Tag Archives: write

Authors Can Change Their Mind

14 Aug

I’m a blogger, but I’m also an author. I love to write about writing, and I love to help fellow writers. Why? Because I didn’t have a lot of help back in 2007 when I was first published. There wasn’t as much information online or writers groups at the tips of your…keyboard. I mean, you’re talking about a time without Facebook or Twitter. So, I struggled a lot. I made a lot of mistakes…and I still make mistakes.

You see, blogging as an author can come with some controversy.

Times change. Ideas change. People change. And my opinions have shifted a lot over time.

And we have so many ideas to change!

For instance, I wrote a piece about sex in YA five years ago. I was adamantly against it, mainly because I think young people are already under too much pressure. To be honest, I still think there shouldn’t be overly graphic scenes of sex in YA, but that’s just my opinion. And, quite frankly, I have a beef with my opinion. (Yes, I have arguments with myself.) I mean, I have violent scenes in my books. Why not sex? Granted, don’t get me wrong, I’m still not there. I prefer to keep sex out of my young adult books. But that’s just me. I wouldn’t stop other YA authors from exploring these topics, even though—five years ago—I was strongly against it. (And this is just one topic out of dozens I’ve changed opinions about over time.)

Basically, I wouldn’t judge an author on their past articles or opinions too harshly.

We are people. We grow, and we change, and so does our work.

Let us learn over time, and we can all learn together.

~SAT

P.S. If you ever stumble across one of my old articles and have questions, don’t hesitate to ask! I always strive to answer comments, no matter how old the article is. Thank you for reading!

When Your Writing Issue Is…

24 Jul

Writing a book—or anything—comes along with a lot of challenges, and sometimes those challenges can feel overwhelming. So here’s a quick tip guide to help you navigate your writing journey.

I have an idea, but now what?

Well, now you write. (And write and write and write again.) Don’t focus on being perfect. Don’t focus on getting published. In fact, don’t spend months studying how to write on blogs like this one. There’s only so much you’re going to learn from reading about writing. You’re going to have to write yourself to learn about yourself and your craft. So, sure, research, but make sure you’re writing…and reading (a lot). Related article: No, Reading is Not an Option

I don’t have time to write.

Listen, no one has time to write. Some of us definitely have more time (or less), but comparing yourself to anyone is not going to get you anywhere. Write when you can and write what you can. Don’t beat yourself up. Just do your best. Related article: Making More Time to Write & Confessions of a Slow Writer

I can’t begin.

So don’t worry about beginning. Start in the middle. Start at the end. Start anywhere that you want to start. When I’m struggling with a story idea, I just hop around in all types of scenes, jot down some ideas, and hop around again. Eventually, it comes together. Embrace the mess. You can fix it later. Related articles: World BuildingNaming Your Characters.

I can’t finish!

Finish. I know that is the worst thing I can say. (Trust me, I do.) But sometimes you have to write the “wrong” ending to learn what the “right” ending is. Another place to look at is your middle. If you’re feeling awkward about the ending, you might have gone “wrong” earlier. Track back and see where you start feeling unsure. Try something new, then finish that. The last chapter is a lot like the first chapter. You’re probably going to change it a lot. That’s okay! Related articles: Writing Quicksand & The Ideal Writing Pace

Extra tip: Remember an issue is just that – an issue. It will be solved. You will overcome it, and you will move forward. Try to keep that in mind.

I’m overwhelmed/depressed/numb to my writing.

Whoa there. Take a step back. Your mental health and well being is more important than getting another 1,000 words down. Granted, I can admit I’m horrible at taking my own advice here. But it’s true. Taking a step back is okay—and necessary sometimes. Related articles: The Lonely Writer & How to Avoid Writer Burnout

OMG. I’m editing?!

An editing process is a lot like a writing process. It is unique to every writer and often every project. I recently wrote an editing series about my process if you’re interested—My Editing Process Starts in my Writing Process, Editing (Rewriting) the First Draft, and Editing the “Final” Draft—but try not to feel overwhelmed or down. Editing is another part of the writing process. You’ll learn to love it. (Or love to hate it.) Either way, try to concentrate on the “love” part.

Someone had the same book idea as me. 😦

Ideas are everywhere. So is inspiration. And then there’s that classic “Everything’s been done before” line. Trust me, you’re going to come in contact with someone who has a similar idea/book/character as you. Sometimes you might even see that book get published (eek) before yours. Don’t. Panic. Your book and you are perfectly okay, because YOU are the unique part of your book. Only you can tell a book like you can. Emphasize what is unique about your story and keep writing. Related article: Writers, Stop Comparing Yourselves

It’s complete! Now what?

Slow down and consider what you want out of your career for this book. Do you want to go traditional? Do you want an agent? Do you want to self-publish? Take your time and research what is best for you and your novel. Don’t be afraid to ask fellow writers for help, guidance, or opinions. We’re all here to help you! General rule: Money always flows toward the author, not away. Never pay an agent or a publisher to publish you or your book. (Oh, and write another book.) Related article: The Emotions of Finishing a Novel & How To Get A Literary Agent

Offer of Rep/Publication

Like I said above, research, research, research. Never sign a contract without fully understanding what you’re getting into. Don’t be afraid to ask questions. Don’t be afraid to turn an offer down, if it isn’t right for you or your book. There will be another one. One piece of advice I love? A bad agent/publisher is worse than no agent/publisher. Oh! And congratulations! You are awesome.

An agent/publisher offers a R&R (Revise and Resubmit)?

First, congrats! Those are pretty rare, and someone likes your work enough to give you a second shot. But don’t jump the gun. If someone gave you an R&R, chances are they gave you some significant feedback to help you revise. Figure out how you feel about that feedback first. Does it match your vision? Are you okay with it? If so, go for it! If not, it’s okay to thank that person and move on.

I’m published! Yay! (But I secretly feel like an imposter)

Feeling like you got “lucky” or don’t deserve to be where you are at is called Imposter Syndrome…and everyone feels it eventually. It sucks, I know, but it normally fades. Hanging out or talking with fellow writers will probably help you feel better here. If not, try any kind of self-care. Read your favorite book. Watch a TV show. Step away. You deserve it!

If you have any issues, feel free to share them below.

I’ll try to give a quick tip to help.

~SAT

Editing the “Final” Draft

10 Jul

This month, I’m covering my editing process. If you haven’t read the first two steps—My Editing Process Starts in My Writing Process and Editing (Rewriting) the First Draft—then check those out now. Today is the last post about editing, but, as always, feel free to ask questions! We are discussing the “final” draft.

The “Final” Draft

So you have a solid manuscript. This means you have written, rewritten, and revised everything a couple of times. You’ve checked your weak spots and tightened your prose and wrote the best damn thing you could write. Awesome! But the editing process is not over. This part of my editing process focuses more on grammar than anything else, but as usual, I almost always continue to edit my prose. I might find weak sentences or (gasp) a contradiction in my story. That’s okay. It’s important to not get deterred, but there’s a few things you can do to help yourself out in this stage.

Here’s some photos from my editing process! (Cats are necessary.)

Print it Out

There’s only so much you can accomplish on the computer. You might think you can see all of your errors on your laptop, but trust me, reading your work through a different medium will show you new mistakes. On a side note, you can also try to read your book in a different font or color before you print it out. I tend to print it out when I know I still have a lot of editing to do, including rewrites. Why? Because I love to physically cut up my manuscript and shift things around. (This might be a result of passive-aggressive behavior, also known as rage writing, but it helps.) I’m also obsessed with different colored pens. I’ll use one for grammar, another for story issues, and another one that has authority over my other pens. (Like if I change my mind about a particular edit.) Other office supplies that come in handy include binder clips, paperclips, and Sticky Notes. But—basically—get physical with your “final” copy. Feeling it in your hands might help you feel better, too. The weight of all those pages can be a little overwhelming, but think of all you’ve accomplished! You. Are. Awesome.

Read Out Loud

I cannot stress how important this is…Though, I also want to admit that I used to NEVER do this. I thought it was one of those writing tips that could be skipped over. I mean, reading it out loud seems like it would take a long time. And it does. I won’t lie to you. Reading my manuscript out loud is probably the most time-consuming task in my editing process, but I also learn more than ever when I read out loud. I stumble over awkward sentences. I hear unrealistic dialogue. And I reread the same sentences over and over again, just to check the flow of the overall section or piece. Reading out loud, or listening to your book out loud, will help you discover more than you realize.

Check Back In With Those Notes

Remember all those notes that you took in the first two steps? Read through them again. Get to know every inch of your manuscript and make sure each thread is carried out consistently and accurately. In regards to grammar, keep a list of issues you know you struggle with. If you’re constantly switching then and than around, check every single one of them, and then check again. I am super bad about soldier, for instance, though I think my computer is the one autocorrecting my typing to solider. Knowing yourself—and your technology—will help you find mistakes faster…which means you get to that final draft quicker, too. Though, don’t forget, editing is NOT a race. Do not rush it. Take your time. Breathe. Ask for help. And keep going until you have that final draft you love.

Finally, Why Final is “Final”

No matter how many times you edit your own work, you will have to edit it again. Take publishing as an example. When you complete a manuscript and submit it to an agent, they might request a Revise & Resubmit. Even if they offer representation, chances are they are going to go through some edits with you before they submit to editors…and when you’re chosen by an editor, chances are they will have additional editing notes for you to work with…and then, it’ll be out in the world and there will still (inevitably) be mistakes. So new editions will have corrections. And editions after that will have even more corrections. (They were finding mistakes in the fifth edition of Harry Potter, for instance.)

Your work will never be perfect, and while you should always strive to create the best product possible, you should strive to embrace the editing process more…because you’re going to be editing often. 

I try to think of editing as another writing process. That way, it feels more fun and less overwhelming. Taking breaks between edits has helped me immensely and so has falling in love with new office supplies.

Create rituals, take care of yourself, and keep writing.

Editing is just another part of your publishing journey.

Embrace it.

~SAT

Editing (Rewriting) the First Draft

3 Jul

This month, I’m covering my editing process, so if you haven’t checked out the first part— My Editing Process Starts in My Writing Process—check it out. Today, I’m continuing the writing journey by explaining what happens after I finish writing a first draft.

1. Review Your Notes & Plans

Hopefully, you took a break between finishing your first draft and this step. Why? Because you’ve been really close to this manuscript for a while now, and you need to clear your mind in order to see issues you couldn’t see before. Think of writing a book like creating a painting. You were painting one bit, inch by inch, but now you need to step back to take a look at the whole picture. Once you step back—and reevaluate—make sure your notes are in order, so you can create a clear plan for moving forward. (Caveat: It’s okay if you don’t have a clear plan yet; you can rewrite your draft as much as you need to.)

2. Start with Sweeping Changes

I always start with my biggest changes. Is Chapter Three now Chapter Fourteen? I move it and make sure everything else is in chronological order. That way, as I move through the manuscript, I can take new notes on what is revealed and in what way. After that, I move through each chapter, along with those chapter notes, and tighten everything, including my prose. I’ll keep grammar in mind, but the focus here isn’t to nitpick every little thing but rather solidify my story. This is also where I’ll make big decisions—decisions that, I hope, will be final. Maybe I’ve been on the fence about that one side character being five or eight. This is where I’ll choose. That doesn’t mean it won’t change again, but I’ll try to stick with a decision throughout the final manuscript to see how it flows. If it doesn’t, I’ll try again. If I cut out whole scenes, I put them in an “Unused” folder, in case I decide to add them back later.

Much like you’d create a writing plan, create an editing plan and a deadline goal.

3. Address Weaknesses—Big & Small

Maybe you’re cringing at your kissing scenes. (Like I do, every time.) Or maybe you use the same word way too often. (We all have a crutch list, whether we know it or not.) Personally, I keep a small list of elements I know that I will have to look out for, no matter what. Example? I have a note to take my time on romantic scenes, because I often brush over them during first drafts. I go back and make sure to give each scene added attention to detail. I also keep a vocabulary sheet. This helps me track words I overuse and also reminds me of words I typically forget but are perfect words for certain situations. In some cases, I keep whole vocabulary sheets for sections of books, because the demanded vocabulary might not come as naturally at first. (I even keep notes on gestures, descriptions, etc., because it’s easy to fall back on the same notion over and over again.) Examples?

Crutch words to avoid: though, worse, curious, all the while, eyed

Gestures/Description Example:

  • Brow Action: pinched brow, lifted brow, raise one brow, a frown etched between her eyes, regarded her with a crease between his eyebrows, her brow narrowed, wiped his brow
  • Brow description: sparse, plucked, trim, thick, bushy, caterpillar.

Words about Light/Bright:

  • Prismatic: of, relating to, or having the form of a prism or prisms
  • Effulgent: shining brightly; radiant.
  • Phosphorescent: light emitted by a substance without combustion or perceptible heat
  • Scintillation: a flash or sparkle of light.
  • Refraction: the fact or phenomenon of light, radio waves, etc., being deflected in passing obliquely through the interface between one medium and another or through a medium of varying density.
  • Luster: a gentle sheen or soft glow, especially that of a partly reflective surface:
  • Lambent: (of light or fire) glowing, gleaming, or flickering with a soft radiance: lambent torchlight

Words relating to the ocean: Aquatic, briny, breeze, barrier reef, bays, beach, birds, body of water, breaking, breakwater, buoy, climate, coastline, crustacean, coral, current, depth, dock, diving, froth, tides, waves, sand.

This method isn’t for everyone, but I love having lists of words that I can reference for fun—and helpful—reminders. It both challenges me and aids me when I have that word on the tip of my tongue but can’t remember it.

Once I finish polishing up my drafts into something I absolutely love, I know I’m ready for a “final” edit. However, there’s one more step. When I get that polished draft in my hands, I send it to a few trusted beta readers. Why? Because what’s the point in perfecting the grammar if my beta readers point out half of it needs to be rewritten? Granted, this is going to differ for everyone. Some beta readers, for instance, are going to want grammar to be as perfect as possible before they read, because they are also looking for grammatical errors, but I tend to have different types of beta readers: ones who help me with the basic story and ones who will read later and help me polish the technical stuff (and ones who do both). The key is to communicate with your beta readers about what you’re looking for and when they want to participate in your writing process.

So send off the manuscript to your beta readers, get some feedback, write/edit some more, and soon, you’ll be on your way to the next and final step: the final draft.

Next week, I’ll cover editing your “final” draft.

Stay tuned,

~SAT

My Editing Process Starts in My Writing Process

26 Jun

The other day I asked you all what topic you would most like me to cover, and editing rose to the top, so…I decided to post a month-long series on this topic—mainly because my editing process is as complicated as my writing process, and I want to get as in-depth as possible. So you can expect two more posts after this one.

I want to start off by saying that my editing process varies per project, just like my writing does, but I will try to cover various types to hopefully give you all some ideas. But editing is a lot like writing. We all have different paths, and you have to find what works for you.

Today, I’m concentrating on how my editing process starts during my writing process.

That’s right.

I’m already editing—or at least prepping my editing—while writing the first draft.

Why? Because writing and editing go hand in hand, and if you keep them in mind as you go, it will save you time and energy and pain in the long run.

1. Try to Finish First, Edit Later

You might have an outline, you might not. That’s okay! Either way, try to finish as much of your first draft as possible before you begin editing. Why? Because you will learn unexpected aspects about your story as you write, and those little surprises—as awesome as they are—can change a lot about your novel as a whole. It’s better to know as much as possible before you start changing things. That way, you won’t get lost in various drafts or ideas or shifts in plans. Just jot down a note and move on. That being said, I used to be one of those writers who would immediately go back and edit previous chapters if a huge twist surprised me (and changed the first few chapters). Honestly, I still do this to some extent, but I’ve tried to hold myself back from doing it too much. Why? Because that issue might change again and again and again. Why waste time rewriting sections when you might have to rewrite them again after that? Recently, for instance, one of my characters began as a five-year-old but then morphed to an eight-year-old later on in the story. Instead of going back and rewriting everything now, I jotted down a note, because, let’s be real, his age could change again. This brings me to my notes…

If you really want to get fancy, create checklists. Checklists might include scenes, world building, character facts, etc. Check them off when they’re mentioned. Take a note of where, too.

2. Take Notes – and I mean a lot of notes

Before you ever start your novel, even if you’re a panster, take notes on what you know, and continue to take notes as you learn more. This is one of the reasons I love Scrivener. I can update individual chapter notes, settings, and character profiles while I write. Here is a basic list of editing notes I keep while writing the first draft:

  • Overall Editing Notes: This can be large-scale edits or simple facts, like my character’s age changing. This is also where I include notes that I feel like I will forget. In my latest manuscript, for instance, my top editing note is “Make sure Meri doesn’t call herself a princess.” Why? Because her language doesn’t have a word for it, but English obviously does, so I keep slipping on that description. These are notes that tend to affect the story as a whole.
  • World Building Notes: Right now, I’m working on my first historical novel, but I find historical novels need just as much note taking as my science fiction and fantasy. Your world building doesn’t necessarily need to make sense in your first draft, but jot down what you figure out as you go. That way, you can adjust these rules and details after you finish your first draft, and you have a clear list to work off of. This will help you make sure that it makes sense.
  • Chapter Notes: As I write, I might realize that Chapter Two needs to be Chapter Ten, so I will go to that chapter and write down notes regarding that decision. This will help me restructure my outline later on. Chapter Notes might also includes notes for that particular chapter. For example, on Chapter Three in my WIP I put a note at the top to mention the goddess of war and disease, because I realized later on that Chapter Three was the perfect opportunity to explain this aspect of the world building, but I didn’t know that at the time of writing Chapter Three and I currently don’t have time to find the exact placement right now. I will find it later on or decide to move it again as I continue to write. Having that note, either way, will remind me that it is both missing from the story and could be placed there.
  • Character Notes: As I learn about my characters, I write down facts, especially ones that surprise me. This can be anything, including what clothes they’re wearing or how they’ve grown emotionally over their lifespan. I write down almost everything, including obvious notes (like hair and eye color) and specific notes (like they broke their arm when they were three).

I know this might seem like a lot of notes, but you never know how long it will take you to write a book…and you might be close to it now, but you will forget things. Having a reference guide to your story will help you transition into editing faster and more efficiently. You can also use it for sequels! You will love having that reference guide, and it will save you a lot of searching time later.

3. Once You Complete Your First Draft

Organize all of your notes. This means writing down the current outline you have and what outline you’re planning for your second draft. I tend to start with my Overall Editing Notes and then go through my Chapter Notes, then my Character Notes, and make a plan. At this point, I probably have a solid idea of where I want to go and what I need to change, but put some distance between your first draft and the editing stage. You’d be amazed at how much clearer your issues will become when you let the project go for a week or two (or a month or two). Go draft up a different project while you wait, but don’t jump into editing immediately. Breathe. Celebrate that first draft. You deserve it.

Now you’re ready to continue!

Next Monday, I’ll cover what editing my first draft is like, along with some tips to help you during your writing journey.

~SAT

The Ideal Writing Pace

19 Jun

Writing is a different experience for everyone. Just check out the #amwriting hashtag on Twitter and you will see authors hitting 50,000 words in two weeks…and in two years.

So how long should it take to write your book?

Stephen King claims to give up on a book if you can’t finish the first draft in three months. Others claim a book is rushed if it doesn’t demand years of your attention. But here’s the deal—

I used to run in Track & Field, and Track & Field taught me something important that I think the writing community could benefit from. (Stick with me for a second, okay?) I competed in races all year long. I thought I knew what the end-goal was in Track & Field… Whoever was fastest was the best. And the fastest girl on our team was a girl I’ll call Darla.

Darla was fast—like super fast—and since I was running long distance for the first time (when I was used to sprinting races), I tried to keep up with her. She was the fastest, after all, and I was able to run at her pace. (Not that I enjoyed it.) One time, while we were running a practice race (and I was majorly struggling), she turned to me and asked why I hadn’t found my own pace. My own pace. This concept blew my mind. I never considered how fast I “wanted” to run or what speed I was comfortable running. No way! I had only considered the start line, the finish line, and nothing in between…you know, because this was a literal race. But this was Track & Field. Your team isn’t judged for each little race, but rather all of your team’s races combined. It was about winning together as a team, not competing against one another, and above all, we were supposed to enjoy the run. (We were in seventh grade, after all, but twelve-year-old Shannon was just as competitive and way-too serious as modern me.)

That being said, I quit Track & Field the next year. Not because I wasn’t fast enough, but because I finally found my pace. And my pace was writing instead of running. Though, I admit running was still my exercise of choice growing up, I learned an important lesson from running that I’ve carried into my writing life.

Finding my own pace is key, not only for my health but also for my happiness.

If that means I write 50,000 words in two weeks, awesome. But it’s also awesome if it takes me two years.

Recently, I’ve been struggling with this. It took me two months to finish my first manuscript of 2017, including a significant amount of editing. Two months. And now I’m halfway through June without a second manuscript. That’s four months on one project. I’ve been working on it twice as long as my previous project, but I’m barely halfway through a first draft. (This is probably the opportune time to mention I’m slightly obsessive about numbers… and I’m a competitive person by nature, so I’ll turn anything into a competition, including competitions with myself. So, sigh…) I feel as if I’ve been writing sooooooo slowly. And I’m struggling with that confession.

As someone who is competitive, I understand how overwhelming seeing others’ word counts can feel. Sometimes, word counts can start to feel more important than feeling good about those words you wrote down. But I try to keep that Track & Field lesson in mind.

We’re in this together. Some of us will write 50,000 words in two weeks, some of us cringe at that idea, but we will all reach the “finish line” together. And the more we enjoy the middle, the better the “race” will feel. Though…I forgot to mention the most important fact about this post. Writing isn’t a race at all. This is a journey. There isn’t a set finish line. There isn’t even a solid start line. (I often can’t tell you when I first got an idea for a specific project, for instance.) But your happiness should matter. If it takes two months or two years, it shouldn’t matter. What matters is how much you enjoyed the writing process.

Find your writing pace, and enjoy your journey.

~SAT

First or Third Person? Present or Past Tense? How Do You Decide?

5 Jun

So you’re writing a book…but your book requires some decisions. Your narrative needs structure. And there are a million options to choose from. So how do you decide a perspective and a tense? What is the best combination for your book?

Let me start out by saying that making the choice to write in first/third person or past/present tense is different for every writer (and often every book). This decision might also differ from what an author prefers to read. For that reason, I wanted to look at this discussion from two different perspectives—as a reader and as a writer—and how I decide, so that you might be able to see how you can make that decision for yourself. Of course, there are a lot more options and specifications than I’m going to get into today. Consider this the basics.

First or Third Person

As a reader…

I love both first and third person. I honestly can’t say if I favor one over the other. As long as the novel is written well, I love the story, though I probably prefer third person for multiPOV stories, only because nailing numerous (and immediately recognizable) voices in first person is basically impossible. (Which I’ll explain below.)

As a writer….

I tend to write in first person. In fact, all of my currently published novels are in first person, though they are also in multiPOV first person…which I just called “basically impossible” above. (Because it is!) Both of my published series are written this way, but none of my recent, unpublished projects are, because UGH. First-person, multiPOV is hard! Nailing a unique voice for each character while staying in the moment is a constant battle. Right now, I’m writing my first third-person book, and I’ll be honest, I think I’m in love. Why? I have an unpopular opinion about first vs. third person. Strangely, I think third person is more intimate than first. Most would argue me, and I totally get it. The average first-person book truly gets into someone’s mind and feelings. But I feel so NARCISTIC in first person (with all the I, me, we, etc.) Because of that, I tend to avoid discussing feelings on top of a first-person point of view. But in third person. Boy, in third person, I feel like I can let those emotions fly. 

Present or Past Tense

As a reader…

I HATE present tense. LOATHE it even. I know. I know. That’s been the favored tense in YA since The Hunger Games. But it drives me nuts. While many have described past tense as sounding like someone telling a story (as if it had already happened), I actually find present tense to feel this way. “I jump over the fire and land on my feet!” sounds like something your uncle shouts around a campfire while telling his college-glory stories. I just don’t like the way it sounds. Present tense makes me feel like I’m being talked at rather than coaxed along. Past tense, however, helps me disappear into the story. That being said, some of my favorite books are in present tense. Don’t get me wrong. I’d never put a book down solely because of present tense, but it will make it a little bit harder for me to enjoy at first.

As a writer….

I write in past tense. In fact, I’ve never written in present, nor do I have the desire to. (But never say never, right?)

So how do I decide what to write in?

Honestly, I don’t.

When I set out to write a book, the POV and tense happen pretty naturally. Granted, there are some exceptions. For instance, I wanted to have Noah and Sophia tell my now-unpublished book, Take Me Tomorrow, but Noah—well, to be frank—is on drugs, and he doesn’t make a lot of sense (or he makes too much sense). So, he was cut out. It turned out to be Sophia’s story anyway. And though I tend to write in first person, my current project is in third person. (It’s actually my first serious project in third person.) Why is this one in third person? I have no clue! It just sort of happened that way. But I’m glad it did. The tone suits it perfectly.

Keep in mind…

First/third person and past/present tense are not the only options out there, and, quite frankly, these are just shells of your options. In third person, for instance, you have to choose between limited third or omniscient third (all-knowing). Then again, who says you have to decide? Some books combine different types of structures to write a book. RoseBlood by Anita Howard had third-person past for her male protagonist, while her female protagonist was written in present first. That way, you could immediately understand where you were and who we were reading about without stumbling. Your book’s options are unlimited.

So how should you decide?

Listen to your gut. Even if you write an entire series in first person and then realize it needs to be in third, I say go for it! Everyone’s writing journey is different, and though there are always trends to consider, nailing your voice is more important than trying to hit constantly-moving goalposts. There are pros and cons and limitations in both perspectives, but I tend to choose perspective/tense based on what the characters tell me to do. It happens overtime. I might not even know until I’m knee-deep in outlines. It might change, too. And that’s okay! Change happens at every process. Write how the book demands to be written. Try first, attempt third, experiment with both, and you’ll eventually find that natural point where you can’t turn back, because the words are endless. But that’s just my perspective. 😉

~SAT

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