Tag Archives: writing

Can Someone Steal Your Book Idea?

21 Apr

Can someone steal your book idea?

I tend to find there are two responses to this question:

  1. Absolutely! YES! Someone did that to meeee!
  2. NO WAY. Never happens. It’s impossible, because your idea can only be written by you.

To be honest, I think both of these answers are a little too black and white. If I had to share my opinion—which, obvs, I am—I believe “stealing an idea” lands somewhere in the middle of these two responses.

What do I mean by that?

I mean that I agree with both of them. Because, yes, someone can steal your idea. If you hand them your pitch or outline or character sheet, those people can take it and do something with it. Granted, now siding with the second answer, no matter what that person does with your idea, it will never be exactly how you would’ve done it, so one way or another, they will make it their own.

Publishing crimes 101

So is it stealing?

I DON’T KNOW.

I think this is one of those gray, really uncomfortable areas of publishing that many people tiptoe around because they are afraid of looking paranoid or offending others or causing an uproar, but why can’t we talk about it? Why can’t we talk about the fact that this does happen sometimes?

When I was younger, lots of writers were on Wattpad; many of which did blatantly “borrow” premises or literal lines from one another’s work without permission. In fact, sometimes I think this happens a lot when writers transition from writing fan fiction to writing something independent of other works. Fan fiction can be a fantastic place to learn about the craft of writing, but it is one of those blurry places. So is “inspiration.” For instance, we can be inspired by another tale, and recreate it into something new.

We never call a fairytale retelling stealing for a reason. That’s because those writers are making that tale their own. It’s unique in the way they reconstruct the story and how they tell the story throughout the piece. But what if someone took Harry Potter and retold it? Would everyone be okay with that? I think it would depend on how similar the two pieces were and what was changed. And to be honest, it wouldn’t surprise me if we see something like that happen sooner rather than later.

So let’s talk about those blurred lines. You know, the ones that happen when #PitMad tweets suddenly seem the same, or how similar novels get sold to different editors at the same time, or how novelists will use current best-sellers as influences when writing a piece. We could get into trends and talk about how publishing is still a business and la la la. But I could go on forever about that, so I thought I’d share a story of my own.

I’ve had something like idea stealing happen to me before.

About two years ago, when MSWL was first taking off, I had my first manuscript I felt was ready to query to agents, and I found a new agent on that hashtag that I thought was a good fit. I sent her my work. She loved the sample pages and requested more, and then she asked for an R&R, outlining what parts she liked and didn’t like. I rewrote, but it still didn’t work out. Not a big deal, right? Right. I totally agree that we weren’t a good fit for one another with that manuscript. However, to my surprise (and a bit of horror), when I logged into Twitter that evening, she had tweeted out a near-replica of my manuscript’s pitch to MSWL. Long story short, another author out in the Twitter verse responded to that sort-of-mine-pitch (seriously, I wish I could explain how close it was, but just trust me, it was unbearably close), and she signed that author who later went on to get a three-figure deal in less than six months. Granted, the book releases later this year, so I have no clue just how similar it is. I doubt it’s that similar. That’s not what bothers me. What bothers me is that I felt like there was a direct violation of author-agent trust. She shared my pitch without asking me, end of story.

So did that agent steal my idea? No, not really. Because she didn’t go and shop my story pretending she had written it. She simply reached out to others who happened to have a similar idea to mine already written. But was it shady as hell? Yes, I think so. To this day, I have anxiety around MSWL because of it, even though it was one instance that I doubt would happen again. In fact, I still sent my next manuscript to this agent, because she asked me to send her my next piece. Her response? Form rejection. But did she tweet out my new idea on MSWL? No. How do I feel now? Still a little weird about the whole thing, I won’t lie, but I don’t think any of it was that personal either, even if it feels that way some days.

Sometimes many of us have similar ideas at the same time. Why wouldn’t we? We all live at the same time in this weird world, often influenced by the same constructs (whether it be celebrities or politics or social scandals). So, it shouldn’t be a surprise when a dozen, if not hundreds, of writers are writing similar stories. To be honest, I think this is what happens most of the time. We share our idea, someone already has a similar idea, and we automatically think they stole it rather than thought of it themselves. But there’s truly no way to prove it. And that’s why this topic is such a sensitive, slippery slope.

The masses in publishing have deemed this sort of claim as immature rubbish, but I think that’s super harsh. After my experience with having my pitch shared without permission, I felt a little violated. I actually stopped participating in many Twitter events for most of last year because of it. But then, I realized that I let this one shady experience ruin all the fun times I was having with other writers. So, I started to share again, and I am having a blast.

If someone “steals” my idea, fine. I have plenty more, and so do most writers. In fact, I think writers really need to keep that in mind when considering if someone “stole” their idea or not. Most of us already have too many ideas in our own heads to have time to consider other people’s ideas. Also, most writers need to feel passionate about something in order to write 80,000 words or more, and then rewrite it over and over and over again. “Stealing” an idea is probably the last way to become successful. Why? Well, A) It’s not your story, and B) You will eventually burnout, or C) The publishing gods will sick writing-idea demons on you, and you will forever be on the ominous blacklist.

Okay. So maybe not that last one. But you get what I mean.

Someone “stealing” ideas is probably very rare, but if you’re feeling that way, take a few breaths and reflect on if it’s truly stolen, and if so, don’t let it get you down. You thought it up. You planned it out. You can still write it. At the end of the day, your story will always be your story. 

Besides, your voice will be how you tell your story. And no one can steal that.

~SAT

 

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A Writer’s Health + Tips

14 Apr

As some of you know, I’m going through some health issues, and though I’m not really open about what those issues are, the struggles have definitely caused me to appreciate good health a lot more. I also pay more attention to health now, so I thought I’d write up a list of health issues writers should look out for. Of course, everyone should look out for a variety of issues, but here’s a specific list of health issues that affect writers.

Always consult your doctor about lifestyle/health changes, and don’t forget your yearly checkups. ❤

1. Get your eyes checked

Don’t be like me and wait 26 years to find out your nearsighted. Seriously, I got my first pair of glasses in March, and my life is so different now. My headaches have all but disappeared. I used to get these terrible, debilitating migraines, especially on editing days. Turns out this was mainly happening because one of my eyes is much worse than my other one, and it was causing my eyes to overcompensate, so BAM. Headaches. Granted, I know headaches happen for a variety of reasons, and there are more reasons to get your eyes checked than headaches, but if you spend a lot of time reading, it’s good to keep those eyeballs as healthy as possible.

Here’s some extra tips:

  • Get great eye drops.
  • Take care of allergies.
  • Make sure to look away from the computer screen if working long hours.

2. Check your desk posture

Writers often sit for long hours at a desk typing away at a computer. Make sure your desk posture is healthy, and even if it is, be conscious about checking in as often as possible. If you don’t know what healthy desk posture looks like, here’s a place to startHaving a healthy writing environment in essential for productivity and happiness. This might mean a bigger computer screen, more space, better lighting, or cute cat memes taped to the wall.

Extra tips:

  • Get familiar with stretches that specifically help those who have to sit at a desk a lot.
  • Have a timer that reminds you of breaks for stretches and looking away from the screen. Oh! And snacks. Don’t forget snacks.
  • Joint support: Lots of writers develop carpal tunnel and tennis elbow for a reason. We use our hands A LOT. In fact, I have early on-set carpal tunnel syndrome, and let me tell you, it sucks. But I have wrist supports and know therapeutic stretches that help. Take care of those precious hands. They have worlds to write down!
  • Yoga! So I’m in love with yoga, but if you are like me, you might not have the time or funds to sign up for a class. The best part about yoga? You don’t have to. I recommend the Down Dog app. It’s been a lifesaver for me. It’s completely free, has lots of settings/options, and you can do it right from home. I had never taken a single class before using this app, and it was super easy to use.

3. Mental Health

A lot of artists get their inspiration from dark places, and then they share it with the world, inviting critique and rejection from strangers into a very personal place, so it comes as no surprise that many writers struggle with mental health throughout their life. Don’t get burnt out. Don’t let rejections destroy your dreams. Take breaks. Breathe. One thing that has always helped me is reminding myself why I write in the first place. It’s easy to get caught up in publication goals, but it’s important to remember that I love writing at the end of the day. If everything becomes too much, I still have writing for myself. In retrospect, I think I write a lot about mental health right here on this blog. It might not be labeled that way, but if I scroll back, I find lots of articles that are discussing emotional well being, so here’s some other tips:

In the end…

Health is a personal issue, and it’s important to look out for your overall well being, but I hope this gives a place for writers to start if they want to be healthier about writing. I’ve totally allowed my writing to get unhealthy, either by getting too wrapped up emotionally over a rejection or forgetting to drink more water (rather than another cup of coffee). There’s a reason that artists are the only people who defy Maslow’s hierarchy of needs.We often put art above all else, and it takes conscious effort to put health first. I know I could be better at it, so if anything else, this is a nice little reminder for myself, but I hope it helped you too!

Feel free to share your health tips!

~SAT

Ageism in Publishing

24 Mar

The other day some truly awesome people began talking about ageism in publishing via Twitter. I first heard about it from Ashley Hearn, an editor at Page Street Publishing, but here’s an awesome thread from Susan Dennard, NYT bestseller author of the Witchland series.

I encourage you to get online and read some of the ongoing threads/comments, especially if you’re struggling with this particular pressure.

A lot of writers feel ageism in a variety of ways.

Many feel like they have to have an agent by 20, or a book deal by 25, or become a NYT bestseller by 30. Others expressed the pressure to graduate from a master’s program or have a bazillion short stories under your belt before you submit anywhere else. And the symptoms go on and on.

I get it. I do.

The pressure to be someone sooner rather than later feels as if it getting worse.

In my opinion, ageism has grown over the last decade. I’ve been published since 2007, even before eBooks went on the rise, and never saw ageism the way I see it now. Everyone wants that fresh-faced 20-something straight out of an MA program with the next best thing. And I think we can all understand that from a marketing perspective, but it is very disheartening from…well, any other perspective.

Why should a book be judged on anything other than the writer’s capabilities?

It shouldn’t be, but we don’t live in a perfect world, so many writers struggle with pressure, anxiety, disappointment, and overall hopelessness, because—let’s be real—aging is out of our control.

I’m not immune to this pressure.

I have this weird obsession with wanting to be a NYT bestseller before I’m 32. Why 32? Who cares. The point being is that I have no logical reason for this, and yet I think about it all the time. And it doesn’t do me any good, especially when I start adding up the “future” years that publishing lives in. What are “future” years, you ask? Well, the years that I know it would take to get something out right now if I miraculously signed with an agent tomorrow.

Here’s an example breakdown: I’m 26, almost 27. Let’s be super kind and say I signed with an agent on my 27th birthday, and somehow another miracle takes place and that agent signs one of my manuscripts within a year. Now I’m 28. And that book is slated for release in another two years. So I’m 30. And let’s not even get into the chances of it hitting any sort of list.

Basically, I’m always living five years in the future, and that age constantly feels like it’s getting worse, and though I logically know that is ridiculous, I can’t help but feel that way, and I know I’m not alone.

It’s SO easy to feel like you’re running out of time. But we’re not. We have every day to try.

With more pressure being added for authors to be public personas—often extremely public personas—the “young” face has been an inevitable repercussion.  

We see extremely photoshopped faces or out-of-date photos used all the time, (which there is nothing wrong with if the author wants their photos that way, but I have heard many authors who felt pressured into it, and that is not okay). One author online pointed out that older authors are less likely to get their photo printed on books, not because they don’t want to, but because publishers don’t want to print them. And that’s super messed up.

Age is a beautiful thing.

With every year, we learn more. We grow more confidence. We step out of our comfort zones and meet new people and try amazing things. Age can bring a lot of positivity to literature and life in general. But don’t get me wrong. Being older doesn’t automatically mean you’re a better writer or understand life more. I know tons of young people who’ve been through much tougher lives than many adults I know. There are fantastic young writers and fantastic old writers and every age of writer in between. But it shouldn’t be a defining factor in publishing. It shouldn’t feel like one either.

So if ageism is getting you down, here is a list of amazing articles about authors succeeding later in life:

11 Writers Who Started Late

Debut Books By Writers Over 40

The Authors Who Prove It’s Never Too Late to Write a Book

Reading conversations about this happening and how others feel has really opened my eyes about how I was perpetuating this by putting age-related goals on my calendar.

This is my pledge to stop putting pressure on myself to reach a certain goal by a particular age.

My age doesn’t define my career. My writing does.

I hope you’ll join me,

~SAT

I’m a Writer with Imposter Syndrome

17 Mar

I have imposter syndrome. For those of you who don’t know, imposter syndrome “is a concept describing individuals who are marked by an inability to internalize their accomplishments and a persistent fear of being exposed as a fraud.” At least according to Wikipedia. (And, yes, I see the humor in starting this article with a quote from Wikipedia, but they honestly had the best to-the-point definition I could find, so…)

I’m surprised I haven’t discussed imposter syndrome before. Or maybe I have and it was archived at one point. Either way, it’s time to discuss it, because imposter syndrome is awful.

Imposter syndrome can also make you feel like you’re not yourself, that you’re hiding something, that you’re failing, hard. But hopefully this will help!

I tend to get imposter syndrome for two reasons:

1. I haven’t had a lot of writing time

This is actually my #1 reason. When I don’t have a lot of time to write, I don’t feel like a writer. I mean, writers write, right? (Say that ten times fast.) While, yes, writers definitely write, that statement bothers a lot of writers, because it puts an unnecessary pressure on them to always be writing, and that’s not always the case. Some writers write every day, sure, and that’s awesome! But some writers only write a few days a week. Or only once a week. And that’s awesome, too! Heck, I know published authors who tend to write-write (meaning putting prose on paper) only a few months out of the year. The other months are strictly for other types of writing (outlining, discussing ideas, researching, etc.). Whatever works for the writer and allows them to meet deadlines (and hopefully feel creative and happy) is what matters. But that doesn’t mean we writers don’t have moments where we don’t feel like we’re doing enough, where we don’t feel like enough. Believe me, I’ve been there. In fact, I’m feeling that way right now. (I’ll get to why in a minute.)

So my tip if you’re going through this: While you’re running errands or driving to and from work, really consider why you don’t have time to write. Do you actually have time that you can clear out on your schedule or are you going through a life change? Don’t be too hard on yourself either way. It’s okay to acknowledge that maybe you have been neglecting your craft. Admitting it is the first step to finding time again. If you haven’t been purposely neglecting anything—and your schedule is just rough—consider whether or not it’s temporary. If it’s temporary, relax. Get done what you need to get done. Communicate with agents, editors, publishers, etc. about what is going on in your life and see if anyone (like betas) can help. If it isn’t temporary, try to figure out what you can give up in your schedule for writing. Maybe you don’t need to watch five television shows a week. Instead, reward yourself with the whole season once you finish your first draft. Tah-dah!

 2. I’m pushing myself too hard

Now this is the other reason I get imposter syndrome. If you didn’t notice, it’s basically the opposite reason I listed above, right? Sort of. Sometimes they can go hand-in-hand. How? Well, because I might be pushing myself too hard somewhere else in my life (and still not getting writing time), and when I get exhausted, I get a little irrational. I start thinking there is 24 hours in a day. What do I mean by that? I mean that I forget basic necessities need to be done in 24 hours. You can’t pack all 24 hours with things to accomplish. You also need to sleep, to eat, to breathe. Pushing myself too hard can mess me up, especially when I’m not finding a lot of time to write, because I feel like I’ve done a lot and done nothing at all at the same time. This happens because I forget that writing is a part of my whole life, not a separated life from my job or home struggles. It’s easy to put writing accomplishments in one basket and everything else in the other, but try to put them in the same basket. That way, you’re acknowledging everything you’re doing in your life right now, not just your writing ups and downs, and you won’t feel like you’re failing when you’re actually working really, really hard.

I’m not going to lie. I think I’m going through both of these at the moment. Adjusting to the new job and still dealing with health issues has been rough. Fun but rough. (Fun fact: I found out I’ve been near-sighted my whole life this week, so I’m getting glasses soon. And hopefully, less headaches.) I definitely haven’t had a lot (if any) time to write between that and editing and marketing my current books (and keeping up on my TBR). Basically, I feel really disconnected to my writing, while also feeling too tired to try to write when I have a little time off. Granted, I should be following my own advice from the article a few weeks ago, Tips For Going Through a Life Change, and allowing myself to have an adjustment period, but let’s be real, easier said than done, right?

What I think triggered the imposter syndrome was meeting a bunch of new (and awesome) people who didn’t know I was an author. People, especially people who work in libraries, tend to get really excited/surprised/interested to hear about it when they first meet you, and while that should feel heartwarming, it feels really overwhelming when I’m not actively able to write as much as I like. It makes me feel like I’m neglecting everything, that I’m not accomplishing anything new, that I’m—you guessed it—an imposter.

But I’m trying to take a step back and remind myself that this is imposter syndrome. Though it feels real, it isn’t. Not really. It’s a construct, a pressure I’ve put on myself, and unhealthy at best.

I’m not quite out of the imposter woods, but admitting it to myself has helped me see the light, so to speak.

I have taken a moment to acknowledge how I feel and why I feel that way and what steps I can take to feel better—mainly rest, allowing myself to adjust to my job, and feeling good when I get a few words down. But the #1 thing I’m reminding myself—that I hope will help you—is an ultimatum I don’t see talked about enough.

As long as you’re not stealing someone’s identity, none of us are imposters. We’re writers. We’re all on a different path to publication, and we’re in this together, on good days and bad days. We aren’t “faking” anything if we are trying, and that’s what matters. Love your journey, always remember why you love writing, and love yourself.

There’s only one of you out there, and trust me, you are not an imposter.

You are a writer.

~SAT

Tips for Writing During a Life Change

3 Mar

Life is crazy, right? There’s moving, job changes, babies, weddings, divorces, health complications, weather disasters, and (okay, I’ll stop listing all these crazy life changes. You get the point.) Life is fun, but it can get complicated.

Working full time while writing is hard enough, but what do you do when you’re also coping with a life change?

You could curl up at your desk and cry…(which, totally valid)…or you could try these tips below.

To be honest, the answer to this question is going to be different for everyone. But I’m actually going through this right now. I just began a new job at the library, so my hours are totally different than what I’ve been used to for the past three years. Even my sleep schedule has changed, dramatically, and adjusting to my new way of living while trying to keep up with my writing goals is a little difficult.

So here are some quick tips I’ve learned by going through this.

1. Give Yourself Time to Breathe

If you’re not on a serious deadline, try to give yourself time to adjust to your new situation. In my case, that meant relaxing when I got home from work (even if it was a super short shift) and only writing on my days off. Slowly, I started to write after or before work too, but to be honest, I’m still adjusting to my new schedule, and my new job has to come first right now. Remember: writing isn’t a race. Start slowly. Getting burnout is the last thing you need, both for your new life change and your writing life. If you’re on a deadline though, you probably don’t have this luxury. In that case, I suggest as much sleep as you can get and, if possible, support from friends and family. Ex. If you’re moving, try to see if you can get a buddy to unbox a few things for you while you write. Pay them with pizza. Heck, hang out with them for five minutes if you can. You still deserve a little time to de-stress. Clearing your mind will help you hit those goals more than pushing yourself too hard all the time. If your stress levels are too high to write, binge-read all the books you’ve missed out on. Breathe.

2. Experiment

Whether you just had a baby or moved or divorced or (whatever), you will have to experiment with your new life to see what fits you best. It might take a while to realize whether or not the experiment is working. Like I said above, I’m still adjusting. I first made a goal to write on days I was off, but then realized I was exhausted during my first few days off. (Adjusting to a new sleep schedule has been the hardest part.) It took two weeks to realize I needed to try that experiment again, and sure enough, it was successful the second time around. My goal is to adjust, not to perform the exact same right away. Granted, my eventual goal is to get back up to speed, but for now I’m concentrating on work training, feeling energized, and getting back on my feet. Which brings me to my next point…

3. Don’t Be Too Hard On Yourself

Adjusting to something is HARD. The last thing you need to do is be any more hard on yourself than life already is. If you struggle with writers block because of the change, take a bigger break or write anyway (and don’t judge yourself when you hate what you wrote. You might find out when you read it later on that it wasn’t so bad after all). Remind yourself why you love writing and that this is a temporary feeling. You will adjust. Reward yourself for the little things (because those little, first steps can feel huge). For instance, on my old schedule, I tended to write 10,000 words per week pretty easily, but lately, I’ve been managing about 5,000, and that’s okay. I’m just glad that I’m still figuring out when and how I can write, so that I can continue more in the future.

So these are my tips!

If you’re currently going through a life change, I hope these help you write well and feel good about writing again.

~SAT

Why I Don’t Have a Publication Coming Out This Year

24 Feb

If you’ve been following my publication journey over the past few years, then some of you have probably already guessed that I don’t have a book coming out this year. Usually, you’re not supposed to admit these sorts of trials as an author, but I like to be transparent because I wish more authors were transparent when I was an aspiring author (and I wish more industry professionals would stop frowning upon us sharing these experiences). Alas, being transparent about struggles helps others know they are not alone, and to me, that is important, so I wanted to share my story about going unpublished for the first time since 2012.

There were quite a few factors.

1. I got really sick last year.

Like really, really sick. I danced on the line of homebound more days than not, and to be perfectly honest, I’m still going through treatments with specialists to get better. That’s all I really want to say about that topic, but I’m hopeful that my health will continue to get better and return soon.

Despite being more or less homebound, I was working three part-time jobs from home. Two to pay regular bills and another one to pay off medical bills. Trying to keep up with all of that while trying to get better was too stressful to handle most days. Basically, being sick wasn’t something I could predict on my busy calendar. Scheduling time to write was an impossible, if not laughable, idea at the time.

Sometimes life gets in the way of your responsibilities, let alone dreams, but that doesn’t mean you have to give up the dream.

I still wrote when I could, even though my writing time was dwindled down to a miniscule amount, and I tried not to be too hard on myself when I stared at the number of words (or lack thereof) I was completing any given week.

I am happy that I still managed to finish one novel, a half-novel, and outline a few others. Which brings me to the steps after writing.

2. Choosing Between Opportunities & Taking Risks

About a year ago, I decided I wanted to challenge myself. I wanted to write new genres and explore types of publication I haven’t considered before, and so I did.

I only had so much time to write, so I had to take chances on what I wanted to invest my time in. This often meant choosing between an opportunity that was 99% likely to work out that I felt comfortable in or an opportunity that was 10% likely to work out but I truly, truly wanted. I decided to go for it and tackle the opportunities that scared the hell out of me, the ones that I knew were less likely to work out than not, but also the opportunities that would challenge me and push me to push myself to learn new and exciting skills. In the end, those investments didn’t end with a publishing deal, but they did end with new lessons learned. At least I tried. And I have four great books sitting on my laptop that might one day see the light of day. 

I am proud that I submitted a lot. I am excited that I tried new things. I am trying.

Nothing is going to stop me from trying again this year, or next year, or the year after that.  

But there is disappointment. 

3. So How Does One Cope? 

One thing I try to stress to new writers is that publishing has many, many ups and downs. You’ll have years where everything seems to fall into your lap and years where you feel like you’re falling off every mountain you’ve climbed. (Okay. So my metaphors are awful in this piece, but you get it.) Just because one door opens up for you doesn’t mean that all the doors after that will open in unison. It doesn’t even guarantee that the doors you’ve already opened will stay open. Writing a great book doesn’t guarantee an agent. Getting an agent doesn’t guarantee a book deal. A book deal doesn’t guarantee that you’ll get another book published. And so on. Writing is a business, and you have to keep working every day. There is no finish line, but you can keep running. (All right, I’ll stop with the metaphors.)

Basically, coping is important. Staying energized is important. Focusing on the positive but understanding the negative is also important.

Try to remember you are a person, not a writing machine.

Despite all this…

I can’t help but feel like I’m letting down my readers, but I also hope my readers understand that I am trying my hardest to follow the right path, and finding my footing on this new path might take a long time.

Heck, I might not even be on the right path, but I won’t know until I try.

Is it scary? Absolutely. Could it be a massive mistake? Sure it could. But what is art without risk? What is pursuing your dreams without exploring possibilities?

I have no clue when or if I will be published again, but I still love writing, and I am determined to share my words with world again one day. I hope that if you’re struggling with what I’m struggling with that you know you’re not alone and we can share our disappointments/frustrations/confusion just as much as we share our successes. No one’s path is paved in publishing. Every journey is different, but we can at least celebrate that fact.

So let’s keep writing,

~SAT

Writing in a New Genre

3 Feb

Maybe you hit a slump with your usual genre. Maybe you’re feeling the urge to explore. Maybe you just want to. Sometimes, authors want to write in a genre they’ve never written in before, but they don’t know where to start. Well, that’s what I’m here for. In fact, I recently went through this myself, so today I’m sharing three tips and a little story about what I learned from this attempt. I hope it helps you explore a new genre!

1. Ask Yourself Why

First and foremost, I truly believe every author should ask themselves why they want to write the project they are currently sitting down to write. Why? Because being honest with yourself might save you some heartache. If you’re chasing a trend, you might find your passion burns out rather quickly (or when the trend passes…because it will, probably before you finish your first draft). This will make you feel like you wasted your time and energy, even if you did technically learn from it. So…take a step back before you sit down to write. Why are writing this book? Why are you writing in this genre? Are you following trends? Are you the best person to tell it? What is the main reason for switching genres: the story, the genre, the characters, the challenge, etc.? What drives you the most is up to you. Knowing why you’re writing it and what your goals are for it will help you stay focused.

Isn’t it fun to discover a new genre?

2. Read the Genre

If you’re not reading, you don’t have the tools to write. I know, I know. There are so many people who loathe that rule, but it’s true. Reading within and outside of your genre helps you see what has been done before, what is expected, and where you can succeed. Have you read widely in this genre? Have you seen gaps that need to be filled? Do you understand your reader’s expectations? What about successful tropes or overused ones? Read, read, read. You will love it. And if you don’t enjoy reading it, then you probably won’t enjoy writing it. Find the genre where you feel at home.

3. Research the Genre

This is a step I’m not sure many consider, but researching the history of your genre can give you excellent insight. You’ll come across controversies, learn how it correlated with history, and watch it expand into what it has become today. By knowing this, you might be inspired by the greats or see where the shape of your genre is most likely headed. Rather than chasing trends as they pop up, this might help you walk down an educated path of where that trend might pop before it ever happens…and you’ll have your book written, rather than scrambling to finish something. Again, this isn’t about chasing trends, but rather—at a fundamental level—knowing what needs to be done next in order to fulfill readers’ wants/needs/desires ahead of time. Make sure to check out writing blogs. Look up your favorite authors in that genre and see if they offer writing tips in interviews or elsewhere. They’ve already written this genre and made mistakes, so listen to their lessons ahead of time. You might still make the same mistakes, but at least you’ll recognize it for what it is and move on to the next step. Let knowledge guide your passion.

As an example, I generally read and write YA SFF, but last year, I set out to write my first historical. I still haven’t finished. It’s been SUPER hard, much harder than I anticipated, but I set out knowing I wanted to learn first and worry about publication later (if I ever pursue publication with it at all).

I began by reading all the historical fiction I could get my hands on. (I already read historical fiction, but I pushed to read more.) I tried different sub-genres and time periods and styles. In between books, I researched my time period thoroughly. I took notes. I researched again. I took MORE notes. I visited libraries and museums. I took notes again. I organized. Then, I began to write. Funny enough, even though I thought I had all the notes I needed to write, it became quite clear the moment I sat down that historical fiction demanded more than I expected and totally different tools than SFF. I made mistakes. I backtracked. I set it down. I came back to it. I wrote again. I took it to my beta readers. I deleted over half of it. I started over. I continued to write. Most recently, I’ve set it down again. But I still love it. And I don’t feel like I wasted a second of my time.

In the end, I was passionate about the tale. I was willing to learn and make mistakes. I still haven’t finished the novel, as it was my first attempt, but I believe in the story. I might pick it back up. I might not. But I believe in trying new genres and following your heart and challenging your art. Just don’t let bumps in the road convince you that you’re failing. You are trying. You are learning. And that’s something to be proud of.

Every author in the world had to write in their genre for the first time.

Why can’t this be your first leap toward success?

~SAT

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