Tag Archives: young adult

Podcasts for Writers, SFF, & More

20 Mar

I love podcasts. Since I spend most of my day on the computer, I’ve fallen in love with listening to podcasts while I’m off the computer. It helps me rest my eyes, while also giving me a chance to continue my research—whether it’s for publishing or writing in general. Below, I’m including my top three writing podcasts, which any writer could enjoy, along with my favorite inspirational podcasts for science fiction and fantasy. (Oh, and some extras.)

Writing Podcasts

Writing Excuses, PubCrawl, and The Manuscript Academy podcasts

Writing Excuses: This is my go-to podcast for writers. Every season has a specific focus—this year being structure—and the episodes are quick but informative. “Fifteen minutes long, because you’re in a hurry, and we’re not that smart.”

PubCrawl: Hosted by Kelly and S. Jae Jones, PubCrawl covers everything, from writing to social media to publishing promotion. I love how candid the hosts are, especially about life after publication. Their honesty is refreshing, as well as eye opening, and they’ve interviewed specific authors about certain books. Hearing about those authors’ inspiration is really interesting. My favorite recent episode was Author Life: Public vs. Private, which covered how to separate yourself from your public self.

The Manuscript Academy: A sister podcast for MSWL (manuscript wish list), this podcast is fairly new but totally awesome. From agent interviews to behind-the-scenes in publishing houses, The Manuscript Academy covers any and all topics that can help you navigate your publishing journey. Recently, they even allowed listeners to submit first pages to be reviewed. Definitely check out this podcast—and MSWL—if you’re hunting for an agent, but I’d recommend this podcast to any writer at any point in their journey.

SFF/Fantasy Inspiration

Lore, The Morbid Curiosity, and Myths & Legends podcast

These podcasts aren’t necessarily science fiction or fantasy, but I am OBSESSED with them. There’s nothing more inspiring than hearing spooky (and sometimes factual) tales from all over the world.

Lore: Lore is my all-time favorite podcast. It explores the darker side of history, including the paranormal. But sometimes, reality is scarier than the paranormal. Trust me, this one is worth it. Aaron Mahnke, the host, is also an author. He also just signed a book deal with Penguin Random House! And he has a TV show releasing. Both will be based on this podcast, and I cannot wait.

Morbid Curiosity: I just started listening to this podcast, and I cannot stop. Also, it’s just as it sounds. This podcast covers topics for the morbidly curious. Think serial killers or medieval torture devices or the wendigo. Anything really. My favorite part is the various topics—and how the host points listeners to places where they can get additional information.

Myths & Legends: This is the first podcast I ever binge listened to. If you love Greek and Norse mythology, King Arthur, and tales from other cultures, this podcast is for you. My favorite episodes are the ones that cover stories from other cultures. (Though I’m in love with Greek mythology.) Each episode also includes a creature of the week.

Other Podcasts

True Crime Podcasts

If you’re a podcast junkie like I am, I thought I’d cover a couple others I love. Truthfully, I mainly listen to true crime. My favorite is Generation Why, which is actually based out of KC where I am! Something I didn’t even know when I started listening to them. They cover famous (and often strange) criminal cases. I also love Court Junkie, Criminal, Serial, Detective, and The Vanished. (Told you I was a true crime junkie.) Court Junkie covers crazy court cases. Criminal is any topic dealing with crime. Serial is the famous podcast that covered the cases of Adnan Syed and Bowe Bergdahl. I preferred Adnan’s case, but they’re both interesting. Detective interviews a new detective every season, and The Vanished covers cases involving currently missing people.

Guilty Feminist podcast

Lastly, I recommend The Guilty Feminist for everyone. Just as it sounds, The Guilty Feminist covers feminism but from a no-pressure standpoint. The hosts are comedians, and there are also guest comedians who come on to talk about certain topics. I find it both informative, safe, and fun. It’s a great podcast for anyone, and I recommend it to everyone I know all the time.

Podcasts can help writers continue their research and inspiration while off the computer. I hope you love them as much as I do.

What are your favorite podcasts?

~SAT

P.S. BOOK BLOGGERS, you can now sign up for the July Lightning book blitz. Click the link for more info. (There’s also a book blitz for July Thunder.) You’ll receive exclusive excerpts, ARCS, and more.

Give An Author A Second Chance

6 Mar

Recently I came across a poll on Twitter.

How many times do you give an author a chance before you swear off their work indefinitely?

Before I get into what everyone said, please take a minute to consider this question for yourself. Do you pick up every book someone writes and try it out? Do you skim the first chapter or so? Why did you pick it up in the first place? Was it because the author is extremely popular or because you liked the cover/genre/concept? Is it a debut or an author with numerous books under their writing belt? How many times have you given them a shot? And how do these questions affect swearing someone off indefinitely?

This week, check out a book from someone you've tried to read before.

This week, check out a book from someone you’ve tried to read before.

Personally, I’ll pick up any author’s work, numerous times, before I decide they are not for me. Why? Because authors grow and change. So do their ideas. Even their voice will morph overtime. If I only read authors’ debuts—or only one of their books—I would’ve never found some of my favorite authors. For instance, I literally just tried Maggie Stiefvater for the first time, EVER, this past year. I loved the Raven Cycle so much, I am now buying all of her books from the past decade. In contrast, I read Claudia Gray’s Evernight series when I was younger…and wasn’t the biggest fan, but her Firebird trilogy was one of my favorite reads last year. I didn’t even consider her past when I picked up her new work. It’d been eight years. It was also a different genre. All I care about is the storyline, the voice, and how it resonates. If I had considered how much I didn’t like her previous book, I would’ve missed out on one of my favorite reads of the year.

Granted, I have authors I stalk admire. Cassandra Clare is one author that I always buy. Maggie Stiefvater and Claudia Gray are now on that list, too. But if I read their next book and didn’t like it, I doubt I would remove them from that list.

That being said, I understand not liking an author. I do. I would name a few I dislike, but personally, I like to focus on the positive ones I’d recommend more than the ones I don’t enjoy—because everyone is different. That being said, I am sitting here, at my dining room table, trying to recall an author I’ve sworn off indefinitely, and cannot find one. Not a single person. Because I don’t know what the future holds.

So how many chances did the average reader of this poll give before swearing off an author indefinitely? Most people said one. ONE TIME. One book. One poem. One whatever. I was shocked by how many people said one.

I sort of understand—there are a million other authors on the market. Why keep disappointing yourself with the same person? But what if that same person was like Claudia Gray was to me? You could miss out on a lifetime of brilliant works, because one didn’t suit you.

I’m not asking you to read an entire book or even check out every book someone releases, but I am saying to keep an open mind. If something catches your eye—history or not—check out the synopsis. Check out the first chapter again. Before you swear off an author’s entire career because you didn’t like their vampire book back in 2007, or their dystopian book in 2010, or whatever craze comes next, give them another shot.

I’m not saying you have to pick up every book by every author that ever was. I’m just saying not to give up at the first go.

Writing styles change. Trends change. Stories change. So do authors.

Give an author a second chance. Or maybe even a third.

~SAT

P.S. Calling all book bloggers, the Bad Bloods book blitz is April 10-16 by Xpresso Reads. The sign up form is here. You will get exclusive excerpts, ARCs, and more. ❤

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Surprise! Bad Bloods Cover Reveal and Release Date!

27 Feb

My next books are coming THIS spring!

Bad Bloods: July Thunder will release April 10 and Bad Bloods: July Lightning will release May 1 by Clean Teen Publishing.

I’ve been a bit mum about my publishing life, and there’s a reason for that. I’ve been CRAZY busy preparing the next Bad Bloods books for release, but that hard work paid off. Clean Teen Publishing will release both books this spring! You can pre-order them, too. Check them out below for more information, including some sneak peeks.

Bad Bloods: July Thunder and Bad Bloods: July Lightning

So what can you expect from these books?

For those of you who don’t know, Bad Bloods is a generational duology series, which basically means every two books will be told by a new set of characters. Each set also focuses on a new political change. While November Rain (FREE) and November Snow were told by Daniel and Serena while focusing on an election, July Thunder and July Lightning will be told by Violet and Caleb while focusing on the wall separating the Highlands and the outskirts. Within the context of the Bad Bloods universe, the duology is loosely based on the Berlin Wall. It takes place in July of 2090, so the story will also deal with the aftermath of the first duology. Speaking of the first duology…

You might remember Violet. She was a member of the Northern Flock, and had the power to turn into a shadow. (She might also be connected to my paranormal romance series, The Timely Death Trilogy.) Caleb, however, is a brand-new character. He also brings an entire herd of people with him. On top of a new cast of characters, this duology will explore the Pits and the sunken bay in Eastern Vendona along with sections of the Highlands—and since you are reading from Violet and Caleb’s perspective, you might see some of your fav characters from the first duology in a different light. You can read more about the storylines below. (And pre-order them!)

I’m really excited to be continuing this series, and I hope you enjoy Violet and Caleb’s journey as much as I did!

July Thunder

Coming April 10, 2017!

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ebook-bad-bloods-july-thunderFourteen-year-old Violet has been called many things: a bad blood, a survivor, an immortal…now she has a new name—citizen. But adjusting to a lawful life is not easy, especially when she must live under the rule of the same officers who justified the killings of her flock only eight months earlier. Segregation of bad bloods and humans is still in effect, and rebellious Violet steps into a school where she is not allowed. When the police get involved, things deteriorate quickly, sparking a new revolution at the wall separating the Highlands from the outskirts.
That’s when Caleb steps in. He might appear to be an average sixteen-year-old bad blood, but he has secrets, and Violet is determined to figure them out. Caleb knows who’s attacking the wall and why, but his true identity remains a mystery—and how he relates to Violet could shake the threatened city to its very core.
Together or not, a storm will form, a rally will start, and shocking truths will be revealed.

July Lightning

Coming May 1, 2017!

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Bad Bloods: July Lightning by Shannon A Thompson

Bad Bloods: July Lightning by Shannon A Thompson

Sixteen-year-old Caleb has been called many things: a patient, a musician, even a prostitute…now he has a new name—son. After his identity is uncovered, Caleb bands together with the family he once rejected in order to save the city of Vendona. But it won’t be easy. Enemies wait around every corner—and so do harsh realities. With Violet and Kuthun by his side though, nothing seems impossible. As Vendona sits on the verge of an economic collapse and a massive hurricane threatens the city, Violet and Caleb must show its citizens how to overcome decades of hostility and division to save themselves.

Standing or not, a sea will rage, a wall may fall, and all will depend on immortal pain and sacrifice.

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If you haven’t started this series, Bad Bloods: November Rain (#1) is FREE across all platforms! 

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Bad Bloods: November Snow (#2) is ONLY $2.99

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Is Romance Necessary in YA?

6 Feb

Romance sells. (Or, as they usually say, sex sells.) And now more than ever, sex is being introduced into young adult literature every day. But that’s another debate for another day. Instead, I wanted to focus on the overall umbrella term of romance in YA.

Is romance necessary in every YA book?

The short answer is no, of course not. But the long answer is a lot more complicated.

If you’re a first-time author, then you probably already know the struggles of completing a manuscript, editing one, joining the query trenches, and understanding the marketplace.

More often than not, romance sells better than anything else.

Why? Well, we have to consider our buyer.

Ten years ago, YA literature was widely bought by the YA crowd (ages 14-18), but more recently, the average age of the YA buyer has increased to 20-25. (Hey, look! There’s me!) Granted, there is a lot of debate about this—and it’s hard to prove, considering adults can buy books as gift or teens can borrow books—but I love speaking to teens at my signings, and have listened to them say the same thing. A lot of young adults are reading fanfiction online instead, and hey, no shame! That’s awesome. I’m just happy when people are reading. But this fact has changed the marketplace, and I honestly believe that’s why we’re seeing more sex in YA literature, including less “fade to black” scenes. As an example, a YA book I just read had a one-night-stand between two inexperienced strangers, where both acted as if they were cool with it. Nothing wrong with that. Don’t get me wrong. But I cannot imagine reading that at 14 and feeling like I could relate, even though the characters were that age. However, I know some 14-year-olds can relate, and that’s fine! No worries. Just be safe. 🙂

That being said, at 14, I wanted to hang out with friends. I wanted to read books (and write them), and other than that, I ran around with my husky or my brother or studied a lot.

I particularly loved Ally Carter’s The Gallagher Girls books, because the romance was few and far in between. Same with Meg Cabot (specifically when she was known as Jenny Carroll and wrote the 1-800-Where-R-You series and the Mediator series). Oh! And Lynne Ewing’s Daughters of the Moon series. All of their YA books featured kickass, often hilarious, and always intelligent girls living life, figuring out a mess, and defeating any enemy they came across. Friendship mattered. Family, too. And, sure, sometimes a kiss was shared here or there, but romance never seemed to be the focus. Being a heroine was.

Granted, I must clarify that you can be focused on romance and still be a heroine. Please do not get me wrong. But I wish there were more YA books (in all genres) that allowed the characters to explore space, chase enemies, and save the world without falling in love, too.

Out of the last ten YA books I’ve read, the only one who featured no one falling in love was This Savage Song by Victoria Schwab. Definitely recommended. (By the way, if you have suggestions, feel free to leave them below. I LOVE suggestions.)

Love that will never change? My love for YA

Love that will never change? My love for YA

Granted, I can admit I’m a hypocrite. I write YA, and every single one of my YA books has a romance subplot in it. That being said, my romantic plots are hardly romantic in comparison to popular YA books today. In Bad Bloods, Daniel and Serena kiss….twice?…in 600 pages. And that’s it. But hey, they’re trying to protect their families and survive a government out to kill them, so I think they have a lot on their hands.

They can always kiss later. If they even want to.

That being said, almost every editorial letter I’ve received included the suggestion of getting my characters “closer” or focusing more on their romantic endeavors rather than their friendships or families or fighting for the world they live in. And I find it increasingly frustrating.

While I can see the market value in focusing on these tropes, I feel an increasing value in the opposite of those aspects as well.

It’s okay to focus on studying and family and friendships instead of love. It’s a personal choice. But more than ever before, I feel pressured to include romance where romance isn’t necessary. Because of that pressure, I actually set out to include more romance in my latest, but sure enough, I found myself following the same pattern I always do: There is a romantic interest, but he’s on the sidelines while my protagonist is striving to…I don’t know…save the world or her sister or her friends. She’s too busy studying to think about some boy’s smile or (insert jewel description) eyes. But she does have her moments, albeit they are few and far in between, and at this point, I doubt they’ll survive my editing process. And I’m so torn about it.

I wanted to write romance. I tried. But I can’t. And I’m trying to be okay with that. I am trying to be okay with me.

I love romance. I enjoy reading it, and I sometimes seek it out. But I wish there were more books where girls (and boys) were simply living life or saving the world without romance. It’s okay not to date when you’re a teen. It’s okay not to have romantic feelings. It’s okay to be focused elsewhere.

I wanted to read about girls like that when I was 14, 15, 16, and even now, so I guess that’s why I write my books the way I do. It’s that fact that made me accept myself again. (Oh, and talking to a bunch of my fellow writer friends. They helped, too.)

Romance will definitely help you sell your book—be it to an agent, a publisher, or a reader—but don’t force it. The most important aspect of any book is to be true to your work, and if that means avoiding crushes and angst-ridden kisses, then so be it.

I will continue to have romantic subplots, because that is my style, but as of today, my protagonist will focus on her studies more. She might not even kiss anyone at all. And that’s perfectly A-okay with me. (And more importantly, okay with her.)

If one day she changes her mind, I will listen to her, and if she doesn’t, I will continue to listen to her. Why? My answer is simple.

A protagonist is enough without a love interest to back them up. So is a story.

~SAT

 

Should Authors Have More Say in Adaptations?

30 Jan

Should authors have more say when their novels are adapted to TV or film?

Short answer: Absolutely. But the long answer is a lot more complicated.

For one, authors write novels for a reason. That’s how they like to express themselves. TV and movie writing is a completely different ballgame. When I studied screenwriting in college, for instance, I had never felt so lost in my life. That being said, I don’t think authors should be entirely removed from their work when it is adapted just because it’s a different art form. In fact, I think it benefits everyone to work together. (I also understand that TV/Film rights have a lot to do with the author’s literary agency and how they negotiated a deal.) After acknowledging that, though, I want to talk about why I wish authors had more say so in the end.

Do you watch Shadowhunters on FreeForm? No. Don’t worry. I’ll write this article around it, but I think it’s a great, modern example of how adaptations can go wrong, even in a damaging way, so it might be easier to understand if you do watch the show or read the books or check out the article I discuss below.

Recently, Cassandra Clare did an interview about the adaption of her popular YA series, The Mortal Instruments, both with the flop-film in 2013 and the current TV series, Shadowhunters. I highly recommend you read this (and share it): Cassandra Clare Shares the Troubles and Triumphs of Seeing the Shadowhunters World Onscreen

Listen, I’m a HUGE Cassandra Clare fan. I’m also a pretty open-minded fan. In fact, I rarely complain about adaptations, because that’s what they are—adaptations—and I even enjoyed the movie. (No, seriously, I own it and watch it all the time.) I was also a fan of the show…until recently.

Returning to the interview (which again, please read), I was appalled by some of the changes and ideas strewn throughout the show.

It grosses me out that FreeForm’s original goal was to take away Alec and Magnus’s relationship, because they are gay, while adding unnecessary violence against the female characters “to attract a male audience.”

Um…excuse me?

I mean, seriously? Does that not gross you out? That entire concept?

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Spoilers ahead for books and show. If you want to skip, look for next bolded line.

I was always bothered by Alec’s fiancée Lydia in Season 1, but I can also admit that I didn’t notice the difference in violence against the female cast until last week’s episode. Between Lydia’s attack, Izzy’s attack, Clary being “stabbed” in a dream sequence, and Jocelyn’s death that never happened in the books, I found myself highly uncomfortable and trying to figure out why. Then I read Cassandra Clare’s interview, and it all made sense. I am all for adaptations, but last week’s episode was wrong, whether or not Jocelyn comes back to life in tonight’s episode.
 (Which, I think, she most likely will.)

End of spoilers.

The new team claims to have a different stance than the previous producers, but last week showed much of the same problematic instances, including unnecessarily violence against the female cast and keeping a gay couple apart because “no audience wants to see that” (insert middle finger here). I also did not find it a coincidence that they only sent Clare the first three episodes of Season 2 for her approval and then this fourth one followed the original, damaging aspects. Granted, will I watch it tonight? Probably. I want to see if they’ll change their ways before I judge too harshly. But that doesn’t change my opinion about last week’s episode or what we learned through Clare’s interview—an interview, I will add, that was very brave. Authors aren’t normally so open and honest about this topic. Mainly because there is a conflict of interest, but also because we expect authors to simply be grateful that their work is being adapted at all. A sentiment I disagree with.

I am so glad Cassandra Clare fought to change some of the script, because the changes didn’t just misrepresent the story; the changes misrepresented the work (and the author) entirely.

If an adaptation is homophobic, racist, sexist, or otherwise damaging, shouldn’t an author be able to step in and stop it?

Again, I’m ALL for adaptations. I’m not saying that an author should have the final say over every little thing, or even over major aspects of book-to-movie life. But I do believe in creating better, positive pieces of art. And if a director told me they were going to start abusing females and tearing LGBTQIA characters apart because “men like that”, I’d hope that the world would back me up in stopping such an atrocity.

What do you think? Should authors have more say-so in adaptations? If so, what should they have control over and when? Where is the line? And should they draw a new one?

~SAT

 

#MondayBlogs Dear Readers, Harness Your Power

5 Dec

I want this book, but it wasn’t in the store. I wish I could find more books by this author, or about this topic, or with these types of characters. I want more inclusive books. I want diverse books. I want debut authors. But why is that book online and not in the store? Why doesn’t my library carry that one book? Really though, I’m asking one question.

What can I do to get this book?

Readers, I hear you. Trust me, I hear you. I cannot tell you how many times I’ve heard questions like these—and asked them myself at one point. But there is a solution.

How can you get the books you want on your shelves?

YOU.

You have the power. You have always had the power. And you can harness that power any day you want. How? Check out these tips below.

1. Don’t Be Afraid Of Customer Service.

Readers e-mail me all the time to ask if they can get my books in Barnes & Noble. (Yes. You can.) It’s on their website and on their shelves in various stores—but not always. If it isn’t on the shelf in your local B&N, that’s where you come into play. That’s where Customer Service helps. That’s where you ask them, and they order it in, and you get a copy, and the store takes note that someone wanted something they didn’t have on the shelf. The more you ask, the more B&N and other stores will cater to your needs. So make demands! Shout to them from the rooftops! Grab your pitchfork-pens and take over! (Okay. Sorry. Just kidding. But seriously…don’t fear customer service. They’re readers like you and me.)

2. Love Librarians

Libraries. Talk to them. Ask for books they don’t have. If you are able to help, ask them if there is a way you can get your favorites on the shelf. Sometimes, you can donate. Sometimes, they look into getting eBooks for you, too. A friend of mine even got a prerelease ARC from the library. There are a million options available in your local libraries, including getting your favorite authors to visit. (How cool would that be?) Embrace that library. Move in if you can. (Okay. That last bit was another joke…but it would be pretty fun, huh?)

Extra tips: Tell everyone you know about that book you love, including that random dude at the store. If you can wear a custom T-shirt with said book on it, even better.

Extra tips: Tell everyone you know about that book you love, including that random dude at the store. If you can wear a custom T-shirt with said book on it, even better. 😉 

3. Leave Reviews

I cannot tell you how many times I am standing behind a booth or a signing table and someone walks up, pulls out their phone, and checks out my books online…along with your reviews. I once had a very enthusiastic gentleman read a few of your reviews out loud…to my face…in front of a dozen other readers. (Thank goodness they were positive. I could’ve died from embarrassment.) Point is, your thoughts count. Your feelings matter. Take a minute to share them with the world. (But preferably not to my face at an event…unless it’s positive. Okay? I’m clearly fragile.)

Finally, participate in publishing events. Various publishers, agents, authors, etc., run events weekly, both through social media and out in the real world. (Gasp. The real world. *shudders away*) Whether you’re online or out and about, this is an opportune time to be heard, and trust me, publishers are listening. In fact, their job is to listen. They want to publish what you want. That is their end goal. So, don’t be afraid to speak up about topics, characters, settings, genres, etc. that you want to see. We are listening. (And probably writing notes down at the same time.)

So pick up your sword…err…your reading power! Request books, read books, and review books! You do make a difference, and us writers love you dearly for it.

~SAT

#MondayBlogs Writing, Creating, and Loving Villains

7 Nov

Wizard World Comic Con invited me to speak on the panel Villains vs. Villains with authors Genese Davis, Jack Burgos, and RA Jones last month, and I loved it! We had a great time talking about what makes a villain likable, memorable, or just plain evil. Today, since I know so many of you couldn’t make it, I thought I’d share some of the awesome points brought up during the discussion.

Wizard World Comic Con Villain Crew. From left to right, RA Jones, Genese Davis, Shannon A. Thompson, Jack Burgos.

Wizard World Comic Con Villain Crew. From left to right, RA Jones, Genese Davis, Shannon A. Thompson, Jack Burgos.

First, there are so many different ways to tackle a villain. In regards to creating a person as the villain (rather than society or nature), you have the evil villain, the villain we love to hate, the sympathetic villain, the group of villains, and more. But here are my top three rules to keep in mind when creating any type of villain for your novel.

1. The Villain is the Hero in Their Own Book

Much like the sidekicks do not exist just to support the hero—as they say, your friends don’t exist just to support you, right?—the villain follows the same rule. They do not exist just to antagonize the hero. They have their own lives, desires, wishes, and fears. In my opinion, the best villains are the ones who believe they are the hero. If you had to write the story from their side, you could (even if you don’t agree with them). A great example of this is…history. Just look at the years and decades that came before us. Some of the worst, most vile human beings thought they were doing the right thing. A modern example of this is Valentine in The Mortal Instruments by Cassandra Clare.

2. Avoid Clichés

I hate hate HATE the scorned woman villain trope. In fact, I hate the scorned man villain trope, too. Just because their lover—or their family—dies in the beginning, they become this crazy, evil maniac (generally for WORLD DOMINATION and REVENGE), and it becomes…yawn. Why? I think it’s a little silly. (And I say this as someone who has lost a mother, a friend, and more.) While revenge is A-okay in my villain book, I think we can tone it down from WORLD DOMINATION and get a little more personal, like—I don’t know—ruining one person’s life? Some clichés that were brought up included evil British doctors, (doctors of any sort, actually), and those that are just plain offensive, like people with disabilities who are evil because of their disabilities. (Please. Seriously. Stop.) Like with writing any character, research is key. Make sure you’re writing a genuine person who adds to the market in a unique way.

3. Overall Storyline

The villain doesn’t always have to lose. They could also tell the story or become good by the end. I’m dying for a book where the villain and hero become best friends (whether or not that’s a good thing or not), and I love it when the relationships between a hero and villain blurs. One of my favorite examples of this that I’m currently watching is The K2, a KDrama where the hero and villain have quite the interesting dynamic. Which brings me to my next point.

Challenge Yourself

Read books outside your favorite genre. Try reading the original comic books of those movies you’ve seen. Watch shows you wouldn’t normally try. Personally, I love KDramas and anime, and I think they have some awesome examples of villains that I don’t see as much of in Western shows. By expanding your palate on genres, mediums, and cultures, you will expand your understanding on creating villains, destroying villains, and more. If you read and watch the same types of stories over and over, you will most likely write the same types of villains.

So who wants a writing prompt?

Let’s take the villains we love to hate. How do you create one? One brought up by our crowd was Dolores Umbridge from Harry Potter. Honestly, she’s always reminded me that super strict substitute teacher everyone hated in middle school. So, here’s your prompt. Take an average everyday role and exaggerate it to villain status. In Umbridge’s case, she could’ve started off as that substitute teacher. Figure out what annoys you at the core (in this case, “by the book” rules, even when those rules can be destructive or harmful or hurtful). Try someone who is nosy. Try someone who is stuck-up or cruel. Play with “good” roles, too. If you have a great coach for instance, you can also have a terrible one. Any role can be a good one to play with when it comes to creating a villain. It’s all about their personality…and how evil they can get.

Now go take over the world.

Just kidding.

~SAT

Wizard World Comic Con: Shannon A Thompson

Wizard World Comic Con: Shannon A Thompson

P.S. Thanks for having me, Wizard World Comic Con! I had an absolute blast! If anyone is curious about their 2017 schedule, check it out by clicking here. I’m excited to announce that I’m working with the convention to return next year. We will see! Keep your fingers crossed for me. I am working hard to travel more and speak at different events around the country. If you’re a reader and want me at an event near you, be sure to e-mail their staff and let them know! Your input helps! (And I will love you forever.)

Also, I’ll be at YALLFest in Charleston, South Carolina THIS Saturday! If you want to meet up, just shoot me an e-mail at shannonathompson@aol.com. I would love to see you!

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