Tag Archives: writer

Can Someone Steal Your Book Idea?

21 Apr

Can someone steal your book idea?

I tend to find there are two responses to this question:

  1. Absolutely! YES! Someone did that to meeee!
  2. NO WAY. Never happens. It’s impossible, because your idea can only be written by you.

To be honest, I think both of these answers are a little too black and white. If I had to share my opinion—which, obvs, I am—I believe “stealing an idea” lands somewhere in the middle of these two responses.

What do I mean by that?

I mean that I agree with both of them. Because, yes, someone can steal your idea. If you hand them your pitch or outline or character sheet, those people can take it and do something with it. Granted, now siding with the second answer, no matter what that person does with your idea, it will never be exactly how you would’ve done it, so one way or another, they will make it their own.

Publishing crimes 101

So is it stealing?

I DON’T KNOW.

I think this is one of those gray, really uncomfortable areas of publishing that many people tiptoe around because they are afraid of looking paranoid or offending others or causing an uproar, but why can’t we talk about it? Why can’t we talk about the fact that this does happen sometimes?

When I was younger, lots of writers were on Wattpad; many of which did blatantly “borrow” premises or literal lines from one another’s work without permission. In fact, sometimes I think this happens a lot when writers transition from writing fan fiction to writing something independent of other works. Fan fiction can be a fantastic place to learn about the craft of writing, but it is one of those blurry places. So is “inspiration.” For instance, we can be inspired by another tale, and recreate it into something new.

We never call a fairytale retelling stealing for a reason. That’s because those writers are making that tale their own. It’s unique in the way they reconstruct the story and how they tell the story throughout the piece. But what if someone took Harry Potter and retold it? Would everyone be okay with that? I think it would depend on how similar the two pieces were and what was changed. And to be honest, it wouldn’t surprise me if we see something like that happen sooner rather than later.

So let’s talk about those blurred lines. You know, the ones that happen when #PitMad tweets suddenly seem the same, or how similar novels get sold to different editors at the same time, or how novelists will use current best-sellers as influences when writing a piece. We could get into trends and talk about how publishing is still a business and la la la. But I could go on forever about that, so I thought I’d share a story of my own.

I’ve had something like idea stealing happen to me before.

About two years ago, when MSWL was first taking off, I had my first manuscript I felt was ready to query to agents, and I found a new agent on that hashtag that I thought was a good fit. I sent her my work. She loved the sample pages and requested more, and then she asked for an R&R, outlining what parts she liked and didn’t like. I rewrote, but it still didn’t work out. Not a big deal, right? Right. I totally agree that we weren’t a good fit for one another with that manuscript. However, to my surprise (and a bit of horror), when I logged into Twitter that evening, she had tweeted out a near-replica of my manuscript’s pitch to MSWL. Long story short, another author out in the Twitter verse responded to that sort-of-mine-pitch (seriously, I wish I could explain how close it was, but just trust me, it was unbearably close), and she signed that author who later went on to get a three-figure deal in less than six months. Granted, the book releases later this year, so I have no clue just how similar it is. I doubt it’s that similar. That’s not what bothers me. What bothers me is that I felt like there was a direct violation of author-agent trust. She shared my pitch without asking me, end of story.

So did that agent steal my idea? No, not really. Because she didn’t go and shop my story pretending she had written it. She simply reached out to others who happened to have a similar idea to mine already written. But was it shady as hell? Yes, I think so. To this day, I have anxiety around MSWL because of it, even though it was one instance that I doubt would happen again. In fact, I still sent my next manuscript to this agent, because she asked me to send her my next piece. Her response? Form rejection. But did she tweet out my new idea on MSWL? No. How do I feel now? Still a little weird about the whole thing, I won’t lie, but I don’t think any of it was that personal either, even if it feels that way some days.

Sometimes many of us have similar ideas at the same time. Why wouldn’t we? We all live at the same time in this weird world, often influenced by the same constructs (whether it be celebrities or politics or social scandals). So, it shouldn’t be a surprise when a dozen, if not hundreds, of writers are writing similar stories. To be honest, I think this is what happens most of the time. We share our idea, someone already has a similar idea, and we automatically think they stole it rather than thought of it themselves. But there’s truly no way to prove it. And that’s why this topic is such a sensitive, slippery slope.

The masses in publishing have deemed this sort of claim as immature rubbish, but I think that’s super harsh. After my experience with having my pitch shared without permission, I felt a little violated. I actually stopped participating in many Twitter events for most of last year because of it. But then, I realized that I let this one shady experience ruin all the fun times I was having with other writers. So, I started to share again, and I am having a blast.

If someone “steals” my idea, fine. I have plenty more, and so do most writers. In fact, I think writers really need to keep that in mind when considering if someone “stole” their idea or not. Most of us already have too many ideas in our own heads to have time to consider other people’s ideas. Also, most writers need to feel passionate about something in order to write 80,000 words or more, and then rewrite it over and over and over again. “Stealing” an idea is probably the last way to become successful. Why? Well, A) It’s not your story, and B) You will eventually burnout, or C) The publishing gods will sick writing-idea demons on you, and you will forever be on the ominous blacklist.

Okay. So maybe not that last one. But you get what I mean.

Someone “stealing” ideas is probably very rare, but if you’re feeling that way, take a few breaths and reflect on if it’s truly stolen, and if so, don’t let it get you down. You thought it up. You planned it out. You can still write it. At the end of the day, your story will always be your story. 

Besides, your voice will be how you tell your story. And no one can steal that.

~SAT

 

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Ageism in Publishing

24 Mar

The other day some truly awesome people began talking about ageism in publishing via Twitter. I first heard about it from Ashley Hearn, an editor at Page Street Publishing, but here’s an awesome thread from Susan Dennard, NYT bestseller author of the Witchland series.

I encourage you to get online and read some of the ongoing threads/comments, especially if you’re struggling with this particular pressure.

A lot of writers feel ageism in a variety of ways.

Many feel like they have to have an agent by 20, or a book deal by 25, or become a NYT bestseller by 30. Others expressed the pressure to graduate from a master’s program or have a bazillion short stories under your belt before you submit anywhere else. And the symptoms go on and on.

I get it. I do.

The pressure to be someone sooner rather than later feels as if it getting worse.

In my opinion, ageism has grown over the last decade. I’ve been published since 2007, even before eBooks went on the rise, and never saw ageism the way I see it now. Everyone wants that fresh-faced 20-something straight out of an MA program with the next best thing. And I think we can all understand that from a marketing perspective, but it is very disheartening from…well, any other perspective.

Why should a book be judged on anything other than the writer’s capabilities?

It shouldn’t be, but we don’t live in a perfect world, so many writers struggle with pressure, anxiety, disappointment, and overall hopelessness, because—let’s be real—aging is out of our control.

I’m not immune to this pressure.

I have this weird obsession with wanting to be a NYT bestseller before I’m 32. Why 32? Who cares. The point being is that I have no logical reason for this, and yet I think about it all the time. And it doesn’t do me any good, especially when I start adding up the “future” years that publishing lives in. What are “future” years, you ask? Well, the years that I know it would take to get something out right now if I miraculously signed with an agent tomorrow.

Here’s an example breakdown: I’m 26, almost 27. Let’s be super kind and say I signed with an agent on my 27th birthday, and somehow another miracle takes place and that agent signs one of my manuscripts within a year. Now I’m 28. And that book is slated for release in another two years. So I’m 30. And let’s not even get into the chances of it hitting any sort of list.

Basically, I’m always living five years in the future, and that age constantly feels like it’s getting worse, and though I logically know that is ridiculous, I can’t help but feel that way, and I know I’m not alone.

It’s SO easy to feel like you’re running out of time. But we’re not. We have every day to try.

With more pressure being added for authors to be public personas—often extremely public personas—the “young” face has been an inevitable repercussion.  

We see extremely photoshopped faces or out-of-date photos used all the time, (which there is nothing wrong with if the author wants their photos that way, but I have heard many authors who felt pressured into it, and that is not okay). One author online pointed out that older authors are less likely to get their photo printed on books, not because they don’t want to, but because publishers don’t want to print them. And that’s super messed up.

Age is a beautiful thing.

With every year, we learn more. We grow more confidence. We step out of our comfort zones and meet new people and try amazing things. Age can bring a lot of positivity to literature and life in general. But don’t get me wrong. Being older doesn’t automatically mean you’re a better writer or understand life more. I know tons of young people who’ve been through much tougher lives than many adults I know. There are fantastic young writers and fantastic old writers and every age of writer in between. But it shouldn’t be a defining factor in publishing. It shouldn’t feel like one either.

So if ageism is getting you down, here is a list of amazing articles about authors succeeding later in life:

11 Writers Who Started Late

Debut Books By Writers Over 40

The Authors Who Prove It’s Never Too Late to Write a Book

Reading conversations about this happening and how others feel has really opened my eyes about how I was perpetuating this by putting age-related goals on my calendar.

This is my pledge to stop putting pressure on myself to reach a certain goal by a particular age.

My age doesn’t define my career. My writing does.

I hope you’ll join me,

~SAT

Your Story Ideas Aren’t Enough

10 Mar

The other day I was on Twitter and saw someone tweet out something along the lines of, “YOUR STORY IDEA DOESN’T MEAN ANYTHING,” and I about had a heart attack, because WHAT.

I mean, of course ideas matter. In fact, I’m one of those authors that keep lists and lists of ideas, because I believe they all matter. (At least to me. And that’s enough.) But I have to confess… That tweet gave me a heart attack, because she was right. Just because story ideas matter doesn’t mean they are enough. 

Don’t throw away your ideas yet. Stick with me. (In fact, extra tip: never throw away your ideas. You never know when something you drafted ten years ago will click with you.)

Now don’t panic.

Ideas are HARD to come up with. So many ideas have been done before a million different ways that it often feels impossible to put a fresh spin on anything. So I get it. When you have an idea that actually feels fresh—one that you are passionate about—that idea absolutely feels like enough, and to have someone blatantly tell you that it isn’t enough before ever giving you a shot is extremely disheartening. But it’s not meant to be disheartening. It’s meant to remind you of one, important truth: Having the idea is only the beginning. So keep these three aspects in mind when you’re feeling discouraged about your brainstorming:

1. Everyone has ideas. Millions of them.

But so what? How many of those millions of ideas actually get down on paper? How many of those ideas go forgotten in a desk drawer for decades? Who cares how many millions of ideas have been done before? Let’s concentrate on the millions of ideas and voices that haven’t been done before instead. Let’s concentrate on the fact that your idea is your idea and no one else’s. Your voice will make that idea new, your plan will unfold like no one else’s plan, and that in itself will make it unique. Do not get bogged down by the fact that everyone has a story. Let that inspire you to come up with as many ideas as you want to. Create a list. Keep that list. One day, any or all of them could become something huge in your heart (and then on paper)! Just because an idea feels flat one day doesn’t mean that it won’t click next year or the year after that. Sometimes ideas need a lot of time to fully form. Sometimes ideas need a little push.

2. PUSH that idea

Granted, because there are so many amazing writers who come before us, we all know that our ideas have to bring something new to the table. Your road trip story might be awesome, but it also needs to stand out. One thing I like to do when I’m drafting is to ask myself what I can do to push the story. Heck, get a friend involved. Ask them what they would do to make the story crazier or how to get the stakes higher. Truly ask yourself what the most unique aspect of your story is, and then take that aspect and pushhhhhh it. Don’t be afraid to get a little crazy, especially in the drafting stage. Have fun. Make mistakes. Start over. Try again. You might find an idea within an idea within an idea that becomes the book you decide to write. Just remember to actually write.

3. WRITE that idea

I think the main reason this person on Twitter said what she said wasn’t because she was saying ideas don’t matter. They do. Instead, I believe she was trying to remind everyone that if all you do is sit around and daydream about writing some story idea you had, you won’t get anywhere. You actually have to sit down and write. A few years ago, one of my friends learned this lesson. One day, he sat across from me at a café I used to write at and declared that being a writer can’t be that hard. (He’d watched me do it after all, and he had tons of ideas.) So I told him that if he wrote a book, I would be happy to beta read and help him. Less than a month later, he texted me a hilarious, heartfelt apology, because, though he had sat down and written six chapters, he was stuck and what he had wasn’t consistent or legible (his description, not mine). In fact, he never let me read what he came up with, because he decided right then and there that writing wasn’t for him. At least not yet. But what he was going through was perfectly normal for a writer. You have to make mistakes. Major ones. My friend had been playing around with his idea for years before he sat down, but once he sat down, writing wasn’t what he expected. Does that mean he should’ve quit? I don’t think so. (Unless he truly realized he doesn’t enjoy writing.) But one thing remains true. You can plan, plan, plan all you want, but writing a great book requires more than a great idea. It requires practice and patience and passion.

So sit down and try. Write those ideas, change your ideas, practice with your ideas, and one day, publish your ideas. But don’t listen to those that say your ideas don’t matter, because of course they matter. They matter to you, and that has to come first and foremost before your ideas can also matter to others. Pursue as many ideas as you want to. Experiment. Have fun. Find something you’re passionate about, because this is part of the publishing journey, and your ideas are the foundation you will write upon.

Ideas are the beginning of something great.

~SAT

Tips for Writing During a Life Change

3 Mar

Life is crazy, right? There’s moving, job changes, babies, weddings, divorces, health complications, weather disasters, and (okay, I’ll stop listing all these crazy life changes. You get the point.) Life is fun, but it can get complicated.

Working full time while writing is hard enough, but what do you do when you’re also coping with a life change?

You could curl up at your desk and cry…(which, totally valid)…or you could try these tips below.

To be honest, the answer to this question is going to be different for everyone. But I’m actually going through this right now. I just began a new job at the library, so my hours are totally different than what I’ve been used to for the past three years. Even my sleep schedule has changed, dramatically, and adjusting to my new way of living while trying to keep up with my writing goals is a little difficult.

So here are some quick tips I’ve learned by going through this.

1. Give Yourself Time to Breathe

If you’re not on a serious deadline, try to give yourself time to adjust to your new situation. In my case, that meant relaxing when I got home from work (even if it was a super short shift) and only writing on my days off. Slowly, I started to write after or before work too, but to be honest, I’m still adjusting to my new schedule, and my new job has to come first right now. Remember: writing isn’t a race. Start slowly. Getting burnout is the last thing you need, both for your new life change and your writing life. If you’re on a deadline though, you probably don’t have this luxury. In that case, I suggest as much sleep as you can get and, if possible, support from friends and family. Ex. If you’re moving, try to see if you can get a buddy to unbox a few things for you while you write. Pay them with pizza. Heck, hang out with them for five minutes if you can. You still deserve a little time to de-stress. Clearing your mind will help you hit those goals more than pushing yourself too hard all the time. If your stress levels are too high to write, binge-read all the books you’ve missed out on. Breathe.

2. Experiment

Whether you just had a baby or moved or divorced or (whatever), you will have to experiment with your new life to see what fits you best. It might take a while to realize whether or not the experiment is working. Like I said above, I’m still adjusting. I first made a goal to write on days I was off, but then realized I was exhausted during my first few days off. (Adjusting to a new sleep schedule has been the hardest part.) It took two weeks to realize I needed to try that experiment again, and sure enough, it was successful the second time around. My goal is to adjust, not to perform the exact same right away. Granted, my eventual goal is to get back up to speed, but for now I’m concentrating on work training, feeling energized, and getting back on my feet. Which brings me to my next point…

3. Don’t Be Too Hard On Yourself

Adjusting to something is HARD. The last thing you need to do is be any more hard on yourself than life already is. If you struggle with writers block because of the change, take a bigger break or write anyway (and don’t judge yourself when you hate what you wrote. You might find out when you read it later on that it wasn’t so bad after all). Remind yourself why you love writing and that this is a temporary feeling. You will adjust. Reward yourself for the little things (because those little, first steps can feel huge). For instance, on my old schedule, I tended to write 10,000 words per week pretty easily, but lately, I’ve been managing about 5,000, and that’s okay. I’m just glad that I’m still figuring out when and how I can write, so that I can continue more in the future.

So these are my tips!

If you’re currently going through a life change, I hope these help you write well and feel good about writing again.

~SAT

Writing in a New Genre

3 Feb

Maybe you hit a slump with your usual genre. Maybe you’re feeling the urge to explore. Maybe you just want to. Sometimes, authors want to write in a genre they’ve never written in before, but they don’t know where to start. Well, that’s what I’m here for. In fact, I recently went through this myself, so today I’m sharing three tips and a little story about what I learned from this attempt. I hope it helps you explore a new genre!

1. Ask Yourself Why

First and foremost, I truly believe every author should ask themselves why they want to write the project they are currently sitting down to write. Why? Because being honest with yourself might save you some heartache. If you’re chasing a trend, you might find your passion burns out rather quickly (or when the trend passes…because it will, probably before you finish your first draft). This will make you feel like you wasted your time and energy, even if you did technically learn from it. So…take a step back before you sit down to write. Why are writing this book? Why are you writing in this genre? Are you following trends? Are you the best person to tell it? What is the main reason for switching genres: the story, the genre, the characters, the challenge, etc.? What drives you the most is up to you. Knowing why you’re writing it and what your goals are for it will help you stay focused.

Isn’t it fun to discover a new genre?

2. Read the Genre

If you’re not reading, you don’t have the tools to write. I know, I know. There are so many people who loathe that rule, but it’s true. Reading within and outside of your genre helps you see what has been done before, what is expected, and where you can succeed. Have you read widely in this genre? Have you seen gaps that need to be filled? Do you understand your reader’s expectations? What about successful tropes or overused ones? Read, read, read. You will love it. And if you don’t enjoy reading it, then you probably won’t enjoy writing it. Find the genre where you feel at home.

3. Research the Genre

This is a step I’m not sure many consider, but researching the history of your genre can give you excellent insight. You’ll come across controversies, learn how it correlated with history, and watch it expand into what it has become today. By knowing this, you might be inspired by the greats or see where the shape of your genre is most likely headed. Rather than chasing trends as they pop up, this might help you walk down an educated path of where that trend might pop before it ever happens…and you’ll have your book written, rather than scrambling to finish something. Again, this isn’t about chasing trends, but rather—at a fundamental level—knowing what needs to be done next in order to fulfill readers’ wants/needs/desires ahead of time. Make sure to check out writing blogs. Look up your favorite authors in that genre and see if they offer writing tips in interviews or elsewhere. They’ve already written this genre and made mistakes, so listen to their lessons ahead of time. You might still make the same mistakes, but at least you’ll recognize it for what it is and move on to the next step. Let knowledge guide your passion.

As an example, I generally read and write YA SFF, but last year, I set out to write my first historical. I still haven’t finished. It’s been SUPER hard, much harder than I anticipated, but I set out knowing I wanted to learn first and worry about publication later (if I ever pursue publication with it at all).

I began by reading all the historical fiction I could get my hands on. (I already read historical fiction, but I pushed to read more.) I tried different sub-genres and time periods and styles. In between books, I researched my time period thoroughly. I took notes. I researched again. I took MORE notes. I visited libraries and museums. I took notes again. I organized. Then, I began to write. Funny enough, even though I thought I had all the notes I needed to write, it became quite clear the moment I sat down that historical fiction demanded more than I expected and totally different tools than SFF. I made mistakes. I backtracked. I set it down. I came back to it. I wrote again. I took it to my beta readers. I deleted over half of it. I started over. I continued to write. Most recently, I’ve set it down again. But I still love it. And I don’t feel like I wasted a second of my time.

In the end, I was passionate about the tale. I was willing to learn and make mistakes. I still haven’t finished the novel, as it was my first attempt, but I believe in the story. I might pick it back up. I might not. But I believe in trying new genres and following your heart and challenging your art. Just don’t let bumps in the road convince you that you’re failing. You are trying. You are learning. And that’s something to be proud of.

Every author in the world had to write in their genre for the first time.

Why can’t this be your first leap toward success?

~SAT

2017’s Top Ten Articles

30 Dec

Every year, I like to look back and see what everyone was discussing. I try to collect the best discussions and revisit them, so here’s a list of this year’s most popular articles. Normally, I would’ve made this list based on a combination of unique views, comments, and shares, but I didn’t track that as well this year, so it’s only based on unique views. But I hope you enjoy them!

1. The YA Protagonist’s Age: You’re 17? Me Too! 

I’m not going to lie, I’m a bit surprised this was my most viewed 2017 article. But I’m really happy more writers and readers are discussing the lack of variety in the ages of our characters, especially in YA. Teens go through many issues at different times, and it time our stories reflect that.

2. Is Romance Necessary in YA?

Another article focusing on young adult fiction, I discussed whether or not a story HAD to include a romance. While the answer might seem obvious and simple, this conversation is actually a lot more complicated than I wish it was. Sex sells, after all. Yes, even in YA.

3. My Hate-Love Relationship with Historical Fiction

This year, I began writing my first historical novel, and the journey reminded me of my struggles as a viewer/reader/consumer when it comes to historical fiction. I want historical fiction to push boundaries, but that will take a brutally honest conversation about what we understand of history and why we interpret it the way we do.

4. When Writing Makes Reading Hard: a guest post by Susannah Ailene Martin

One of the only guest posts I hosted this year! (Honestly, y’all, if you want to guest post, I always consider thoughtful topics such as this one, so please feel free to message me.) Here’s one writer’s story about how writing can cause writers to struggle with reading.

5. First Person or Third Person? Present Tense or Past Tense? How Do You Decide? 

Choosing how to tell your novel is a personal decision, so how do we make those decisions? This is how I choose tenses and POV, along with some tips to help you decide.

I’m so ready for 2018!

6. Book Marketing Woes

We all have them: book marketing woes. This is a list of common woes, like “I don’t have time,” and actual solutions to help you overcome the issue.

7. I DNF a Book

As an avid reader, I often feel guilty when I’m halfway through a well-written book…and just not connecting. This year, one of my goals was to be easier on myself and allow myself to set down books I wasn’t enjoying, so that I could spend more time reading novels I love.

8. Authors Can Change Their Mind

Five years ago, I wrote an article that was strongly against sex in YA…and now? Well, I haven’t completely changed my mind, but I’ve lightened my stance. Basically, authors can change their mind. This is an article about how we grow overtime.

9. Not All Villains Think They’re Good

“All bad guys think they’re the good guy in their story” has become a popular writing tip, and while I love this writing tip, I push back a little. Find out why.

10. My Editing Process Starts in my Writing Process

Editing is the hardest part of writing, but you can make it easier on yourself by setting yourself up for success early on. Here’s how.

I hope you enjoyed 2017 and all the articles that came with it!

If there are any topics you want me to cover in 2018, feel free to let me know in the comments below.

I’m always here to help.

Onward to 2018!

~SAT

Should You Revise & Resubmit?

21 Oct

Querying can be terrifying.

Whether you’re searching for an agent or applying directly to an editor/publisher (or even your own agent), sending your work out there is a nail-biting experience for nearly everyone, including established writers. In fact, most writers will tell you that rejection is a constant part of the publishing process. No matter who you are. So is submitting.

Everyone faces rejection and acceptance eventually. And then, there’s the revise and resubmit.

A R&R is not a “no,” but it isn’t a “yes” either. 

It means an agent/editor/publisher liked your work enough that they believe in it and can see it moving forward after some significant changes. More often than not, an agent, editor, or publisher will give you some sort of feedback about what they believe you need to change. It’s not a guarantee, but it is an opportunity.

Should you revise & resubmit?

If you think you’re heading in the same direction, I say go for it. Your manuscript will be better in the end, no matter what happens, and I think that’s worth it. If you’re unsure about the revision notes, I honestly believe that means the notes didn’t resonate strongly enough to justify a revision. However, that is just me. Every writer is different. But I can admit that I learned this lesson the hard way.

Yes, I have revised and resubmitted—and received a “no” and a “yes” afterward.

There was one major difference between the “yes” and the “no” scenarios.

The biggest difference? I should’ve known the “no” situation from the beginning. When I received the initial feedback, I was unsure, but I felt too guilty to walk away. I mean, an R&R is a rare opportunity, right? Shouldn’t you take advantage of every opportunity? That was my thinking, but that sort of thinking isn’t always right. Why? Because my heart was never in it, and readers can sense that. With the “yes” opportunity, I received feedback that just resonated.

The moment I read the note, I felt like the team understood the heart of the manuscript. In only a few lines, they directed me in a way that felt right. In fact, it felt better than right. It felt like the place my manuscript should’ve been in all along. Instead of the confusing dread I felt with the “no” scenario, I felt complete and total excitement with the eventual “yes” scenario. Now I feel a lot more confident about when to accept a R&R.

Here’s my step-by-step guide for writers who receive a R&R:

  1. Make a decision: Take a little break to truly ask yourself if the revision notes resonate with you—and your manuscript. Once you make a decision, ask yourself one more time. Make sure you’re not talking yourself into it for an opportunity that doesn’t actually work with your vision. This will save you—and the other party—a lot of time and energy. Don’t feel guilty if the notes don’t resonate. Do feel gratitude for receiving feedback anyway.
  2. Let the other party know. Either way, thank them for their feedback. If you decide to revise, ask the other party when they expect a return (if there is an expectation), and make a plan.
  3. Now sit down to write.

It might be your revisions. It might be your next manuscript. Just keep writing.

Either way, you’re on your writing path to success. Enjoy it.

~SAT

P.S. I’m giving away a FREE audiobook of Bad Bloods: November Rain! Enter the Rafflecopter hereI’m also searching for audiobook reviewers, so if you love YA fantasy AND audiobooks (or you know someone who does), point me in the direction of their awesome blog. Good luck & thank you!

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