Tag Archives: writers

2018 YA Predictions

16 Dec

So I’m feeling a little crazy today, mainly because I write these posts every year…and yet I can’t find my post predicting 2017. Here’s my post predicting 2016, though. (Seriously, I wrote one for 2017, didn’t I? I could’ve sworn…)

Anyway, I like to write these for fun. They aren’t supposed to really mean anything, because, you know, these things are hard to predict. Basically, don’t take my word for it and start scheduling your writing around my predictions.

If you’re interested in the future of YA publishing, I suggest following Publishers Marketplace, MSWL, and joining other groups to get an overall feel for trends. Remember though: Don’t write for the trends. By the time you learn it, it has passed. Write what you want to write.

Without further ado…

Here are three titles I’m waiting on!

Covers & Titles:

I’m expecting to see more diverse portraits. Check out the covers of Dear Martin, Saints and Misfits, or The Gentleman’s Guide to Vice and Virtue. It’s about time our stories get more diverse, and cover art is reflecting that. Because I’m expecting more portrait artwork, I’m thinking fonts/colors/graphics will tone down a little bit in order to focus on the protagonist, but those Trad 5 publishers love their unique fonts, so if anything, I think they’ll hold onto that as well. In the meantime, titles will become more straightforward. For the past few years, we’ve seen a lot of poetic, flowy, and LONG titles, and while I don’t think those are going away completely (especially if they are part of an already-happening series), I think we’ll see shorter titles. In fact, even in fantasy (the genre for notoriously long titles), one-word titles are slowly creeping back: Thunderhead, Shadowsong, Unearthed, etc.

Hot Releases:

Epic fantasy with unique settings and cultural influence is ruling the realm! I don’t think this will change much, and I’m really looking forward to a lot of releases already. (::cough cough:: Children of Blood and Bone.) That being said, I’m still waiting for future-tech to take off more than it already has. We’ve been in epic fantasy for a while now, and as much as I love it (and write it myself), I would like to see something else take over. Dare I say it, I wouldn’t be surprised if vampires made a comeback. In fact, there’s been some timid talk of this already on forums like MSWL. Granted, your vampires will have to be unique, but if you have something unique enough out there, urban fantasy/paranormal might surge up again. Another trend I’ve noticed is duologies. (And I’m not just saying that because my latest series is a duology.) Lots of authors are ditching the trilogies for faster books paired together. Personally, (obviously), I’m a fan of this. It allows authors to try something newer and faster, especially if something isn’t working, and it opens doors for more genres to step in.

More books I cannot wait for!

What Agents/Editors/Publishers Will Be Looking For:

Politically relevant contemporary. If your novels focuses on the challenges of our current political environment—like the #MeToo conversation—your book is needed and necessary. More and more agents are requesting books with relevant discussions, and there are lots of conversations that need to be had. I like that more contemporary books are getting attention here, but it’d be nice to see some of these conversations stretch more into other realms, too. (Maybe some magical realism?)

In regards to everything else?

Who knows? Publishing is a wonderfully, weird, unpredictable place.

I look forward to seeing where it takes us.

~SAT

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2017 Favorite Writing Tools

2 Dec

Toward the end of every year, I like to talk about my favorite books, but I thought I’d share my favorite new writing experiences, too. This list is based on tools I tried in 2017, not necessarily tools that released in 2017, but I hope you find it helpful anyway.

Website: MSWL

For those of you querying, MSWL (or Manuscript Wishlist) organizes agents, editors, and publishers by showing what they wish they’d receive in their inbox. Read profiles on the website or do a quick search on Twitter’s #MSWL. Sometimes wishes can get oddly specific, but don’t be discouraged. Specifics are not usually meant to be read as “this is the ONLY thing I want,” but rather a fun way to reach out to those perfect matches. Generalized wishlist items are mainly on the website profiles (and, of course, you should always visit the person’s main website). MSWL is a fun way to see what people are asking for. On top of that, they now have a fantastic newsletter, podcast, and classes. Even online pitch sessions! It’s a tool worth checking out, whether or not you’re querying. Any cons? Sometimes sketchy people show up. Always do further research on the agent, editor, or publisher.

Technology: Alphasmart Neo

After seeing the YA Gal post her Alphasmart Neo on Facebook, I had a flashback to middle school when these wireless keyboards were used in the classroom. I immediately wanted one for myself. Why? Because I spend all day on the computer at my job. My computer screen KILLS my eyes, and sometimes the Internet is too big of a distraction. I bought myself an Alphasmart Neo because I wanted to be able to write away from my technology…and I’ve used it so much it’s stupid. I absolutely love it, and wish I would’ve bought one earlier. Cons? I have major ADD. My mind skips all over the place when I’m writing, and scrolling/organizing can be a little difficult on a screen that only shows four lines at a time, so I’m mainly using it for first drafts/ideas. I also make a lot more spelling mistakes, but that could be because the keyboard is different than the one I’m used to, and, hey, I have to edit everything I write anyway, so no big deal. What’s an additional read-through?

App: SimpleNote

Last year, I downloaded Scrivener for the first time. Well, this year, I wanted to sync my Scrivener to my phone, but, as far as I know, Scrivener doesn’t have a phone app for Andriod yet. I did some research and landed on SimpleNote, which allows me to sync directly with my Scrivener. That way, I always have my books with me. Cons? You have to have some foresight as to what you want to take with you. It doesn’t automatically sync everything. You pick which file you want. But you can always create a new document and upload it later if you forgot to sync the file you want to edit.

Podcast: 88 Cups of Tea

Somehow I just discovered 88 Cups of Tea. How? No idea. Because I love it. If you want to listen to exclusive interviews with some of your favorite, big-name authors, this podcast is for you. It’s both casual and enlightening. Con? Sometimes I find interview titles misleading. Ex. An episode that says it will talk about X but they only discuss X for 10 minutes in a 50-minute episode. But if I could learn how to relax in my workaholic life, I don’t think this is an issue. In fact, being reminded that writers are people is incredibly important, and I appreciate how candid many guests get during discussions. So, if you love personal stories, this podcast is for you.

FB Group: AAYAA

I joined AAYAA this year at the suggestion of a friend, and I LOVE it. If you’re a young adult author, AAYAA is great. There’s a website, Twitter, and Facebook group, but I’ve found the FB to be my favorite place to go. It connects young adult authors together for insight, opportunities, and more. I’ve already made a couple friends, gained some new followers, and learned information that I didn’t know before. Con? Every once in a while, a troll might appear, but hey, that’s the Internet for you.

New Writing Tip?

Just last month, I attended the SCBWI conference. During the breakout session Revision—Preparing Your MG & YA Novel for Submission, Jennifer Soloway discussed so many amazing writing tips, but one in particular really stood out to me: They say to “Show, Don’t Tell”, but sometimes you have to do both. The example she used was a gasping girl with a pounding heart. Even in the context of the scene, a reader could interpret her emotions for fear, excitement, or a health condition. Sometimes it’s okay to say fear paralyzed a person or “I am terrified.” It’s about balance. I’ve been struggling with this a little bit in my writing lately. I have let traditional rules get in the way a little too much. This was a nice reminder. Con? Swinging too much the other way.

So these were my top new writing tools I used this year. Did you try anything out for the first time? Have any tips? Share away!

~SAT

A Writer’s Best Friend is Google

18 Nov

As an author, I LOVE helping fellow writers. In fact, I encourage writers to message me whenever they want with whatever questions they have. But don’t forget, folks.

Google is your best friend.

Recently, maybe due to NaNoWriMo, I’ve received A LOT more messages than usual. The most common one: “How can I get my book published?”

When I search “How can I get my book published?” on Google, the first three articles are actually pretty legit. One is about how to self-publish on Amazon. Another is a list of self-publishing tips by Forbes Magazine. The third is a step-by-step guide on how to get traditionally published. (No results were vanity presses, yay!) My favorite article that popped up toward the top was Start Here: How to Get Your Book Published by Jane Friedman.

If the writers who had emailed me had Googled their question first, they would’ve had these amazing articles at their fingertips…and as much as I wish I could deliver long, thoughtful pieces every time someone messaged me, I simply don’t have the time. I will ALWAYS try to point you in the right direction, but honestly, Google is often better.

Whether I’m researching publishing news or searching for information I’ll use in my books, Google is almost always open on my computer.

Don’t get wrong, though. I get it. I do. Publishing is hard. And there is so much information out there that it can be overwhelming/contradictory/seemingly impossible to navigate on your own. But guess what? 

Learning how to navigate your publishing journey is going to be key to your success.  

Why do I say that? Because I’ve been there. Publishing has confused the hell out of me, too. And I still have days where I get confused, because aspects of publishing constantly change. Knowing how to research and determine what is true/false/helpful/scam is going to save you a lot of time and pain. Asking others might not always work, because others also fall for false information and scams, so you need to be able to sift through information to form your own opinions. But don’t worry. You don’t have to navigate everything alone.

No one can get a book published by themselves. It takes a team to get a book from an idea to a draft to an editor’s pick to a novel on a shelf. There’s beta readers, proofreaders, sensitivity readers, reviewers, and more that will help you get from step one to step infinity. So you will need writer friends. You will even need their help. But before you message an author/editor/publisher, try to answer the question yourself. Why? Because you’ll probably find the answer to “How do I get my book published?” but then come across publishers that—no matter how much you research—you’re still unsure about. THAT is the perfect time to message a fellow writer (preferably a writer who is associated with said publisher) and ask them if they recommend that house.

If you are reaching out, specifics are a lot easier to answer. “Would you recommend this publisher?” is easier for me to give my opinion on than when I’m asked “What type of publishing should I go for?” A lot of questions I’m asked are, quite frankly, not answerable by anyone other than that writer. Choosing how to publish is a very personal choice. I can’t make that decision for you, no matter how much I want to help.

Show initiative in your pursuit of publication. Be brave. Research. But don’t read this article and think you can never reach out ever again.

If you were about to message me about how to publish, I won’t bite your head off. (Maybe just your fingers.) And I’ll still try to point you in the right direction—though there are lots of directions to consider.

Here are some of my favorite resources for writers.

Writer’s Digest: The go-to online resource for writers. If you’re starting out, set a goal to read a couple articles once a week.

Publishers Marketplace: This lists current sales and other important publishing news. Some pages on this website cost money, so if you can’t afford it, sign up for Publisher’s Lunch, which is free.

Janet Reid: She blogs every day about various topics and creates an amazing community of writers to rally behind. I still read her blog every day. It’s how I start my morning.

Pub Rants: A blog by Nelson Literary Agency. One of my all-time favorites. Her Agenting 101 class caught my eye in 2006, and I’ve been following it ever since.

BookEnds Literary Blog: Another blog from a literary agency. They talk about lots of topics as well, but mainly about getting agents and the publishing process afterward.

Query Shark: For learning how to query.

Query Tracker: For keeping track of querying. (This website is free, but you can also pay $25 per year to look at extra information.)

An Alliance of Young Adult Authors: Lots of helpful tips from fellow YA writers, whether you’re self-publishing or going traditional.

Oh! And right here. I try to blog about various writing and publishing topics every single Saturday. Use the search bar at the top of this page to look up topics I’ve discussed in the past. (Because, trust me, I’ve been blogging since 2012, I’ve probably covered it.)

If you have a topic you want to see me blog about, I always take suggestions. I’ll even blog about a topic I’ve discussed before if the article is outdated and/or not detailed enough. (And, yes, you can send the suggestion via email.)

But while you’re online, I suggest opening Google and becoming best friends again.

I think you’ll love the friendship more than you know.

~SAT

Take Notes While Writing a Series

11 Nov

While on Twitter the other day, writer A.J. Forrisi asked an amazing question!

P.S. Give A.J. a follow!

My quick answer? Take notes on your first book, so that writing the sequel isn’t as difficult. (And definitely do a read-through. ) I keep a character bible and chapter summaries for each book in a series. Notes help! But what type of notes should you take? How detailed should they be? Everyone’s method is going to be a little different, but I thought I’d share a couple places to start.

 1. Keep a Character Bible

This should cover all descriptors and main personality traits/issues. Personally, I keep a list of every single person mentioned in the book, even the tiniest characters. Why? Because that side character’s eye color is going to come up in book 1 on page 18 and in book 4 on page 127. It would take forever to read the entire series over and over again every time I need to find a detail. That being said, I still think you should read through your work multiple times. If you want to get fancy, take a note of the page number information is written down. That way, you can always double-check.

2. Organize Chapter Summaries

Sum up each chapter in a couple sentences. What happens? How does it change the book? If your book is heavy on revealing secrets, keeping track of what certain characters know will also help. That way, if those secrets move into book two, you don’t have to skim over and over again to find out where and what they learned. One thing I’m sure to emphasize in my chapter summaries is when certain characters make their first appearances. That way, I know when they entered the story (and the description tends to appear at the same time).

3. Other Notes to Consider

I keep a “General Resources” tab on my Scrivener. This is basically a sheet with links to educational websites on topics covered in book. (You know, in case I need a refresher, especially if I’ve taken a break between books.) I also keep a History sheet that tracks the years leading up to the book. Sometimes these events come up in the book, sometimes they don’t, but it’s good to know how my characters arrived at the first chapter. For fun and inspiration, I also keep a Pinterest board and a list of songs that remind me of my story. That way, if I’m finding it hard to get back into the series, I can connect with that original inspiration quicker.

Do you take notes between books? If so, what types?

Feel free to share your method!

~SAT

World Building: Where to Start, What to Consider, & How to End

17 Jul

I mainly write science fiction and fantasy, and both of those genres tend to come with heavy world building. A few of you have asked me where I begin. How do I start? How do I know when to write? When does world building end? Well, if you read my editing tips series, then you probably know my answer to most of this.

I don’t think it’s that important to have your world building down in your first draft or while you’re outlining. Why? Because you don’t know everything your world needs yet in order to tell your story. All that matters is having your world building down by the end of your drafts. That being said, I tend to spend more time on initial world building than I do with character profiles or plot outlines. Why? Because my world will affect my characters directly—and that tends to be when I start writing.

That’s right. I begin most of my stories with a scene or an idea, and then I world build…and I keep building until the world affects my characters directly. Then I start to write.

So how do I build my worlds?

Extra tip: World build together. Try to explain your world to a friend. If they ask questions you can’t answer, find an answer.

Well, let’s start with the foundation.

Think of the basics. Where are we? What is the climate? Is it temperate, freezing, humid, etc.? What are the seasons like and which season/s is your story taking place in? How does this location relate to the locations around it?

My favorite place to start is clothes. Why? Because clothes tell us about societal structures—like income class, careers, etc.—and also about the land/weather patterns. Are they wearing cotton? If so, where does the cotton come from? Who collects the cotton and uses that cotton to create clothes? How much does it cost, and who would wear it? Example: Throughout history, the upper-class generally wore clothes from far away to emphasize how rich they were; those clothes were expensive because of how far the materials had to travel (and how expensive the upkeep was.)

The next element I consider the most is water. Why? Because water is essential for life, including animal life, which means you’re looking at how people eat, clean up, make medicine, etc. Not to mention that water, like rivers and lakes, have been used as natural borders for a long, long time (along with mountains). So where does the water come from? How were borders decided? Start thinking about other natural materials on your land. What materials are used to make buildings, for instance?

Now time: What year is it, and how does that year in particular define your character/s? I tell new writers to at least understand their main characters and their family structure for three generations back. This information doesn’t have to go into your book, of course, but knowing where your protagonist came from, including how their parents raised them and why, will help you shape their family unit and beliefs. This brings me to my last two topics: Religion and language.

  • With religion, personally, I think the most important part of a person’s religion can be summed up in their burial practices. Start there. Most of the time, burial practices relate to how that person sees life, death, and how both their life and their death is connected to the land. This includes if your characters don’t have a religion at all.
  • When I am building a language, I focus on two elements first: How do people curse and how do people say I love you. Why? Because humans are built on emotion, and hate/love are the two strongest emotions and the biggest umbrellas of emotion out there. By finding out how they express those emotions, both as a culture and as an individual, you can start to shape everything in between.

Please keep in mind that this information—like where materials come from—doesn’t have to be explicitly stated in your book. In fact, I can’t recall a time where I talked about where water came from in most of my books. But it can help to know the simple, basic elements of your world. They are your foundation, after all. And the stronger your foundation, the stronger the rest of your world building will be. In fact, I only covered where I begin. I didn’t even get into magic systems, for instance. (Another favorite topic of mine.)

Build and keep building. Don’t be afraid if you feel intimidated, and don’t get frustrated when your world contradicts itself or doesn’t make sense at all. You have all the time in the world to…well, build your world. Take your time. Take notes. And enjoy the journey of discovering a brand-new place that your characters—and you—will call home.

~SAT

Website Wonders & Four-Year Blogiversary

26 Sep

bloggiversaryFirst, I want to give a shout out to WordPress and everyone I’ve met in the blogosphere! Today is my four-year anniversary with WordPress, and I’m still totally, completely in love with this community. Thanks for having me.

~SAT

Every month, I share all of the websites I come across that I find helpful, humorous, or just awesome. Below, you’ll find all of September’s Website Wonders categorized into Writing, Fairy Tales, Mysteries, and the Best Person Ever.

If you enjoy these websites, be sure to follow me on Twitter because I share even more websites and photos like this there.

I hope you love these articles as much as I do!

See you next month,

~SAT

Favorite Article: Do Better: Sexual Violence in SFF

I feel so strongly about this article. And I completely agree. We can do better. This article is on point.

Writing:

This Book is Broken, and Other Things I Tell Myself While Writing by Victoria Schwab: I really love her honesty in this article. A must-read for writers.

The Five Elements of a Story: Brush up on the basics in a new way.

Proust’s Questionnaire – 35 Questions Every Character Should Answer: What is your idea of perfect happiness?

Fairy Tales:

14079612_1189549304445899_2149284556800308199_n15 Fairy Tale Cities That Actually Exists In Real Life: So cute!

Enchanting European Landscapes Inspired by Brothers Grimm Folk Tales Photographed by Kilian Schönberger: Can’t you tell I was feeling in need of a fairy tale this week?

Mysteries:

10 Ancient Books That Teach Supernatural Powers: Looking for book inspiration? Write a tale about one of these.

10 Unbelievable Urban Legends That Are Actually True: Chills

The Best Person Ever:

Man Devotes His Life To Adopting Old Dogs Who Can’t Find Forever Homes: Can we just give this guy a hug? What a wonderful thing to do. Adopt an old dog today.

See you next month!

~SAT

Penned Con 2016

Penned Con 2016

I had a ton of fun at Penned Con in St. Louis this past week! Thanks for coming out and seeing me. Now it’s time to cuddle with my three cats… 😀

#MondayBlogs Writing Tips: Different Perspectives

8 Aug

I love writing from different perspectives. Both my YA series—The Timely Death Trilogy and Bad Bloods—are written in first POV but from two different speakers. I love using this technique for novel writing, because I enjoy first person, but I dislike how it restricts the storytelling to one character, especially when a scene would be better from a different perspective. So, I have two protagonists, and of course, there are complications that come along with this. What’s the most common question I am asked?

How do you make each voice unique?

I’ll provide a few aspects to keep in mind, but of course, this journey will be different for every writer and every novel. First, know that every character should have its own distinct voice. A reader should be able to open the novel and know who is speaking immediately. This is more difficult than it sounds, but it can get easier over time.

1. Perspective. 

The most obvious change between one voice to another is their unique perspective. What is their background? How do they feel? Where were they educated? Are they affecting the words, or are you? It’s important that characters have their own voice, and that voice will come out in combination with their personalities and backgrounds. For instance, your character who is a fashion designer would definitely use specific colors and fabrics to describe clothes, but your mechanic character might not.

2. Pay Attention to Diction and Syntax

Just like authors have their own “voice,” so do characters. Because of their backgrounds, characters will have different vocabularies. One character may use very flowery language, while another may have less of a need to elaborate. Consider their education, where they come from, and what they might know. The way they speak should differ, whether they are talking out loud or explaining the scene inwardly. Sometimes, syntax can be used to emphasize certain speech patterns, but be careful not to overuse syntax. Too many exclamations or repeated habits/phrases can become tedious and boring rather than unique and fun. Sometimes less is more. Little clues are normally enough.

3. Consider Rhythm

Honestly, I think rhythm is often overlooked, but paying attention to subtle changes in sound and length of sentences is important. One character’s thoughts may drag on, so their sentences are longer, while another might make short lists to contain their thoughts. Like everything making up your character, a person’s rhythm will depend on their personality, background, and goals. It could even change from scene to scene, but consistency is key.

All four of these women would tell a different story about this picture.

All four of these women would tell a different story about this picture.

One of my favorite exercises:

Write a chapter in which the two characters are talking. Write it from POV 1, and then, rewrite the exact same scene from POV 2. Check to make sure the dialogue and the physical actions are the exact same, but then, compare the thought process. How did the scene change? What does this change mean? Do they each bring a unique perspective? And out of those perspectives, which one is best to use?

As an example, two people can be talking and Person A could notice Person B is fidgeting. Person A may assume Person B is nervous, but when you tell it from Person B’s perspective, you learn that they are distracted, not nervous. These little bits can truly morph the way characters interact. I always encourage this exercise when starting out, even if the writer isn’t planning on telling from another’s perspective.

This exercise helps me understand the characters, and I feel more confident when I move onto a new scene. (Sometimes, it even helps me choose which scene to use…and worse case scenario, you have an extra scene to release as an extra for your readers.)

Have fun and good luck! 

Original posted March 31, 2013

~SAT

Bad Bloods: November Rain is FREE across all eBook platforms right now! (And I’m dutifully working on the next installment, too!) Happy reading. 😀

November Rain

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November Snow, 

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Bad Bloods Free Book

Bad Bloods Free Book

 

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