Tag Archives: Twilight

What Novelists Can Learn from Webtoons

1 Aug

I won’t lie, 2020 has been the year of the Webtoon for my reading list. There are a couple reasons for this, the main one being access. When COVID first hit and Kansas City closed down, the library shut its doors completely, and that’s where I get 99% of my books. Granted, I managed to smuggle a pretty big TBR pile home beforehand and they have since opened up curbside service. But I also found myself consistently drained of energy by the end of my workday. A whole novel often felt like too much commitment. I just wanted to read something quick and fun, and be able to put it down at the end of the evening without more pending pages or due dates.

And so, Webtoons entered my life. 

A little background: I’ve always loved graphic novels. I grew up on manga, and I had heard of Webtoons from my reader friends who were enjoying them. The selling point for me was the free app. I downloaded it to my phone and started reading immediately. Which brings me to my first, and perhaps biggest, point: 

Episode Release/Payment Model/Community

This is more relevant to indie authors who have more control over their release dates and payment systems, but I find the Webtoon model really fascinating. Basically, you can read 100% for free—if you are patient. On average, a Webtoon releases one episode a week for free. If you want to read ahead of the free release, you’ll have to pay with coins, which you can purchase in the coin store. Sometimes, you get to spin a wheel and earn free coins. I love this setup a lot more than I thought I would. 

I don’t mind getting cut off and having to wait. It not only gives me something to look forward to throughout my week, but it also frees up some space, where I can read 3-4 Webtoons at the same time without feeling like I have to read the whole thing before my library due date comes up. In many ways, it actually keeps me reading, because my phone sends me a notification every week with updates, whereas an eBook or novel just sits on my device or nightstand, and am in charge of remembering it. (I know how that sounds, trust me, but speaking honestly, there’s something inherently satisfying about getting notifications from something you are looking forward to but don’t have to remind yourself of.) It changes the tone of your day. Even better? If I absolutely can’t stand that cliffhanger and I need to keep reading, I have that option. (Which, if you want a lesson in writing cliffhangers, these Webtoon artists are talented.) This sets it apart from platforms like Wattpad, where you either are paying to read or not. 

A last payment feature I loved? Many of the artists provide their Patreon, where you can further support them. With a few clicks, I was able to follow one of my favorite illustrators, look at their other works, support their Patreon, and check out their Instragram, where they post behind-the-scenes pics. EBooks, by in large, haven’t been as user friendly, let alone physical novels. I think we could be better about analyzing our platforms and asking ourselves how they can be more accessible, fun, and energizing. I mean, did I mention that comments are open to the public on every episode? Not only can you read each episode, but you can interact with the community right then and there, rather than having to finish the whole piece to write a review. (It’s similar to Wattpad in that way, but I definitely see more celebrating and fan theories on Webtoon.) In many ways, you feel like you’re sitting around in a big circle of friends while reading the same scene at the same time. And that’s not the only fun aspect that happens on the platform.

Music & Other Extras

Not only are Webtoons often colorful (Hello, Lore Olympus), but they are also filled with unique extras. Imagine reading a fight scene and hearing gunshots as they go off? Well, guess what. Webtoons do this! At least some of them do, and I love, love, love it. Why? Because it made the text so immersive to me. Plus, if I’m not in the mood to hear the sound effects, I can just turn them off. A great Webtoon that does this is the Purple HyacinthOther Webtoons lean more toward mood music, such as SubZero. I won’t lie, I’ve found some awesome writing music through Webtoons. Authors should consider how they can add such elements to their books. Though it would be harder to add many of these elements to a novel, why not provide a playlist on your website? I still remember reading Twilight back in the day and Stephenie Meyer releasing her music inspiration, and I jammed out to Muse for weeks. I wish more authors did this and/or artists from different mediums were open to collaborating. Maybe one day! 

The other part I loved is the fanfic-style mini episodes. When I was a teen, you went to fanfic websites to get fanfic. Or, if you followed the author, sometimes the author would share posts from artists who had drawn fanart. What I find really interesting about Webtoon is that the artist themselves often create fanart for their own work, like drawing their characters in chibi form and showing everyday scenes that wouldn’t fit into the story. It’s super fun! I also love seeing the behind-the-scenes sketches often included during breaks. Siren’s Lament is a great example of chibi artwork mini-sodes. Basically, as the author, ask yourself what behind-the-scenes sneak peeks can you give? Can you create new material that fits in with your overall material? How is it fresh and fun and unique to you? Where can you offer this to your readers? Newsletters is often a go-to for many, which I think is great, but I think we can take it a step further. Why not provide character sketches in the back of books? I always loved how mangas had character breakdowns in the beginning or fun facts at the end. Or—gasp—a book that starts off in graphic novel format, then converts to prose. W.I.T.C.H. did this when I was a kid and I still miss it! I always thought it was so fun, like slipping into a story.  

In the end, when I started analyzing why I was getting so much joy from Webtoons and not the same from novels, I feel like the modern novel—and what it offers as a product—has become really static. It has its classic appeal, don’t get me wrong. I LOVE LOVE LOVE reading novels, and I read over 100 novels a year. Nothing will replace the traditional paperback for me. It’s still my #1. But I also believe we have room for improvement, for innovation, for fun. And that includes the novel community as a whole. In many ways, I feel like authors have been shamed when they speak about or celebrate their own work, whereas Webtoons definitely has an air where the creators are their own biggest fan. I mean, how many times have you seen an author tweet about their book release, then apologize for spamming the feeds? Meanwhile, in Webtoon land, artists are drawing fanart for their own work and having a blast. Publishing could use some of that energy. It’s so addictive, because it is welcoming and fun and exciting. Every download is a new experience. Every novel should be, too. 

Next time you’re working on your novel, consider the modern reader. Do they only want your story delivered, or do they want an experience? How can you provide a broader experience to them? How can you push the definition of novel? Of story? 

I know I’ve been looking at writing in whole new ways as of late! I’ve definitely added “have my novel adapted into a Webtoon” to my author dream. 

Have you read any Webtoons? Which ones did you love?

If you are interested in Webtoons, here are some that I’ve read recently and loved:

~SAT

Why Some Books Resonate and Others Don’t

31 Mar

I’m here to tell you why some books resonate and others don’t. Why? Because so many publishers/agents/editors are out there searching for the next big thing, and many authors are trying to become that. As authors, sometimes we stare at three or four different projects and wonder which one we should work on next (because we want to know which one would be more successful), and if we somehow knew how to predict that, we could cut back on a lot of work stress (and readers could get more books they love).

So how do you know which books will resonate?

Short answer: You don’t.

But the long answer?

There are numerous “reasons” a book will resonate with millions (or even hundreds) of people, but I put the word “reasons” in quotes for a reason. Most of these reasons are theories. Even if we do “know,” it is not necessarily a fact. Confusing? Stay with me. We’re going to talk about it.

Let’s start with the obvious place. The dreaded M word: Marketing.

It’s easy to see popular authors and their huge marketing budgets and think, “No wonder they are so successful! Who wouldn’t be with a billboard on 5th Ave?” But let’s chill out for a minute. Most authors started somewhere small. Most authors, even the current NYT bestsellers, did not get a huge budget on their debut. Their publishers decided to use a huge budget after the sold well the first time. Granted, marketing definitely has an effect, but it’s not the end all be all. Thousands of books get huge marketing deals a year but still don’t become the franchises everyone on the team was hoping for. Some books get very little marketing budgets, but then ARCs go out in the world and readers start clamoring for them and publishers have to rush to get a bigger budget behind it. (A great example of this is Wintersong by S. Jae-Jones. She talked about it on the Pub(lishing) Crawl podcast, so go check it out if you want to hear that story. It’s very informative.) Basically, having backing will definitely help get your books in front of readers, but that doesn’t guarantee those readers will fall for the hype.

So now let’s look at books that did succeed.

Twilight! The Hunger Games! The Harry Potter series! Fifty Shades of Grey! Do you know what these books had in common? Lots of rejections. Lots of closed doors. Lots of what ifs. So clearly, “predicting” the books that will succeed is not obvious, not even for the professionals.

Some of the biggest books of our recent times were not expected to be HUGE hits. But there are some reasons that they succeeded that we can discuss.

So Twilight didn’t just have great timing; Hollywood had great timing too. It was arguably the first time Hollywood acknowledged the potential of a female-focused film fan base and they ran with it. Harry Potter, on the other hand, was a book that resonated with everyone between the ages of 8 and 50+, so it was another perfect option for the books-to-film boom. Not to mention all the new tech, with graphics making chasing sci-fi and fantasy films better than before. Granted, these books were already super popular before they were films, so let’s talk about The Hunger Games, because I think that one has an interesting study behind it. 

Looking back on The Hunger Games boom, many theorists believe it took off because it was published at the same time that the teens reading were the same people who were in middle school when 9/11 happened. And I think that study might be spot-on. (I say this as someone who fits into this exact category.)

Teens at that age in that time were searching for books that explained war and government and tragedy, and The Hunger Games gave not only a safe place to explore those themes but a modern place. What do I mean by “modern”? We all grew up on The Giver and Logan’s Run and all the other dystopian classics, but The Hunger Games was the brand-new dystopian my generation was itching for.

But again, that’s just a theory.

Maybe it was just a fantastic book, but there were millions of fantastic books that came out that year that didn’t take off the same way, so I tend to agree with some theories presented.

Timing is everything, and yet timing is rarely predictable.

Lots of editors and agents and publishers and authors want to have great timing (or think they know what the next trend will be), and maybe they’re right, but no one has ever predicted the HUGE breakthrough sellers with extreme accuracy.

To be honest, sometimes I don’t know if there is a reason to it. Everyone says retrospect is 20/20, but maybe we only say that because we can look back and justify the path that it took, rather than truly understand how that path happened in the first place.

At the end of the day, I look at book sales the way I look at my blog posts. I can’t tell you how many times I’ve researched and spent hours on one blog post that goes nowhere, while in comparison a blog post I slapped together last minute pulled in hundreds more viewers than I ever expected. I can try to track it as much as I like. My website host will show me where my posts are shared (Pinterest, FB, etc.) and what was Googled to get others here, but even then, most of the stats are nonsensical at the end of the day.

Sometimes things just resonate, and sometimes they don’t, so what I do?

I stopped worrying about what resonates with others and started focusing on what resonates with me.  

As the author, if I’m not enjoying what I’m writing, I know my readers won’t. The first step with any book is to write what you care about first. Finish that. And then worry about editing and getting a publishing deal.

Maybe your next piece of work will resonate with the world. Maybe it won’t. But at least you know that it resonated with you. And if it resonates with you, trust me, it will resonate with someone else out there. So if I would leave you with anything, it’s this:

Write what you want to write, always.

~SAT

P.S. I’m in YASH Spring 2018 this year! If you don’t know what that is, it’s the Young Adult Scavenger Hunt, and my post goes up April 3. This also means my usual blog schedule is getting moved around a bit. I hope you’ll stop by on April 3, because there’s tons of prizes to be won. My regular blog posts will return April 14! 

Not All Villains Think They’re Good

17 Apr

“Every villain is the hero in their own story” is a common, popular writing tip, and while I agree, I think it is sometimes confused with “Every villain thinks they’re the good guy.” There’s a difference between thinking you’re a hero and thinking you’re a good guy, and not every villain thinks they’re a good guy.

Though the word “hero” in itself has a positive connotation, I argue that villains can still be a “hero” in their own mind while also being aware they are doing something wrong or harmful. Take revenge plots as an example. Most often seen in thrillers, a protagonist could be solely out to seek revenge, whether or not that revenge is warranted. In fact, many believe revenge isn’t “justice” and therefore isn’t heroic. But, at the same time, a revenge-seeking protagonist will think of themselves as a hero without believing they are a good guy. A good example of this is Gerard Butler in Law Abiding Citizen. While he is seeking revenge for his family’s deaths, he kills many people who probably didn’t deserve to be hurt at all. And he’s aware of it. In fact, he uses it as a weapon against others. Therefore, he is a hero for his family, a villain to a lot of innocent people, and definitely the protagonist. But a good guy? I think he gave up that concept a long time ago.

Good guy? Bad guy? Who knows?

Granted, don’t get me wrong, I love a villain who thinks they’re the good guy. I love villains who tiptoe on the good/wrong line more. But I wish we saw more villains that were simply villains—bad guys doing bad things because they want to. Their psyche can be just as deep as someone who is doing bad things for “good reasons” or someone who thinks they’re doing good things when they’re in fact doing bad ones. But we’ve sort of obsessed over “bad guy thinks he’s good” recently…when I think we should be focused on making villains round characters.

Round someone who thinks they’re good all the time.

Round = character who does good and bad things based on many types of motivation.

People aren’t so black and white. No one is purely good or thinks they’re good, and no one is all bad either. One of my favorite, eerie quotes is that, yes, serial killers sometimes help grandma cross the street. In fact, serial killers are often some of the most charming people around. But if you study serial killers, (and you’re a True Crime junkie like I am), then you know serial killers are generally aware that what they’re doing is SUPER messed up…yet they do it anyway. And then, they go to work and school and raise families and so on and so forth. Aside from killers like Charles Cullen* (no relation to Twilight), they hardly ever think they’re being a good guy.

Villains can be bad guys who know they’re bad and do bad things regardless. Just make sure they’re 3D while they carry out those dastardly deeds.

Instead of “every villain thinks they’re the hero of their own story”, let’s change it to “every villain thinks they’re the protagonist of their own story—whatever that entails.” In fact, keep this is mind for every character. Your novel will love you for it.

*Charles Cullen, also known as ‘The Angel of Death’, was a nurse in a hospital who killed over 400 patients. He thought he was “mercy killing.” Keep in mind that many of his victims were in good health. He is currently considered the biggest serial killer in American History.

~SAT

My latest Bad Bloods book recently released! I hope you check it out. 

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What are readers saying? 

“I LOVE this! I am a sucker for great characters, and July Thunder has no short of them.” –The Book Forums

“From the start, Thompson grabs your attention. You’re sitting on the edge of your seat until the very last page.” – Infinite Lives, Infinite Stories

“Wonderful writing, captivating characters and a story that will reel you in until the last page, these Bad Bloods may have a tendency of breaking the rules, but their stories are way too good not to read!” – Babbling Books

If you haven’t started this series yet, don’t worry. Book 1 is FREE.

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#WW How To Get A Literary Agent

6 Jul

How do I get a literary agent? This is a popular question among aspiring writers, and to be honest, signing with a literary agent is a long and complicated process but well worth it for many. That being said, signing with a literary agent isn’t the only way to get published, but today, I’m only covering literary agents since that was what I was asked when I helped host a writer’s group this past month. Okay, now for the answer.

First and foremost, make sure you have a completed, polished manuscript ready to go. You want to be 100% ready. This means you’ve written, edited, listened to beta readers, edited again, and polished. Now that your novel is ready, you are ready to search for an agent.

1. Research Your Book and the Marketplace

Research, research, research. Understand your book’s genre and two-three great comp. titles. (Comp. Titles = Comparison titles = Recently published books that can be compared to your book, and not huge ones like Harry Potter or Twilight) Think: What books would B&N put my book in between on the shelves? If you can’t think of a comp. title, don’t force it, but honestly, that might be a sign you need to read more. There is always a good comp. title out there.

2. Research Agents and Agencies

Once you understand your book, research agents to see what genres they represent and how to submit to them. MSWL (ManuscriptWishList.com) is a great place to start, but you can also look out for “New Agents” via Writer’s Digest, subscribe to Publishers Marketplace (and Publishers Lunch), or follow agents via Twitter by looking in the Acknowledgements sections in similar books (like those comp. titles we just talked about). An important rule to remember is that agents should never charge you for anything. Agents make money through your royalties once they sign your book. AAR is a great place to verify agencies. So is Absolute Writer Water Cooler. Be diligent and careful.

3. The Query Letter and 1-Page Synopsis

Write a query letter and a 1-page synopsis (and probably a 2-page synopsis, too). What’s a query letter? It’s a one-page business letter that includes your book’s title, word count, genre, comp titles, and a small synopsis, along with why you picked that agent and any publishing credentials you might have. A great way to learn about this process is QueryShark. I’d go as far as to say to submit to QueryShark and see if Janet Reid gives you advice, but definitely try to get advice from credited sources before e-mailing. If you follow agents online, they sometimes open competitions where you can win a query critique. Also, read #tenqueries and #querytip on Twitter. Also, #MSWL is the Twitter version of ManuscriptWishList.com, so you can see what agents are looking for. Do NOT query agents via Twitter. Look up their websites, read about them, and query according to their submission guidelines.

Websites for Finding a Literary Agent

Websites for Finding a Literary Agent

4. Now Query

Once you have a list of agents you’re interested in (and all the necessary materials), query a few at a time (3-4) and see if you get any partials or fulls. (Partials is when an agent asks for 50 pages, while fulls are full manuscript requests.) If not, rewrite your query, and then, try a new batch. If you get partials but no fulls, reevaluate your novel. Use QueryTracker to keep track of who you’re talking to and why and what was said. Generally, giving “exclusives” should only happen if the agent gave you specific rewrites they want you to do, but other than that, shy away from them. Querying is a slow, slow process, and most agents understand you’re querying numerous agencies at once. Just don’t spam and make sure you’re genuinely querying them due to his or her interests. If you get a full, congrats! If you get an offer of rep, double congrats, but in the case of getting an offer of rep, you should e-mail all the current agents considering your work and tell them (whether to close out because you signed or because you have a 2-week limit for counter offers). If querying isn’t working, check out my next tip.

5. Don’t Forget Other Opportunities

This includes pitch competitions on Twitter—such as #PitMad and #PitchWars—and conferences. Here’s a Pitch Competition Calendar. If you can travel, conferences are great tool to network and learn. But there are online conferences as well! If you feel stuck in the query trenches, remind yourself it’s a long process many writers go through, and you will get through it to the other side if you work hard. Querying is difficult, but don’t hesitate to ask for help or hire a credited source for a critique. And, of course, don’t forget my last tip.

6. Finally, Keep Writing!

Most writers don’t sell the first piece of work they ever finished. Most writers don’t even sell their second. Keep writing. It will help you stay focused and moving forward, and if you do get that awesome call from an agent, you’ll be able to share numerous projects. Plus, writers love to write. Give yourself time to continue what you love.

Good luck!

Originally posted in the Facebook writer’s group, Twice the Jennifers

~SAT

Today I have 4 giveaways, but first, check out my latest interview with Discover New Authors

Q:  It is said that writers will always put a bit of themeselves into whatever they are writing.  Is that true for you?  Do you relate to any of your characters?

A:  Most definitely!  Serena in particular is a lot like me.  She struggles with memory loss–and so do I–but her determination to keep her friends and family safe is a trait I hold dear to my heart.  That being said, we definitely have differnces.  Serena is liliterate, and writing from a character’s perspective who cannot read when reading is such a huge part of life was extremely difficult.  I also relate to Catelyn’s love for cats and Melody’s playful imagination and Jane’s steady determination, but in the end, all of my characters stand on their own.

Win prizes this Friday on Facebook via CTP’s Sizzling Summer Reads!

You can win a signed Bad Bloods book, Blake’s teddy bear, two skull flower jars, signed swag, and stickers of hearts and snow flakes. Click here to see a photo.

CTP's Sizzling Summer Reads FB Party

CTP’s Sizzling Summer Reads FB Party

Kindle Giveaway

Kindle Giveaway

Clean Teen Publishing also announced their July giveaway, and it’s epic! They are giving away a Kindle Fire‬ and up to $200 in cash!!! Check out the details and yes, this giveaway is open for International contestants. They’re hosting a Goodreads Giveaway for Bad Bloods: November Rain as well. You can also win a Bad Bloods eBook through the Bookie Monster right now. What did they think of November Rain? “This is one of those ‘you can’t put it down’ books. Thompson is a masterful storyteller.”

Pre-Order Bad Bloods

November Rain, Part One, releases July 18, 2016

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November Snow, Part Two, releases July 25, 2016

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#MondayBlogs Authors I’ve Met Who Inspired Me

22 Feb

Every Monday I rewrite a post from the past in a new and different away. Today’s post, for instance, is simply inspired by my older post: Relax & Read: A Dog Named Christmas by Greg Kincaid. I wrote this post after reading A Dog Named Christmas, but this book means more to me than what this post reveals. Greg Kincaid is one of many authors who I have had the pleasure of speaking to, so today, I wanted to talk about three authors who have affected my life (and why readers should never hesitate to contact their favorite writers)!

1. Elizabeth C. Bunce: If I could accurately express my gratitude to Elizabeth C. Bunce, I would, but I cannot because my gratitude is endless. Not only was she one of my favorite young adult authors growing up but she was also one of the first authors I was able to meet in person…and I was only 16 when I first met her. She held a book signing in the KC area, and I drove to listen to her reading, and I gave her a copy of my very first published book. She was incredibly supportive and encouraging. I had the pleasure of discussing writing and reading with her one-on-one a couple of times over the years. She is delightful, brilliant, and overall inspiring. Read her books here.

2. Rosemary Clement-Moore: When I was 19, I was invited to the Nimrod Journal Conference through my fiction writing course while attending the University of Kansas. I drove to Tulsa, Oklahoma just for the event, and it was, by far, worth it. I had the joy of sitting in on Rosemary Clement-Moore’s young adult panel, and she made the time to sit down and speak with me afterward. She told me a great publishing story about one of her close friends, and it inspired me to stay on the path I was on to follow my own dreams…AND the whole time I had my jacket buttoned wrong. I didn’t even notice until I looked at the photos later. I was a complete nervous wreck…and she still helped me. That meant the world. Read her books here.

inspiration

3. Greg Kincaid: The author who inspired this post is the same man who wrote the book (and now Hallmark movie) A Dog Named Christmas. He (magically) took the time out of his day to talk to me about screen writing, fiction writing, and his search for agents and publication. He was honest, direct, and absolutely helpful. At the time, I had just started writing Take Me Tomorrow (and that was almost five years ago), and he even read it and gave me great feedback, which helped me shape the story into what it became today. I could not have dreamt for more direction or support. Read his books here.

Without these three authors, my writing life would be very different…and these are only THREE of the many authors I’ve met. I have also met Stephenie Meyer, Amy A. Bartol, Tish Thawer, and many others. Recently, as many of you know, I had the pure joy of sharing a Barnes & Noble book signing with Tamara GranthamCandice GilmerJan Schliesman, and Angi Morgan. A lovely group! There are a dozen of others I wish I could name, but I want to simply express how grateful I am for all the authors and fellow writers I meet on a regular basis. If you’re an aspiring writer—and you’re not sure if a six-hour drive is worth meeting an author—I’m telling you now, DO IT. Every hour is worth it. Every moment is priceless.

One day, I’d love to meet Cassandra Clare, Victoria Aveyard, Meg Cabot, Marie Rutkoski, Ally Carter, and Marissa Meyer. (But really, I could go on forever.)

Meet the authors you can.

I hope one day I can meet you all too!

~SAT

#WW: Can We Stop Hating on E.L. James and Stephenie Meyer?

1 Jul

Can We Stop Hating on E.L. James and Stephenie Meyer?

Seriously. Are we over it yet? Surely, we can find something better to do by now—like talking about authors you love instead of the ones you hate.

I get it. I do. A lot of people had issues with the content of these stories, and they feel that they must express what was wrong with it and why. Don’t get me wrong. I deeply support you stating your opinion. What I don’t support is things like this:

The Twitter Live Chat with ‘Fifty Shades of Grey’ author E.L. James Did Not Go Well. But since this article shows the “nicer” tweets, try going to Twitter and typing in #AskELJames. It’s horrendous.

There is a time and a place and a way to talk about what you disagree with and what you dislike. Take this article, for instance. Instead of bombarding a fan Q&A, these tweeters could’ve emailed her, written a review, posted on a blog, or a million other things, but instead, they took time away from her fans just because they don’t like/agree with her work. I don’t care if you agree with her work or not. This is the author equivalent of being a heckler at a comedic show. You showed up just to ruin it for everyone else just because you don’t like it. It’s like showing up at a movie theater and playing loud music so no one can enjoy the movie just because you find it offensive. It’s just noise. Again, I have nothing wrong with someone stating they do not like someone/something, but there is a time and place. At a fan Q&A is neither the time nor the place.

It’s moments like this that are causing a dramatic change in the publishing industry, and it terrifies me. More and more authors are retreating from social media completely (and, in turn, their fans), including people like John Green, who was recently accused of being a child molester just because he writes for teens.

Didn’t see that?

Well, here’s an article for you: ‘Fault in Our Stars’ author John Green launches furious attack on Tumblr users for accusing him of sexual abuse and being a pedophile. Keep in mind this is the man who wrote about cancer in The Fault in Our Stars, life and death in Looking For Alaska, and friendship in the novel and the upcoming movie, Paper Towns.

While we’re at it, here’s an article from the infamous Cassandra Clare about why she left social media for a while. ‘Mortal Instruments’ Creator Reveals How Female Authors Can be ‘Dehumanized’ by their own Fandom. Spoiler Alert: People were harassing her.

pic

By now, I hope my article’s title has gone beyond Stephenie Meyer and EL James, but I had to use their names because it seems—to me—that everyone loves to hate them, and no one sees that there are hundreds of other authors going through the same thing, because—unfortunately—it has become a trend. This sort of behavior does nothing but damage writers and readers alike. Again, I understand wanting to educate readers—but write an article. Write a review. Email the author directly. (Most have an email, and by the sounds of 50 Shades, EL James is probably a fan of email.) Talk to your friends, even. You know what? Go ahead and tweet your disagreements too, but try not to during a time set aside for fans. Put yourself in their shoes. What if you were at a book signing for your favorite author and it got canceled because someone showed up with a microphone shouting obscenities just because they didn’t like your favorite author? What if you FINALLY got to meet J.K. Rowling and someone was there, screaming about witchcraft and the devil the whole time? It just isn’t cool or fair or getting anyone anywhere.

On top of that, it should not be acceptable for people to tweet, “Has your husband killed himself yet?” for ANY reason. (This was a real tweet sent to EL James.) We should not support tweeters who make fun of disorders, like mental health issues, just because they want to make fun of an author (or anyone for that matter). I wish I could quote who said this (so please comment if you know because I cannot find it), butthere is a difference between criticism of a work and abuse of a human being.” And we should not just brush this off as “That’s the Internet nowadays.”

It doesn’t have to be.

The Internet can be as positive as we make it.

It starts with us.

Tweet about who you love. Go to their Q&As. Represent yourself well. And if you dislike something, email them, tell your friends, write an informative article. Hell, tweet to them during another time that isn’t meant for fans, and definitely don’t dehumanize an author (or anyone).

But for freakin sake,

Stop being a troll

~SAT

P.S. Just to reiterate an important part: It’s okay to dislike something and to express that dislike. I just feel like there is a time and place to state such things, like tweeting during a time that isn’t meant for fans. I also believe there is a way to express yourself. Ex. “I dislike this because a, b, and c.” rather than “You’re a pedophile for writing for teens, John Green.”

I’m afraid more and more authors are going to leave the social realm completely if things do not change. That is why I wrote this article—to encourage a more positive social environment on the Internet before everyone gives up and leaves. I truly believe it begins with us. It begins with expressing your dislikes in a meaningful way, but it grows when you share the authors you love more than talking about the ones you hate. Everything begins with love, and I love this industry more than anything.

P.S. OMG. (Can I say OMG? Can I? Just this one, little time? Please?)

We’re officially in July! 

Minutes Before Sunset releases in 27 days on July 28, 2015! 

Today is also the LAST day to enter the Goodreads Giveaway, but you can also pre-order Minutes Before Sunset, book 1, and Seconds Before Sunrise, book 2, by clicking the links.

Stay tuned. Stay Dark. ~SAT

Pre-order today!

Pre-order today!

#MondayBlogs: Writing Relatable Teens

16 Feb

Intro:

What better way to start off the week than with a great guest post from YA author, Ava Bloomfield? Writing is a complicated journey, but with Ava’s help, everyone can create believable teen characters. Feel free to share your tips in the comments below!

Writing Relatable Teens

Nobody wants to grow up. We learned that in Peter Pan. So how does an adult write a relatable YA character? How does anyone write a relatable character?

It’s a subjective thing; we all know that. It’s impossible to wholly judge a character for their realism while we go about our particular lives, with our particular experiences, in our particular way. It fits that novel writing is such a personal process, in that context; our characters are born from us after all.

AvaSo what makes Charlie from The Perks of Being a Wallflower just as ‘relatable’ as, say, Bella Swan from Twilight?

Some argue those two aren’t remotely comparable. Some would say they’re too different; one is ‘deep’ and one is…well, Bella Swan. It’s all subjective anyway, so how do you guarantee you’ll write a Charlie and not a Bella?

The answer is simply that it depends on the journey, not the character itself. We can relate to almost anything if the underlying themes ring true to its audience.

While Charlie is coming of age, Bella is experience her first love. Or infatuation. Whatever you call it, there are inferences to be drawn. Just because Perks examines abuse and mental health issues doesn’t mean that Twilight’s love story is a vacuous waste of time by comparison. Didn’t Jane tell an unconventional love story with Mr Rochester in Jane Eyre?

Granted, Meyer doesn’t hold a candle to Charlotte Bronte.

But when we put the calibre of any particular writer aside, it’s easy to see that there’s room for any variation on topic. It’s how the writer weaves their message through a character that makes them believable, relatable.

Characters in YA aren’t just reflections of ourselves, or unfathomable things we just dreamed up one day. They’re extensions of ourselves. Teen characters are ghosts of our past, holding hands with today. In my experience, the whole process of writing about a young character is as familiar as it is daunting. We set out to write about a ‘real’ teenager, with battles to face, and through their development we thread together the fragments of our experience.

That ‘thread’ I’m talking about is a sensation that never leaves us. It’s the sensation of being on the cusp of adulthood, unprepared; plunged utterly defenseless into the wolf-pit that is the world. And it’s that thread that binds the YA writer with their characters and entwines them; it’s a natural occurrence. It’s necessary. It’s our link with our former selves, however near or far that is.

But therein lays the opportunity for disaster. By the logic of what I’ve just described, writing YA characters would be purely therapeutic. We’d confront our demons and wrap things up neatly in the end. We’d snuff out conflict in a way we never could in the real world, because we’ve walked that path before. And that’s not realistic at all.

Teen characters have to be monumental screw-ups in one fashion or another. They’re the lessons we wish we’d learned, failing all over again. There’s nothing palatable about success without sacrifice, is there? It’s as true for the protagonist as it is for the writer.

To write an authentic teenager, we give away the depths of what makes us who we are today. It’s not slaying the demon that wins the battle for any YA character; it’s the metamorphosis they experience on their journey. It’s the awareness that they aren’t the same person they were before.

And you, the writer, will have experienced it with them.

Charlie from Perks wasn’t the same come the end. Bella from Twilight wasn’t the same either. It’s all in the journey. It’s in the believability of their transformation.

The reader will experience that metamorphosis and evolve. The writer connects with its reader by way of character. Within that thread of experience, binding it all, is a common vein we share.

Isn’t that why we read YA, after all? It’s more than just an escape, and it’s certainly more than nostalgia. It’s a way of holding hands. It’s a way of saying, ‘I hear you’ that transcends any other medium.

Writing a relatable teen character is like shouting your deepest secrets into the void and waiting for them to echo back to you. Just know you’re not the only one listening out for it.

Bio:

Ava Bloomfield lives by the sea with her partner Matt and their Scottish Terrier, Sputnik. When she’s not busy with her day job as a transcriber, Ava can be found rummaging in charity shops for hidden treasure, mooching about in her local library, or writing her next novel.

Ava writes stand alone books about angsty teenagers. Check out: Honest, All Girls Cry, Leap and Beyond on Goodreads.

Ways of chumming up to Ava: TwitterBlog.

Alternatively, send her a psychic message over the cosmos. She’s not quite tuned into it yet, but she’s certain it’ll happen any day now.

Want to be a guest blogger? I would love to have you on! I am accepting original posts that focus on reading and writing. A picture and a bio are encouraged. If you qualify, please email me at shannonathompson@aol.com.

~SAT

#MondayBlogs: Writing Complex Female Villains

5 Jan

Intro:

Welcome to #MondayBlogs! Every Monday, a guest blogger will be covering a topic revolving around reading and writing, and today’s topic can be found on the more ominous side of literature. SiameseMayhem is a sassy reader and the writer behind Pirate Kitties: Musings on YA Novels and Pop Culture – a quirky and intelligent blog I absolutely recommend. Today, SiameseMayhem is talking about one of my favorite topics of all time – female villains – and how difficult they are to create, especially when literature is dominated by male villains. Cue the evil music and laughter. This one is delightful.

Writing Complex Female Villains

I am writing a novel, and I realize I have committed a terrible sin. My female villain revolves around the men in her life. Since she isn’t her own person, I’ve been allowing the plot to yank her around on a chain, instead of the other way around–and it should always be the other way around. Whenever I’ve needed something done, her motivations have changed to suit me. I haven’t developed her as much as my other characters, I haven’t been able to get in her head, and I’ve been seriously stuck.

It’s easy to create an interesting male villain. We have plenty of examples to pick from in film and literature, and their personalities are as varied as the colors in the rainbow. They go bad because destroying the world is too much fun to pass up, they go bad because a girl said no (ugh), they go bad because it seemed convenient at the time, or they go bad because their families were horribly murdered (cliched, but I’ll still go aww).

In other words, I can think of several male villains off the top of my head with varied reasons for turning to the dark side. Female villains? I’m struggling to think of any girls in Western media who had reasons for bad behavior other than a man. There’s Umbridge from Harry Potter, but we never learned what her motivation for torturing schoolkids was, whereas villains and antiheroes like Voldemort and Snape were given far more development. There was Victoria from Twilight, but her only reason for causing trouble was the death of her mate, James. However, both Umbridge and Victoria were formidable, competent opponents, which is more than I can say for most villainous women.

When girls get antagonistic roles at all, it is usually as the dreaded other woman. She’s the soulless, vicious, popular harpy you love to hate, prepackaged in the designer clothes you’ve always wanted (but you’d never admit it), and she is on her way to steal your man. (Honestly, though, if your boyfriend falls for a cliched other woman with more personality in her shoes than in her brain, he’s probably not worth keeping around.) Just a few weeks ago, I finished Teardrop by Lauren Kate. When the antagonist showed up, I was actually interested in her characterization. She was a Wiccan in a small Southern town, she wore black, she had cool tattoos, and she seemed like the opposite of the usual cliche. However, even her Gothic sensibilities couldn’t save her from draping herself all over a boy that the heroine didn’t even want. Obviously, she was the worst person ever, seeing that she perpetrated the unpardonable crime of poaching a member of the heroine’s harem. Meanwhile, the male characters spent the whole book fighting over a girl.

Teardrop is a small example, but it does show how differently female characters are judged. Don’t believe me? Visualize a hot, evil guy. When he’s not plotting to take over the world, he can be found caking on eyeliner and crying. At the end of the book, he steals the hero’s girl.

Predicted fan reactions: “ZOMG, you poor baby! Come to mama! I WILL NEVER LET THEM HURT YOU AGAIN. Btw, I totally shipped them from the beginning, the hero was so boring anyway, no wonder she left him.” And so on.

Now visualize a hot, evil girl. When she’s not plotting to take over the world, she can be found caking on eyeliner and crying. At the end of the book, she steals the heroine’s boy.

Predicted fan reactions: cannot be printed.

Women are hardly ever allowed to be hot, evil, complex, and independent all at once. We’ve made some major gains in 2014, it’s true, but we still don’t have enough bad girls in leather with complicated pasts who stay strong to the end.

In short, all I want for Christmas is more Maleficents. Maleficent may not fit the criteria I laid out at the beginning of this post, since her start of villainy results from the actions of a slimy boyfriend, but she wastes no time rising above that inauspicious beginning. She defends her land, she has other relationships besides the one with the slimy boyfriend, and she rocks those horns. Her character arc may begin dependently, but it ends independently, and that is the most important thing. Maleficent is how you write a bad girl.

Maleficent

Sometimes the best Christmas presents are the ones we give ourselves, so this holiday season, I am going to learn. I am going to spend time with my villain and nurture her and understand her and write her a long, tragic backstory before I even begin the novel. It may be too early to tell, but I think it’s going to be longer than the other characters’ backstories combined.​

Bio: SiameseMayhem likes cats, blogging, YA novels, and combining the three. She can be found on her newly hatched Twitter and on her slightly older WordPress. Do stop by sometime.

Want to be a guest blogger? Wonderful! I am accepting guest posts that focus on reading and writing. No blatant advertisements. You are allowed a book link in the post as long as it’s relevant to the post. Including a bio and a picture is encouraged. If you qualify, please email me at shannonathompson@aol.com. I’ll look forward to hearing from you!

~SAT

When Reading is a “Fad”

22 Sep

Announcements: 

During my latest interview, I had to fight a blush when The Random Book Blogger asked me which Take Me Tomorrow character I would marry if I had to chose one. Read my answer by clicking here, or read her book review by clicking here. The Random Book Blogger shared a favorite quote from the story, so I thought I would share it, too, “Family,” Noah emphasized, “is important.”  If you want to know why Noah said this, you can check out the book here. ::wink wink::

When Reading is a “Fad”

Fad, according to the dictionary, is “an intense and widely shared enthusiasm for something, especially one that is short-lived and without basis in the object’s qualities; a craze.”

I think we can all agree that fads happen in the reading community often. Even if you aren’t a reader, popular titles have taken over the big screen. Twilight, Divergent, Harry Potter, Fifty Shades of Grey, and The Fault in Our Stars were everywhere, and even more novels will pop up in the future. Anymore it seems like most movies are based on novels, which is understandable considering most major production companies want an audience before they spend millions creating a film for the big screen, but it has only increased the visibility of reading fads. In fact, bookstores have even changed. The one near my house have an entire shelf dedicated to books for the big screen, and it includes books that are currently in the theatre as well as books that will be released as movies later this year. Someone is always standing by that shelf, and it was my recent trip to the bookstore that forced me to think about this.

Are reading fads positive or negative? Should we pay attention to them or write them off as nothing but entertainment?

That’s what I’m talking about today. Below, I’m going to be focusing on the pros and cons of book fads, including why you should stay updated on the latest and why you shouldn’t care. (Because that’s the unbiased thing to do, right?)

trending-intro-image

photo from myshopsdiscount.com

Why you should care:

For me, this is a given, but I’m also involved in the publishing world. I want to know what’s in and what readers are talking about mainly because I’m obsessed with the book market (and it is a part of my job). That being said, I want to ignore that part of my life for a minute, and talk about this from strictly a reader’s perspective. It can be fun to share reads my friends and family who also read. By reading what is “in”, I’m increasing my chances to being up-to-date in my personal life as well as my work life or just plain ol’ conversations at the coffee shop. Paying attention to reading fads can be like paying attention to fashion fads. No one wears poodle skirts anymore, but people love that side braid, so I’m going to attempt that side braid, and when I try it, I might like it, and I might dislike it, but at least the trend pointed me to an opportunity I didn’t previously consider. Not a bad thing if I actually find myself enjoying what is “in”. (And that never means that I have to give up my traditional ponytail – a.k.a. my other books – that I’ve always loved and will continue to love).

Why you shouldn’t care:

Who cares if poodle skirts aren’t in anymore? I want to wear one, and I’m going to wear it to the bookstore. (Is this metaphor weird yet?) No one has to read what everyone is talking about because we don’t have to conform to the same conversations that everyone and their cousin is having. So what if everyone cannot wait until Valentine’s Day for Fifty Shades? Good for them. I can’t wait for chocolate, and that’s me. (Okay. Not going to lie. I probably will see the movie, but that’s for the top section. Oops.) But readers don’t have to care about what’s in or what might be in or what is in the theatres or whether or not they read the book before the film or even if there is a film at all. Just enjoy the entertainment like you want to, and if someone wants to talk about the in thing, let them (or talk about something else). There’s so much to discover in the world, and who knows? You might discover the next “big” thing before anyone else knows how big it is. That makes you a hipster. (In a good way….no PBR allowed…okay. Fine…PBR allowed, but only if the bookstore is BYOB).

In the end, there are many reasons as to why one reader might enjoy keeping up with the latest trends and there are just as many reasons not to. Being a reader means the reader is allowed to read whatever they want to for whatever reasons they want to. I have no problems with “fad” readers, and I have no issues with readers who strive to avoid trending books. I’ve personally found myself on both sides of the argument only to realize there shouldn’t be an argument at all.

Reading is what we enjoy, and that is enough for me.

~SAT

Censoring Myself in the Publishing World

10 Jul

Fantasy is More Fun is giving away tons of prizes to celebrate their one-year anniversary. Check out the raffle by clicking here, be sure to join, and you might win ten novels! Minutes Before Sunset is included!

Censoring Myself in the Publishing World

It’s hard to be yourself in an art industry – as strange as that sounds.

Correction: It’s hard for me to be %100 myself 24/7 in the publishing industry. Perhaps this a fact of life – not just something in the publishing industry – but I have found myself censoring myself about my lifestyle because I’m afraid that I will lose readers if they don’t agree with me. (Personally, I don’t see why we have to agree about everything, but this still happens.) This happens in and outside the publishing world, but I wanted to share the topics I struggle with as an author in order to help other authors talk about their personal troubles. I also hope to take my first step at being %100 honest without fear of reader rejection.

So here is a list of things I have been afraid to mention before:

Books I Dislike and Like:

This isn’t about if they are good or not. I am a firm believer in the fact that books can both be good and be disliked. My personal example of this is Divergent. I just could not get into it. I could not wrap my mind around a society the forces you to be only ONE thing, and the color scheme seemed too simple for such a complex topic. I also felt like it had a lot of religious undertones that made me very uncomfortable. That being said, I still think Veronica Roth is a fantastic writer. I can see a variety of reasons to love it. I can appreciate her prose. On the opposite spectrum, I enjoyed Twilight. There. I said it. Granted, I was 14 when I read it, so it was also marketed to girls my age at the time. I actually remember buying Twilight after a friend told me about it and being reluctant only to go back the very next day to buy the second book that had just released. It wasn’t until much later that I considered the themes in it – when others saw it as abusive, I saw it as just a story – just entertainment. Either way, it still makes me really sad when readers hate on other readers, so that’s why I think I censor myself about my personal book tastes. I don’t want a fan to think I’m attacking their favorite book, because I understand how personal a book can mean to a reader, how much joy and heartbreak can come when a reader loses themselves in a story and how destructive it can feel when others try to tear it to pieces.

I smoke hookah and I drink:

I’m 23, so both of these acts are legal for me, but I try not to mention this about myself because my readers are primarily young adults, and I don’t want to encourage them to do either of the things. As a contradiction, my next novel, Take Me Tomorrow, deals with a lot of themes about drugs in society, including the youth. The sad fact is that many young adults find themselves involved with drugs. This a reality. But my biggest fear is someone telling me their kid blamed me for trying hookah or trying a drink. Here’s another ugly truth: my mother died from a drug overdose. They were legal painkillers prescribed to her. So I know the deadly consequences that can derive from drug use, legal or not. Perhaps – because of my various experiences – I am sensitive to how people perceive me in regards to the drugs in my upcoming novel. Who knows? When I’m asked in interviews “Where do you write?” I find myself struggling to answer honestly, “In a local hookah house.” Because I don’t want other kids to smoke because I smoke occasionally. I know it’s bad for you. I understand this. I am only afraid readers will somehow think I am saying it’s good for you when I’m not.

From Post Advertising

From Post Advertising

Depression associated with publishing:

It happens. I have days where I struggle – just like any person in any industry – but there seems to be a strange stigma associated with artists. If we complain, we aren’t grateful. If we complain, we are selfish because there are so many writers who wish they were published. But can’t we be honest? Can’t we say it’s hard? Can’t we feel sad sometimes, too?

Characters I’ve based off of people:

I don’t directly and purposely try to base my characters off of people in my life, but – as time passes – I can see strong correlations. Still, I am terrified of admitting to my relationships (friends or not) with these people because many of these people are no longer in my life. It feels rude. It feels selfish. Maybe I’ll get over it. Maybe I won’t. But sometimes – when I realize this – I miss them. I miss the characters that were once my closest friends. And I have struggled to even make friends. Since I moved around a lot as a child, friends didn’t last very long. We always moved. But losing friends when I still lived in the same area was an extremely difficult part of my teenage years. I didn’t have to deal with it until I was 15 – and it was hard. Really hard. I couldn’t comprehend how someone I confided in could turn their back on me (or how I managed to turn my back on others.) So when those characters clear up, it can be confusing and unreal and strange, so it’s much easier to deny the possibility that my characters might – in fact – be them.

Certain scenes:

When I was younger, it was easier to be true to the story. I didn’t care what readers thought of a controversial scene, but now I find myself changing them or cutting them out completely – mainly because I or people I have met have gone through many of these trials and I don’t want to stigmatize the victims. I don’t want to hurt them. I don’t want to trigger something.

My personal life:

So you know I have a cat. You know I live in Kansas. You know that I work for AEC Stellar as an author and an employee. You know I lost my mother at a young age and my college roommate. But you don’t know how much I mentally struggle to believe that I created a relatable female character because I struggle to relate to females in general (which I think stems from the fact that I was mainly raised by my father and brother, therefore feeling more comfortable around males.) I’m also more comfortable writing as a male, and when readers ask me about it, I get really uncomfortable about it, because I don’t even know why. To clarify, I’m not uncomfortable with the fact that I enjoy writing as a boy; I get uncomfortable when someone tries to make sense of it, like there has to be a reason for it. I – on the other hand – just want to accept it for what it is. The only other topic I would like to clarify on is that I am not just a “cat person.” I grew up with dogs, and I love and miss my husky, Shadow. (So much so that Argos in Take Me Tomorrow is based off of him.) He was in my life for 15 years. If I had a yard and the proper time and money for a puppy, I would get one. But I don’t. So I have my cat, Bogart, and I love him very much. But I love cats and dogs and pretty much every animal on the planet.

There are ugly parts of everyone’s life and art, but – even though it is common – it is hard to confess to those darker moments. That being said, confessing to those thoughts can help others who struggle with truths they avoid. I like to believe that my “ugly” parts aren’t ugly at all. I am human. That’s what makes us artists.

Feel free to share those things you avoid mentioning below! It’s quite a freeing moment, and I’m glad to share my struggles here, especially if it helps other artists come out with their struggles!

~SAT

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