Tag Archives: characters

#MondayBlogs Writing Tips: Naming Your Characters

22 Aug

Naming characters is really important! It can also be fun…and a little daunting. Choosing them can take hours, and on top of that, publishers might change them anyway. But that doesn’t mean you can’t enjoy the process. In this article, I’ll list a few aspects to consider while naming your characters, and I’ll include websites you can use as tools to find the perfect name.

Have fun!

1. Time & Culture

Is it believable that your character’s parents would name them something within the setting’s restrictions? Of course, there are exceptions, but consider the year. 1880 is going to be VERY different from 2030. Research your setting! If you want, you can actually look up popular names through the years at SSA, [Social Security Association.] Also, BabyNames.com allows you to explore baby names based on origin, ex. Irish names, Persian names, etc. Babynames.com provides thousands of names within cultures, meanings, genders, and more. You can even save your favorite names as you skip around. (Don’t be surprised if people ask you why you’re looking up baby names in public. I’ve been “congratulated” on a number of occasions.)

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2. Last Names and Family Lineage

Remember most parents use iambic pentameter for names. The rhythm should work. On top of that, you can consider naming a character after another character. A son may be named after his father or grandfather. Last Name Meanings provides a list of last names and where they derived from, along with the meaning behind them.

3. Unique and Memorable

Of course everyone knows not to use names already used in very famous novels, but what about within your own book? Avoid repetitive names or sounds. You probably don’t want to name everyone with a “J” name. It’d be hard to follow Jack, John, Jared, and Jill around. Personally, I suggest making a list of characters names in alphabetical order so you can physically see what is represented. Consider start, end, and syllables. The exception generally happens within relationships. Example? If you have brothers, maybe they will have similar names, but don’t overdo it.

4. Mixing Names (Sci-Fi/Fantasy)

Listen, we all know sci-fi/fantasy generally calls for unique names, but tread carefully. Having a character names Zzyklazinsky is going to be WAY too hard for a reader’s eyes. Sometimes, your best bet is taking well-known names and simply mixing them to create something more relatable but unique, ex. Serena + Violet = Serolet. Try NameCombiner.com to see what you can come up with.

5. Look All Around You

There are so many references on the Internet to find names. Other than those websites stated above, get creative. Pick up an old yearbook. You’ll be surprised how many different first and last names (along with rhythms) you can find. However, I suggest not using a person’s exact name, but rather use it as a reference. Maybe a first or a last. When I recently atteneded a high school graduation, I kept the pamphlet with all the names on it. There’s nothing like needing a quick reference – a real one – that isn’t online. Even funnier? A real Noah Welborn was on there. (My male protagonist from The Timely Death Trilogy is named Eric Welborn, but his little brother is named Noah Welborn.) Sometimes, reality fuses with fiction. And, of course, life in general. If you’re at a restaurant and notice your waiter’s name on his nametag, jot it down. Even if you don’t use it now, you might in the future…which brings me to my last point.

Keep a list of names that you love (and maybe even why you love them). That way, when you’re ready to write another book, you have a notebook filled with ideas already, and you can start right away.

A mixture of all these things creates a list of believable characters, and I really hope you’ll enjoy playing around with names more than before!

Original posted April 29, 2013

~SAT

Here are two of my FREE books:

Bad Bloods: November Rain

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Minutes Before Sunset

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#MondayBlogs Writing Tips: Different Perspectives

8 Aug

I love writing from different perspectives. Both my YA series—The Timely Death Trilogy and Bad Bloods—are written in first POV but from two different speakers. I love using this technique for novel writing, because I enjoy first person, but I dislike how it restricts the storytelling to one character, especially when a scene would be better from a different perspective. So, I have two protagonists, and of course, there are complications that come along with this. What’s the most common question I am asked?

How do you make each voice unique?

I’ll provide a few aspects to keep in mind, but of course, this journey will be different for every writer and every novel. First, know that every character should have its own distinct voice. A reader should be able to open the novel and know who is speaking immediately. This is more difficult than it sounds, but it can get easier over time.

1. Perspective. 

The most obvious change between one voice to another is their unique perspective. What is their background? How do they feel? Where were they educated? Are they affecting the words, or are you? It’s important that characters have their own voice, and that voice will come out in combination with their personalities and backgrounds. For instance, your character who is a fashion designer would definitely use specific colors and fabrics to describe clothes, but your mechanic character might not.

2. Pay Attention to Diction and Syntax

Just like authors have their own “voice,” so do characters. Because of their backgrounds, characters will have different vocabularies. One character may use very flowery language, while another may have less of a need to elaborate. Consider their education, where they come from, and what they might know. The way they speak should differ, whether they are talking out loud or explaining the scene inwardly. Sometimes, syntax can be used to emphasize certain speech patterns, but be careful not to overuse syntax. Too many exclamations or repeated habits/phrases can become tedious and boring rather than unique and fun. Sometimes less is more. Little clues are normally enough.

3. Consider Rhythm

Honestly, I think rhythm is often overlooked, but paying attention to subtle changes in sound and length of sentences is important. One character’s thoughts may drag on, so their sentences are longer, while another might make short lists to contain their thoughts. Like everything making up your character, a person’s rhythm will depend on their personality, background, and goals. It could even change from scene to scene, but consistency is key.

All four of these women would tell a different story about this picture.

All four of these women would tell a different story about this picture.

One of my favorite exercises:

Write a chapter in which the two characters are talking. Write it from POV 1, and then, rewrite the exact same scene from POV 2. Check to make sure the dialogue and the physical actions are the exact same, but then, compare the thought process. How did the scene change? What does this change mean? Do they each bring a unique perspective? And out of those perspectives, which one is best to use?

As an example, two people can be talking and Person A could notice Person B is fidgeting. Person A may assume Person B is nervous, but when you tell it from Person B’s perspective, you learn that they are distracted, not nervous. These little bits can truly morph the way characters interact. I always encourage this exercise when starting out, even if the writer isn’t planning on telling from another’s perspective.

This exercise helps me understand the characters, and I feel more confident when I move onto a new scene. (Sometimes, it even helps me choose which scene to use…and worse case scenario, you have an extra scene to release as an extra for your readers.)

Have fun and good luck! 

Original posted March 31, 2013

~SAT

Bad Bloods: November Rain is FREE across all eBook platforms right now! (And I’m dutifully working on the next installment, too!) Happy reading.😀

November Rain

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November Snow, 

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Bad Bloods Free Book

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#MondayBlogs: Writing Tips for a Trilogy or Series

4 Jul

So, you have an idea for a trilogy or series. Awesome! Writing a series can be a lot of fun. I mean, who doesn’t want to spend more time with their characters and worlds? But many aspiring writers aren’t sure where to start, and writing a series is a lot of work. With these three steps, though, it might be a little easier than you think.

1. Determine the arc for the series—and each book

This step is important for your series whether or not your books will be standalones or need to be read in order. Each book should have an arc (and don’t forget that every character in your series should have an arc, too). On top of that, your overall series should have an arc. This means each book is building up to something by itself and working together to build up to something bigger. One easy way to do this is to consider your “sub-genre.” Maybe your first book of your paranormal romance trilogy will be a mystery (Who is the villain?), while your second book will be a thriller (We have to run from the villain!) and your last book will be your adventure (We have to go after the villain!). This method ensures each book brings something new to the series, while also working through an overall arc (in the example’s case, defeating the villain). Again, this is only one method, but you can mix and match to study your series and determine if you are keeping your books fresh and exciting but also unified.

Writing Tips for a Trilogy or Series

Writing Tips for a Trilogy or Series

2.  Keep Notes

Consistency is SO important. You might think you know your characters from top to bottom, but chances are, you don’t. We’re only human. We can only remember so much, and as your cast grows and changes, it gets harder and harder to remember every little detail. That being said, you must remain consistent throughout each book. You wouldn’t want a side character who is allergic to chocolate in book one to eat chocolate ice cream in book five. Same goes for scenes. If you’ve said a door was to the right, it better be to the right in the other books, too. Personally, I keep a file on places and characters, and I create an overall timeline. What’s a timeline? This tracks years before and during the books. This means if I have a character who says she broke her leg at five years old in book one, she says she was five in book three, not nine. Another file I keep is a summary of what was told to each character in previous chapters so I know what my characters know from scene to scene. It seems easy to remember, and it might be for some, but sometimes, we have to go work on something else or step away for a few months, and it can be hard to remember when you return. Keeping notes is never a bad idea.

3. Be Open

Writing a series is hard, even with a plan. But don’t fret! We all know that writers aren’t completely in charge of their characters, worlds, or ideas. Sometimes, the protagonist throws a curve ball, and everything changes. That’s okay! Think of writing a series like a road trip: You know where you’re starting, you probably know where it’s going to end, and you might have places you want to visit in between. But there might be some surprises along the way. Embrace them, and keep going. That’s where the fun is. And don’t give up! Following your dream is worth it, even if you have to rewrite that dream a couple of times along the way.

Original posted September 5, 2013

In this article, I discuss lessons I learned while writing my first two trilogies.

~SAT

A new review came in for November Snow! “Truly, Thompson has done an incredible job here of story weaving. Just wonderful. Don’t underestimate your need for tissues here people, don’t do it. Prepare yourself with tissues and a cuddly stuffed animal.” – Babbling Books (Seriously, listen to her advice. Tissues will come in handy.)

Catelyn's Story on Wattpad

Catelyn’s Story on Wattpad

This week, Catelyn’s Story released on the FREE Bad Bloods Prequel on Wattpad. This is also the first origin story seen from the Southern Flock’s perspective. They formed later than the Northern Flock, so from now on, you’ll see stories flip back and forth between the two flocks. If you ever wondered why the groups of bad bloods are called flocks, this origin story explains why! In Bad Bloods, Catelyn is Serena’s best friend. Here is a preview: The girl was pretty enough for plenty of crimes. Read her story by clicking the link.

Pre-Order Bad Bloods

November Rain, Part One, releases July 18, 2016

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November Snow, Part Two, releases July 25, 2016

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#MondayBlogs Writing Tips for Love Interests

6 Jun

Romance sells. This is a proven publishing fact. Though that doesn’t mean you should add romance to your novel just to add it, romance is quite popular in ANY genre, and let’s be real, love is everywhere. The chances of writing a book with no one (not even a side character) falling in love or being in some sort of relationship is pretty slim. Think of your own family and friends. Someone is going through something. Which is why love is so relatable. It might also be why we love reading about love. So, how do we write about love?

Like any topic, there are a million ways to write about love, but since I know you have a million more articles to read, I’m only giving out two quick tips to keep in mind when developing a relationship for your characters. But first, I want to get one stereotype out of the way, a stereotype we’ve all loved to hate. That’s right. I’m talking about Insta-love.

A note on Insta-Love:

I use the term “love” loosely here, but can we admit that insta-love happens? All. The. Time. In reality, it might be classified as infatuation or lust, but in the moment, a lot of people believe they have fallen in love at first sight or fight kiss, and technically, some people do fall in love right away. We’ve all heard stories of those couples many envy. You know, “She walked into the room, and I just knew!” It does happen, and it happens to people of all ages, but I definitely prefer when an author allows love to shape over time. This generally means love is more character-driven than plot-driven, and there are many ways to approach it.

Here is one system to think about.

1. Show How the Love Interest is Different

Why should we love them? Sure, he/she is good-looking and funny and smart, but so? Everyone is good looking and funny and smart to someone—and as an author, you’re not necessarily trying to get only one character to love another character. You’re trying to get most of your readers to also love that character, or in the least, believe in that character’s love. This is why we have to start thinking beyond types and start thinking about love in general. What makes love relatable? More love! Think about the love interest’s relationships with all of those around them—their friends, their family, etc.—and I guarantee you’ll make that character relatable. You’ll also figure out why your love interest is a standalone (and interesting) character. If that doesn’t work, try some personality questionnaires to get to know your characters better. Maybe they have a strange hobby or a secret phobia or a new dream that contradicts everything they’ve ever dreamt of before. Questionnaires will help you concentrate on the love interest as a person rather than as a love interest in your story…which is key to creating an interesting character for ANY situation. Not one character should be in a book to simply support another character. Sure, supporting characters support the main character, but much like the villain, supporting characters are still the main characters in their story. Treat them as such. Give them their own desires, interests, fears, and arcs. Love interests are never just love interests. Love interests are just characters who happen to fall in love.

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2. Now Show How the Love Interest is Different Around The Lover

This is the “two characters who happen to fall in love” part. To me, it basically translates to affection, and not necessarily physical affection. I mean, emotional affection. Maybe they open up to one another about topics they’ve never opened up about before. Maybe they simply cry in front of one another. Maybe they are the ones who challenge them the most and cheer for them even harder than anyone on the sidelines. Maybe they can dance and trip and don’t feel embarrassed that they tripped together. It’s both about comfort and accepting discomfort, knowing the other will love them anyway. The juxtaposition between positive and negative emotions—while sharing them with one another—helps readers relate to the couple while also allowing the couple to relate to one another on a more intimate level. In this process, you’ll probably see where the characters draw lines with friends and co-workers and family members as well. A great exercise I swear upon is taking your protagonist’s deepest darkest secret and figuring out how they would tell everyone in their life and why the situation changes based on who they were talking to. Of course this doesn’t have to go into the book. (But who doesn’t love a good secret?)

Of course, there are many types of love—and the English language is very limiting to the definition of love—so exploring lust, infatuation, obsession, admiration, and love all come with their own complications and expectations. That’s the joy in writing stories though. Get lost in the chaos. Figure out the unknown. Push boundaries. Listen to your gut. But most of all, follow your heart.

I hear that’s the key to love, after all.

Original—Insta-Love Isn’t Instant—is very different. 

~SAT

Enter Clean Teen Publishing’s Summer Fun Giveaway!

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Win a paperback of November Rain in this Goodreads Giveaway.

Win signed swag from The Timely Death Trilogy and Bad Bloods by signing up for the Bad Bloods Thunderclap and emailing me your support at shannonathompson@aol.com.

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November Rain, Part One, releases July 18, 2016

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November Snow, Part Two, releases July 25, 2016

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#MondayBlogs What Changes From First Draft to Publication?

16 May

What changes from first draft to publication? So much. In fact, nearly everything. But if the answer was that simple, an entire article (or even whole books on the topic) wouldn’t be necessary, so there’s more to this answer than it seems. Despite that, I insist you take my article with a grain of salt. In the end, everyone’s writing method is different, so everyone’s editing process will be fine-tuned to fit that particular project. Figuring out what works for you and what needs to be done is key, but I wanted to discuss a few topics that almost always change for everyone, so you can prepare yourself for the battle ahead. (It’s a fun battle, I promise.)

1. Word Count

Please, please, please be open to changing your word count. This is especially true for those writers pursuing traditional publication. For every genre, for every age group, there is a “perfect” word count range you’re basically expected to fall into when querying or pitching. Yes, there are exceptions. You might even become the exception during an editing process, but knowing how long or short your story should be shows your knowledge for the market and for what’s appropriate for your audience. That being said, I’m going to contradict myself and say it’s better to be true to the story than to fit a standard, but keep an open mind when rereading your work to see if you can fit the standard. Maybe a scene isn’t necessary. Maybe two scenes can be combined. You might even find yourself contemplating a cut of your favorite scenes or characters, and sometimes, that’s necessary. Keep it in a folder. Share it as an extra on Wattpad later. But making sure everything is vital is one of those tricky but true things a writer must overcome. I struggle with this myself! Almost all of my novels’ first drafts are 130,000 words, but I quickly figure out a lot of it was repetitive information or information not needed for a storyline. I might save it for a sequel or condense it somewhere else, but I tend to find reaching those ideal word counts isn’t that hard as long as I allow myself to let things go and move on. Letting go can be difficult though, so to help you with that, I suggest you read The Disposability of Ideas by Maggie Stiefvater. She is the author of The Raven Cycle and a mad genius when it comes to letting things go, even when you don’t want to.

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2. Characters

Names. Descriptions. Backgrounds. Even their existence might change. Oftentimes, writers will find that two characters in a draft can be combined to serve one purpose, or visa versa (one character could become two). Publishers are notorious for changing names—especially of protagonists—but I always suggest writers face this problem themselves before submitting. Don’t count on publishers choosing the perfect name, and try not to get attached in case they do change it in the end. I personally like to take notes of a characters’ background while also keeping a list of other names used in the story. This way, I make sure I’m using different types of names, including the first letter, the syllable count, the sound, etc.—all while staying true to their background as a person. As an editor, I receive a lot of manuscripts where all 20-some characters have similar sounding names, and unless that serves a purpose (like twins named closely together), it can get really confusing really fast. Of course, names is a shallow example of what can be changed, but I think it’s a good one since many writers get very attached to names quickly…and I’m about to expand on characters a little more in my last topic.

3. Major Changes and Rewrites

In the end, your plot, purpose, genre, or even cast could change completely. I, for one, just finished a manuscript that started off as a 62,000-word draft and ended up being a 92,000-word novel. Why? Because I was missing that much information the first time around. I wasn’t sure about my setting, I didn’t know my characters THAT well, and the secrets didn’t reveal themselves until the end. On top of that, I’m a plotter, not a pantser, so this was a painful book for me, but I followed my gut and did what I could and then, I faced my rewrites head-on. Let me use characters as an example for how much could change overall. A character’s gender, sexual orientation, secrets, lifestyle, background, and mindset could change simply because you didn’t TRULY know that character when you first set out to write the book (even though you thought you did). I recall Cassandra Clare discussing this at a panel I attended recently. For those of who are familiar with The Mortal Instrument series, she actually didn’t plan the big twist about Jace at the end, and she simply couldn’t understand why he acted the way he did for over 700 pages of the first draft. It wasn’t until she got there that she learned that vital aspect about his life, and so, naturally, she had to go back and rewrite the entire story to make his character real again. Don’t shy away from the right change, even if that change demands an entire rewrite. That change could be what makes your book.

The first draft is only the beginning, but that fact doesn’t have to be a scary thing. It can be an amazing thing. All writers go through it, and all writers come out of each stage happier than they were in the previous stages. Rewriting that 62,000-word draft I discussed above, for instance, was one of the best projects I’ve ever worked on. When it finally began to take shape, I was satisfied and proud of the work. Before I rewrote it, it simply sat on my computer collecting technology dust. Think of editing and rewriting as another writing adventure—one that will take you one step closer to publication—and what could be better than that?

Original posted March 20, 2014.

(On a side note, the original is VERY different than this article. I actually focused on a real novel of mine, so if you want to see a detailed account of what I went through with one novel, this is a great article to read.)

~SAT

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November Rain, Part One, releases July 18, 2016

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November Snow, Part Two, releases July 25, 2016

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#WritingTips How to Use Real-Life Stories in Your Novel

24 Feb

This seems simple. Using real-life stories—especially your own real-life stories—should be pretty black and white when you want to implement them into your novels, but it’s not. In fact, it can be very gray and confusing and downright frustrating to pick and choose…and well, remember. So, here I am to help with some writing tips.

First, I wanted to tackle the idea of using someone else’s real-life story in your book. Maybe they are your best friend or maybe they were some random guy at a bar you met. Either way, they shared a FASCINATING story with you about their life, and you loved it so much, you were already picturing where it would be in your current WIP. Stop right there. Personally, I am big on getting permission, especially if the story was deeply personal and unique (which, generally, people’s lives are). Get permission or even ask them what they would like you to change…or ask them permission for what you are already planning on changing. That’s just me though. There are many who would argue with me, and you can read their opinions on their blogs. But I see it as an ethical issue. I am not going to put a personal story about love gone wrong down to the gritty, dirty details in one of my novels when that person put themselves out on a ledge as friend (and human being) to tell me about it. That story is not mine to tell. Now if I get permission…Hell yes, run with it.

Now, moving on.

Why would it be difficult to put your own real-life stories in one of your novels? Well, for one, it can involve other people, which goes back to the point above, but you can also be TOO close to it. You might want to explain every little detail and moment leading up to the short story, and now you have a subplot instead of a little tale to push into your book. Try to focus on WHY. Why is this story so interesting? What about this memory is important? Is it the emotion? Is it the lack of emotion? Depending on the situation, one little section might be the only part worth mentioning.

Now how to choose. I’ve spoken to a lot of writers who are struggling for inspiration. They often tell me their lives aren’t exciting enough to use in novels, but once I start talking to them, I am pointing at them—practically jabbing them with my finger—and screaming, “THAT DETAIL. Use that detail.” Your grandmother who used to love to make liver and onions, even though the rest of the house hated it. Your mother who hairsprayed her hair into beautiful ringlets every morning…only to pin it up with a giant clip. Your father who took you to a golf course one day and you accidentally drew the club back…right into his forehead…and then he got RIDICULOUSLY upset…more so than you’ve ever witnessed before in your seven years…and then he calmed down and told you a story of how he lost a friend in childhood that way. It was the first time you heard your dad speak of death outside of the family or death in childhood or the fact that you just did something by accident that has killed someone before. Sadly, this is a real-life story from yours truly.

A little peek into my real life growing up

A little peek into my real life growing up

Little stories in your life that seem mundane aren’t. Everyone has life lessons, and those life lessons can be used and shaped to give your characters those same life lessons. If you’re struggling to remember which stories to use in your life, I would suggest keeping a notepad in your back pocket. Next time you’re talking to a friend or a family member, you might be surprised by how much you all bring up in everyday conversations. (I actually do this myself! I take notes on my own freakin’ life, and it helps! It allows me to have a file I can go to when I’m writing, rather than trying to conjure up a memory when I’m in the middle of a scene.)

So, study your life. Reflect on your life lessons. Here are some examples from my life.

When did you realize what death was?

My dad had to kill a bunny in front of me when I was four. My new husky had broken its back, and my dad was trying to put it out of its misery with a rake. I still won’t forget the sounds it made. (In my dad’s defense, my mother was trying to get me to go inside, but I was four. Enough said.)

What was your first funeral like?

As a three-year-old, I got ahold of the stage’s microphone and started singing Shania Twain…and got kicked out. I was just trying to cheer everyone up. My great-grandma Juanita took my cousin and I to her house where she let me make him cheese and crackers so I felt like I was helping still. (Because cheese and crackers are SO difficult to make.)

When was the first time your heart broke?

When I lost my first friend when I wasn’t moving. I was used to losing friends. I moved every two years. But when I lost a friend and I still had to go to school with her, I couldn’t handle it. I couldn’t fathom how two best friends could just pretend not to know one another anymore. I still miss her.

All of these scenarios I could use in a story. It was my first experience with understanding death, not understanding death, and loss without death. Now those are pretty grim, but I would have to bet you have some interesting life lessons swirling around your mind, and if those don’t work, you can always listen to a friend (and get permission)!

Inspiration is all around you. It might even be in you.

~SAT

My editing services now have example prices. A few of you mentioned confusion on how to calculate the cost, so I left an example for 80,000-word novels. That being said, if you ever want an estimation, they are totally free through shannonathompson@aol.com. (A sample edit is also free, and you’re not obligated to work with me afterward.) I hope these updated listings help everyone out! Ex. Content Editing/Developmental Editing ($3 per 1,000 words) would cost $240.00 for 80,000 words.

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Minutes Before Sunset: book 1: FREE 

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Seconds Before Sunrise: book 2:

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Death Before Daylight: book 3:

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Have you checked out this amazing gift basket Clean Teen Publishing is giving away this month? It has over $130 worth of goodies including a Kindle Fire, several print novels, sweets, swag, and more! Enter to win here.

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Author in a Coffee Shop, Episode 8 starts on Thursday at 7 PM (CDT) via Twitter’s @AuthorSAT! What is #AuthorinaCoffeeShop? It’s just how it sounds! I sit in a coffee shop and tweet out my author thoughts (and talk to you)! See you then!

July Ketchup

31 Jul

July’s Ketchup

Can you believe it? July is coming to an end, and with it, Minutes Before Sunset has released. (Another release is on its way in August, but that’s for another post.) I’m unbelievably enthralled by your support this past month. Thank you. Thank you. Thank. You. And…you can win even MORE prizes soon. But I’ll talk more about that in this month’s Ketchup post.

For those of you just now checking in this month, Ketchup actually means “catch up”. At the end of every month, I write these posts describing what goes on behind the scenes at ShannonAThompson.com. Some of the topics I cover include my big moments, top blog posts, my top referrer, #1 SEO term, YouTube videos, Members of the Week, and more in order to show insights that will hopefully help fellow bloggers see what was popular. I also hope it entertains the readers who want “extras” for this website.

Thank you for being a part of my life this July!

Big Moments:

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My #1 clicked item was ordering Minutes Before Sunset! Thank you!

Minutes Before Sunset released by Clean Teen Publishing on July 28! (Insert so many excited author girl screams.) It’s been emotionally difficult to be off the market for seven months, but it’s equally as wonderfully to be back on the book train! You can grab a copy at Amazon, Barnes & Noble, and pretty much everywhere. ::wink wink:: If you review the novel, please let me know! I’d love to share it! Or…you know…send you a signed bookmark to thank you. Tonight, we even have the CTP Midsummer Magic Party on Facebook where you can win prizes. I also started a newsletter.

Which brings me to my next point: Seconds Before Sunrise is releasing August 25. (Yes. This August 25.) And my publisher surprised me by sending me a paperback for my little writer hands. (It’s like holding a sweet little puppy. My heart is warm with love.) You can also pre-order Seconds Before Sunrise at Amazon, Barnes & Noble, and…again…pretty much everywhere. :]

Tish and me

Tish and me

Right before my release—as promised—I’ve started traveling more to meet readers, and I met a few of you at Penned Con in St. Louis. I even had the gleeful moment of meeting one of my favorite Indie authors, Tish Thawer. ::waves at Tish:: (I’m planning on writing a blog post about Penned Con, so I’m going to save the rest of that story for that.)

In writing news, I had my eight-year anniversary of publishing, starting with November Snow in 2007. It’s only fitting that I finished the rewrite of November Snow as well! (Can’t you tell this has been an absolutely insane month?) I could’ve written an entire post on the recent events in my life. Maybe I will. Maybe I have even more exciting news to come.

I like to tease.

Stay Dark,

~SAT

Top Three Blog Posts:

  1. Minutes Before Sunset Release Day! I hope my rejoice hasn’t been too repetitive yet. I simply feel so lucky and happy and delighted to be here today, and I know I wouldn’t be without my readers, so thank you to the ends of my writer’s heart for continuing to believe in Minutes Before Sunset! The Timely Death Trilogy lives on!
  2. Can We Stop Hating on E.L. James and Stephenie Meyer? After EL James was attacked on Twitter, I wrote an article about how destructive hate (not criticism) can be, and how many authors are affected by it.
  3. It’s Never Too Late To Start Writing Your Bestseller: Written by EssayMama, this infographic outlines famous authors and how writing fit into their lives.

Other Blog Posts:

#1 SEO Term

#1 SEO Term

YouTube Channel:

Minutes Before Sunset Release Day

At the end of the month, I also like to take a moment to thank all of the websites who supported me by posting reviews, interviews, and features. I also like to specially thank the Members of the Dark. Every week, I award one member a “Member of Week” badge, and out of those monthly members, one of them will win an eBook of their choosing as well as more prizes. If you would like to be a member, subscribe to my newsletter. If you’d like me to share your review of my novels or if you want to interview me, please send me an email at shannonathompson@aol.com. I always love speaking with new bloggers, writers, and readers! And I will share your post on all of my websites.

Dark Members of the Week: The Schwartz Reviews, Red Sands Reviews and Ramblings, awkward Meow Productions, and Tranquil Dreams.

Reviewers:

Death Before Daylight: Pointe Taken

Features: Juniper Grove Book Blitz

Calculated on July 29 at 19,851 new followers

Calculated on July 29 at 19,851 new followers

 

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