Tag Archives: write

When You Don’t Write As Much As You Should

19 Apr

Recently, I didn’t write as much as I should have over a few weeks. Or should I say, I didn’t write as much as I thought I should have. 

Let me break it down. 

Every first of the month, I take a moment to look at my stats and see how much I’ve written. In March, I wrote significantly less than usual. Honestly, I barely wrote at all. But you know what I did do? 

I closed on my first home. We tore up the old flooring, painted every single room, including every closet and ceiling. (Did I mention sanding all the cottage cheese off every ceiling?) We renovated like crazy. We’re still renovating. But we’re making progress every single day. 

That said, my personal life obviously took priority over my writing life recently, which can spark imposter syndrome. When your writing life comes to a screeching halt, it’s hard not to notice everyone else’s word counts climbing and wondering if you just aren’t cut out for the writing life. I definitely had moments where I didn’t even feel like a writer anymore. There’s just so much pressure to write every day, to always be working on the next best thing. But it’s unrealistic. And it’s important to keep that in mind. 

Here’s some tips for when you find yourself in this position:

First, don’t beat yourself up. 

There’s no point in spending precious time thinking about all the things you didn’t do. Focus on what you can do. 

This can take a lot of self-awareness and correction. (At least, for me it does.) I beat myself up a lot. Too much, really. But I try to be conscious of what I’m thinking and doing. If the doubt bug starts to crawl in, I swat it away and try something new. 

Get creative:

While painting, my hands were obvious full, so writing was out of the question for me. But you could always use a tape recorder or speech-to-text software to keep going. Personally, that just felt like too much, so I decided to tackle an audiobook. I listened to The 33 Strategies of War by Robert Greene, which is a nonfiction book I’ve been meaning to pick up for another book idea. (It was awesome, by the way. Totally informative but also terrifying. The narrator is so dramatic in such a delicious way. If you want to learn about war strategies, I highly recommend it.) 

While listening, if I got to a point where something demanded my attention, I would stop to take off my painter’s gloves and type a few notes on my phone. I ended up finishing the book so quickly that I had time to download a “for fun” book, too. (These Violent Delights by Chloe Gong is amazing. Just saying.) 

Accept the situation that you’re in and know that it will pass. (Or, if it doesn’t, trust that you will adjust.) 

Basically, as a writer, you’re not going to write every day. Maybe a whole season will pass without many words. Maybe a year. What matter is that you keep going and do your best when you are capable of chasing the dream. 

This goes to say: There is no amount you “should” be writing. There’s the amount you can write and the amount you want to write. Often, these two ideals conflict,and that confliction can cause anxiety. 

Being aware of where they collided—and how you feel—can help you side-step it and course correct. Or not. 

Maybe the amount you “should” be writing is exactly the amount you wrote today, 

~SAT

!! ANNOUNCEMENT TIME !!

I miss blogging! When I first started blogging in 2012, I blogged every other day. (Which blows my mind now.) Nowadays, I only blog once a month, but that is soon changing! 

I’m now going to blog twice a month: on the first and third Monday of every month. (And maybe a few extra days in between.)

Did I mention the giveaways? I’m planning some really fun giveaways to appear in the blog posts, so I hope you stick around. The first one will go up on Monday, May 3.

I’ll also be revisiting some of my more popular posts over the years and updating them with new tips and tricks. 

I can’t wait!  

If there’s an old post of mine that you love, please let me know. I’d love to re-tackle it!

Looking Back on my Pantser Novel

3 Apr

“Are you a pantser or a plotter?” is a common question writers hear. Why? There’s something inherently interesting about how someone turns a blank page into a 350-page novel. Sure, it’s easy to say that one word after another leads to a sentence, which eventually becomes a chapter, before those chapters build a book. But there’s so much that happens in between all that. 

Writing a novel is not a linear adventure. Even for a plotter—and take it from me who is a writer who normally has a very, very detailed outline from the start—unforeseen plot twists can throw the entire plan off. An edit letter can trigger a domino effect that tumbles your entire house of cards. Part of the fun is rebuilding your piece over and over, until you have finally found the story it was always meant to be. But this process can also drive you mad. 

Cue the time I decided to be a panster. 

I actually wrote a short blog about this a little while ago. You can catch up here: Finishing My First Pantser Novel

Basically, a few years ago, I was pretty fed up with writing and decided to tackle a “for-fun only” project to take out all my rage in. I had no plan, not even an idea of what I was doing or what my story was trying to say. But before I knew it, I had decided to pursue it seriously, and by the time I finished a first draft, the book was a mess. One that I confidently felt I could polish and fix, because—and I wish I was kidding—I took notes while pantsing. 

To be honest, I severely underestimated how much polishing it needed. I was used to fixing books that had a solid plan from the beginning, not books that were messy from so many angles even explaining it made my mind spin. With my outlined books, a list of notes absolutely helps me revise fairly quickly. With my pantser novel? It honestly became more of a mess. 

Overall, I think this is where my issue began. My issue is that I tackled editing and revising my pantster novel the same way I tackled editing a novel that I had plotted. Looking back, it’s no wonder I got stuck so many times. In fact, I actually put this book down twice—once for over six months—before I got to the point I’m at today. (Did I mention my wonderful beta readers? I had eight people total helping me revise it, including my agent. That’s a lot more than my usual 3-4.) 

To be honest, I’m still working on this book. I’m on the fifth major overhaul and in the last 100 pages. For the first time in a long time, I’m feeling good about it again. I’m excited for what it’s become and how it’s going to read from now on. 

If I could go back and redo my approach, I’d probably throw out the entire first draft and rewrite what I could recall. (I forget which author famously does this, but it is a method I have yet to try. Maybe one day!) If I had done this, I think I would’ve boiled down the substance I needed to keep (and delete) much more effectively. 

Will I pansted a novel again? 

Probably not one I will pursue seriously. Then again, that’s what I told myself last time…

Have you ever pantsed a novel or attempted outlining when you’re not used to it?

I’d love to hear about what you’ve learned along the way!

~SAT 

P.S. I am still moving! Basically, we bought a house in March, and we’ve been using the entire month to renovate. (So. Much. Paint.) I’m really excited though. We’re actually putting in the last of our flooring today, so I’ll be physically moving our belongings over soon. Hopefully by next month we’ll be all settled in. ❤  

2020: The Strangest Writing Year (Hopefully?)

19 Dec

Every year I like to reflect and talk about expectations, goal-setting, writing life, changing trends, etc., and as strange as this past year has been, I still want to keep that tradition going. That said, looking back, January feels like it happened three years ago, not eleven months. In fact, right at the beginning of 2020, I taught my first writing course—Starting a Writing Project—and over 40 people attended. I was super proud. Still am! But seeing photos of everyone crowded into one room has me reeling now. 

That’s why I decided to name 2020 the strangest writing year. Not only because it was absolutely bonkers (and still is), but because current events have also shifted our way of thinking about other times. They’ve also affected us emotionally, physically, and spiritually, too. For me, spiritually has more to do with energy levels. You know, keeping your hopes up. Holding onto focus. Maintaining a level of discipline and using your energy to keep on keeping on. 

That was hard this year. But I’m choosing to focus on the positive.

When we went into lockdown in March, I thought Kansas City would be back to normal by June, August at the latest. Well… I’m still working from home, and I barely leave my home office. Sharing my workspace with my writing space has certainly taken a dent on my productivity, but going virtual hasn’t been all bad. In fact, my virtual world is pretty neat. I attended WriteOnCon, the Kansas City Writing Workshop, and YALLFest online. I also taught my first writing class online for Woodneath Writers. More regularly, I attended virtual write-ins with friends in California and Canada! I also continued to see my two local writers’ groups every month via ZOOM. 

my life pre-lockdown teaching to a crowded room vs. my life after lockdown at virtual write-ins

In my spare time, I also wrote an article for my local SCBWI scribbles newsletter, and later that year, I was the local author feature. Even more mind-blowing? I was chosen as a co-mentor in Pitch Wars with long-time CP and friend, Sandra Proudman. Only three years ago, I was submitting to Pitch Wars as a hopeful mentee, so being able to give back to that is so much fun. (Fun fact: Sandra and I actually met because of Pitch Wars.)  

At work, I was awarded Maggie Jackson Community Spirit Award for helping The Story Center at Mid-Continent Public Library go virtual. It’s the first time I’ve been awarded anything. It was a true honor. I’m so proud of everything my team and I were able to do for The Story Center and our customers during the lockdowns. In fact, I recently got to watch 21 of my students complete the Storytelling Certificate Program (which is currently free, virtual, and open to anyone in the world). What a way to celebrate all their hard work!

In personal news, I got engaged! My partner and I have been together for almost nine years now, so this is an exciting step for us. We’ve been house hunting, too, which is fun and new to us. I also became student debt free this year, which, if you remember my post from last year, I never thought I’d get to see that day. I am so relieved. And happy. (And absolutely still rooting for student loan forgiveness! It’s such a predatory system, and I hope others get forgiven soon.) 

In publishing news, I went out on sub with my agent, and I’m soon to go back out on sub in the new year. 

Over this past year, I sent my first-ever adult science fiction novel to my agent and started an adult fantasy novel. Since then, I’ve completed one major overhaul of my adult science fiction book and I’m currently working on revising it some more. I also revised a totally other book, too (which is what we’re going out on sub with)! In regard to my adult fantasy book, I’m currently 40,000 words in. I also played around with four new ideas and even received some feedback from an editor through SCBWI on my first middle grade verse novel!

That said, this environment definitely took a toll. I used to write about 10,000 words a week pretty consistently, and that did not happen for me this year. Between adjusting my day job and just life in general, my overall productivity was down, but I’m pretty happy with what I managed to cover this year. (Also a little sad I didn’t complete anything brand-new, but I did what I could.) 

I have no idea what 2021 will hold. Then again, I never know what the next year will bring. 

Maybe 2021 will be stranger. Maybe good-strange. Maybe not. 

All I can do is keep writing, keep trying, keep dreaming.

My only goal? To do the best that I can!

Here’s to 2021,

~SAT

If you’re interested, here’s my previous years:

Teachings from my Twitter Poll Story

17 Oct

It was noon, the sun was high, and I was standing on my back porch trying to get some fresh air during my lunch break when I heard strange music coming from the woods behind my house. Naturally, my imagination ran off with dreams of fairy parties and otherworldly adventures. It was a brief moment of respite in today’s ever-changing environment. 

Which is probably why I tweeted about it. 

(Okay, so I tweet about everything, but I digress.)

If you follow me on Twitter @AuthorSAT, then you’ve probably seen my Twitter poll story. If not, no worries! Here’s a link to the first part to catch you up. 

What is a Twitter poll story?

Basically, I write a little scene within Twitter’s 280-character limit that also sets up a question for readers to answer via poll. It’s reminiscent of the Choose Your Own Adventure stories that were really popular in the 90’s and early 2000’s. The biggest difference is that you don’t have to write the endings for the other choices; you only follow the path that the majority wanted to see. It reminds me a lot of RPG (role playing games) I’d play with my friends when I was young, or stories that we would take turns writing. (You email me Chapter One, I’ll then write Chapter Two, etc.)  

Writing those stories with friends used to bring me a lot of joy between classes in school, which is probably another reason I decided to run with this online. (A little bit of nostalgia goes a long way.) What I didn’t expect was to learn more about storytelling, reevaluate a current WIP, and have in-depth discussions with my writer friends—all topics I wanted to share with you all today.

There’s something to be said about being able to summarize your next plot point in 280 characters or less (and 2-4 choices in less than 25).

Every time I sat down to write the next scene, I really had to ask myself what could realistically happen next while also weighing its overall importance. If it was too easy to write, then the scene probably didn’t have enough risk. If it was too difficult, then I was probably getting ahead of myself. It definitely made me think about fluff. This goes for choices, too. 

Once I started expanding the story, I realized I wanted the votes to be as close to 50-50 as possible. Why? Well, mostly because it’s more exciting! The choices a character must make in a book should be difficult. Readers should be able to believe the character would make both choices, and those choices should make it so that they can’t go backwards and redo it. Basically, this is a great way to double check that your characters have agency. (They should be happening to the story; the story shouldn’t be happening to them. Though, it’s totally fine if a few scenes mix it up.) I only used two choices throughout this particular story, but I might try 3 or 4 next time!

In fact, I’m currently using this method to try and smooth out an outline for my new WIP.  

It’s been a lot of fun! And really insightful, too. 

My imagination can often get bigger than the story truly needs, and this has helped me make hard decisions about efficiency. It was also really fun! 

The most unexpected lesson? A story can benefit from playing into the readers’ desires. Not everything has to be shocking or a fresh, new twist. Sometimes, giving in to what the reader wants can be just what a story needs to feel alive again. In regards to poll stories in particular, involving readers can also be exciting. Along the way, I had a few readers comment with advice for the characters, and bringing them into the character’s thoughts made it feel like the readers were inside the story. (If only there was a way to do this with novels! If I ever get a series deal, I’m totally doing a giveaway for a character to be named after a reader. That’s a promise.)  

My Twitter poll story also caught the eye of some writer friends, and I was asked some questions that I thought would be fun to share:

  • How did you plan it? I didn’t! Not at all. I literally posted the first tweet from real life, and then just ran with it. I never wanted to get ahead of myself, because readers genuinely chose paths that I didn’t think they would follow (which was so fun to see)! 
  • What was the hardest part? Keeping my eyes off Twitter! Seriously, I was having so much fun, I just wanted to spend time on Twitter all day. 
  • Any tips for starting my own? Have fun. Make sure you can post around the same time every day, so that readers know when to check in for the next poll. I post on my lunch break M-F, and let each poll run one day. Let readers know when they should expect an update.

I hope you try this exercise with your WIP. If you create an online poll story, be sure to tag me @AuthorSAT! 

I’d love to follow your poll stories, too. (And vote!)

~SAT

Speaking of voting, the election is coming up! PLEASE VOTE.

2020 Author Goals

4 Jan

2019 is over, and honestly it feels like a blur. 

I know this post is going to seem like a hard brag. I promise that isn’t my intention. I accomplished a lot this year, but I can’t say that I allowed much happiness into my life, especially toward the end of 2019. The beginning felt like a lot of highs: New job! An agent! Another birthday! The end felt like a lot of lows: My cat’s health problems. My health problems. Student loan problems. My depression. 

I’m still in a depression fog at the moment. I won’t lie. I had a really difficult time even stringing together this blog post. At the same time, though, that’s why I forced myself to write it. 

We need to take a moment to acknowledge all of our hard work. 

Today, I ask you to join me. 

Grab a pen and paper. Think of everything you did in 2019, and write it down. Leave nothing out. Include all the things, even the little things others might consider insignificant. With every bullet point you add, really think about all the help you received, the support, the encouragement, the opportunities, the sacrifices, the dedication, the passion. Have you thanked these people? Have you thanked yourself for trying? Have you allowed yourself the space to celebrate and be happy? 

In 2019:

  • I was promoted at the library to Story Center Program Manager. Now I’m surrounded by storytellers all day, and I absolutely love it! 
  • I guest spoke at numerous teen writing groups at various libraries, my local chapter of SCBWI, and at Writers United for Johnson County Library
  • I also had my first school visit, ever
  • I was chosen for a mentorship through Science Fiction and Fantasy Writers of America 
  • I got a literary agent! 
  • I also went out on sub with my agent. 

Capture

Photos show my writing retreat, finishing a WIP, releasing a book on Wattpad, my first school visit, and my new job, which included hosting a publishing panel at Johnson County Library and meeting Janet Evanovich!

But that’s not all! I released Took Me Yesterday (book 2 of the Tomo Trilogy) on Wattpad after readers kept asking for it for five years. I attended two conferences, went on a writing retreat, hosted #BeMyLi, was included in YASH twice, and attended my local critique group every month. (Not to mention exchanged pages with online beta reader friends all year long.) And I tracked my progress. 

I began 2019 with 26,996 words in a YA science fiction novel. I was also, 55,623 words into a revision of my historical fantasy. 

I end 2019 not only with a completed version of my YA science fiction novel, but a majorly revised and polished version, too. I’m on sub with a different science fiction novel, and I finished revising my historical fantasy as well. I even started a new project! And I’m brainstorming even more. 

In 2020, I already know that I’m teaching my first writing course. Only in a few days, too. (If you’re in Kansas City, join me for Getting Started on a Writing Project.) I’ll be teaching my first publishing course in April during Publishing Week at the Library. I also have plans to attend the Kansas City Writing Workshop and the LitUP Festival. And I’m sure there’s more to come: more firsts, more rejections, more congratulations, more plot twists, more tears, more laughter. 

I know this because I’ve written articles just like this one for the past four years:

And every year, I read each one in rescinding order. 

This year I didn’t know if I wanted to write this article. I didn’t think I could. But after reading my past posts, I remembered why these have become so important to me. I can look back. I can remember. I can put it all in perspective. 

Right now, my 2020 perspective is hopeful. Grateful. Humble. 

I promise to try my best to be my best self: as a librarian, an author, a cat lady, a friend. 

I promise to continue.

What do you promise? 

~SAT

Finishing My First Pantser Novel

7 Sep

I finished my first panster novel. For those of you who don’t know what a panster is in publishing, it basically means you write with no plan, no outline, nothing. You write by the seat of your pants. Hence, panster.

Typically, I’m an outliner. A pretty detailed one, I might add. There’s something comforting about knowing my characters and their world pretty well before I jump in headfirst. I mean, what happens if I get 30,000 words and freeze? Or decide I hate everything? That hasn’t happened to me in a while, but it happens, which is why I favor spending more time in the heads of my characters/ideas/world before I dedicate a ton of time to a project. But this project was different. This project I never intended to pursue.

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I’m on Instagram! @AuthorSAT

Let me take you back to fall of 2018. (Oh, yes, it’s been one year since I started writing this project.) I was at one of the lowest parts of my writing career. I really felt like giving up. So, while dramatically crying in the shower (because all genius breakthroughs happen in the shower), I told myself it was fine to quit. Fine to write whatever the hell I wanted. Fine to not write at all. By the time I exited, I had decided to write the most ridiculous idea I could think of, and well, this book was born.

Obviously, if you can tell from the backstory, this book was born from a very emotional place, which is one of the reasons I think pansting worked. All I wanted to do was get down my rage, confusion, heartache, frustration, love—damn the timelines. Forget making sense. This wasn’t about sense. It was about nonsense, which is how I felt. And I used those feelings all over ever page of that book.

81,000 words later, and I’ve realized a couple of things.

  1. I had a lot more feelings than I thought—and it was super therapeutic to take a dive deep into them, no holding back. Even the ugly ones. Even the ones I didn’t know I felt. One of the only reasons I feel like I could do this to the extent that I did was because I had written off the idea of pursuing publishing with it. It was just for me. And so I wasn’t writing to satisfy anyone but myself. And guess what? I want to take this mentality with me into all my future projects.
  2. Pansting is a tool. I think it gets a bad rep in the writing world because it seems to be a synonym for those that don’t plan—and publishing does require a lot of planning—but not planning can be a plan in itself. (Crazy, right?) I mean it, though. By not planning, I feel like I have more authentic characters. My plot might need more work than usual. My world building, too. But characters is typically what I struggle with in a first draft, and I didn’t have that issue this time around. I plan on using pansting—even in light instances—to explore characters more.
  3. You never know what you’ll end up pursuing. I sort of already knew this, but this was probably the biggest instance where I seriously never, ever thought I’d share this book, but it’s my next one I’m handing to my agent. Of course, I have a few things to get in line before then. Like, you know, revising. A lot.

I definitely have a lot of revising ahead of me. More than I want to think about at the moment. (I mean, who isn’t burnt out on a piece once they hit THE END? At least, it’s typical behavior from me, which is perfectly fine, because I believe every writer should take a break between revisions. You risk making the same mistakes if you don’t. But I digress.) One tip I suggest: Take notes as you’re writing. I think this is good practice anyway, but it is absolutely necessary when you’re pansting. I already have pages and pages of info I can sort to organize my revision with—and it helps that I already took a significant portion to my writers group. (Typically, I take more polished versions to this group, but again, this book was different. It felt right to take it in early.) Basically, follow your writer’s gut.

My next novel? I’ve already started writing it—and I outlined it. Though I’ll admit my outline is the basics right now, or what I like to call my road map: Where I begin, where I want to end, and a couple of places I want to stop at in between. I’m still world building and getting to know my characters, so I know my plans will inevitably change. I also know I’ll have to return to my panster novel to start editing. But talking about balancing numerous pieces at once is another blog post for another day. (Maybe next month? Stay tuned…)

In the end, I don’t regret pansting my last book. In fact, I think it’s one of the best pieces I’ve written. It’s a super wicked world, and I don’t think I could’ve planned such chaos if I had tried. Basically, pansting was right for that novel. It might be right for another novel in the future. It’s most likely not right for the one I currently want to tackle, but who knows? I might change my mind.

Be open to trying different methods of writing.

You might find out it was everything your work needed. 

~SAT

How I Revise My Novels

3 Aug

I talk a lot about writing, creating, marketing, editing, etc. But I haven’t specifically discussed the revision process. But isn’t revising and editing the same thing, you ask. No, not really. Though the lines can definitely blur, revising is a stage that comes before editing. Revising is knowing what to keep in your work, what to cut, and what to adjust; editing is making all of those changes pretty. You’ll do a ton of both during your writing journey, so I wanted to discuss how I revise my novels.

I have three main revision stages:

  1. Major Revision
  2. Beta Reader Revisions
  3. Final Revision

So let’s go through them one by one.

The Major Revision:

After the first draft, I start my “major revision,” which is basically a giant rewrite. I used to be a big believer in outlining, but the more experimental I got with my writing, the more I realized my outline was holding me back. I was always trying to force my characters to do what they needed to do, not what they wanted to do. Nowadays, I still rely on a basic outline, or what I refer to as my road map. (I know where I’m starting, where I’m ending, and a few pit stops in between, but I mostly let the book lead itself.) Granted, this method definitely creates a lot more revising in the end. In fact, there’s enough revising needed that I’ve also stopped going back and revising as I write. If I did that, I’d constantly be going backward. Instead, I jot down notes as I go and let it go until the end. (No point in making sense of it until I have all the puzzle pieces, right?) In my WIP, I have editing notes on almost every chapter; on top of that, I keep two documents: To-Do Editing and World Building Needs. These will anchor me when I’m finished and need to organize my thoughts. At the end, I look at all my notes, probably take even more notes, and revise. A lot.

Beta Reader Revisions:

I tend to send my work to beta readers after I’ve significantly revised. (More on that later.) Right now, I have 2 or 3 different groups of betas I work with. Typically, my in-person writing group here in KC gets my work first. (Enter revision.) After that, I send it to 1-2 trusted online friends. (Enter another revision.) Then—and I don’t always do this as much as I wish—I try to get the opinion of a non-writer. During these various stages, I might send the work back to the same beta numerous times. If that’s the case, I love to work in revision mode on Scrivener. (Or Track Changes in Word.) That way, it color codes what version I’m on, and they don’t have to re-read my whole manuscript.

RevisionMode

I’m actually not revising in this scene. I’m using revision mode to organize my thoughts. I love color-coding everything.

Instead they can read the color-coded parts and give me feedback on those. Though, to be honest, I typically use the revision mode during writing by myself too. (There’s also a handy screenshot button that lets you keep various versions of the same chapter in one place…but I’ll stop advertising for Scrivener now.) The key to working with beta readers is finding ones that are compatible with your work and your style. That doesn’t mean you connect with someone who praises everything you do; rather it means that you have an understanding of their goals and know how to approach each other in a positive, constructive way. If you don’t vibe with someone well, that’s okay. Move on. Find someone who works well with you. Two amazing writers can be in the same room; that doesn’t mean they’d make good beta readers for each other. (Or, as my father says, two great people can be in the same room; doesn’t mean they should be married.) And you want a marriage…er, a long-term partnership.

Final Revision:

Once I get most of my revisions done, I take a HUGE break. And I mean significant time away from the manuscript. This helps clear my mind. Without that, I’ll probably make the same mistakes I’ve been making in the past. You want to come at your project with fresh eyes. Once that happens, I focus on a basic read through, and I make no changes. Instead, I put sticky notes on places I want to make changes with later. (Yes, I tend to print out my manuscript. I know, I know, what a waste of paper. But this goes back to getting fresh eyes on everything. You’ll see things on paper that you can’t see on a computer screen.) Here’s a photo of my manuscript I worked on with my agent.

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If you didn’t catch on, I love office supplies. (Seriously, there’s nothing better than fresh pens and paper and Sticky Notes.) In case you’re curious what you’re looking at:

Blue = grammar

Orange = plot I know I need to fix

Pink = other things I want to consider

Green = current reading place

I actually go back and fix my grammar first. But that’s because I have so little to fix at this point. (I work on my grammar during the beta readers stage.) After that, I’ll tackle the orange and make an outline of each issue. Once I have a list of page numbers, I’ll fix each problem at a time. That way I know what the rhythm is like and I have my obvious problems out of the way by the time I move into pink. “Other things I want to consider” tend to be strange bits of info that caught me off guard during my initial read through. Something I wasn’t expecting but something that I might want to reconsider. The possibilities are truly endless, but this is another reason to come at your work with fresh eyes. You might realize you accidentally left something from version one of your book’s world building in the current script even though it no longer matters (or, worse, isn’t true anymore).

Now these stages aren’t necessarily taken so cleanly. My latest piece for instance? I started taking the very first draft to my writers’ group, no revisions beforehand. Why? It felt right to me, and sometimes (okay, all the time) you gotta go with your gut. In this case, I wanted to revise as I created. I think a part of the reason this happened was because I began this book for fun. I literally never thought I’d pursue it seriously, so I had no plan, no outline, no road map. It’s been really exciting, but also very challenging. Having beta readers help along the way was the right move. My point being, of course, is that just because you find a revising style that works for you doesn’t mean that you won’t adjust your own methods from project to project.

Be honest with yourself while revising. Find others who will also be honest with you. And revise as many times as your writing heart can take it (and then a few times more).

~SAT

P.S. I recently made the leap and decided to pay WordPress for the premium edition, so you shouldn’t have to see any more ads. I hope you enjoy the cleaner look! (The ads were really starting to bug me.) If you see an ad, take a screenshot and send it to shannonathompson@aol.com. Because they def should not be there.

P.S.S. I also decided to shut down my editing services. After six years of editing, I came to love so many of y’all’s work, and I will forever be a fan. (Shout out to C.E. Johnson, Steve Ramirez, Grant Goodman, Rich Leder, Kristin and Ryan King, and so many more.) I didn’t make this decision lightly. Between my new job at the library and my new goals with my writing career, though, I just couldn’t keep up with the quality and demand anymore. I know this is the right move for me (and for my authors), but my little editor’s heart is sad. I’m sending good vibes to all my authors out there. Thank you for trusting me with your words all of these years. ❤ It was an honor.

Life Changes: Literary Agent + New Job!

8 Jun

Hey all! In case you missed it, I’ve had a crazy past month. (Hence why I missed a blog post last week. My bad.)

Not only did I attend the LitUP Festival, where I had the utmost joy of introducing Adib Khorram, author of DARIUS THE GREAT IS NOT OKAY, L.L. McKinney, author of A BLADE SO BLACK, and Miranda Asebedo, author of THE DEEPEST ROOTS, but I also announced a new life change.

I am now represented by Katelyn Uplinger at D4EO Literary Agency!

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Here is me signing my contract. But of course my cats wanted to be involved.

I will write a blog post about my query trench experience soon, but here’s a quick rundown. I’ve been querying agents on and off since I was fourteen years old. (Almost fourteen years ago!) I can’t even tell you how many projects I’ve written, revised, and submitted in various formats. But I can tell you that prioritizing my querying life helped me the most. Making this decision wasn’t easy. It meant stepping back from blogging, social media time (that I had invested a lot of marketing/time/money in), and indie publishing. (I love indie publishing. Don’t get me wrong. But between my full-time day job, my part-time editing job, and life, I just did not have time to concentrate on publishing books while writing new ones for agents. At the end of the day, I knew I wanted an agent. It was the right next step for my little writer’s heart.) I even had to take a step back from writing time in order to make time to query.

According to my QueryTracker, I made this decision at the end of 2016. I started researching heavily, read blogs (QueryShark, Writers Digest, etc.), I entered query critique contests and other contests to meet writer friends, I attended conferences whenever I could afford to, I joined a local writers’ group as well as connected with online beta readers, and I kept writing. I never put all my hope in one book. (Even while I was querying the book that won my agent’s heart, I finished writing two other novels.) That being said, this is my journey, and every writer’s journey is different. In a way, I don’t believe in giving advice on querying any more than I do giving writing advice in general. It can be helpful, yes, but ultimately, every writer must figure out what works for them. This is what worked for me. And I’m totally thrilled to work with Katelyn Uplinger. I actually had the joy of speaking with three agents, but Katelyn really understood my project and my long-term career goals, so stay tuned!

I also accepted a new position at the Mid-Continent Public Library. I am now The Story Center Program Manager! For those of you unfamiliar with The Story Center, it’s an amazing home of storytelling, where storytellers and those who enjoy stories come together as a community. There are writing courses, author meet-and-greets, and so much more. Now I get to be a part of making that happen, and I cannot be more thrilled to start this new adventure.

Basically, my life has been super crazy good, but also super crazy busy.

So what are my next steps?

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Revisions!

I’m adjusting to my new job and taking on my first round of agent revisions. I’m currently working on IMMERSION! For those of you who have been following me for a while, you’ll remember that’s my botany-inspired videogame-esque sci-fi book about science and monsters! It’s my book baby, and I’ve worked on it for a very long time. In fact, according to my Instagram, I started writing it in October of 2016. It’s been three years of writing, revising, and querying various versions, and it’s incredibly exciting to get another chance to dive back in.

I promise I’ll try to keep up with everything else, including TAKE ME TOMORROW as well as one blog post a month, but please don’t be upset with me if I have to cut back on one or both for a little while. (I mean, I already missed it once. Eep.) I’ll definitely make an announcement if that is the case. Typically, those updates happen on my Twitter @AuthorSAT.

Whew! Okay, so that’s my crazy blog post this month.

To celebrate, I will be releasing a newsletter soon with an exclusive excerpt of Immersion, as well a giveaway for a signed copy of any of my books. (Open internationally!) Sign up here.

Now back to those revisions…

~SAT

How I Outline (And Write) My Novels

4 May

Foreword: This week has been crazy. Between attending the LitUp Festival today, trying to coordinate the cover for TOOK ME YESTERDAY (the sequel of TAKE ME TOMORROW) on Wattpad, and some other crazy exciting news, I almost (ALMOST) let this blog post get away from me. (Thank the writing gods for iCalendar reminders.) That being said, I didn’t have time to plan a topic, so I reached out to you all via my social media to see what you were curious about, and writer Hannah mentioned outlining. (Shout out to Hannah!) So, I thought I’d show you how I outline my books as best as I can. (Which, surprise, surprise, has turned into a HUGE post about how I chaotically write novels.) Enjoy…

Now it begins.

Typically, I start outlining the moment a character/scene/world comes to me. All books approach me a little differently, but I always start off lying to myself by acting like I can stay organized as all these chaotic ideas flood in. Inevitably, I end up opening a new Scrivener project and creating a document called “Chapter One” – like all my ideas will come to me in cute, organized chapters ready to be written. This results in the first few paragraphs being my opening scene…and the rest being a scrambled mess. After, though, is where the real outlining begins.

I suggest starting off a book idea with a couple of documents:

  1. Book Bible: Maybe you don’t need a book bible at this point, but I always start it right away. Even though everything inevitably changes, this gives me one place to organize focused ideas so that they don’t get intermingled with my scenes. I typically have three main ones in separate documents:
    1. Character Sheet is where I collect basics: personality, looks, and character motivation. Character motivation is the most important. Obviously. But you also might not know it at this point, and that’s okay. Try to guess anyway. Get a real feel for your character and/or what you want this book to be about. Without knowing motivation, it might be hard to know why/how your character makes decisions, which, in turn, will make it harder to outline how your scenes move. 
    2. Past Timeline is where I start to collect my lead-up to the beginning of the novel. How did your characters get here? Why are they here? When did certain events shape them into who they are today? Why, out of all times, is this novel starting now?
    3. The World Building sheet is where I start to collect world building ideas. Think of things that happen in the background but won’t be a focus of a scene. Most important thing to ask here: What makes your world unique from all the rest in your genre? Try to emphasize that from the beginning.

It might seem like a lot to start off with a Book Bible, but I have found it helps me keep my outline simple when I move into scenes and dialogue. If I have all my world building notes intermingled with dialogue, scenes can get lost and/or confusing. Granted, once I finally choose a path, I will start to mix these, but in the beginning, I try to keep everything very minimalist. That way, I can see more of the big picture in an easier format.

  1. Unorganized: This document is where I begin writing dialogue or scene ideas. Go ahead and word vomit. Put all your ideas, scenes, etc. here when you have no idea where it is going to go. That way, it’s all on one page, and you can start moving it around when you’re ready. In this stage, I don’t even try to be coherent. I want those ideas down so I don’t forget them. I can reorganize later. Hence, “unorganized.” Embrace the chaos.
  2. Organized, a.k.a. Plan A: Once I finish my “unorganized” sheet, this is where I’ll start to try organizing my thoughts. Ex. Maybe I know I want the book to start with a bank robbery and end with a bigger heist, so I know where those two go. I will also know some basics. Ex. The love interests can’t fall in love until they meet, right? So I can put “X and Y” meet somewhere near the beginning, and then I go from there. This will eventually evolve into Plan B, Plan C, Plan Infinity.

If you’re still with me, yay! I know that was a little confusing. But I like to start where I begin in order to show where I end up. I’m the sort of outliner that’s always building on outlines upon outlines upon outlines upon outlines. So let’s move onto when I’m in the writing stages.

When I begin writing my books, I write a sort-of screenplay version first. This means bare bones, no descriptions, no prose, just dialogue and a few notes about what is physically happening. Below is an example from my current WIP. This tiny paragraph will literally become an entire chapter. It might not make sense to you, but it does to me, and that’s what matters. Take notes the way you need to take them.

After I have a screenplay version down for a couple of chapters, I stop to write in the prose. I may have an idea of where I want to go, but I don’t like to get too ahead of myself, because I know how characters can be. They don’t always follow the plan. In my current WIP, for instance, I have a plan for the rest of the book, but I’ve only written a screenplay for the next three chapters. (I’m also in the climax, so things are getting hairy!) Now that I’m writing, though, my outline will change dramatically. I’ve also learned that I’m not the type of writer who should edit as I go. I may edit prose to get back into what I wrote before, but I have stopped trying to edit whole scenes if I realize it needs to change while I’m writing. Ex. In my current WIP, my beta readers pointed out that one of my side characters needed (and, yes, I forgot this in a first draft) purpose in their own life rather than just exist to serve my MC. Instead of rewriting every scene they appear in, I kept writing, let myself explore the side character’s plot more, and realized what they needed earlier on in order to make their final actions exciting and, well, purposeful. If I had gone back and tried to force it, I would’ve wasted my time. Instead, I just put a little note (okay, a huge note, along with my beta readers’ notes) back in their opening chapter. Here’s a live shot of my beta readers putting me in my place. (God, I love them.)

Once you begin writing, I suggest keeping new documents and folders to stay organized, especially the deeper you get into your work. (And this is why I love Scrivener. It helps me stay organized at all stages in the process.) Currently, here’s what my WIP looks like. (And I’ll discuss what each of these are.)

CURRENT WRITING NOTES: This folder gets created as I get closer to the end of my book. It’s when I know I need to start making hard decisions, and I’m approaching the revision stage of my work. This is what all my other folders will eventually be placed into as I work through edits.

Completed outline:This is an outline of all the chapters I’ve already written. I always keep this as I create, as it helps me look back if I need to.

Past timeline: Same document as explained above. How did your characters get to the beginning of your book? It will grow as you write.

Written: I should call this “Written, but unused.” This is typically sections of the book I cut out while editing while writing. (I know, I know, I said I didn’t do that above, but alas, I lied to myself.) Also, this might happen in the screenplay version moving into the prose version. But it’s parts I love too much to let go and might reevaluate as I move into revisions.

Ideas: Similar to above, except never used ideas that I will reevaluate moving into revisions.

To-Do Editing: This is where I put my notes for things I know I will edit. Ex. That section about Scram above.

World Building Final: This is where I solidify my world building.

MANUSCRIPT

Beta Read: This folder includes all the chapters that have been beta read, along with their notes.

Drafted: This folder includes all the chapters that are written but haven’t been beta read yet.

To-Write: Obviously, what I still need to write.

Current Decision: This is an outline of what I think is going to happen.

Issues: Problems I still have that I need to fix.

Pending Ideas: Ideas that I want to happen, but haven’t found a place yet.

Nixie/Mire climax notes: Obviously, a part of my climax I’m working on, but have yet to place.

Main Plot Holes: Bigger issues to think about as I come to the end of the book. At this point in my process, I’m being brutal on myself. It’s time to be.

Chapter 25: B: Notes: This is the chapter outline for 25.

Chapters 26: M: Notes: This is the chapter outline for 26.

Women of Fates: Also a huge scene I’m working out that I know happens after 25/26, but before the ending.

Ending M/B: The ending is actually already written, but I keep it here in case things change. M and B stand in for my main two characters, Bram and Mireille.

PUBLISH/EXTRAS: My favorite folder. The fun folder.

Songs: A list of songs I’ve used to write. Even better? Try to say what scene it was for. That way, when you go back to edit, you can get back into that headspace.

Query: Yes, I’m already working on my query letter/proposal.

Don’t forget your Pinterest board either!

As you can see, my method is a bit chaotic, but it makes sense to me, and that’s what matters. You need to find what works for you. But maybe there’s something in here you see that you’ve never tried before but might try now.  

How do you outline? If you have any questions about specific folders/documents, let me know. I’m happy to elaborate! 

~SAT

Writing with a Motivational Calendar

13 Apr

My life has changed quite a bit over the past year. Between moving and starting (two) new jobs, I’ve had to adjust my writing life and the way I think about my writing life. As many of you know, I currently work full time at the library and then work part time as a freelance editor. Suffice it to say, I don’t have a ton of time to pursue writing, but I try not to let that get me down (because I definitely don’t have extra time to feel down about it either, though it happens from time to time).

So what does a full-time working adult do to feel like they’re still pursuing their writing dreams?

Well, write, of course, but I also keep a motivational calendar.

What’s a motivational calendar?

Technically, it could be whatever you want. Mine, in fact, has changed over the years. A couple years ago, for instance, I liked to have a “future” motivational calendar. Meaning, I would write down goals for that week, and then get it done. Now my calendar is focused on the past. Every day, I take the time to record everything I did to pursue my writing goals. Mostly, I write down my current word count, how many queries I sent, how many writing-related jobs (such as a literary internship) I applied for, and other miscellaneous info. I also make sure to outline where I started on Day 1 and then I update that info on the last day. That way, I can see progress. Oh, and my favorite part, I highlight major accomplishments, like a full request from an agent. 

Here’s a snapshot of my January calendar.

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Since it’s small, here’s some facts. I started 2019 with my WIP “The Girl With The Thousand Faces” being 26,996 words in first draft/plotting. At the end, it was 31,533 with significant world building being finalized. My other WIP “The Pharaoh’s Daughter” started at 53,633 in its second draft. It ended with 81,938 words and completed. In that time, I also applied for four jobs and sent out five queries on my YA sci-fi “Immersion.” Most exciting of all? I received a full request from an agent for “Immersion” and won the Secret Agent contest with my historical “The Pharaoh’s Daughter,” which also resulted in a full request from an agent. (P.S. Both are still pending, so keep your fingers crossed for me.)

It might seem tedious or silly to keep track of all the ways you pursue your dreams, but to me, it keeps me motivated. It helps me remind myself how hard I am working – that I haven’t given up my writing dreams because X, Y, or Z in life – and that I will keep trying. Plus, it’s easy to forget all that you do on a day-by-day basis, and by having a physical representation of it, you won’t forget. You’ll know how hard you work (and also know it’s okay to take a break). You might notice, for instance, that I don’t write every day, or do anything some days. And that’s okay. 

One word at a time, one day at a time, right?

Oh, and one more note of importance.

My calendar is definitely cat-themed.

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~SAT

 

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