Tag Archives: feminism

Podcasts for Writers, SFF, & More

20 Mar

I love podcasts. Since I spend most of my day on the computer, I’ve fallen in love with listening to podcasts while I’m off the computer. It helps me rest my eyes, while also giving me a chance to continue my research—whether it’s for publishing or writing in general. Below, I’m including my top three writing podcasts, which any writer could enjoy, along with my favorite inspirational podcasts for science fiction and fantasy. (Oh, and some extras.)

Writing Podcasts

Writing Excuses, PubCrawl, and The Manuscript Academy podcasts

Writing Excuses: This is my go-to podcast for writers. Every season has a specific focus—this year being structure—and the episodes are quick but informative. “Fifteen minutes long, because you’re in a hurry, and we’re not that smart.”

PubCrawl: Hosted by Kelly and S. Jae Jones, PubCrawl covers everything, from writing to social media to publishing promotion. I love how candid the hosts are, especially about life after publication. Their honesty is refreshing, as well as eye opening, and they’ve interviewed specific authors about certain books. Hearing about those authors’ inspiration is really interesting. My favorite recent episode was Author Life: Public vs. Private, which covered how to separate yourself from your public self.

The Manuscript Academy: A sister podcast for MSWL (manuscript wish list), this podcast is fairly new but totally awesome. From agent interviews to behind-the-scenes in publishing houses, The Manuscript Academy covers any and all topics that can help you navigate your publishing journey. Recently, they even allowed listeners to submit first pages to be reviewed. Definitely check out this podcast—and MSWL—if you’re hunting for an agent, but I’d recommend this podcast to any writer at any point in their journey.

SFF/Fantasy Inspiration

Lore, The Morbid Curiosity, and Myths & Legends podcast

These podcasts aren’t necessarily science fiction or fantasy, but I am OBSESSED with them. There’s nothing more inspiring than hearing spooky (and sometimes factual) tales from all over the world.

Lore: Lore is my all-time favorite podcast. It explores the darker side of history, including the paranormal. But sometimes, reality is scarier than the paranormal. Trust me, this one is worth it. Aaron Mahnke, the host, is also an author. He also just signed a book deal with Penguin Random House! And he has a TV show releasing. Both will be based on this podcast, and I cannot wait.

Morbid Curiosity: I just started listening to this podcast, and I cannot stop. Also, it’s just as it sounds. This podcast covers topics for the morbidly curious. Think serial killers or medieval torture devices or the wendigo. Anything really. My favorite part is the various topics—and how the host points listeners to places where they can get additional information.

Myths & Legends: This is the first podcast I ever binge listened to. If you love Greek and Norse mythology, King Arthur, and tales from other cultures, this podcast is for you. My favorite episodes are the ones that cover stories from other cultures. (Though I’m in love with Greek mythology.) Each episode also includes a creature of the week.

Other Podcasts

True Crime Podcasts

If you’re a podcast junkie like I am, I thought I’d cover a couple others I love. Truthfully, I mainly listen to true crime. My favorite is Generation Why, which is actually based out of KC where I am! Something I didn’t even know when I started listening to them. They cover famous (and often strange) criminal cases. I also love Court Junkie, Criminal, Serial, Detective, and The Vanished. (Told you I was a true crime junkie.) Court Junkie covers crazy court cases. Criminal is any topic dealing with crime. Serial is the famous podcast that covered the cases of Adnan Syed and Bowe Bergdahl. I preferred Adnan’s case, but they’re both interesting. Detective interviews a new detective every season, and The Vanished covers cases involving currently missing people.

Guilty Feminist podcast

Lastly, I recommend The Guilty Feminist for everyone. Just as it sounds, The Guilty Feminist covers feminism but from a no-pressure standpoint. The hosts are comedians, and there are also guest comedians who come on to talk about certain topics. I find it both informative, safe, and fun. It’s a great podcast for anyone, and I recommend it to everyone I know all the time.

Podcasts can help writers continue their research and inspiration while off the computer. I hope you love them as much as I do.

What are your favorite podcasts?

~SAT

P.S. BOOK BLOGGERS, you can now sign up for the July Lightning book blitz. Click the link for more info. (There’s also a book blitz for July Thunder.) You’ll receive exclusive excerpts, ARCS, and more.

Feminism in YA: Knives and Candy

20 Jan

First, I would like to thank Dahlia Adler for inspiring me to write this post via her article What We Aren’t Talking About When We Talk About Feminism in YA.

Feminism is an important, vital part of my identity, but it’s also one of the scariest words in my life. Why? Well, I have a confession: I’m a bad feminist. I’m afraid to admit I’m a feminist on the Internet. I have no issues with this in RL (a.k.a. real life). In fact, I practically never stop talking about Feminism to my friends and family, but it’s not in any of my Internet bios, and despite reading Feminist conversations on Twitter (and all over the Internet), I mainly nod my head and shout at my computer…but I NEVER say anything on the Internet. I stay silent.

Why?

Because I’m scared.

I’m scared of the retaliation, of the sexual harassment many of these outspoken folks receive, and of the constant berating that happens for months afterward. In real life, I can walk away, but the Internet is forever.

Today’s the day I stop being afraid and I start being brave.

I am a Feminist.

What does that mean?

It means I want equality for both women and men. I shouldn’t have to expand any more than that, but the arguments and stigmas out there cause a lot of problems in many aspects of our culture and lives. That being said, this is a blog about writing and reading, so I want to focus on Feminism in YA, just as Dahlia did. Please check out her article. She tackles important topics, like female characters in STEM-related fields (science, technology, engineering and math) and sports that show how dedicated girls can be. Friendships between girls, relationships between a girl and her mother, and asexual females are also underrepresented, and one of the biggest trends is giving female characters masculine traits to make them heroes…instead of heroines.

Don’t get me wrong. There’s nothing wrong with a girl swinging a sword or kicking ass. In fact, that’s pretty awesome, too. But when that same character cries or has a romantic moment, many readers reject the character because she’s suddenly not “heroic” anymore. This idea is really damaging to female characters. It’s the idea that heroines need to be 1-D in order to be respected or believable.

As a reader, I saw this happen with Throne of Glass by Sarah J Maas. I LOVED this book. It centered on a female assassin, and she is a tough fighter. That being said, she has also been imprisoned for a couple years leading up to the story, and this recent past makes her a bit weaker than her usual norm. She even throws up a couple of times, and she gets involved with some light romance. Many readers found this combination unbelievable or too girly. “She liked candy! Why would an assassin like candy?”

Maybe because she likes candy? Why do female characters have to solely be one thing? Why can’t they kick ass and like candy? Men like candy too. In fact, I mainly bake cookies for my roommate and my father—both men. I’m not even a fan of chocolate. I’m more of a salty snacks sort of a person. But that’s beside the point…

As a woman, I have many aspects to my personality, both feminine traits and masculine traits. (In the traditional sense.)

I have a knife collection, yet I teared up at that viral raccoon video where he lost his cotton candy in the puddle of water.

As a teen, I got into a lot of physical fights (with girls and boys), but I also cried if someone happened to hug me at the right time. (Not proud of the fighting. Just a truth.)

I drove a stick and shot guns, but I also squealed anytime I saw anything fluffy. (I still do.) I worked in a sports bar…and as a nanny.

I own tennis shoes and heels. I played sports throughout my schooling—basketball, track, and tennis—but I also loved school dances. My favorite activity was running through the woods with my dog and practicing with my throwing knives or with my bow and arrow. (Hello, Katniss. What can I say? I grew up in the Midwest.) Afterward, my husky would be my pillow, and I’d lie down in the forest to read a cheesy romance novel.

I can wield a knife in one hand and eat candy in another.

If I was a YA character, I'm not sure I'd be "believable" (Most of these were taken when I was a teen.)

If I was a YA character, I’m not sure I’d be “believable” P.S. Half of these photos were taken in my teenage years.

My life doesn’t make me any less of a believable person. So why are the characters unbelievable?

It’s an important question to ask in regards to female characters.

A female character—as well as a male character—does not have to be only one way in order to be believable. People have numerous aspects that make up their personality, and they react differently to many types of situations because they are also human.

So, next time your female assassin eats candy or falls in love, maybe we shouldn’t criticize.

Maybe we should talk about how awesome that is.

~SAT

Author in a Coffee Shop, Episode 3 happens this Friday at 7 p.m. (CDT) on Twitter via @AuthorSAT. What is Author in a Coffee Shop? Exactly how it sounds! I sit in a coffee shop, people watch, and tweet out my writer thoughts. I also talk to you. 😉

Come get your books signed on February 13, from 1-3 PM! I’ll be one of several featured authors at a Barnes & Noble Valentine’s Day Romance Author Event in Wichita, Kansas at Bradley Fair. I’d love to see you! If you haven’t started The Timely Death Trilogy, don’t worry. Minutes Before Sunset, book 1, is free!

Minutes Before Sunset, book 1:

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Seconds Before Sunrisebook 2:

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Death Before Daylightbook 3:

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You can even read The Timely Death Trilogy on your new Kindle Fire!

Clean Teen Publishing is giving one away. Enter here.

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Don’t Understand #MorallyComplicatedYA? Here’s Some Info.

25 Nov

Whoa! Shannon is posting outside her regularly scheduled posts. What?

Yes. I am. Because this is a big deal.

At first I was only going to share fellow YA female writers who have written morally complex novels that often included violence, but I understand more want actual info…which I will provide links to below. But, before that, here was my original post:

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Many of you probably saw me lose my lid last night and all day today. I normally followed up my rants with #MorallyComplicatedYA. If you didn’t get involved, you still can. Basically, please share YA books with female protagonists who are morally complicated (so basically every character in existence), but please share books written by females. I don’t want to bring more attention to the author who basically dissed the entire YA industry, especially females in general, but it seems that it’s the only way to get people to fight back. Here are some articles for more information. Some discuss the actual events, others are reaction pieces, others explain the importance of this. Get involved. Bring attention to the right books.

First, the article that started it all:

YA Debut Gets Six-Figure Deal, Sold to 16 Territories

Now Victoria Avevard discussing why this is so upsetting:

What Are Your Thoughts on Scott Bergstrom?

Now some repercussions and harsh truths about the publishing industry:

If you enjoy a good book and you’re a woman, critics think you’re wrong.

Another sum-up to get you motivated again:

YA Author Criticizes Genre for Lack of Morally Complicated Books 

Why we should be positive instead of negative:

In Which We Are Thankful For The Legacy of Others.

And books we SHOULD be reading and sharing:

17 Books That Prove YA is Morally Complicated

Share your favorite female authors. Share your favorite morally complicated books. Share your favorite YA series. Discuss it. Inform others. Bring attention to books that deserve it.  

Here are some of my FAVORITE #MorallyComplicatedYA novels written by females.

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The Conjurer’s Riddle by Andrea Cremer: The second book in The Inventor’s Secret series expands the world to the rebellion, showing that everything and everyone Charolette has fought for might not be good after all. This includes her family, her friends, and the losses in between…and she might have to fight everything she knows without understanding why.

A History of Glitter and Blood by Hannah Moskowitz: This terrifying tale revolves around a bloody war. Racism, prostitution, and cannibalism are discussed numerous times, and not everything is morally black and white.

The Winner’s Crime by Marie Rutkoski: The second book in The Winner’s Trilogy, Kestrel also finds herself making personal sacrifices surrounding her own happiness and family in order to keep a country together that might not be well-intended.

The White Rose by Amy Ewing: My current read, also the second book in The Lone City. Violet must disrupt a rebellion she knows nothing about in order to follow her gut and save friends.

Clockwork Prince by Cassandra Clare: The second book in The Infernal Devices follows Tess as she is pulled between family, loss, new friends, and a lack of identity in a violent world.

~SAT

Genders Aren’t Defining Features: Why I’m Tired of Seeing Female Characters Described as Weak and Male Characters Hardly Being Discussed at all.

14 Jun

First, thank you so much for supporting the eBook release of Seconds Before Sunrise on June 12. I wanted to remind everyone that you can get my latest novel for only $0.99 on Smashwords by using the code – BW58C – but you can also go to Amazon and various websites.

Secondly, thank you to Jonas Lee for showcasing me on his website.

And lastly, I have a disclaimer: Today is obviously going to be a heavy discussion. I am not going to pretend that I could cover every little detail that I wish I could discuss. I couldn’t. Not even close. And I was quite sad to see the amount of information I had to delete just to have a reasonable blog post instead of a practice dissertation. That being said, I do plan on sharing more in the future if you would like me to continue this conversation, but I want this to be a positive place on the internet to discuss this topic. From the research I share below, I know how this topic can become highly sensitive very fast. Bullying, stereotyping, name-calling, and other spiteful comments will not be tolerated. I would also like to apologize to those who do not define themselves as male or female. Instead of discussing specifics, I will be discussing the beginning of my research and how the most popular results reflected my frustrations with judgment in literature.

Love,

SAT

Oh, no. I pulled out the gender card. I’m going to be one of those hardcore feminists – (whatever that word actually means ::sarcasm::) – and yes, I will be ranting about the stigmas of today’s world. Watch as people come running, some with popcorn, others with absolute disdain.

What else is new?

It’s a sad fact that I even struggled to write this piece. I’ve been working on it on-and-off for weeks now, wondering what was appropriate, how best to word it, and where to begin, but I should’ve been asking myself one thing: why censor myself at all?

The publishing industry isn’t new to this conversation, so I’m not going to bother with specific character examples. No matter what kind of reader you are, I am sure you’ve heard the debates over various female protagonists being “weak-minded” or “submissive” or “incapable.” In contrast – yes – there are conversations about male leads, but I do not believe they are nearly as judgmental as the discussions that go on and on about female leads.

What’s my proof?

Since I cannot go on forever, I found these two lists:

Yep. The stats for judging females are tripled, if not more, compared to their male counterparts, and that is only one set of lists on Goodreads alone. Even more unfortunate is how much these conversations continue through the depths of the chaotic Internet waves, never-ending, always judging.

Before I continue, I want to clarify that I am not blaming any specific person for this trend. I am not attacking men. I am not attacking women. I am not attacking any of the participants on voting lists or the writers of the articles I am about to share. I simply want to discuss how we – as readers – are judging women in novels more harshly when we shouldn’t be judging any gender at all.

I decided to start where most Internet addicts go – Google – and I knew I wanted to focus on how male and female leads in literature are judged, so I read a few articles here and there when I kept coming across something along these lines: “Author A should be ashamed for creating a character like this for girl’s (or boy’s) to look up to.”

Every discussion generally came back to the author, including an author’s history, religion, or other personal information. As an author myself, this disturbed me because I am adamant that authors are NOT their characters. Yes, some use real-life inspiration but that does not mean that the author intends for a young girl or boy to look up to a fictional character so much that they start repeating their actions. It’s important for readers to separate themselves from characters. (Ouch. I know.) I love characters, too. Some characters I’ve read have helped me through many difficult times in my life, and they will always be close to my heart, but I wouldn’t dress in a green dress to fight demons and fall in love with my enemy just because Serena does that in Daughters of the Moon. And I doubt Lynne Ewing wanted my 12-year-old self to sneak out of the house to fight paranormal crime anymore than my parents did. I am not saying you cannot look up to characters. You definitely can. But there’s a difference in looking up to a character and allowing a fiction world to dictate your decisions in reality.

But I’m moving on from that—(I could talk about that all night)—I want to talk about the next piece of research I did.

What does it mean to be a “good” male or female character?

mint-male-symbol-hiThis is when I returned to handy-dandy Google. I’m about to share the results that bothered me, but I need to take a moment to clarify that this isn’t going to be about how to write that character that will never be judged.

A)   Every character will always be judged

B)   The results are what I’m focusing on because they show how we focus our judgment in gender roles.

Here are pre-typed suggestion results:

When I Googled “How to write a good male character”

  • Pre-Typed Results: How to write a good male dating profile came up first. (Followed by social media profile, THEN character, and then a personal ad)

When I Googled “How to write a good female character”

  • Pre-Typed Results: How to write a good female protagonist came up first. (Followed by female lead, villain, and THEN dating profile.)

It seems we are more nervous writing about a female character than a male character in literature. We’re also curious about villains and leads. But these did not show up in the top four for males.

As frustrating as this was, I continued to Google anyway. I wanted to see the articles. I wanted more insight. I wanted to see what authors “should” be doing and what readers think, so here are the top articles I found: (these articles are informative and amazing pieces. My point is NOT against them, but how we view writing female and male characters in general.)

I Googled “How to write a good male character” These are the first articles that pop up:

Here’s something you should know about me. I HATE the words masculine and feminine. Perhaps because I have constantly been told that I’m a rather masculine girl, “one of the boys”, part of the gang, a “cool” girl. This generally happens because I drive a manual, collect knives, and have seen more dead animals than I would care to admit. I hate makeup, and I wear combat boots every day. I’m used to it. Whatever. What I hate is that these things are “masculine” – that if I do it, I am “masculine” – but so are female characters. In fact, I was reading an article that told female writers to stop having their female characters driving sticks, because it is a lazy attempt to get her to seem deep.

What the actual hell.

red-basic-female-symbol-hiFirst of all, driving a manual isn’t deep. (I should know. I drive one.) It’s learning how to press an extra pedal and move the gears around. Second of all, whether a female is driving a stick or a male is driving a stick, it shouldn’t be seen as masculine or feminine or a blatant attempt to break some weird social stigma we deal with every day. Third of all…UGH. In this belief, there is no winning with female characters. You lose if you use stereotypes and you lose if you don’t because you’re seen as purposely trying to stray away from “realistic” expectations. (This is also where I would like to point out that there are many articles complaining about the various dystopian novels and their female leads being so capable with weapons… I don’t even live in “dystopia” and I have weapons. Try me.)

In case you want the other results, here are the top three articles I found when I Googled “How to write a good female character”

  • How to Write a Main Female Character: this article actually begins stating that female characters are the most complex characters, but I have an argument. We need to stop thinking of women as more complex than men. We’re human. We’re all complex. And a good character – no matter the gender – will be complex.
  • Overcoming Object Love: How to Write Female Leads Who Are People: The title sounds horrible, but the writer does tackle another issue: female characters being treated as “objects, objectives, or incentives.” But it’s terribly sad that we live in a world where we have to CLARIFY that woman are people, too, so female characters should reflect that. I definitely did not see anything close to this on the male results.
  • On Writing Strong (Female) Characters: Again, nothing against the articles. I just dream of a day where articles are based on writing strong characters without focusing on what gender they are.

Just a quick summary: when I research male characters, the results were directed on how women can write them as masculine, and when I searched female characters, I was exposed to objectification. Both of the results revealed gender stereotypes I disdain – both in society and in literature. This isn’t just an article about how we need to stop judging female characters. We need to stop stereotyping male characters, too. But here is my main question:

Can we please stop judging all of our characters based on their genders?

When we do this, we are teaching young readers that they won’t be safe – not even in fiction. That might seem extreme to some, but let’s look at the widely popular complaint: “That female character was weak because of x, y, and z.”

A weakness should never be based on the expectations of a gender, but I would even go so far as to say that we need to stop calling characters weak in general. One (wo)man’s weakness is another (wo)man’s strength, and sometimes, they are the same thing. That is the complexity in literature. That is the complexity of life. And gender shouldn’t devalue the moral ambiguity displayed in various novels in a world filled with so many genres and eclectic tastes. The physical description should be the last thing we mention.

Genders do not define us. They shouldn’t define our characters either. 

~SAT

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