Tag Archives: writing advice

Life Changes: Literary Agent + New Job!

8 Jun

Hey all! In case you missed it, I’ve had a crazy past month. (Hence why I missed a blog post last week. My bad.)

Not only did I attend the LitUP Festival, where I had the utmost joy of introducing Adib Khorram, author of DARIUS THE GREAT IS NOT OKAY, L.L. McKinney, author of A BLADE SO BLACK, and Miranda Asebedo, author of THE DEEPEST ROOTS, but I also announced a new life change.

I am now represented by Katelyn Uplinger at D4EO Literary Agency!

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Here is me signing my contract. But of course my cats wanted to be involved.

I will write a blog post about my query trench experience soon, but here’s a quick rundown. I’ve been querying agents on and off since I was fourteen years old. (Almost fourteen years ago!) I can’t even tell you how many projects I’ve written, revised, and submitted in various formats. But I can tell you that prioritizing my querying life helped me the most. Making this decision wasn’t easy. It meant stepping back from blogging, social media time (that I had invested a lot of marketing/time/money in), and indie publishing. (I love indie publishing. Don’t get me wrong. But between my full-time day job, my part-time editing job, and life, I just did not have time to concentrate on publishing books while writing new ones for agents. At the end of the day, I knew I wanted an agent. It was the right next step for my little writer’s heart.) I even had to take a step back from writing time in order to make time to query.

According to my QueryTracker, I made this decision at the end of 2016. I started researching heavily, read blogs (QueryShark, Writers Digest, etc.), I entered query critique contests and other contests to meet writer friends, I attended conferences whenever I could afford to, I joined a local writers’ group as well as connected with online beta readers, and I kept writing. I never put all my hope in one book. (Even while I was querying the book that won my agent’s heart, I finished writing two other novels.) That being said, this is my journey, and every writer’s journey is different. In a way, I don’t believe in giving advice on querying any more than I do giving writing advice in general. It can be helpful, yes, but ultimately, every writer must figure out what works for them. This is what worked for me. And I’m totally thrilled to work with Katelyn Uplinger. I actually had the joy of speaking with three agents, but Katelyn really understood my project and my long-term career goals, so stay tuned!

I also accepted a new position at the Mid-Continent Public Library. I am now The Story Center Program Manager! For those of you unfamiliar with The Story Center, it’s an amazing home of storytelling, where storytellers and those who enjoy stories come together as a community. There are writing courses, author meet-and-greets, and so much more. Now I get to be a part of making that happen, and I cannot be more thrilled to start this new adventure.

Basically, my life has been super crazy good, but also super crazy busy.

So what are my next steps?

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Revisions!

I’m adjusting to my new job and taking on my first round of agent revisions. I’m currently working on IMMERSION! For those of you who have been following me for a while, you’ll remember that’s my botany-inspired videogame-esque sci-fi book about science and monsters! It’s my book baby, and I’ve worked on it for a very long time. In fact, according to my Instagram, I started writing it in October of 2016. It’s been three years of writing, revising, and querying various versions, and it’s incredibly exciting to get another chance to dive back in.

I promise I’ll try to keep up with everything else, including TAKE ME TOMORROW as well as one blog post a month, but please don’t be upset with me if I have to cut back on one or both for a little while. (I mean, I already missed it once. Eep.) I’ll definitely make an announcement if that is the case. Typically, those updates happen on my Twitter @AuthorSAT.

Whew! Okay, so that’s my crazy blog post this month.

To celebrate, I will be releasing a newsletter soon with an exclusive excerpt of Immersion, as well a giveaway for a signed copy of any of my books. (Open internationally!) Sign up here.

Now back to those revisions…

~SAT

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How I Outline (And Write) My Novels

4 May

Foreword: This week has been crazy. Between attending the LitUp Festival today, trying to coordinate the cover for TOOK ME YESTERDAY (the sequel of TAKE ME TOMORROW) on Wattpad, and some other crazy exciting news, I almost (ALMOST) let this blog post get away from me. (Thank the writing gods for iCalendar reminders.) That being said, I didn’t have time to plan a topic, so I reached out to you all via my social media to see what you were curious about, and writer Hannah mentioned outlining. (Shout out to Hannah!) So, I thought I’d show you how I outline my books as best as I can. (Which, surprise, surprise, has turned into a HUGE post about how I chaotically write novels.) Enjoy…

Now it begins.

Typically, I start outlining the moment a character/scene/world comes to me. All books approach me a little differently, but I always start off lying to myself by acting like I can stay organized as all these chaotic ideas flood in. Inevitably, I end up opening a new Scrivener project and creating a document called “Chapter One” – like all my ideas will come to me in cute, organized chapters ready to be written. This results in the first few paragraphs being my opening scene…and the rest being a scrambled mess. After, though, is where the real outlining begins.

I suggest starting off a book idea with a couple of documents:

  1. Book Bible: Maybe you don’t need a book bible at this point, but I always start it right away. Even though everything inevitably changes, this gives me one place to organize focused ideas so that they don’t get intermingled with my scenes. I typically have three main ones in separate documents:
    1. Character Sheet is where I collect basics: personality, looks, and character motivation. Character motivation is the most important. Obviously. But you also might not know it at this point, and that’s okay. Try to guess anyway. Get a real feel for your character and/or what you want this book to be about. Without knowing motivation, it might be hard to know why/how your character makes decisions, which, in turn, will make it harder to outline how your scenes move. 
    2. Past Timeline is where I start to collect my lead-up to the beginning of the novel. How did your characters get here? Why are they here? When did certain events shape them into who they are today? Why, out of all times, is this novel starting now?
    3. The World Building sheet is where I start to collect world building ideas. Think of things that happen in the background but won’t be a focus of a scene. Most important thing to ask here: What makes your world unique from all the rest in your genre? Try to emphasize that from the beginning.

It might seem like a lot to start off with a Book Bible, but I have found it helps me keep my outline simple when I move into scenes and dialogue. If I have all my world building notes intermingled with dialogue, scenes can get lost and/or confusing. Granted, once I finally choose a path, I will start to mix these, but in the beginning, I try to keep everything very minimalist. That way, I can see more of the big picture in an easier format.

  1. Unorganized: This document is where I begin writing dialogue or scene ideas. Go ahead and word vomit. Put all your ideas, scenes, etc. here when you have no idea where it is going to go. That way, it’s all on one page, and you can start moving it around when you’re ready. In this stage, I don’t even try to be coherent. I want those ideas down so I don’t forget them. I can reorganize later. Hence, “unorganized.” Embrace the chaos.
  2. Organized, a.k.a. Plan A: Once I finish my “unorganized” sheet, this is where I’ll start to try organizing my thoughts. Ex. Maybe I know I want the book to start with a bank robbery and end with a bigger heist, so I know where those two go. I will also know some basics. Ex. The love interests can’t fall in love until they meet, right? So I can put “X and Y” meet somewhere near the beginning, and then I go from there. This will eventually evolve into Plan B, Plan C, Plan Infinity.

If you’re still with me, yay! I know that was a little confusing. But I like to start where I begin in order to show where I end up. I’m the sort of outliner that’s always building on outlines upon outlines upon outlines upon outlines. So let’s move onto when I’m in the writing stages.

When I begin writing my books, I write a sort-of screenplay version first. This means bare bones, no descriptions, no prose, just dialogue and a few notes about what is physically happening. Below is an example from my current WIP. This tiny paragraph will literally become an entire chapter. It might not make sense to you, but it does to me, and that’s what matters. Take notes the way you need to take them.

After I have a screenplay version down for a couple of chapters, I stop to write in the prose. I may have an idea of where I want to go, but I don’t like to get too ahead of myself, because I know how characters can be. They don’t always follow the plan. In my current WIP, for instance, I have a plan for the rest of the book, but I’ve only written a screenplay for the next three chapters. (I’m also in the climax, so things are getting hairy!) Now that I’m writing, though, my outline will change dramatically. I’ve also learned that I’m not the type of writer who should edit as I go. I may edit prose to get back into what I wrote before, but I have stopped trying to edit whole scenes if I realize it needs to change while I’m writing. Ex. In my current WIP, my beta readers pointed out that one of my side characters needed (and, yes, I forgot this in a first draft) purpose in their own life rather than just exist to serve my MC. Instead of rewriting every scene they appear in, I kept writing, let myself explore the side character’s plot more, and realized what they needed earlier on in order to make their final actions exciting and, well, purposeful. If I had gone back and tried to force it, I would’ve wasted my time. Instead, I just put a little note (okay, a huge note, along with my beta readers’ notes) back in their opening chapter. Here’s a live shot of my beta readers putting me in my place. (God, I love them.)

Once you begin writing, I suggest keeping new documents and folders to stay organized, especially the deeper you get into your work. (And this is why I love Scrivener. It helps me stay organized at all stages in the process.) Currently, here’s what my WIP looks like. (And I’ll discuss what each of these are.)

CURRENT WRITING NOTES: This folder gets created as I get closer to the end of my book. It’s when I know I need to start making hard decisions, and I’m approaching the revision stage of my work. This is what all my other folders will eventually be placed into as I work through edits.

Completed outline:This is an outline of all the chapters I’ve already written. I always keep this as I create, as it helps me look back if I need to.

Past timeline: Same document as explained above. How did your characters get to the beginning of your book? It will grow as you write.

Written: I should call this “Written, but unused.” This is typically sections of the book I cut out while editing while writing. (I know, I know, I said I didn’t do that above, but alas, I lied to myself.) Also, this might happen in the screenplay version moving into the prose version. But it’s parts I love too much to let go and might reevaluate as I move into revisions.

Ideas: Similar to above, except never used ideas that I will reevaluate moving into revisions.

To-Do Editing: This is where I put my notes for things I know I will edit. Ex. That section about Scram above.

World Building Final: This is where I solidify my world building.

MANUSCRIPT

Beta Read: This folder includes all the chapters that have been beta read, along with their notes.

Drafted: This folder includes all the chapters that are written but haven’t been beta read yet.

To-Write: Obviously, what I still need to write.

Current Decision: This is an outline of what I think is going to happen.

Issues: Problems I still have that I need to fix.

Pending Ideas: Ideas that I want to happen, but haven’t found a place yet.

Nixie/Mire climax notes: Obviously, a part of my climax I’m working on, but have yet to place.

Main Plot Holes: Bigger issues to think about as I come to the end of the book. At this point in my process, I’m being brutal on myself. It’s time to be.

Chapter 25: B: Notes: This is the chapter outline for 25.

Chapters 26: M: Notes: This is the chapter outline for 26.

Women of Fates: Also a huge scene I’m working out that I know happens after 25/26, but before the ending.

Ending M/B: The ending is actually already written, but I keep it here in case things change. M and B stand in for my main two characters, Bram and Mireille.

PUBLISH/EXTRAS: My favorite folder. The fun folder.

Songs: A list of songs I’ve used to write. Even better? Try to say what scene it was for. That way, when you go back to edit, you can get back into that headspace.

Query: Yes, I’m already working on my query letter/proposal.

Don’t forget your Pinterest board either!

As you can see, my method is a bit chaotic, but it makes sense to me, and that’s what matters. You need to find what works for you. But maybe there’s something in here you see that you’ve never tried before but might try now.  

How do you outline? If you have any questions about specific folders/documents, let me know. I’m happy to elaborate! 

~SAT

Writing with a Motivational Calendar

13 Apr

My life has changed quite a bit over the past year. Between moving and starting (two) new jobs, I’ve had to adjust my writing life and the way I think about my writing life. As many of you know, I currently work full time at the library and then work part time as a freelance editor. Suffice it to say, I don’t have a ton of time to pursue writing, but I try not to let that get me down (because I definitely don’t have extra time to feel down about it either, though it happens from time to time).

So what does a full-time working adult do to feel like they’re still pursuing their writing dreams?

Well, write, of course, but I also keep a motivational calendar.

What’s a motivational calendar?

Technically, it could be whatever you want. Mine, in fact, has changed over the years. A couple years ago, for instance, I liked to have a “future” motivational calendar. Meaning, I would write down goals for that week, and then get it done. Now my calendar is focused on the past. Every day, I take the time to record everything I did to pursue my writing goals. Mostly, I write down my current word count, how many queries I sent, how many writing-related jobs (such as a literary internship) I applied for, and other miscellaneous info. I also make sure to outline where I started on Day 1 and then I update that info on the last day. That way, I can see progress. Oh, and my favorite part, I highlight major accomplishments, like a full request from an agent. 

Here’s a snapshot of my January calendar.

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Since it’s small, here’s some facts. I started 2019 with my WIP “The Girl With The Thousand Faces” being 26,996 words in first draft/plotting. At the end, it was 31,533 with significant world building being finalized. My other WIP “The Pharaoh’s Daughter” started at 53,633 in its second draft. It ended with 81,938 words and completed. In that time, I also applied for four jobs and sent out five queries on my YA sci-fi “Immersion.” Most exciting of all? I received a full request from an agent for “Immersion” and won the Secret Agent contest with my historical “The Pharaoh’s Daughter,” which also resulted in a full request from an agent. (P.S. Both are still pending, so keep your fingers crossed for me.)

It might seem tedious or silly to keep track of all the ways you pursue your dreams, but to me, it keeps me motivated. It helps me remind myself how hard I am working – that I haven’t given up my writing dreams because X, Y, or Z in life – and that I will keep trying. Plus, it’s easy to forget all that you do on a day-by-day basis, and by having a physical representation of it, you won’t forget. You’ll know how hard you work (and also know it’s okay to take a break). You might notice, for instance, that I don’t write every day, or do anything some days. And that’s okay. 

One word at a time, one day at a time, right?

Oh, and one more note of importance.

My calendar is definitely cat-themed.

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~SAT

 

Is it Possible to Read Too Much as a Writer?

5 Jan

Last year, I read 167 books according to Goodreads. Granted, this is a mixture of everything under the publishing sun: adult fiction, YA, MG, graphic novels, and, yes, even picture books. My job at the library has definitely broadened my reading sphere, for which I’m super grateful. (I never knew picture books could be so extensive—and gorgeous! When I was a little, I feel like we had two options: Dr. Seuss and Chicka Chicka Boom Boom. But that’s beside the point.)

I read a lot, and lately I’ve wondered if I read too much.

Is that even possible? (Especially for a writer.)

I don’t know. Maybe, maybe not. I don’t think this question has a simple answer, as it depends on the writer’s life: how much free time they have, their access to books, how reading affects them, their writing goals etc. If, for instance, you are on a serious deadline, you probably need to put writing ahead of reading in order to meet that. In contrast, if you’re a new writer, it’s recommended you spend more time reading in order to understand storytelling, the market’s needs, etc. As Stephen King famously said, “If you don’t have time to read, you don’t have the time (or tools) to write. Simple as that.”

But what happens when you spend all your time reading and not writing?

When I look back on 2018, I know I read a lot more than I wrote, which is fine. Between starting two new jobs and having to move, writing often felt like too much. But I could handle reading. It was my reprieve from everything else. Writing usually is as well, but almost every time I sat down to write, I felt way too weighed down by everything else. Now that I’m more adjusted to my new life, though, I feel a bit burnt out on reading—and yet, I’ve struggled to tune down my reading time to make more room for writing. Why? Maybe I got used to reading more and writing less, and now I have to readjust again. Who knows. One thing that’s helped me is taking my laptop to work and writing during my lunch break; then, when I come home, reading. It’s still a lot more reading time and less writing time, but I’m hoping the slow adjustment helps my writer’s brain turn back on.

It’s such an isolating feeling watching your fellow writers crank out chapter after chapter when you’re only reading them. But reading is definitely good for writers too. That being said, I have a goal of reading less this year. I spent so little time writing I feel like I need to re-fill that well in my life. So far, writing during my lunch breaks has helped me write more than when I was trying to sit down at home. Even if it’s only a couple hundred words a week, it’s enough. I can see my word count moving again, and I can feel myself getting into the motion of writing more. I’m being more critical about the books I take home, and putting down ones that I don’t want to finish (instead of forcing myself through them).

In the end, I don’t think I spent too much time reading this year, because of my circumstances. It was right for me at the time. But I definitely can see how reading can take over a writer’s life if they aren’t careful. (I mean, most of us started writing out of a love for reading, right?)

In the end, I think a writer can spend too much time reading. But they can also spend too much time writing, or querying, or editing, etc. It’s all about balance and figuring out what works for you.

So what do you think? Can a writer spend too much time reading?

~SAT

P.S. I’m blogging again. Thanks for your patience! To be honest, I have a very small goal of posting once a month (on the first Saturday), but I hope you enjoy them regardless!

P.P.S I’m also posting TAKE ME TOMORROW on Wattpad again, with the plan to follow up with the sequel. I plan on blogging about the decision, but you can read more about that on Wattpad by clicking here. A new chapter goes up every Saturday! I hope you’ll stop by and support me.

2018: The Year of Writing Limbo

29 Dec

Last year I wrote this article—2017 Wasn’t My Writing Year—and I talked about failing my top three goals. Those goals were wanting an internship at literary agency, working for a library, and signing with a literary agent.

Every year, I write an article like this. But this year, despite struggling to find time to blog, I had to make myself follow up about this year. I mean, come on, I succeeded at one of my major goals! Two months after my past article, I was hired by the library, and last month, I was promoted and became full time. In regards to my other goals, I actually had the opportunity to speak to two literary agencies about internships this year, but with all my life changes going on, I had to back out. But hey, I’m still in contact with them about a future opportunity once life settles down.

This year, I didn’t make any goals for myself.Mainly because I realized how hard I was on myself last year due to the goals I created. In fact, I took a long, hard look at those goals and realized I shouldn’t have goals with uncontrollable results. Ex. “Signing with a literary agent” shouldn’t be a goal dependent on one year. The goal should’ve been “finish writing that new book,” or “query X amount of good fits this summer,” or “take a query workshop to improve your skills.” So, yes, signing with an agent is still a dream of mine, but I’ve learned how to redefine my goals overtime.

So what did I do this year to achieve my dreams?

To be honest, I barely wrote. I sent out a limited number of queries. I didn’t have a single publication come out for the first time in six years.

I could concentrate on the negative, or I could concentrate on this:

I was hired by the library, one of my dreams, and I was promoted eight months later. We moved into a better, healthier house and neighborhood, and my health is improving. I was featured in YASH (the Young Adult Scavenger Hunt) twice! I was invited to speak and sign books at the LitUp Festival, a YA festival run by teens. They were amazing, and I had so much fun. I even got to meet one of my memoir heroes, Ishmael Beah. Clean Teen Publishing released  Bad Bloods: November Snow as an audiobook, narrated by Jonathan Johns, and Minutes Before Sunset also released as an audiobook, narrated by Sarah Puckett and Steve Campbell. They were a blast to work with. I also signed books at the Local Author Fair here in Kansas City, and saw my books in a library for the first time. And I never stopped writing. I finished writing my first historical fantasy during NaNoWriMo, worked on lots of beta reader notes, beta read many books myself, and began writing my next sci-fi.

2018 highlights

So you know what? I did just fine, new publications or not, agent or not, internship or not.

I did my best every day, and I’m going to continue doing my best every day, and I feel pretty good about it in retrospect. Now, to be kinder to myself on a regular basis. I think I’d be a much happier, healthier person.

This is my only goal for 2019.

~SAT

Why I’m Not Blogging Right Now

22 Jun

Hey, folks! I know I’ve been absent from the blogging world for longer than ever since I began in 2012. Some of you might have noticed that I returned to social media (Facebook, Instagram, and Twitter), so I thought I’d post a short (okay, so I tried to make it short) explanation as to why I haven’t returned to my weekly writing tips posts.

Mainly, my schedule is still insane.

It’s easy to send out a tweet here and there. But writing 1,500-word blog posts every week? That takes a lot more time and energy that I simply don’t have right now.

I’m adjusting to my new job at the library. (I’m finally through training, which YAY!) I love it. It’s super fun, and I look forward to seeing where I go with it. But between working at the library and coming home to edit novels, (which I’m still doing btw; please don’t hesitate to contact me about my services), I have very little writing time for myself. And my writing time needs to come before blogging. If you’re interested in what I’ve been up to at the library, here are two displays I created for my branch: Juvenile Fiction for Spring: April Showers and May Flowers, and Travel the World with YA.

Also, unfortunately, I’m still having health issues. Some people on the blogosphere are super comfortable getting into details about these things, but I’m not, and I hope you understand. I will say this, though. I’ve been getting a lot of tests done. I’m actually working with three different doctors right now, and waiting to get into yet another specialist soon. Not knowing exactly what is wrong or how to fix it is a major stressor in my life, and my energy levels have been nearly zapped between work, editing, and being sick. Not to mention how expensive health care is in the US right now. I promise I’m working at getting better though. But again, my health has to be a priority.

With all that being said, I don’t think I’ll be blogging on the regular any time soon, but I promise to keep everyone updated as much as possible.

In other news…

The LitUp Festival went amazing! I mean, check out that fan art of Serena and Daniel from Bad Bloods. My teen interviewer was super nice and extremely brave for being part of a teen-run festival. I had a blast!

The Bad Bloods: November Snow audiobook narrated by Jonathan Johns released! You can get it everywhere books are sold. I hope you enjoy the conclusion of the first duology.

I’ve also had the privilege of listening to the Minutes Before Sunset audiobook narrated by Sarah Puckett and Steve Campbell, and it’s AMAZING. It should release soon, so keep your eyes open. ❤ If you’ve ever wondered what it takes to record an audiobook, watch this behind-the-scenes video! It’s super neat.

Cancer-free kitty

My favorite news? My cat Boo Boo beat cancer this week. We found out he had thyroid cancer a few months ago, and he’s been battling it with treatments for a while now. He had surgery once it was small enough, and then we got his blood re-tested, and he’s cancer-free. He may be 16, but he’s one tough cat. I’m super happy about that.

In writing news, I’m officially working on three books. I’m editing/rewriting my first YA historical, first drafting a YA sci-fi, and brainstorming/outlining a YA fantasy. No publications coming up, but I hope you understand. ❤ I’m really enjoying taking some time to write just for me. But I am looking forward to sharing these novels one day!

Oh, and I turn 27 tomorrow. Crazy, right?

As always, I hope all of you are doing well.

Stay in touch.

~SAT

Can Someone Steal Your Book Idea?

21 Apr

Can someone steal your book idea?

I tend to find there are two responses to this question:

  1. Absolutely! YES! Someone did that to meeee!
  2. NO WAY. Never happens. It’s impossible, because your idea can only be written by you.

To be honest, I think both of these answers are a little too black and white. If I had to share my opinion—which, obvs, I am—I believe “stealing an idea” lands somewhere in the middle of these two responses.

What do I mean by that?

I mean that I agree with both of them. Because, yes, someone can steal your idea. If you hand them your pitch or outline or character sheet, those people can take it and do something with it. Granted, now siding with the second answer, no matter what that person does with your idea, it will never be exactly how you would’ve done it, so one way or another, they will make it their own.

Publishing crimes 101

So is it stealing?

I DON’T KNOW.

I think this is one of those gray, really uncomfortable areas of publishing that many people tiptoe around because they are afraid of looking paranoid or offending others or causing an uproar, but why can’t we talk about it? Why can’t we talk about the fact that this does happen sometimes?

When I was younger, lots of writers were on Wattpad; many of which did blatantly “borrow” premises or literal lines from one another’s work without permission. In fact, sometimes I think this happens a lot when writers transition from writing fan fiction to writing something independent of other works. Fan fiction can be a fantastic place to learn about the craft of writing, but it is one of those blurry places. So is “inspiration.” For instance, we can be inspired by another tale, and recreate it into something new.

We never call a fairytale retelling stealing for a reason. That’s because those writers are making that tale their own. It’s unique in the way they reconstruct the story and how they tell the story throughout the piece. But what if someone took Harry Potter and retold it? Would everyone be okay with that? I think it would depend on how similar the two pieces were and what was changed. And to be honest, it wouldn’t surprise me if we see something like that happen sooner rather than later.

So let’s talk about those blurred lines. You know, the ones that happen when #PitMad tweets suddenly seem the same, or how similar novels get sold to different editors at the same time, or how novelists will use current best-sellers as influences when writing a piece. We could get into trends and talk about how publishing is still a business and la la la. But I could go on forever about that, so I thought I’d share a story of my own.

I’ve had something like idea stealing happen to me before.

About two years ago, when MSWL was first taking off, I had my first manuscript I felt was ready to query to agents, and I found a new agent on that hashtag that I thought was a good fit. I sent her my work. She loved the sample pages and requested more, and then she asked for an R&R, outlining what parts she liked and didn’t like. I rewrote, but it still didn’t work out. Not a big deal, right? Right. I totally agree that we weren’t a good fit for one another with that manuscript. However, to my surprise (and a bit of horror), when I logged into Twitter that evening, she had tweeted out a near-replica of my manuscript’s pitch to MSWL. Long story short, another author out in the Twitter verse responded to that sort-of-mine-pitch (seriously, I wish I could explain how close it was, but just trust me, it was unbearably close), and she signed that author who later went on to get a three-figure deal in less than six months. Granted, the book releases later this year, so I have no clue just how similar it is. I doubt it’s that similar. That’s not what bothers me. What bothers me is that I felt like there was a direct violation of author-agent trust. She shared my pitch without asking me, end of story.

So did that agent steal my idea? No, not really. Because she didn’t go and shop my story pretending she had written it. She simply reached out to others who happened to have a similar idea to mine already written. But was it shady as hell? Yes, I think so. To this day, I have anxiety around MSWL because of it, even though it was one instance that I doubt would happen again. In fact, I still sent my next manuscript to this agent, because she asked me to send her my next piece. Her response? Form rejection. But did she tweet out my new idea on MSWL? No. How do I feel now? Still a little weird about the whole thing, I won’t lie, but I don’t think any of it was that personal either, even if it feels that way some days.

Sometimes many of us have similar ideas at the same time. Why wouldn’t we? We all live at the same time in this weird world, often influenced by the same constructs (whether it be celebrities or politics or social scandals). So, it shouldn’t be a surprise when a dozen, if not hundreds, of writers are writing similar stories. To be honest, I think this is what happens most of the time. We share our idea, someone already has a similar idea, and we automatically think they stole it rather than thought of it themselves. But there’s truly no way to prove it. And that’s why this topic is such a sensitive, slippery slope.

The masses in publishing have deemed this sort of claim as immature rubbish, but I think that’s super harsh. After my experience with having my pitch shared without permission, I felt a little violated. I actually stopped participating in many Twitter events for most of last year because of it. But then, I realized that I let this one shady experience ruin all the fun times I was having with other writers. So, I started to share again, and I am having a blast.

If someone “steals” my idea, fine. I have plenty more, and so do most writers. In fact, I think writers really need to keep that in mind when considering if someone “stole” their idea or not. Most of us already have too many ideas in our own heads to have time to consider other people’s ideas. Also, most writers need to feel passionate about something in order to write 80,000 words or more, and then rewrite it over and over and over again. “Stealing” an idea is probably the last way to become successful. Why? Well, A) It’s not your story, and B) You will eventually burnout, or C) The publishing gods will sick writing-idea demons on you, and you will forever be on the ominous blacklist.

Okay. So maybe not that last one. But you get what I mean.

Someone “stealing” ideas is probably very rare, but if you’re feeling that way, take a few breaths and reflect on if it’s truly stolen, and if so, don’t let it get you down. You thought it up. You planned it out. You can still write it. At the end of the day, your story will always be your story. 

Besides, your voice will be how you tell your story. And no one can steal that.

~SAT

 

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