Tag Archives: writing tips

Podcasts for Writers, SFF, & More

20 Mar

I love podcasts. Since I spend most of my day on the computer, I’ve fallen in love with listening to podcasts while I’m off the computer. It helps me rest my eyes, while also giving me a chance to continue my research—whether it’s for publishing or writing in general. Below, I’m including my top three writing podcasts, which any writer could enjoy, along with my favorite inspirational podcasts for science fiction and fantasy. (Oh, and some extras.)

Writing Podcasts

Writing Excuses, PubCrawl, and The Manuscript Academy podcasts

Writing Excuses: This is my go-to podcast for writers. Every season has a specific focus—this year being structure—and the episodes are quick but informative. “Fifteen minutes long, because you’re in a hurry, and we’re not that smart.”

PubCrawl: Hosted by Kelly and S. Jae Jones, PubCrawl covers everything, from writing to social media to publishing promotion. I love how candid the hosts are, especially about life after publication. Their honesty is refreshing, as well as eye opening, and they’ve interviewed specific authors about certain books. Hearing about those authors’ inspiration is really interesting. My favorite recent episode was Author Life: Public vs. Private, which covered how to separate yourself from your public self.

The Manuscript Academy: A sister podcast for MSWL (manuscript wish list), this podcast is fairly new but totally awesome. From agent interviews to behind-the-scenes in publishing houses, The Manuscript Academy covers any and all topics that can help you navigate your publishing journey. Recently, they even allowed listeners to submit first pages to be reviewed. Definitely check out this podcast—and MSWL—if you’re hunting for an agent, but I’d recommend this podcast to any writer at any point in their journey.

SFF/Fantasy Inspiration

Lore, The Morbid Curiosity, and Myths & Legends podcast

These podcasts aren’t necessarily science fiction or fantasy, but I am OBSESSED with them. There’s nothing more inspiring than hearing spooky (and sometimes factual) tales from all over the world.

Lore: Lore is my all-time favorite podcast. It explores the darker side of history, including the paranormal. But sometimes, reality is scarier than the paranormal. Trust me, this one is worth it. Aaron Mahnke, the host, is also an author. He also just signed a book deal with Penguin Random House! And he has a TV show releasing. Both will be based on this podcast, and I cannot wait.

Morbid Curiosity: I just started listening to this podcast, and I cannot stop. Also, it’s just as it sounds. This podcast covers topics for the morbidly curious. Think serial killers or medieval torture devices or the wendigo. Anything really. My favorite part is the various topics—and how the host points listeners to places where they can get additional information.

Myths & Legends: This is the first podcast I ever binge listened to. If you love Greek and Norse mythology, King Arthur, and tales from other cultures, this podcast is for you. My favorite episodes are the ones that cover stories from other cultures. (Though I’m in love with Greek mythology.) Each episode also includes a creature of the week.

Other Podcasts

True Crime Podcasts

If you’re a podcast junkie like I am, I thought I’d cover a couple others I love. Truthfully, I mainly listen to true crime. My favorite is Generation Why, which is actually based out of KC where I am! Something I didn’t even know when I started listening to them. They cover famous (and often strange) criminal cases. I also love Court Junkie, Criminal, Serial, Detective, and The Vanished. (Told you I was a true crime junkie.) Court Junkie covers crazy court cases. Criminal is any topic dealing with crime. Serial is the famous podcast that covered the cases of Adnan Syed and Bowe Bergdahl. I preferred Adnan’s case, but they’re both interesting. Detective interviews a new detective every season, and The Vanished covers cases involving currently missing people.

Guilty Feminist podcast

Lastly, I recommend The Guilty Feminist for everyone. Just as it sounds, The Guilty Feminist covers feminism but from a no-pressure standpoint. The hosts are comedians, and there are also guest comedians who come on to talk about certain topics. I find it both informative, safe, and fun. It’s a great podcast for anyone, and I recommend it to everyone I know all the time.

Podcasts can help writers continue their research and inspiration while off the computer. I hope you love them as much as I do.

What are your favorite podcasts?

~SAT

P.S. BOOK BLOGGERS, you can now sign up for the July Lightning book blitz. Click the link for more info. (There’s also a book blitz for July Thunder.) You’ll receive exclusive excerpts, ARCS, and more.

Reward Your Writing

13 Mar

Writing is hard. So is publishing. It’s easier than I want to admit to fall into a downward spiral of imposter syndrome. Or something worse. But there are ways to combat that spiral of doom. For me, that spiral consists of workaholic syndrome. I will write, write, write until I burn out, and sometimes, I’ll try to write even when I know I’m burnt out and need to rest. I mean, there’s always something to do, right? Whether it’s outlining, writing, editing, querying, or marketing, a writer ALWAYS has something on their To-Do list. It’s easy to lose yourself in that madness.

So what’s one thing you can do to prevent writer’s madness?

Reward yourself.

Reward yourself when you finish a novel or sign with an agent or get your first publishing deal. Get those new office supplies you’ve always wanted. Or take the day off to read.

Writing is often a lonely, thankless endeavor. After spending months writing a novel, it can hurt to hear questions like “When will it get published? Where’s your movie deal? Oh, you’re still doing that writing thing?” It can gnaw at you. Granted, I don’t expect anyone to thank me just for writing—don’t get me wrong—but it’s okay to thank yourself for continuing to follow your dreams.

So many people claim they will write a novel and never write a word. The fact that you are moving forward is worth something. You haven’t given up, and that’s awesome. By taking a moment to acknowledge that, you’re encouraging more positive feelings than negative ones. You won’t get so lost in the pressures of publishing or succumb to imposter syndrome. You will enjoy the writer’s journey.

My advice? Make goals, and when you reach them, take a moment to celebrate.

Every time I finish a novel, I buy myself a trinket—like a coffee mug or, more recently, a Funko Pop of Tuxedo Mask for my desk. Why? Because it’s part of my writing ritual. Every gift is under $10, but each item feels priceless. It represents time and effort and the passion I have to move forward. Those trinkets remind me of that on the hard days in between.

Maybe you’ll buy a coffee mug like I do—or maybe you’ll bake brownies on the weekend. Something. Anything. Even just a nap. Let yourself enjoy that goal you reached. And then, set a new one.

You’re worth it.

~SAT

Give An Author A Second Chance

6 Mar

Recently I came across a poll on Twitter.

How many times do you give an author a chance before you swear off their work indefinitely?

Before I get into what everyone said, please take a minute to consider this question for yourself. Do you pick up every book someone writes and try it out? Do you skim the first chapter or so? Why did you pick it up in the first place? Was it because the author is extremely popular or because you liked the cover/genre/concept? Is it a debut or an author with numerous books under their writing belt? How many times have you given them a shot? And how do these questions affect swearing someone off indefinitely?

This week, check out a book from someone you've tried to read before.

This week, check out a book from someone you’ve tried to read before.

Personally, I’ll pick up any author’s work, numerous times, before I decide they are not for me. Why? Because authors grow and change. So do their ideas. Even their voice will morph overtime. If I only read authors’ debuts—or only one of their books—I would’ve never found some of my favorite authors. For instance, I literally just tried Maggie Stiefvater for the first time, EVER, this past year. I loved the Raven Cycle so much, I am now buying all of her books from the past decade. In contrast, I read Claudia Gray’s Evernight series when I was younger…and wasn’t the biggest fan, but her Firebird trilogy was one of my favorite reads last year. I didn’t even consider her past when I picked up her new work. It’d been eight years. It was also a different genre. All I care about is the storyline, the voice, and how it resonates. If I had considered how much I didn’t like her previous book, I would’ve missed out on one of my favorite reads of the year.

Granted, I have authors I stalk admire. Cassandra Clare is one author that I always buy. Maggie Stiefvater and Claudia Gray are now on that list, too. But if I read their next book and didn’t like it, I doubt I would remove them from that list.

That being said, I understand not liking an author. I do. I would name a few I dislike, but personally, I like to focus on the positive ones I’d recommend more than the ones I don’t enjoy—because everyone is different. That being said, I am sitting here, at my dining room table, trying to recall an author I’ve sworn off indefinitely, and cannot find one. Not a single person. Because I don’t know what the future holds.

So how many chances did the average reader of this poll give before swearing off an author indefinitely? Most people said one. ONE TIME. One book. One poem. One whatever. I was shocked by how many people said one.

I sort of understand—there are a million other authors on the market. Why keep disappointing yourself with the same person? But what if that same person was like Claudia Gray was to me? You could miss out on a lifetime of brilliant works, because one didn’t suit you.

I’m not asking you to read an entire book or even check out every book someone releases, but I am saying to keep an open mind. If something catches your eye—history or not—check out the synopsis. Check out the first chapter again. Before you swear off an author’s entire career because you didn’t like their vampire book back in 2007, or their dystopian book in 2010, or whatever craze comes next, give them another shot.

I’m not saying you have to pick up every book by every author that ever was. I’m just saying not to give up at the first go.

Writing styles change. Trends change. Stories change. So do authors.

Give an author a second chance. Or maybe even a third.

~SAT

P.S. Calling all book bloggers, the Bad Bloods book blitz is April 10-16 by Xpresso Reads. The sign up form is here. You will get exclusive excerpts, ARCs, and more. ❤

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Surprise! Bad Bloods Cover Reveal and Release Date!

27 Feb

My next books are coming THIS spring!

Bad Bloods: July Thunder will release April 10 and Bad Bloods: July Lightning will release May 1 by Clean Teen Publishing.

I’ve been a bit mum about my publishing life, and there’s a reason for that. I’ve been CRAZY busy preparing the next Bad Bloods books for release, but that hard work paid off. Clean Teen Publishing will release both books this spring! You can pre-order them, too. Check them out below for more information, including some sneak peeks.

Bad Bloods: July Thunder and Bad Bloods: July Lightning

So what can you expect from these books?

For those of you who don’t know, Bad Bloods is a generational duology series, which basically means every two books will be told by a new set of characters. Each set also focuses on a new political change. While November Rain (FREE) and November Snow were told by Daniel and Serena while focusing on an election, July Thunder and July Lightning will be told by Violet and Caleb while focusing on the wall separating the Highlands and the outskirts. Within the context of the Bad Bloods universe, the duology is loosely based on the Berlin Wall. It takes place in July of 2090, so the story will also deal with the aftermath of the first duology. Speaking of the first duology…

You might remember Violet. She was a member of the Northern Flock, and had the power to turn into a shadow. (She might also be connected to my paranormal romance series, The Timely Death Trilogy.) Caleb, however, is a brand-new character. He also brings an entire herd of people with him. On top of a new cast of characters, this duology will explore the Pits and the sunken bay in Eastern Vendona along with sections of the Highlands—and since you are reading from Violet and Caleb’s perspective, you might see some of your fav characters from the first duology in a different light. You can read more about the storylines below. (And pre-order them!)

I’m really excited to be continuing this series, and I hope you enjoy Violet and Caleb’s journey as much as I did!

July Thunder

Coming April 10, 2017!

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ebook-bad-bloods-july-thunderFourteen-year-old Violet has been called many things: a bad blood, a survivor, an immortal…now she has a new name—citizen. But adjusting to a lawful life is not easy, especially when she must live under the rule of the same officers who justified the killings of her flock only eight months earlier. Segregation of bad bloods and humans is still in effect, and rebellious Violet steps into a school where she is not allowed. When the police get involved, things deteriorate quickly, sparking a new revolution at the wall separating the Highlands from the outskirts.
That’s when Caleb steps in. He might appear to be an average sixteen-year-old bad blood, but he has secrets, and Violet is determined to figure them out. Caleb knows who’s attacking the wall and why, but his true identity remains a mystery—and how he relates to Violet could shake the threatened city to its very core.
Together or not, a storm will form, a rally will start, and shocking truths will be revealed.

July Lightning

Coming May 1, 2017!

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Bad Bloods: July Lightning by Shannon A Thompson

Bad Bloods: July Lightning by Shannon A Thompson

Sixteen-year-old Caleb has been called many things: a patient, a musician, even a prostitute…now he has a new name—son. After his identity is uncovered, Caleb bands together with the family he once rejected in order to save the city of Vendona. But it won’t be easy. Enemies wait around every corner—and so do harsh realities. With Violet and Kuthun by his side though, nothing seems impossible. As Vendona sits on the verge of an economic collapse and a massive hurricane threatens the city, Violet and Caleb must show its citizens how to overcome decades of hostility and division to save themselves.

Standing or not, a sea will rage, a wall may fall, and all will depend on immortal pain and sacrifice.

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If you haven’t started this series, Bad Bloods: November Rain (#1) is FREE across all platforms! 

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Bad Bloods: November Snow (#2) is ONLY $2.99

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Writers, Stop Comparing Yourselves

20 Feb

Recently, I finished my first manuscript of 2017. It was also my first pantsing novel…and a novel that I’m truly excited about. So excited, in fact, that I think it fueled me to write more than usual and share more information about a WIP than I normally do. If you follow my social media, you might have seen my adventure as I shared my growing word count over the last two months. It was a fast first draft. And wonderful, too! But when I shared that I finished, I received a few messages: How do you write so fast? Should I be able to reach that word count every day? Is it even a good draft? How many drafts do you write? What do you recommend I do?

All reasonable questions. Don’t get me wrong. I’m more than happy to answer them, too, but at its core, the answer is simple: My writing methods will not be your writing methods, and your writing methods won’t be mine. You have to find what works for you.

I never share word counts or inspiration boards or sneak peeks, because I want you to compare yourself to me. I share those things, because they are fun—and writing can be lonely and hard work. You see “The End” on my Instagram, while I see two months without weekends and wayyyy too much caffeine in my blood (and maybe one mental breakdown in between Chapter Sixteen and Chapter Twenty-Eight).

Taking a small breather to have fun on Instagram with fellow writers and readers is often the only breather I get all day. And I love seeing other writers share those milestones, because we’re in this together. We love the same thing: words. And it’s a delight to share them. (Especially after said mental breakdown between Chapter Sixteen and Chapter Twenty-Eight.)

That being said, I understand that social media sharing can bum other writers out. It can make a writer feel like they’re not doing enough, accomplishing enough, or sharing enough. The comparison bug hits writers a lot. And trust me, it isn’t worth it. You’ll only end up in a pity-party hosted by your worst inner critic.

I mean, does this even look fun?

I mean, does this even look fun?

Kick that critic out of your writing office right meow. Why? Because no writing journey is the same. No story is the same. No writer is either.

The key is figuring out what works for you, and then moving forward every day to the best of your ability.

That’s it.

Keep writing, keep reading, and keep trying. It will work—though I will admit that it will be difficult. You will absolutely struggle and get rejections and feel like giving up. We all have felt bad/sad/hopeless at some point in our writing journey. (And more than once.) That fact sometimes helps more than anything.

Comparison, in practice, isn’t always a bad thing. Sometimes seeing a writer friend of mine hit a huge goal pushes me to sit back down to achieve my own goals. Often, when I’m feeling down, I research my favorite authors and read about their writing journey to see how they struggled and achieved and kept on keeping on. That could be considered comparison, but at its core, it isn’t comparison. It’s inspiration. By reading about others’ journeys, I’m reminded that we all have our own future ahead of us. I am who I am and I’m trying to get to where I want to be, and there are millions of authors who did the same before me. It’s inspiration. And hope. And fun.

But comparison is a precarious edge—one that anyone can slip over easily at any moment.

Always remind yourself that you are you, and this is your journey.

So next time you see someone hit a word count or get a publishing deal or finish a first draft, and you feel that sting of jealously/resentment/exhaustion, take a step back and relax. (And kick that inner critic out.)

You don’t need to write 1,000 words every day. You don’t need to go to a million conferences or garner a movie deal before the age of 32.

You just gotta be you.

Keep writing, and keep achieving goals your way, and trust me, you’ll get there.

You’re already on the way.

~SAT

Discovering My Characters’ Secrets

13 Feb

Every human being has secrets. Why we hide the truth (or lies) from others and sometimes ourselves is often the most interesting part behind a good secret, but understanding what makes up a secret can help an author write a character in a more genuine way.

So what should we know about our characters’ secrets?

  1. The secret itself: Sounds simple, but it’s not always clear. Sometimes, a protagonist might not even know what his or her own secrets are. Sometimes, a secret hardly seems like a secret at all. Think about the lengths a character goes through to keep it a secret. Is it difficult to hide or hiding in plain sight? What about this secret makes your character feel human?
  2. Who it is a secret from?: Not all secrets are hidden from everyone a character holds dear. Sometimes, they even hide secrets from themselves or from the one person you’d think they’d tell it to first. Sometimes, they aren’t even hiding it at all, but no one is listening.
  3. Why is it a secret?: What are the potential consequences of telling said secret? Consider who they are hiding it from again and why they are hiding it from that specific person. Are the consequences even “real”, or is your character overreacting, unsure, or simply too used to keeping it to themselves? There is a million reasons humans keep secrets: to protect loved ones, to shelter themselves, to build friendships. “Why” can be silly, fun, maddening, or wonderful. It doesn’t always have to be sad or scary.

By understanding these three aspects, an author can shape the scene to expose a character in a meaningful way. We can foreshadow reveals or build up relationships between others. We can even surprise ourselves.

You can also learn a character's secret from another character!

You can also learn a character’s secret from another character!

Listen. I’m a plotter. I have been my entire life. But even then, there comes a time in the writing process where characters turn every plot point on its head and tell us to go another direction.

Considering we’re talking about secrets, it might seem strange for me to tell writers to trust their characters, but trust is everything. Learn to listen to that little voice inside your head (or all your characters’ voices) when it tells you where to go, what not to do, and how to say it. Why? Because they know everything, and often, you don’t. Even though writers create a novel, most writers will tell you they are not in charge. The characters are. By letting go of control, you can let your characters reveal themselves naturally and over time. Yes, even if that means you’ll be rewriting a lot more or editing for what feels like forever. If it’s the right secret, it will be worth it.

Recently, I came to a scene where my protagonist explained part of her past, but by her own admission, she was absent from a scene she should’ve been in. When I stepped back and asked her where she was, she smiled back. A sly smile. One that told me it was a secret. For now. I sighed, but resigned myself to her personality.

If she’s not ready to tell me, she’s not ready to tell me.

I’ve been writing long enough to know when to trust my character’s silence, even when I loathe it, even when it promises longer hours of editing in the months ahead.

Discovering the right secret is worth rewriting. Figuring them out is even better.

~SAT

Is Romance Necessary in YA?

6 Feb

Romance sells. (Or, as they usually say, sex sells.) And now more than ever, sex is being introduced into young adult literature every day. But that’s another debate for another day. Instead, I wanted to focus on the overall umbrella term of romance in YA.

Is romance necessary in every YA book?

The short answer is no, of course not. But the long answer is a lot more complicated.

If you’re a first-time author, then you probably already know the struggles of completing a manuscript, editing one, joining the query trenches, and understanding the marketplace.

More often than not, romance sells better than anything else.

Why? Well, we have to consider our buyer.

Ten years ago, YA literature was widely bought by the YA crowd (ages 14-18), but more recently, the average age of the YA buyer has increased to 20-25. (Hey, look! There’s me!) Granted, there is a lot of debate about this—and it’s hard to prove, considering adults can buy books as gift or teens can borrow books—but I love speaking to teens at my signings, and have listened to them say the same thing. A lot of young adults are reading fanfiction online instead, and hey, no shame! That’s awesome. I’m just happy when people are reading. But this fact has changed the marketplace, and I honestly believe that’s why we’re seeing more sex in YA literature, including less “fade to black” scenes. As an example, a YA book I just read had a one-night-stand between two inexperienced strangers, where both acted as if they were cool with it. Nothing wrong with that. Don’t get me wrong. But I cannot imagine reading that at 14 and feeling like I could relate, even though the characters were that age. However, I know some 14-year-olds can relate, and that’s fine! No worries. Just be safe. 🙂

That being said, at 14, I wanted to hang out with friends. I wanted to read books (and write them), and other than that, I ran around with my husky or my brother or studied a lot.

I particularly loved Ally Carter’s The Gallagher Girls books, because the romance was few and far in between. Same with Meg Cabot (specifically when she was known as Jenny Carroll and wrote the 1-800-Where-R-You series and the Mediator series). Oh! And Lynne Ewing’s Daughters of the Moon series. All of their YA books featured kickass, often hilarious, and always intelligent girls living life, figuring out a mess, and defeating any enemy they came across. Friendship mattered. Family, too. And, sure, sometimes a kiss was shared here or there, but romance never seemed to be the focus. Being a heroine was.

Granted, I must clarify that you can be focused on romance and still be a heroine. Please do not get me wrong. But I wish there were more YA books (in all genres) that allowed the characters to explore space, chase enemies, and save the world without falling in love, too.

Out of the last ten YA books I’ve read, the only one who featured no one falling in love was This Savage Song by Victoria Schwab. Definitely recommended. (By the way, if you have suggestions, feel free to leave them below. I LOVE suggestions.)

Love that will never change? My love for YA

Love that will never change? My love for YA

Granted, I can admit I’m a hypocrite. I write YA, and every single one of my YA books has a romance subplot in it. That being said, my romantic plots are hardly romantic in comparison to popular YA books today. In Bad Bloods, Daniel and Serena kiss….twice?…in 600 pages. And that’s it. But hey, they’re trying to protect their families and survive a government out to kill them, so I think they have a lot on their hands.

They can always kiss later. If they even want to.

That being said, almost every editorial letter I’ve received included the suggestion of getting my characters “closer” or focusing more on their romantic endeavors rather than their friendships or families or fighting for the world they live in. And I find it increasingly frustrating.

While I can see the market value in focusing on these tropes, I feel an increasing value in the opposite of those aspects as well.

It’s okay to focus on studying and family and friendships instead of love. It’s a personal choice. But more than ever before, I feel pressured to include romance where romance isn’t necessary. Because of that pressure, I actually set out to include more romance in my latest, but sure enough, I found myself following the same pattern I always do: There is a romantic interest, but he’s on the sidelines while my protagonist is striving to…I don’t know…save the world or her sister or her friends. She’s too busy studying to think about some boy’s smile or (insert jewel description) eyes. But she does have her moments, albeit they are few and far in between, and at this point, I doubt they’ll survive my editing process. And I’m so torn about it.

I wanted to write romance. I tried. But I can’t. And I’m trying to be okay with that. I am trying to be okay with me.

I love romance. I enjoy reading it, and I sometimes seek it out. But I wish there were more books where girls (and boys) were simply living life or saving the world without romance. It’s okay not to date when you’re a teen. It’s okay not to have romantic feelings. It’s okay to be focused elsewhere.

I wanted to read about girls like that when I was 14, 15, 16, and even now, so I guess that’s why I write my books the way I do. It’s that fact that made me accept myself again. (Oh, and talking to a bunch of my fellow writer friends. They helped, too.)

Romance will definitely help you sell your book—be it to an agent, a publisher, or a reader—but don’t force it. The most important aspect of any book is to be true to your work, and if that means avoiding crushes and angst-ridden kisses, then so be it.

I will continue to have romantic subplots, because that is my style, but as of today, my protagonist will focus on her studies more. She might not even kiss anyone at all. And that’s perfectly A-okay with me. (And more importantly, okay with her.)

If one day she changes her mind, I will listen to her, and if she doesn’t, I will continue to listen to her. Why? My answer is simple.

A protagonist is enough without a love interest to back them up. So is a story.

~SAT

 

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