Tag Archives: writing group

Want an Accountability Partner? Consider This First.

19 Jul

Maybe you’ve heard of accountability partners. Maybe you’ve considered getting one. But what is an accountability partner, really, and how do you get someone to help?

For those of you who aren’t familiar with the term, “accountability partner” is teaming up with someone who will keep you accountable for your writing progress. For example, your friend may check in with you every Tuesday to make sure you’ve written 1,000 words that week, and if not, you may jump on Zoom for a quick write-in.

Accountability partners look different to everyone because every writer has their own unique goals.

It may include critiquing, or it might only be a verbal check-in. The partnership can go both ways or not. Your accountability partner might not even be a fellow writer. Finding what works for you is what’s key.

Here’s how I set up my accountability system without anyone but me knowing.

As of late, I’ve spent most of my writing time revising rather than writing a first draft. That said, I have a hard time concentrating on one novel at a time. On any given day, I tend to have three going: One I am revising, one I am writing, and one I am dreaming about (or outlining). That way, I have different projects for different energies. (If I only revise, I lose my motivation fast.) But working on three separate projects doesn’t come without difficulties.

How do you know you’re writing enough? What time do you dedicate to which project? When will you get it all done?

These were questions I had to ask myself. When it comes to revising, I know that I need to get it done as fast as possible, but I also need it to be quality edits, not just speed. That’s why I put most of my energy into that project. That said, I know I need to honor some creative/writing time for myself. If I don’t, I get burnt out. Nevertheless, it’s easy for me to forget that and fall into a responsibility trap, where I end up drained and frustrated.

This was why I knew I needed to make a specific, time-set goal around creative writing.

That goal? Every month, I will write two new chapters for my monthly critique group.

Sometimes I send more if they have the reading time and I had the writing time. But I tend to only manage two chapters. That’s about 20 pages. It’s very minimal. But guess what? It’s better than nothing. Believe it or not, by the end of the year, I tend to have a full-length novel.

But do my critique partners know about this? No, not really.

Here’s the deal: I don’t have accountability partners in the traditional sense. No one is going to email me and say, “You told me you’d have X done by this date, so where is it?” The way I approach it is a lot more light-hearted.

No one in my group knows that my goal is two chapters every month. No one gives me a hard time if I don’t meet that. But every month, my iCalendar bings the week before our meetup and asks me if my pages are ready. If they aren’t, I focus solely on those pages until they are good to go.

For me, accountability is about giving yourself permission to set everything else aside to focus on that one time-set goal you promised yourself.

It’s investing in your work, your future, and your writing. Finding a pattern that helps you do that is key. Sometimes discovering that requires help from a friend or a family member (or an alert on your calendar). Don’t be afraid to ask those around you if they’d be willing to check in. That said, I’d recommend considering your goals before you talk to others. That way, you can tell them what you need.  

My advice?

Set a small writing goal, but don’t forget to consider your accountability.

I will write (# of words) every (time: month, week, etc.) for (my critique group, my website, myself).

If you’re feeling really brave, add stipulations: As I approach my deadline, I will set aside (TV, other projects, dessert) until I complete it. I will also not hesitate to ask for help on (laundry, dishes, childcare, etc.) if I need extra time.

Lastly—and as always—it’s okay to adjust your goals.

Even your accountability partner will understand if you say you can’t write the same amount of words in the fall as you can in the spring. Life happens. Don’t punish yourself for not hitting your goal. Instead, ask yourself why. Are you being too hard on yourself? Are your expectations too high? Adjust your word count or time, and try again.  

It took me a long time to find my happy place with creative writing vs. revising, but I would never have found it if I hadn’t adjusted along the way.

For instance, I used to write 10,000 words a week. That number makes me gasp now. With a full-time job, a house to take care of, and the understanding that I need more time to be human, I’m nowhere near that output anymore. And that’s okay! I have new goals now. And with those, I am staying accountable.

What about you? Do you have accountability partners?

~SAT

The Pros and Cons of Beta Readers

21 Aug

Announcements:

My short story, The Pink Scarf, was published in the second volume of an adult anthology collection, Ashtrays to Jawbreakers. It is completely free on Smashwords, so feel free to check it out by clicking here.

Take Me Tomorrow was reviewed by A Literary Mind recently, and you can read the entire review by clicking here, but check out this small excerpt: “I can’t say how refreshing it was to have a protagonist that felt real. Knife-throwing abilities aside, Sophia is like the rest of us; she’s stubborn, flawed, and simply cannot control her curly hair (I feel your pain!).”

The Pros and Cons of Beta Readers:

I love beta readers. In fact, I consider my beta readers some of my closest friends (and secret keepers.) But they are close to me because we were equally careful in deciding whether or not we were good for one another, and that is what I’m talking about today: how beta readers can be both fantastic and destructive, depending on how your relationship is decided.

Why Are Beta Readers Important?

I hate to be egotistical and quote my novel when I say, “Sometimes an outside perspective is the clearer perspective.” But it’s true. (Shout out to Talk Show Host, Illuminating Now, for quoting Seconds Before Sunrise yesterday and inspiring this piece.)

But, yes, having an outside perspective is vital BEFORE the novel is published. Why? Because authors often get too close to the story. They understand too much. They know all of the answers to all of the questions, and because of this, they sometimes forget to clarify enough for a reader to understand. Beta readers prevent this confusion by reading, reviewing, and even editing as they go. If writers, publishers, editors, and beta readers were a team, beta readers would be your very first fan who still shows up to all of your games, even when you lose. And they always have great advice that even your coach didn’t think about.

Are they really THAT important?

I stand my ground when I say that the importance of editors should also be on beta readers. Like editors, beta readers are vital in creating a professional, understandable story. I think most people in the publishing industry would agree that editors must be chosen with care, but some think I’m extreme when I say that beta readers should be treated the same. Yes, it’s okay to have your friends and family read your story, but you wouldn’t rely only on them to edit, so don’t rely only on them to beta read. Find trusted colleagues or join a writing group. This might take a long time, but it’s worth it in the end. Their dedication, encouragement, and ideas might be the clarity you need.

My beta reader, Bogart

My beta reader, Bogart

So how can they be destructive?

Like any relationship, two people who are wrong for one another can be destructive to one another. In this case, a bad relationship with a beta reader can cause more confusion, a horrible change in a manuscript, and more. This doesn’t mean the beta reader is bad. This doesn’t mean the author is bad. It just means they are bad for one another. Just because two good people are in the same room, doesn’t mean they are meant to be together. This is actually relationship advice my father gave me when I was an awkward preteen that hated life in general, but it stuck with me because it is true. You must find a beta reader who likes your work as much as you do, but you also must find one who is willing to be honest about it (and an author must be willing to listen and consider.)

Is there anything else I should know?

Definitely! This small list is just an outline of basic advice I’ve given to fellow authors in search of a beta team. But the one that scares them the most is the one that scares me the most: you often have to find different beta readers for different novels. Sure, I have my go-to team, but – like readers – beta readers have genre preferences, and they work better when they focus on those particular types of novels. Just like I can’t expect a sci-fi cover artist to create a romance cover, I can’t expect my beta readers to jump on any piece of writing I hand over, and I definitely can’t expect them to praise it. You want them to give you constructive criticism so you can grow together as a team – which brings me to my last point:

Thank all of your beta readers

Even if they drop your manuscript after twenty pages, the outside perspective might suggest what type of reader will also drop the manuscript. Any advice is helpful. (Yes. Even if you hate it. Because it allows you to figure out what beta readers are good and bad for you.) Plus, having a beta reader to discuss your novels with is like having a best friend to write with, and I think all of us authors can use a few more people to talk to other than the characters in our heads. (We know how confusing they can be.) So take the time to thank them, and if you’re feeling extra thankful, put them on your acknowledgements page in your next bestseller.

P.S. I would like to take this moment to thank my beta readers past, present, and future.

~SAT

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