Tag Archives: editors

Why You Should Make Time To Write While Editing/Revising

10 Feb

I’m not going to lie. I’m basically writing this article because I failed at this, miserably, and I want to prevent others from making the same mistake. 

Once upon a time, I wrote a book. The moment I was inspired to write it, I knew it was more special than my other books. Not that I don’t love my other books, I do, but some stories leap out at you and steal your soul from your body. Others are just fun to write. And this book felt like the “one.” The one that would lead me to my next step in my career, the one my readers would love the most, the one that I could spend years in writing sequels or spin-offs or short story extras.

With unattainable excitement, I sat down and wrote. I cranked out the first draft in less than a month, and I spent a couple months rewriting and editing. I worked with betas and rewrote some more. I loved it. I thought others would, too. So, I started submitting. Sure enough, a couple people did love it! Yay! But then, I was asked to revise. 

Treat your writing projects like plants: water them all.

So I revised. I revised a lot. I revised until I forgot which version I was writing.

That’s when my emotions got messy. Sometimes, I would mess up versions, or backtrack too much, or be too set in one scene to try something new again. Sometimes, revision notes came back contradictory, and other times, the notes didn’t match my vision at all. But I didn’t want to miss out on an opportunity…which caused me to learn a hard lesson. See my past article: Should You Revise and Resubmit? I was spending every moment of my writing time revising. Meanwhile I was watching some of my awesome writer friends get agents and book deals with pieces of work before they had to revise anything again. And I wasn’t getting any promises from anyone.

I was spinning in circles, but I couldn’t stop myself.

I believed in my work so much. I loved the story endlessly. And every writer in the world will tell you that revising is part of the process, that every good book will find a home, that every writer willing to work hard will find friends and fans and supporters. But I just…wasn’t. I was beginning to feel a little crazy when the inevitable “Your writing is spot-on, your idea is so imaginative, and I loved it…but not enough. Send me your next piece.” would come in.

My next piece? I would think. What next piece? I had been so busy revising this piece for everyone for so long that I had completely disregarded my next piece.

I forgot to give myself time to create.

I forgot to be a writer, not just someone who is revising or editing.

No wonder I was so miserable.  

I spent almost the entire year revising and editing one book. As long as it was a better version that remained true to my story, I believed I was heading in the right direction. And while I still think I was heading in the right direction, I should’ve given myself time and space elsewhere. Granted, if I were 100% honest, I wrote half of another book, and I outlined/researched a couple awesome ideas, but all of those projects inevitably got pushed aside to edit this one, special book.

That book is still my special book. I love it with all my heart. In fact, I still don’t know if I’ll ever love another book this much again, but my love for it doesn’t have to be defined by others’ love for it. I can love it, whether or not anyone gets to read it in the future. And something I’m unsure about might be something others fall head over heels for. The “one” (if there is such a thing) might be a book idea I left sitting on my shelf while being too busy revising. It could be a book I have been neglecting to create. It could be a book that I learn to love, rather than falling in love right on the spot.

Don’t let your writing identity get wrapped up in one piece. Why? Because that piece might fail to work out in the way you had hoped, and then it’ll be harder to get back up on your feet again. Getting back into the creative swing was the hardest part for me, anyway. I struggled to settle on a new idea. I had to start over a lot. I had to come to terms with shelving a piece I loved. But I began to love writing again. Now I have so many pieces I want to finish.

There is nothing wrong with investing a significant part of your time in editing or revising, but you also deserve time to create.

So go write.

~SAT

P.S. I have some exciting news to share! I am officially a Youth Services Associate for the Mid-Continent Public Library! As some of you know, my dream has been to work for a library, and I tried really, really hard last year, but it didn’t work out. See past article: 2017 Wasn’t My Writing Year. I didn’t give up on my goals though! Now I am here. I’m super excited to help the young people of Kansas City with everything the library has to offer. Wish me luck!

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Should You Revise & Resubmit?

21 Oct

Querying can be terrifying.

Whether you’re searching for an agent or applying directly to an editor/publisher (or even your own agent), sending your work out there is a nail-biting experience for nearly everyone, including established writers. In fact, most writers will tell you that rejection is a constant part of the publishing process. No matter who you are. So is submitting.

Everyone faces rejection and acceptance eventually. And then, there’s the revise and resubmit.

A R&R is not a “no,” but it isn’t a “yes” either. 

It means an agent/editor/publisher liked your work enough that they believe in it and can see it moving forward after some significant changes. More often than not, an agent, editor, or publisher will give you some sort of feedback about what they believe you need to change. It’s not a guarantee, but it is an opportunity.

Should you revise & resubmit?

If you think you’re heading in the same direction, I say go for it. Your manuscript will be better in the end, no matter what happens, and I think that’s worth it. If you’re unsure about the revision notes, I honestly believe that means the notes didn’t resonate strongly enough to justify a revision. However, that is just me. Every writer is different. But I can admit that I learned this lesson the hard way.

Yes, I have revised and resubmitted—and received a “no” and a “yes” afterward.

There was one major difference between the “yes” and the “no” scenarios.

The biggest difference? I should’ve known the “no” situation from the beginning. When I received the initial feedback, I was unsure, but I felt too guilty to walk away. I mean, an R&R is a rare opportunity, right? Shouldn’t you take advantage of every opportunity? That was my thinking, but that sort of thinking isn’t always right. Why? Because my heart was never in it, and readers can sense that. With the “yes” opportunity, I received feedback that just resonated.

The moment I read the note, I felt like the team understood the heart of the manuscript. In only a few lines, they directed me in a way that felt right. In fact, it felt better than right. It felt like the place my manuscript should’ve been in all along. Instead of the confusing dread I felt with the “no” scenario, I felt complete and total excitement with the eventual “yes” scenario. Now I feel a lot more confident about when to accept a R&R.

Here’s my step-by-step guide for writers who receive a R&R:

  1. Make a decision: Take a little break to truly ask yourself if the revision notes resonate with you—and your manuscript. Once you make a decision, ask yourself one more time. Make sure you’re not talking yourself into it for an opportunity that doesn’t actually work with your vision. This will save you—and the other party—a lot of time and energy. Don’t feel guilty if the notes don’t resonate. Do feel gratitude for receiving feedback anyway.
  2. Let the other party know. Either way, thank them for their feedback. If you decide to revise, ask the other party when they expect a return (if there is an expectation), and make a plan.
  3. Now sit down to write.

It might be your revisions. It might be your next manuscript. Just keep writing.

Either way, you’re on your writing path to success. Enjoy it.

~SAT

P.S. I’m giving away a FREE audiobook of Bad Bloods: November Rain! Enter the Rafflecopter hereI’m also searching for audiobook reviewers, so if you love YA fantasy AND audiobooks (or you know someone who does), point me in the direction of their awesome blog. Good luck & thank you!

#MondayBlogs Weaknesses in Writing

26 Dec

Writers always have room for improvement. Even if you’re a New York Times Best Seller, you are growing every single day, and knowing what aspects to work on can definitely help your career.

How do you know what to concentrate on?

Be honest with yourself.

Most writers know what their weaknesses are. Maybe it’s those pesky fighting scenes (or kissing scenes). Maybe creating villains is really difficult for you, or world-building takes wayyyyyy too long (like five years too long).

We probably know where we need extra help, because it takes us more time than usual to overcome that particular obstacle…and that’s okay!

Understanding your weaknesses as a writer will help you overcome them and learn from them. So, here are some tips to figure them out, work with them, and beat them.

1. Make Lists!

While you’re writing, you’ll come across those tricky areas and struggle. Take note of where and how and why you struggle during particular times. Also take note of how you figured out the issues eventually. By forcing yourself to step away and reevaluate it, you’ll see more patterns, and you’ll be able to research or study that particular area until you no longer struggle as much. Want an example? I LOVE my side characters, sometimes a little too much, and while I can explore side characters, I often let them overshadow my main characters during the first draft. In the current book I’m working on, I have a note to tone down those subplots. That way, I don’t get out of control again. (And if I do, I have notes on how to fix it when I’m editing.)

Another list I love to keep outlines my crutch words. This includes words I use WAY too often and words I often misspell or just need to look out for in general. Crutch is actually one of my misspellings. I always use clutch instead. Why? I have no idea, but I know that I need to search for clutch and crutch every time I’m editing. I also search for all those pesky, repetitive expressions like smile, nod, frown, smirk, laugh, etc. There’s nothing better than finding out you used the word smile six times on one page and deleting them ALL before anyone else reads your Crest commercial…er, I mean, book.

writerweaknesses2. Read, Research, Practice!

If you’re anything like me, you might struggle with romantic scenes. (Seriously, I feel like a Peeping Tom every time I write a romantic scene. It really ruins everything for me, which is probably why most of my novels have very little romance in them. But moving on…) I know this about myself. I know to take my time on these scenes, and I realize I’ll edit them a hundred times over. But one thing that I find that fixes my issues more than anything else is reading. By reading, I will see how authors evoke emotions I struggle to explain. Whenever I come across a romantic scene in a book I’m reading, I definitely pay more attention than usual. I might even take notes on how and why it was a successful scene, so that I can consider how to utilize those tools in the future. This is where research and practice comes into play. Once you start realizing what works for you and others, you can try out your new skills on short stories or individual scenes. By writing and rewriting those areas you struggle in, you will start to feel more confident and comfortable over time. (Plus, we could always use another excuse to read.)

3. Remember One Thing!

Weaknesses do not make you a bad writer. Everyone has them. Yes, even J.K. Rowling. Maybe you have a bad habit of dream sequences or too many flashbacks or your villain falls flat every time. That’s okay! As long as you understand that these are issues, you can fix them. Look at it this way, isn’t it better to know about them, and be honest about them, than be oblivious or ignore the issue at hand? Writing is a journey. Some scenes will work perfectly; others might need more work. Take your time. Embrace the challenges, and prove to yourself that you can overcome them.

~SAT

#WW Real-Life Characters Behind a Novel

15 Jul

Everyone knows the author is not the only person behind a novel’s creation. Publishers, editors, cover artists, and formatters are just a few of the technical people behind the masterpiece. Bloggers, reviewers, beat readers, and readers are just a couple of the people who help spread the masterpiece. But there’s another type of person who helps create the novel, and that type of person is vital to the creation of a great story. Who am I talking about?

I’m talking about “the team.”

What is “the team”?

Well, it’s different for everyone. Some people may not even have a team, but I know I sure do. I have a wonderful group of people who deal with my writer’s insanity on a regular (if not daily) basis. They listen and argue and push me and sometimes inspire some of my characters, scenes, and lines. So, today, I want to introduce you to three of them, whether they enjoy the spotlight or not. (They’re definitely not used to it. That’s for sure.) These are the people behind the actual names you see mentioned in the back of my book, tucked away into the acknowledgements page, and scattered throughout my posts with vague nicknames and references.

Today we thank them. (And today, I use nicknames again.)

The Spray Painter

He’s an artist himself, armed with a spray paint can and horror movies, and he’s one of my best beta readers. He’s probably read everything I’ve finished so far, and he continues to talk to me on a regular basis about every last aspect of every single novel. He knows what could’ve happened, what happened before, what happens now, and what I plan to have happen. He deals with every last draft I’ve written. He is a walking spoiler alert (except he never tells anyone a thing). Without him, I wouldn’t have anyone to bounce possibilities off of, especially the more confusing ones, and his dedication has helped future stories more than ever before. When we get together, it’s “what draft was that?” And by the end, we’re talking about what draft we should stick with.

The Fashionista

A close friend of mine for over ten years, this chick-a-doodle has helped me with more than my novels. She’s also helped me pick appropriate clothes (for both myself and my characters). I would be lost without this personal shopper. She’s stylish, and she reads just as much as I do. We often consider friendship our own little book club, and her insight of the industry mixed with my knowledge has helped me figure out which aspects of my novels are unique and which ones need more work. She’s not afraid to be honest. (She can tell me when a character is weak while simultaneously confirming that, in fact, I do look fat in that dress). She’s also the one behind the camera of my Instagram feed.

The Dream Guy

He’d kill me if he saw me call him that, but it’s true. He’s the dream, and he inspires many of the dreamy moments in my male leads. Do you have a crush on Eric or Noah? Yep. This guy. He also helps create a lot of the political and military references scattered throughout many of my works, and I have a document dedicated to quotes he’s said in real life that I use in my novels (with permission, of course). He’s a walking character. He might even have dark hair and light eyes. But he definitely deals with my continuous ranting, and questioning, and idea-making the most. This is why he keeps me in check. He especially enjoys reminding me of the blatant loopholes I, somehow, missed on my own. He also doesn’t mind helping with fighting scenes. But who doesn’t like those?

These are three people behind my team. Hopefully, I’ll get to share more soon. They definitely don’t get enough credit, but they deserve a million acknowledgements.

Let’s make this even more fun.

Who would you want to meet? Would you want to ask them any questions? Let me know, and I’ll see what they have to say. We might have to do a follow up. ;]

~SAT

teaser5We only have 13 days until Minutes Before Sunset releases! And there is so much going on.

Pre-order Minutes Before Sunset for only $2.99 until July 28. You can also enter to win a paperback in this Goodreads Giveaway. 

Pre-order Seconds Before Sunrise too.

While you’re at it, pre-order Death Before Daylight. (EEEE. I still cannot believe this novel is finally available.)

And see me next Saturday, July 25, at Penned Con in St. Louis!

#Monday Blogs: Traditional vs. Self vs. Indie: What is the best way to get published?

20 Apr

Intro:

I have had the great honor of getting to know Kasi Blake through Clean Teen Publishing, and let me tell you guys, she is someone to watch. Her imagination began writing stories at a young – including one that was inspired by Star Wars – and she wrote across many genres. Now, she writes paranormal romance and urban fantasy…and of course, this lovely blog post about a constantly debated topic in the publishing world: which route do I take?

Traditional vs. Self vs. Indie: What is the best way to get published?

This question has been up for debate for some time, and that is why I am doing a post on it. However, I will not be telling you what you should do. Writing is a business with more than one way to do things. With that in mind, I will tell you about my experiences as I published all three ways, and you can decide for yourself which way you want to go. Each publishing arena has its pros and cons.

1. Traditional: There are still many people in the business who believe this is the only way to go and don’t consider you a real writer unless you published with one of the major publishing houses. You also need an agent in most cases. No one wants to wind up in the slush pile, wondering if their manuscript is even being read. I published two Romantic Suspense novels this way.

Advantages: Being able to say you are published with a major house gives you     credibility, and people don’t stare at you with glazed eyes when you talk about your book. Traditional publishers usually have a team of editors, graphic artists, and other awesome people to help your book along. The best thing about them in   my opinion is they can get you into stores. Seeing your book on the shelves is something you don’t forget.

Disadvantages: You have little to no control over your book. Once you sign the     contract, it is their book. They will choose the cover, change the content, and    usually they come up with their own title even if you slaved over it for months. If you think it will all be worth it to have help marketing, think again. Unless you     are a big name writer, there isn’t anything in the budget for you. Most first books lose money, and that’s why new authors have such a hard time getting signed.

2. Self-published: After getting a sparse two books published with a traditional house, I turned to the diy way. At first I was against it. I didn’t want people thinking I couldn’t get published and had to do it this way. Now, I am happy I took this journey myself, and I intend to do it again. I’ve published two series this way, the Rule Series starting with Vampires Rule (Free at the moment) and the Order of the Spirit Realm Series, starting with Bait.

Advantages: Total control. You are in charge of your book, and it is your baby       from conception to the finished product. Although you should find betas to read the manuscript before you publish, everything is up to you. Not everyone likes     this concept, but I enjoyed it. You can find out how to format and how to do your own cover on the Internet, or you can find skillful people to do those things for you. Many have taken the plunge before you, so take advantage of their      knowledge, and learn from their mistakes. You keep most of the money. I loved doing my own covers!

Disadvantages: There is still a stigma attached, and some people hate your books without giving them a chance. Marketing is difficult to do totally on your own. If the book has a problem and doesn’t sell, it is on you. There’s no one else to blame.

kasiblake

3. Indie: Although I am a control freak and enjoyed doing my own thing, it became tedious, so I found a small Indie Publisher for my Witch Game Novels. Crushed will be published August 4th with Witch Hunt following a few months later.

Advantages: I can’t tell you how great it feels to have someone else in this with     me now. While I concentrate on writing, they are editing the books, doing the    covers, etc. I can breathe. Unlike the traditional publishers, they offered me more control over my covers, content, and so on. It’s been great working with them. They also do some of the marketing.

Disadvantages: You are giving up part of your royalties and some control. Once you sign that contract, the book isn’t a hundred percent yours anymore, so make sure you can trust the people you are working with. Get recommendations.

There you have it, the top advantages and disadvantages of each publishing route. You have to decide which is best for you. Not everyone will do well with a traditional publisher, just like not everyone will succeed as a self-published author. It depends on what’s most important to you. Are you dying to see your books on the shelf in your local store even if they never sell? Do you have to have control over your own covers? Does it drive you crazy and give you an ulcer when you are in charge of everything?

Bio:

kasi-2Hi, my name is Kasi Blake, and I write Paranormal Romance/Urban Fantasy for the young and the young at heart. I love animals, wild and tamed, and years ago a blind date made my dream come true by introducing me to his cougar, Samantha. She was beautiful, and I was too stupid to be scared. In retrospect, my lack of fear probably saved me. He let me go into her pen so I could pet her. She walked up to me and fixed her open mouth on my upper thigh. I just stroked her head and told her how beautiful I thought she was. She was looking up at me sideways while gently biting down on my leg. He pulled her back, told her not to get me dirty, and I walked out of the pen. I think she was just testing me. Glad I passed.

I was born in sunny California, but I now live on a farm in the Midwest with a dog, two cats, ducks, chickens and cows. Hearing from readers is on my list of favorite things. You can find me at www.kasiblake.com

Please check out my books on Amazon. Vampires Rule is free at this time, and Bait is an awesome read about hunters-in-training. Think Supernatural, the TV show, but with a slightly younger cast. You can also find out more about me and my books at http://www.kasiblake.com

Want to be a guest blogger? I would love to have you on! I am accepting original posts that focus on reading and writing. A picture and a bio are encouraged. You do not have to be published. If you qualify, please email me at shannonathompson@aol.com.

~SAT

The Pros and Cons of Beta Readers

21 Aug

Announcements:

My short story, The Pink Scarf, was published in the second volume of an adult anthology collection, Ashtrays to Jawbreakers. It is completely free on Smashwords, so feel free to check it out by clicking here.

Take Me Tomorrow was reviewed by A Literary Mind recently, and you can read the entire review by clicking here, but check out this small excerpt: “I can’t say how refreshing it was to have a protagonist that felt real. Knife-throwing abilities aside, Sophia is like the rest of us; she’s stubborn, flawed, and simply cannot control her curly hair (I feel your pain!).”

The Pros and Cons of Beta Readers:

I love beta readers. In fact, I consider my beta readers some of my closest friends (and secret keepers.) But they are close to me because we were equally careful in deciding whether or not we were good for one another, and that is what I’m talking about today: how beta readers can be both fantastic and destructive, depending on how your relationship is decided.

Why Are Beta Readers Important?

I hate to be egotistical and quote my novel when I say, “Sometimes an outside perspective is the clearer perspective.” But it’s true. (Shout out to Talk Show Host, Illuminating Now, for quoting Seconds Before Sunrise yesterday and inspiring this piece.)

But, yes, having an outside perspective is vital BEFORE the novel is published. Why? Because authors often get too close to the story. They understand too much. They know all of the answers to all of the questions, and because of this, they sometimes forget to clarify enough for a reader to understand. Beta readers prevent this confusion by reading, reviewing, and even editing as they go. If writers, publishers, editors, and beta readers were a team, beta readers would be your very first fan who still shows up to all of your games, even when you lose. And they always have great advice that even your coach didn’t think about.

Are they really THAT important?

I stand my ground when I say that the importance of editors should also be on beta readers. Like editors, beta readers are vital in creating a professional, understandable story. I think most people in the publishing industry would agree that editors must be chosen with care, but some think I’m extreme when I say that beta readers should be treated the same. Yes, it’s okay to have your friends and family read your story, but you wouldn’t rely only on them to edit, so don’t rely only on them to beta read. Find trusted colleagues or join a writing group. This might take a long time, but it’s worth it in the end. Their dedication, encouragement, and ideas might be the clarity you need.

My beta reader, Bogart

My beta reader, Bogart

So how can they be destructive?

Like any relationship, two people who are wrong for one another can be destructive to one another. In this case, a bad relationship with a beta reader can cause more confusion, a horrible change in a manuscript, and more. This doesn’t mean the beta reader is bad. This doesn’t mean the author is bad. It just means they are bad for one another. Just because two good people are in the same room, doesn’t mean they are meant to be together. This is actually relationship advice my father gave me when I was an awkward preteen that hated life in general, but it stuck with me because it is true. You must find a beta reader who likes your work as much as you do, but you also must find one who is willing to be honest about it (and an author must be willing to listen and consider.)

Is there anything else I should know?

Definitely! This small list is just an outline of basic advice I’ve given to fellow authors in search of a beta team. But the one that scares them the most is the one that scares me the most: you often have to find different beta readers for different novels. Sure, I have my go-to team, but – like readers – beta readers have genre preferences, and they work better when they focus on those particular types of novels. Just like I can’t expect a sci-fi cover artist to create a romance cover, I can’t expect my beta readers to jump on any piece of writing I hand over, and I definitely can’t expect them to praise it. You want them to give you constructive criticism so you can grow together as a team – which brings me to my last point:

Thank all of your beta readers

Even if they drop your manuscript after twenty pages, the outside perspective might suggest what type of reader will also drop the manuscript. Any advice is helpful. (Yes. Even if you hate it. Because it allows you to figure out what beta readers are good and bad for you.) Plus, having a beta reader to discuss your novels with is like having a best friend to write with, and I think all of us authors can use a few more people to talk to other than the characters in our heads. (We know how confusing they can be.) So take the time to thank them, and if you’re feeling extra thankful, put them on your acknowledgements page in your next bestseller.

P.S. I would like to take this moment to thank my beta readers past, present, and future.

~SAT

What I’ve Learned Rewriting a Seven-Year-Old Novel

19 Aug

What I’ve Learned Rewriting a Seven-Year-Old Novel

As many of you know, I am currently rewriting November Snow – my very first publication. Although I started writing it when I was 11, it didn’t get published until I was 16. I took it off the shelves for many years, and it is basically off the shelves right now for many reasons, but the main reason is how unprofessionally it was handled. (Mainly because the publishing world has changed a lot since then, but we’ll get into that in a minute.)

So I’m rewriting this older tale, and I’m looking forward to day I can share it again, but today, I wanted to talk about all of the little lessons I’ve learned along the way.

1. I was a terrible writer, and I probably still am

Seriously. I hope I look back when I’m 59 on what I’m writing now with the same amount of horror. That means I’ve grown. That means I’m still learning, and changing, and morphing into what the new art demands.

2. I needed help. Lots of help. Professional help.

By this, I mean editors. Yes, I’m talking about you, editors. You are lovely. I’m practically preparing my altar right now. If only I had known you existed back then… Now, before you judge me for not having one, 2007 was a very different time in publishing (and I was 16.) Kindle had just been released, but it was brand new. There were no supporters online or fellow indie writers just waiting to speak with you in chatrooms. I don’t even think Wattpad was around yet. (Okay. I just looked it up. It launched in November of 2006 – but I already had November Snow written by then, and I definitely didn’t join Wattpad until 2010.) But the Indie world hadn’t started marching proudly yet. That goes for cover artists, too. You may have seen the weird cover I had. That’s because affordable cover artists – like editors – didn’t exist in easy-to-reach places, and I was 15 when the publisher wanted a cover. I didn’t exactly have the ability to network or pay a large sum of money or drive around town to find a photographer. So my older brother drew my vision on a napkin. What I TRULY wanted actually looks a lot like the designed covers of The Mortal Instruments series. (which is probably why I refused to read the series for such a long time. That was my cover, dammit.) Speaking of which, if you know a cover artist you think could design something wicked for November Snow, please – suggest away. I’m looking right now.

Burning city? Check. Orange on purple? Check. Giant people looming over everything. Check.

Burning city? Check. Orange on purple? Check. Giant people looming over everything. Check.

3. Despite all of that, things aren’t as bad as they seem

The storyline rocks, and the characters melt me and break me at the same time. They’re challenging, and the dark twists and turns don’t stop. People have enjoyed it despite the mistakes, and it’s more or less going to have the same plots, secrets, and betrayals. For all you original November Snow fans, I beg of you – please refrain from spoiling the story for new readers. (That is my only worry.) But if you must know, yes, whoever you’re thinking about still dies. Yes, them, too.

4. And it’s getting better

Some characters have actually formed MORE than before, and I’m only on November 4. (For those of you who don’t know, November Snow literally takes place over one month, and yes, it’s November.) While the original beginning was rather forced, this new beginning builds up the world of Vendona with honesty (and brutality) that I was unable to show when I first wrote it. The characters aren’t as cheesy, and the extra fluff has been trimmed into a fashionable haircut (who needs speaking tags anyway?) Physical descriptions have been shifted for the better, and the scenes connect in a cleaner, more concise way. Many names have been changed as well, but the main characters will remain largely the same. (Ex. Caitlin to Catelyn, Michelle to Michele, but Drew is now Floyd. I’ll announce more on this later.)

5. I started off second-guessing, and now, I’m really happy

I wasn’t sure why November Snow has been haunting me for all of these years, but I’ve figured it out a few weeks ago when I wrote My 11-Year-Old Self was a Better Writer. I am meant to write darker stories. I know this about myself. I write darker fiction. I enjoy it. I find myself in it, and that’s where my creativity belongs. Returning to November Snow is allowing myself to find that passion again, but – most of all – it’s helping me fully embrace it.

Just the other day, I received an email from a reviewer of Take Me Tomorrow. She talked about how much darker it is from the trilogy and how she is definitely looking forward to my future works. On Twitter, two readers translated November Snow into Spanish, and an old friend from my high school messaged me when they heard that I was rewriting it. They couldn’t wait. They’ve been waiting for a rewrite ever since I returned to my novelist ways. Another longtime fan offered to beta read it since they know the story so well. (They wanted to make sure I didn’t forget anything.) And a graphic designer already offered to help design a cover, even if I choose to use someone else.

These moments bring tears to my eyes.They do.

I won’t lie. I’m nervous. I’m terribly, sickeningly nervous. When I wrote a controversial scene the other night, I could barely get through it, but I did, and afterward, I felt like my readers accomplished it with their encouragement. (And my typing helped a little bit.) But I ultimately hope to learn more lessons along the way, so I can share them, and we can discuss them as we go. Have you ever learned anything about rewriting? Any advice? Warnings?

~SAT

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