Tag Archives: writing advise

A Writer’s Freakout Schedule

29 Aug

Between COVID and (insert any number of other awful things happening right now), freakouts are commonplace at the moment. Right? RIGHT???

I don’t know. Maybe you’re not going through it, but I know I’ve certainly had my moments of heightened stress, which is probably why I’ve spent a lot of time thinking about the delicate balance of productivity and mindfulness. On one hand, I want to maintain my level of productivity, be successful, follow the dream. On the other, I just want to eat this tub of ice cream and be left alone. So, I guess the solution is to sit here with my ice cream while I write this article. (It’s Cherry Garcia, if you’re wondering.)

Writers are used to wearing a lot of hats. Between day jobs and family, squeezing in time to write is nothing new to the aspiring novelist. Neither is imposter syndrome or writers’ burnout, not to mention writers’ block. But the other day, I finally heard a new one. 

A writers’ freakout schedule.

But first, a little backstory: 

Once a month, I meet up with some fellow writers on ZOOM just to chat about what we’re going through and how we’re handling it. We talk about our projects, but there’s no pressure to exchange pages or anything. If you don’t have something like this in your life, I highly recommend it. I look forward to it every month. 

During one of these monthly calls, I was talking about how bonkers life is at the moment and how to manage all these tectonic plates that are now life, when Jessica Conoley (authorpreneurship coach) mentioned how knowing her “freakout” schedule has helped her manage.

The moment she mentioned it, a lightbulb went off in my head. I had never thought about the concept of a freakout schedule before, but I also recognized how true the sentiment was right away.

Understanding when and how you will react to news, such as a critique or a rejection, can help you stay focused and calm, especially in these strange and twisty times. 

That being said, I wasn’t always aware of my freakout schedule. In fact, I’m pretty sure my roommate had to point it out to me once. (Okay. So, maybe a couple dozen times.) Basically, I used to think I didn’t have a freakout schedule. I would hear criticism or get a rejection and brush it off pretty quickly. Publishing is just business, right? I can adjust and keep trying. And I would. Right away, I would dive into revisions or go about writing life as normal…but two weeks later, the doubt would creep in. Then, the inevitable imposter syndrome. Soon, I’d be asking friends if I was delusional in my capabilities to finish a likeable story. I would threaten to put everything down, eventually declaring, “This is it! I quit!” 

The next day, I’d sit down at my computer, determined to delete it all and never look back…but hey, it couldn’t hurt to read it one last time. Soon, I’d be revising. And reading. And writing like nothing ever happened. 

My freakouts definitely have varying degrees, depending on what caused the situation to spiral. 

A little writers block isn’t going to last as long for me as a brutally honest critique from a trusted colleague. However, for someone else, it might be the complete opposite. Which brings me to my next piece of advice:

Understanding what sets you off—and for how long—is just as important as understanding you’re in a cycle. The cycle will end. 

This is just your freakout schedule.

~SAT

P.S. You may have noticed a new badge on my website. In case you didn’t, I am officially going to co-mentor with Sandra Proudman for Pitch Wars this year. Pitch Wars is a mentoring program where published/agented authors, editors, or industry interns choose one writer to spend three months revising their manuscript. It ends in February with an Agent Showcase, where agents can read a pitch/first page and can request to read more. Learn more at PitchWars.orgOur wishlist will go up right here on September 12!

Writing Tips: Family Variety

27 Jan

Two points before we start on today’s topic:

The other day I realized I haven’t even hit the one-year mark of the release of Minutes Before Sunset, yet I’ve already had so much encouraging support. Because of this, I’ve added a Reviews page for The Timely Death Trilogy. Check it out, and you’ll see a variety of fellow authors and bloggers who’ve read it. Thank you for taking the time to write a review after reading!

This brings me to my other announcement. The Paris Carter reviewed Minutes Before Sunset, and you can read the entire review here, but here’s a teaser: “Shannon A. Thompson is able to hold your attention to the plot with a refreshing story than the average young adult novel filled with romance and a few over the top scenes. This novel focuses more on action and suspense than actual romance. This novel is great for anyone looking for a quick young adult novel that still has a great plot and characters.”

Today’s topic:

Everyone’s family is different. Some people have siblings, parents, and grandparents – some don’t. Some people are raised by their family, while others find all of their role models elsewhere. There are so many types of family members and how they all link together and work together. In one neighborhood, there are stepparents, adoptions, half-siblings, and uncles raising their nephews as sons. Variety isn’t just prominent in the physical relationships – it’s also in how someone decides to raise children or how family members interact with one another. Every family is different, and novels should show this – it will add believability, and it will also allow more of the readers to relate to the story. Below, I will share my experiences when creating different family types in Minutes Before Sunset and why I chose certain types for specific characters. (All pictures were created by FreeFlashToys – Stick Figure Family)

Instead of focusing on one family at a time, I am going to organize this post by different family types.

Stepfamilies: “It’s been calculated that about one in three of us is involved in a step-family situation.” – Net Doctor

I only have one of these in The Timely Death Trilogy, but it’s one of the protagonist’s families: The Welborns.

Eric’s family is probably the most complicated of all of the families. Before the novel, it was Eric, his father, and his mother. Then, his mother commits suicide, and his family remarries a number of years later. He then gains a stepmother – Mindy – and a stepbrother – Noah.

I wanted to show this for many reasons, one being that stepfamilies are very common nowadays. But there was also an emotional line I wanted to have in the novel. In Minutes Before Sunset, Eric struggles to understand his mother’s death as well as how he’s supposed to be connected to a family unrelated to him. I wanted this relationship to be symbolic to the division of humans and the paranormal creatures (in this case, shades.) This happened when Eric discusses how his stepmother and stepbrother are human, while he isn’t – causing a divide that both sides cannot see or  understand.

Eric Welborn’s family

Eric Welborn’s family

Single-Parent Families: “One out of every two children in the United States will live in a single-parent family at some time before they reach age 18.” – Health of Children

Single-parent families are defined by children being raised by a parent who has been widowed, divorced, not remarried, or never married. I managed to get all of these into the story, although we only see Eric’s father as a single-parent (widowed before he was remarried) in the first few pages. Jonathon – Eric’s best friend – would be the divorced situation. His mother left and never came back. Crystal – Jessica’s best friend – would be the never married situation. Her father is completely absent (and her mother isn’t around that often either.) Through their actions in the first book (and the next two to come) readers will see how their family situations have affected them. For instance, Jonathon is like a second father to his younger brother, Brenthan. But we’ll get into siblings in a minute.

Single-Parents Homes: Dad or Mom?

I know. I know. I just talked about this, but I wanted to add one more diverse part to consider: single-parents can be (and are) mothers AND fathers. Although it has been more common for mother’s to raise children alone, the single-father households are growing (according to this article by The Wall Street Journal.) This was personally something I couldn’t find in novels. I was in a single-parent household, raised by my father, and I remember wondering why I couldn’t find that in many novels when I was younger. Because of that, I was sure to have both situations in Minutes Before Sunset. The Hutchins – where Lola raises her daughter, Crystal – and the Stones – where George raises his two sons, Jonathon and Brenthan.

The Stones

The Stones

Siblings: 

There are so many different kinds of siblings, kids who are close in age and far apart in age, kids who only have sisters, and kids who have both sisters and brothers. There are step-siblings and half-siblings. But all of these types fall under siblings.

In Minutes Before Sunset, I have characters who have full-blooded siblings (Jonathon and Brenthan), half-siblings (Zac and Linda), step-siblings (Eric and Noah), and characters who don’t have siblings at all (Jessica, Crystal, and Robb.) But, like the other topics, having a variety is key to shaping a character’s personality and background, but their relationships can always change throughout the story.

Adopted: In 2008, 135,813 children were adopted in the US in all types of adoption – CreatingAFamily.Org

Like I said above, not everyone has parents or grandparents to take care of them. In this case, I wanted to show two different kinds: raised by adoption and raised by the community. After her parents died in a car wreck, Jessica was adopted when she was a baby. In another situation, Camille – Eric’s guard – was ditched by her parents. She was raised by the Dark as a community. She doesn’t have a traditional system at all.

Pets: Pet ownership in the U.S. has more than tripled from the 1970s – The Humane Society

I REALLY wanted to have them in the trilogy, but it just didn’t work out. However, there are pets in my other works. November Snow has a “pet.” Serena is constantly around a squirrel.

Pets was not the only thing I couldn’t include. There are so many types of families I didn’t have room for (military, grandparents, uncles/aunts, twins, etc.) But I am excited that readers will learn even more about the diverse range of backgrounds my characters have in Seconds Before Sunrise (book 2 of The Timely Death Trilogy.)

After writing this, I want to add one more thing. 

BgoartReaders have different kinds of families, and it can often be difficult for readers when they can never find families similar to theirs in any novels. Personally, I had this problem growing up, so maybe this is why I try to add as much variety as possible. When I was younger, my family included my dad, my mom, and my older brother. At one point, we lived with my grandfather, but then, my mom died. A few years later, my father remarried. I had two stepsisters and a stepbrother. They divorced later, and it’s been my dad, my brother, and I ever since. (Although my brother is getting married soon – yay for sister-in-laws!)

I shared my personal story for one reason: different kinds of families aren’t uncommon. Changing family types isn’t uncommon. But I think variety can sometimes go unnoticed in novels (either by the reader or the writer.)  This is my attempt to share why I try to include variety – I think it’s important for both readers and writers – and I hope you’ll consider adding more variety and/or sharing how you’ve already added variety in your novels.

~SAT

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