescription over and over again—and now, there are laws in place that prevent that. (Thank God.) But by God, my truth died with her. Of course there will always be universal truths—grief and all that. But the details of the moment are so dependent on the environment that I fear being unable to connect with the audience I once promised myself I would go back and write for. 

I was 11 and lost in the bookstore. There are still 11-year-olds lost in those stores. But can I help them? Reach them? Will it matter or make a difference?

I have to believe I can. I have to believe in myself. I have to believe that I’ve turned writing into a habit, because it takes dedication to succeed. And honestly, it still brings me a lot of joy. 

Most importantly, to this day, I have yet to find a book that was made for a kid like me. (Though I’d highly recommend “Hey, Kiddo” by Jarrett J. Krosoczka.) 

I cannot put into words how much it would’ve meant to me to see a book in the middle grade section that covered what I was going through. And though I still made it in real-life without those sorts of books, I wish I could tell you about the many kids I met who didn’t make it. But their stories aren’t mine to tell. I can only tell mine. And for now, I haven’t given up.   

I am still writing. I am still pursuing publication. 

For 11-year-old me. For other 11-year-olds like me. For that college senior who knew she wanted something different out of life. For me now, who still enjoys the written word over much else. Who now chat-giggles about her work over ZOOM with her writer friends.

Giving up may not be a giant Aha! moment, but neither is deciding to continue the pursuit. 

It’s a decision you make every day. It can be undone. It can be remade. 

The choice is up to you.

For now, I am still here, writing, dreaming, doing my absolute best. Tomorrow, I hope to make the same decision to continue. 

~SAT

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