Tag Archives: writer

Should You Revise & Resubmit?

21 Oct

Querying can be terrifying.

Whether you’re searching for an agent or applying directly to an editor/publisher (or even your own agent), sending your work out there is a nail-biting experience for nearly everyone, including established writers. In fact, most writers will tell you that rejection is a constant part of the publishing process. No matter who you are. So is submitting.

Everyone faces rejection and acceptance eventually. And then, there’s the revise and resubmit.

A R&R is not a “no,” but it isn’t a “yes” either. 

It means an agent/editor/publisher liked your work enough that they believe in it and can see it moving forward after some significant changes. More often than not, an agent, editor, or publisher will give you some sort of feedback about what they believe you need to change. It’s not a guarantee, but it is an opportunity.

Should you revise & resubmit?

If you think you’re heading in the same direction, I say go for it. Your manuscript will be better in the end, no matter what happens, and I think that’s worth it. If you’re unsure about the revision notes, I honestly believe that means the notes didn’t resonate strongly enough to justify a revision. However, that is just me. Every writer is different. But I can admit that I learned this lesson the hard way.

Yes, I have revised and resubmitted—and received a “no” and a “yes” afterward.

There was one major difference between the “yes” and the “no” scenarios.

The biggest difference? I should’ve known the “no” situation from the beginning. When I received the initial feedback, I was unsure, but I felt too guilty to walk away. I mean, an R&R is a rare opportunity, right? Shouldn’t you take advantage of every opportunity? That was my thinking, but that sort of thinking isn’t always right. Why? Because my heart was never in it, and readers can sense that. With the “yes” opportunity, I received feedback that just resonated.

The moment I read the note, I felt like the team understood the heart of the manuscript. In only a few lines, they directed me in a way that felt right. In fact, it felt better than right. It felt like the place my manuscript should’ve been in all along. Instead of the confusing dread I felt with the “no” scenario, I felt complete and total excitement with the eventual “yes” scenario. Now I feel a lot more confident about when to accept a R&R.

Here’s my step-by-step guide for writers who receive a R&R:

  1. Make a decision: Take a little break to truly ask yourself if the revision notes resonate with you—and your manuscript. Once you make a decision, ask yourself one more time. Make sure you’re not talking yourself into it for an opportunity that doesn’t actually work with your vision. This will save you—and the other party—a lot of time and energy. Don’t feel guilty if the notes don’t resonate. Do feel gratitude for receiving feedback anyway.
  2. Let the other party know. Either way, thank them for their feedback. If you decide to revise, ask the other party when they expect a return (if there is an expectation), and make a plan.
  3. Now sit down to write.

It might be your revisions. It might be your next manuscript. Just keep writing.

Either way, you’re on your writing path to success. Enjoy it.

~SAT

P.S. I’m giving away a FREE audiobook of Bad Bloods: November Rain! Enter the Rafflecopter hereI’m also searching for audiobook reviewers, so if you love YA fantasy AND audiobooks (or you know someone who does), point me in the direction of their awesome blog. Good luck & thank you!

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The Difference Between a Fan and a Follower—and Why It’s Okay to Have Both

21 Aug

Marketing books can be difficult. And confusing.

When I talk to brand-new writers who venture out into the marketing side of things, one of the first discussions we have is the difference between a fan and a follower.

A fan = someone who reads and/or buys your books

A follower = someone who follows your social media, but doesn’t buy or read your books

Why do I separate these two types of people? Because many newcomers get confused when they send out a newsletter to 800 people and only get 100 buyers. (Or post to Twitter or Facebook or Instagram or so-on.)

Extra thought: A “follower” is also a fan. They are a “fan” of you. 🙂

Take my blog for instance. I currently have 21,000 followers. Did I sell 21,000 copies of my latest release? No. Because not every follower of mine is here to buy my books. They are here for my writing tips, my publishing insight, and (hopefully) my cat photos. And guess what? I’m perfectly okay with that.

There’s huge pressure to convert all your followers into fans, and I’m just not buying it. Don’t get me wrong. I would be ecstatic if 21,000 of you bought my book, but I also understand that my books aren’t for everyone.

What if all 21,000 of you bought my book, but it was only written for 10,000 of you? Well, that’s 11,000 1-star reviews just based on the work being inappropriate for that audience. My ratings would tank. Not that ratings are everything—but I’d rather have those who are genuinely interested in my books try them out. Attracting the right audience for the right things is more important to me than tricking the wrong audiences into buying something they probably won’t enjoy.

Granted, I get it. Sometimes it can hurt that thousands of people are following you for (insert # of reasons here) for years but won’t check out your books to show support, but, at the same time, aren’t they showing support by connecting with you? By cheering you up on Twitter? By reading your articles? By sharing your posts? By simply being there?

Don’t let the marketing world convince you that your work is only worth what is bought.

Your work connects you with others. It builds relationships. It allows you to reach out and be a part of the world. It gives you a way to express yourself.

You may have fans, you may have followers, and you may have both. But converting those into sales isn’t the most important thing in the world. (And those sales will come in time.)

What matters most are those connections you’ve made—and you’ve made those by chasing what you love.

Enjoy that,

~SAT

P.S. If you’re a follower who is considering becoming a fan, I have two free young adult books out right now on Amazon. 😉

Two free YA SFF books!

Can Genres Die?

24 Apr

“Why are you writing a vampire/dystopian/princess novel? That won’t sell today! It’s been overdone. It’s dead.”

If you’re a writer, you’ve probably participated in a conversation similar to the one above. Trends have a lot to do with the publishing industry. If you’re lucky enough to have something written and ready to go as the trend is escalating, chances are you’ll have an easier time getting published than if you were pitching a genre that previously trended. Why? Because business has a lot to do with timing, and writing is a business. When a topic is hot, similar books will follow. And after the market is flooded with said genre, it’ll be harder to get that chance again. That is an inevitable fact.

But do genres die?

Some would say yes. Some would SCREAM yes. But I would disagree. Granted, will it be harder to get your book published if it follows an old trend, such as vampires or dystopia? Absolutely. But if your book is truly unique—if it stands out from what was previous done—your writing can rise to the top, whether or not the genre is “dead.”

Take RoseBlood by A.G. Howard for example. It was published this year, and it more or less had vampires in it. (I don’t want to mention specifics, because spoilers…but check it out.) Despite following a lot of tropes (new girl goes to a new school where paranormal, romantic interest waits…because fate), the book stood out, because it twisted those tropes into something new. Instead of blood-sucking nocturnal Draculas, readers met…well, again, you probably have to read it for yourself. But it was unique.

Not that I have anything against blood-sucking nocturnal Dracula vampires…I actually might miss them.

Genres work a lot like tropes. Some readers will pick them up solely because that’s what they love. They will read those stories over and over and over again, and they will never tire of them. For instance, I will always love a good dystopian book. But if you shove me in an arena with a braided archer who wants to take down the government…I mean, come on. There are a million ways a society could be dystopian and a million ways a government can fall. It’s blatant repetition that causes readers and publishers alike to flinch away and claim something is “dead.” But it’s not dead. It’s just…boring. And it’s boring, because it’s predictable.

If you’re a writer and wondering how you can surpass your “dead” genre, consider what is unique about your work and amplify the hell out of it. Whether that’s your voice, viewpoint, twists, or expertise, pinpoint why this story stands out. (And if you can’t, reevaluate your work.) This is why reading the genre you’re writing in is so important. By doing that, you will know what is overdone, and you will be able to avoid it (or, at least, make your version stand out). And never stop writing just because something is “dead.” If writers made decisions based on that, writers would never write anything, because—let’s be real—everything’s been done to an extent. Don’t let trends or rumors or “dead ends” stop you. Write what you want to write, trends be damned. Your voice will thrive, and your stories will thank you for it.

I’m not going to lie though. If you wrote a novel about a vampire princess surviving in a dystopian world, I would die to read it.

~SAT

Writers, It’s Okay To Log Out

27 Mar

Social media is a must for writers today. Connecting with readers through Facebook, Twitter, Instagram, and other platforms is easy and welcomed, but it can get overwhelming. With the myriad of ways we have of posting information—sometimes live—it’s easy to succumb to publishing pressures. Personally, I still struggle to figure out where my balance is in all the different types of social media platforms. Why? Because they are constantly changing and so is my schedule, but one thing remains the same. Making sure I’m interacting with readers and writers through social media is always near the top of my To-Do list.

There is also staying up-to-date in the publishing world. Whether you’re reading Writer’s Digest or Publishers Marketplace or one of the millions of amazing publishing blogs out there, there’s always something to read, to share, to consider.

But that doesn’t mean you should get lost in social media.

Extra tip: Pick only the social media platforms that you love. You don’t have to do everything.

One of my main pieces of advice to writers is to stop reading about writing and actually start writing. Not that reading about writing is bad. (I mean, I write about writing on this blog.) But if you’re reading more about writing than actually writing, then it might be time to log out. There’s only so much you will learn from studying writing. The best way to grow as a writer is to actually write for yourself. And I’m not an exception. Recently, I had to remove my social media from my phone. Mainly Facebook and Twitter. Why? Because I found myself spending more time reading my feeds than reading books. And quite frankly, it was starting to affect my writing. For example, I sometimes get so wrapped up in trends I forget about what I WANT to write—and honestly, what you want to write is generally the most important thing, because that passion will show in your voice.

Don’t get me wrong. I love these platforms. Twitter, in particular, is an important platform where writers get involved in publishing issues that need to be addressed. I also love joining Twitter events, because they are fun and fast and a great way to meet others who love reading and writing as much as you. But sometimes, I just need to read or watch TV or go for a jog or explore a bookstore without all the scrolling and pinging of notifications.

Setting boundaries and taking care of yourself is important, especially when you feel overwhelmed. In fact, I feel much better now that I’ve taken those apps off my phone. Admittedly, it probably won’t stay that way forever, but it is helping me stay focused on the recent conference I attended as well as my upcoming book releases in April and May. I’m sure I’ll put them back on my phone soon. But until then, I’m grabbing a coffee and sitting on my roof this morning. And I’m definitely logging out.

Don’t feel guilty for logging out. It’s okay to take a day off of marketing or tweeting or Facebooking or sharing photos of your cat on Instagram. (Though if you like that sort of thing, I often post photos of my three cats—Bogart, Boo Boo, and Kiki—via Instagram’s @AuthorSAT. If you post cats, feel free to tag me so I can see. I seriously love cats.)

You can log out, too.

~SAT

Podcasts for Writers, SFF, & More

20 Mar

I love podcasts. Since I spend most of my day on the computer, I’ve fallen in love with listening to podcasts while I’m off the computer. It helps me rest my eyes, while also giving me a chance to continue my research—whether it’s for publishing or writing in general. Below, I’m including my top three writing podcasts, which any writer could enjoy, along with my favorite inspirational podcasts for science fiction and fantasy. (Oh, and some extras.)

Writing Podcasts

Writing Excuses, PubCrawl, and The Manuscript Academy podcasts

Writing Excuses: This is my go-to podcast for writers. Every season has a specific focus—this year being structure—and the episodes are quick but informative. “Fifteen minutes long, because you’re in a hurry, and we’re not that smart.”

PubCrawl: Hosted by Kelly and S. Jae Jones, PubCrawl covers everything, from writing to social media to publishing promotion. I love how candid the hosts are, especially about life after publication. Their honesty is refreshing, as well as eye opening, and they’ve interviewed specific authors about certain books. Hearing about those authors’ inspiration is really interesting. My favorite recent episode was Author Life: Public vs. Private, which covered how to separate yourself from your public self.

The Manuscript Academy: A sister podcast for MSWL (manuscript wish list), this podcast is fairly new but totally awesome. From agent interviews to behind-the-scenes in publishing houses, The Manuscript Academy covers any and all topics that can help you navigate your publishing journey. Recently, they even allowed listeners to submit first pages to be reviewed. Definitely check out this podcast—and MSWL—if you’re hunting for an agent, but I’d recommend this podcast to any writer at any point in their journey.

SFF/Fantasy Inspiration

Lore, The Morbid Curiosity, and Myths & Legends podcast

These podcasts aren’t necessarily science fiction or fantasy, but I am OBSESSED with them. There’s nothing more inspiring than hearing spooky (and sometimes factual) tales from all over the world.

Lore: Lore is my all-time favorite podcast. It explores the darker side of history, including the paranormal. But sometimes, reality is scarier than the paranormal. Trust me, this one is worth it. Aaron Mahnke, the host, is also an author. He also just signed a book deal with Penguin Random House! And he has a TV show releasing. Both will be based on this podcast, and I cannot wait.

Morbid Curiosity: I just started listening to this podcast, and I cannot stop. Also, it’s just as it sounds. This podcast covers topics for the morbidly curious. Think serial killers or medieval torture devices or the wendigo. Anything really. My favorite part is the various topics—and how the host points listeners to places where they can get additional information.

Myths & Legends: This is the first podcast I ever binge listened to. If you love Greek and Norse mythology, King Arthur, and tales from other cultures, this podcast is for you. My favorite episodes are the ones that cover stories from other cultures. (Though I’m in love with Greek mythology.) Each episode also includes a creature of the week.

Other Podcasts

True Crime Podcasts

If you’re a podcast junkie like I am, I thought I’d cover a couple others I love. Truthfully, I mainly listen to true crime. My favorite is Generation Why, which is actually based out of KC where I am! Something I didn’t even know when I started listening to them. They cover famous (and often strange) criminal cases. I also love Court Junkie, Criminal, Serial, Detective, and The Vanished. (Told you I was a true crime junkie.) Court Junkie covers crazy court cases. Criminal is any topic dealing with crime. Serial is the famous podcast that covered the cases of Adnan Syed and Bowe Bergdahl. I preferred Adnan’s case, but they’re both interesting. Detective interviews a new detective every season, and The Vanished covers cases involving currently missing people.

Guilty Feminist podcast

Lastly, I recommend The Guilty Feminist for everyone. Just as it sounds, The Guilty Feminist covers feminism but from a no-pressure standpoint. The hosts are comedians, and there are also guest comedians who come on to talk about certain topics. I find it both informative, safe, and fun. It’s a great podcast for anyone, and I recommend it to everyone I know all the time.

Podcasts can help writers continue their research and inspiration while off the computer. I hope you love them as much as I do.

What are your favorite podcasts?

~SAT

P.S. BOOK BLOGGERS, you can now sign up for the July Lightning book blitz. Click the link for more info. (There’s also a book blitz for July Thunder.) You’ll receive exclusive excerpts, ARCS, and more.

Reward Your Writing

13 Mar

Writing is hard. So is publishing. It’s easier than I want to admit to fall into a downward spiral of imposter syndrome. Or something worse. But there are ways to combat that spiral of doom. For me, that spiral consists of workaholic syndrome. I will write, write, write until I burn out, and sometimes, I’ll try to write even when I know I’m burnt out and need to rest. I mean, there’s always something to do, right? Whether it’s outlining, writing, editing, querying, or marketing, a writer ALWAYS has something on their To-Do list. It’s easy to lose yourself in that madness.

So what’s one thing you can do to prevent writer’s madness?

Reward yourself.

Reward yourself when you finish a novel or sign with an agent or get your first publishing deal. Get those new office supplies you’ve always wanted. Or take the day off to read.

Writing is often a lonely, thankless endeavor. After spending months writing a novel, it can hurt to hear questions like “When will it get published? Where’s your movie deal? Oh, you’re still doing that writing thing?” It can gnaw at you. Granted, I don’t expect anyone to thank me just for writing—don’t get me wrong—but it’s okay to thank yourself for continuing to follow your dreams.

So many people claim they will write a novel and never write a word. The fact that you are moving forward is worth something. You haven’t given up, and that’s awesome. By taking a moment to acknowledge that, you’re encouraging more positive feelings than negative ones. You won’t get so lost in the pressures of publishing or succumb to imposter syndrome. You will enjoy the writer’s journey.

My advice? Make goals, and when you reach them, take a moment to celebrate.

Every time I finish a novel, I buy myself a trinket—like a coffee mug or, more recently, a Funko Pop of Tuxedo Mask for my desk. Why? Because it’s part of my writing ritual. Every gift is under $10, but each item feels priceless. It represents time and effort and the passion I have to move forward. Those trinkets remind me of that on the hard days in between.

Maybe you’ll buy a coffee mug like I do—or maybe you’ll bake brownies on the weekend. Something. Anything. Even just a nap. Let yourself enjoy that goal you reached. And then, set a new one.

You’re worth it.

~SAT

Surprise! Bad Bloods Cover Reveal and Release Date!

27 Feb

My next books are coming THIS spring!

Bad Bloods: July Thunder will release April 10 and Bad Bloods: July Lightning will release May 1 by Clean Teen Publishing.

I’ve been a bit mum about my publishing life, and there’s a reason for that. I’ve been CRAZY busy preparing the next Bad Bloods books for release, but that hard work paid off. Clean Teen Publishing will release both books this spring! You can pre-order them, too. Check them out below for more information, including some sneak peeks.

Bad Bloods: July Thunder and Bad Bloods: July Lightning

So what can you expect from these books?

For those of you who don’t know, Bad Bloods is a generational duology series, which basically means every two books will be told by a new set of characters. Each set also focuses on a new political change. While November Rain (FREE) and November Snow were told by Daniel and Serena while focusing on an election, July Thunder and July Lightning will be told by Violet and Caleb while focusing on the wall separating the Highlands and the outskirts. Within the context of the Bad Bloods universe, the duology is loosely based on the Berlin Wall. It takes place in July of 2090, so the story will also deal with the aftermath of the first duology. Speaking of the first duology…

You might remember Violet. She was a member of the Northern Flock, and had the power to turn into a shadow. (She might also be connected to my paranormal romance series, The Timely Death Trilogy.) Caleb, however, is a brand-new character. He also brings an entire herd of people with him. On top of a new cast of characters, this duology will explore the Pits and the sunken bay in Eastern Vendona along with sections of the Highlands—and since you are reading from Violet and Caleb’s perspective, you might see some of your fav characters from the first duology in a different light. You can read more about the storylines below. (And pre-order them!)

I’m really excited to be continuing this series, and I hope you enjoy Violet and Caleb’s journey as much as I did!

July Thunder

Coming April 10, 2017!

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ebook-bad-bloods-july-thunderFourteen-year-old Violet has been called many things: a bad blood, a survivor, an immortal…now she has a new name—citizen. But adjusting to a lawful life is not easy, especially when she must live under the rule of the same officers who justified the killings of her flock only eight months earlier. Segregation of bad bloods and humans is still in effect, and rebellious Violet steps into a school where she is not allowed. When the police get involved, things deteriorate quickly, sparking a new revolution at the wall separating the Highlands from the outskirts.
That’s when Caleb steps in. He might appear to be an average sixteen-year-old bad blood, but he has secrets, and Violet is determined to figure them out. Caleb knows who’s attacking the wall and why, but his true identity remains a mystery—and how he relates to Violet could shake the threatened city to its very core.
Together or not, a storm will form, a rally will start, and shocking truths will be revealed.

July Lightning

Coming May 1, 2017!

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Bad Bloods: July Lightning by Shannon A Thompson

Bad Bloods: July Lightning by Shannon A Thompson

Sixteen-year-old Caleb has been called many things: a patient, a musician, even a prostitute…now he has a new name—son. After his identity is uncovered, Caleb bands together with the family he once rejected in order to save the city of Vendona. But it won’t be easy. Enemies wait around every corner—and so do harsh realities. With Violet and Kuthun by his side though, nothing seems impossible. As Vendona sits on the verge of an economic collapse and a massive hurricane threatens the city, Violet and Caleb must show its citizens how to overcome decades of hostility and division to save themselves.

Standing or not, a sea will rage, a wall may fall, and all will depend on immortal pain and sacrifice.

Visit the FacebookPinterest, and the Extras page.

If you haven’t started this series, Bad Bloods: November Rain (#1) is FREE across all platforms! 

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Bad Bloods: November Snow (#2) is ONLY $2.99

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