Tag Archives: how to write

How I Revise My Novels

3 Aug

I talk a lot about writing, creating, marketing, editing, etc. But I haven’t specifically discussed the revision process. But isn’t revising and editing the same thing, you ask. No, not really. Though the lines can definitely blur, revising is a stage that comes before editing. Revising is knowing what to keep in your work, what to cut, and what to adjust; editing is making all of those changes pretty. You’ll do a ton of both during your writing journey, so I wanted to discuss how I revise my novels.

I have three main revision stages:

  1. Major Revision
  2. Beta Reader Revisions
  3. Final Revision

So let’s go through them one by one.

The Major Revision:

After the first draft, I start my “major revision,” which is basically a giant rewrite. I used to be a big believer in outlining, but the more experimental I got with my writing, the more I realized my outline was holding me back. I was always trying to force my characters to do what they needed to do, not what they wanted to do. Nowadays, I still rely on a basic outline, or what I refer to as my road map. (I know where I’m starting, where I’m ending, and a few pit stops in between, but I mostly let the book lead itself.) Granted, this method definitely creates a lot more revising in the end. In fact, there’s enough revising needed that I’ve also stopped going back and revising as I write. If I did that, I’d constantly be going backward. Instead, I jot down notes as I go and let it go until the end. (No point in making sense of it until I have all the puzzle pieces, right?) In my WIP, I have editing notes on almost every chapter; on top of that, I keep two documents: To-Do Editing and World Building Needs. These will anchor me when I’m finished and need to organize my thoughts. At the end, I look at all my notes, probably take even more notes, and revise. A lot.

Beta Reader Revisions:

I tend to send my work to beta readers after I’ve significantly revised. (More on that later.) Right now, I have 2 or 3 different groups of betas I work with. Typically, my in-person writing group here in KC gets my work first. (Enter revision.) After that, I send it to 1-2 trusted online friends. (Enter another revision.) Then—and I don’t always do this as much as I wish—I try to get the opinion of a non-writer. During these various stages, I might send the work back to the same beta numerous times. If that’s the case, I love to work in revision mode on Scrivener. (Or Track Changes in Word.) That way, it color codes what version I’m on, and they don’t have to re-read my whole manuscript.

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I’m actually not revising in this scene. I’m using revision mode to organize my thoughts. I love color-coding everything.

Instead they can read the color-coded parts and give me feedback on those. Though, to be honest, I typically use the revision mode during writing by myself too. (There’s also a handy screenshot button that lets you keep various versions of the same chapter in one place…but I’ll stop advertising for Scrivener now.) The key to working with beta readers is finding ones that are compatible with your work and your style. That doesn’t mean you connect with someone who praises everything you do; rather it means that you have an understanding of their goals and know how to approach each other in a positive, constructive way. If you don’t vibe with someone well, that’s okay. Move on. Find someone who works well with you. Two amazing writers can be in the same room; that doesn’t mean they’d make good beta readers for each other. (Or, as my father says, two great people can be in the same room; doesn’t mean they should be married.) And you want a marriage…er, a long-term partnership.

Final Revision:

Once I get most of my revisions done, I take a HUGE break. And I mean significant time away from the manuscript. This helps clear my mind. Without that, I’ll probably make the same mistakes I’ve been making in the past. You want to come at your project with fresh eyes. Once that happens, I focus on a basic read through, and I make no changes. Instead, I put sticky notes on places I want to make changes with later. (Yes, I tend to print out my manuscript. I know, I know, what a waste of paper. But this goes back to getting fresh eyes on everything. You’ll see things on paper that you can’t see on a computer screen.) Here’s a photo of my manuscript I worked on with my agent.

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If you didn’t catch on, I love office supplies. (Seriously, there’s nothing better than fresh pens and paper and Sticky Notes.) In case you’re curious what you’re looking at:

Blue = grammar

Orange = plot I know I need to fix

Pink = other things I want to consider

Green = current reading place

I actually go back and fix my grammar first. But that’s because I have so little to fix at this point. (I work on my grammar during the beta readers stage.) After that, I’ll tackle the orange and make an outline of each issue. Once I have a list of page numbers, I’ll fix each problem at a time. That way I know what the rhythm is like and I have my obvious problems out of the way by the time I move into pink. “Other things I want to consider” tend to be strange bits of info that caught me off guard during my initial read through. Something I wasn’t expecting but something that I might want to reconsider. The possibilities are truly endless, but this is another reason to come at your work with fresh eyes. You might realize you accidentally left something from version one of your book’s world building in the current script even though it no longer matters (or, worse, isn’t true anymore).

Now these stages aren’t necessarily taken so cleanly. My latest piece for instance? I started taking the very first draft to my writers’ group, no revisions beforehand. Why? It felt right to me, and sometimes (okay, all the time) you gotta go with your gut. In this case, I wanted to revise as I created. I think a part of the reason this happened was because I began this book for fun. I literally never thought I’d pursue it seriously, so I had no plan, no outline, no road map. It’s been really exciting, but also very challenging. Having beta readers help along the way was the right move. My point being, of course, is that just because you find a revising style that works for you doesn’t mean that you won’t adjust your own methods from project to project.

Be honest with yourself while revising. Find others who will also be honest with you. And revise as many times as your writing heart can take it (and then a few times more).

~SAT

P.S. I recently made the leap and decided to pay WordPress for the premium edition, so you shouldn’t have to see any more ads. I hope you enjoy the cleaner look! (The ads were really starting to bug me.) If you see an ad, take a screenshot and send it to shannonathompson@aol.com. Because they def should not be there.

P.S.S. I also decided to shut down my editing services. After six years of editing, I came to love so many of y’all’s work, and I will forever be a fan. (Shout out to C.E. Johnson, Steve Ramirez, Grant Goodman, Rich Leder, Kristin and Ryan King, and so many more.) I didn’t make this decision lightly. Between my new job at the library and my new goals with my writing career, though, I just couldn’t keep up with the quality and demand anymore. I know this is the right move for me (and for my authors), but my little editor’s heart is sad. I’m sending good vibes to all my authors out there. Thank you for trusting me with your words all of these years. ❤ It was an honor.

My Experience Querying & Getting an Agent

6 Jul

Recently, as many of you know, I signed with a literary agent. (See announcement.) It’s a time a lot of writers dream of, a time highlighted with celebratory GIF tweets screaming, I did it! I did it! And I’m READY. It’s a lot of fun, definitely exciting, and often followed up with a “How I Got My Agent” blog post/newsletter/tweet thread. I’m a blogger, have been since 2012, so naturally I came here, wondering how I could share my experience and if sharing would help any writers out there. Theoretically, I could tell you about my use of QueryShark, QueryTracker, WritersDigest Agent Alerts, MSWL, PitMad, PitchWars, IWSG, attending conferences, joining competitions, and more. But let’s be real, isn’t that what everyone says?

There are a million articles out there about how to find the perfect agent for your book and career—and I didn’t want this to be one of them. Instead, I wanted to simply talk about my experiences. The real. The feels. The almost give-ups. The getting back up. The life lessons. Granted, if I were being completely honest, I don’t have enough room on the Internet to share every little detail. (Though, my poor roommate has had to listen to such excruciating monologues for the past couples years, but I digress.) Maybe, though, if I share what I can recall in the most sufficient and honest way possible, some querying writers out there will find some strength or hope or just get a few laughs while they march through the query trenches. Overall, though, I want to be clear about one thing that I said last week: This is my journey, and every writer’s journey is different. In a way, I don’t believe in giving advice on querying any more than I do giving writing advice in general. It can be helpful, yes, but ultimately, every writer must figure out what works for them. This is what worked for me. 

If I went all the way back to my very first query letter, I would admit I started in 2008. Maybe earlier. I can’t even remember. But I remember sending out physical letters with a SASE inside for responses. The first agent to ever respond to me was Jodi Reamer. For those of you in publishing, you’ll know this is the agent behind Twilight by Stephanie Meyer. And yes, I still have that response tucked away in a super secret place. She, obviously, didn’t offer my 14-year-old self rep, but she did encourage me. And I continued writing and querying on-and-off for the next ten years. Granted, if I were being completely honest, I didn’t take querying seriously until 2016. That’s when I made the decision to query professionally. (Don’t judge me for all those terribly embarrassing queries before, I was in high school, and helpful publishing Twitter didn’t even exist. Lots of help didn’t exist.) Excuses aside, though, I still made a lot of mistakes.

downloadThe first book I queried seriously was a YA fantasy. See stats from QueryTracker on the right. If I were being completely honest, I’d admit this isn’t completely accurate. I only started using QueryTracker toward the end. So I probably have twenty more rejections and two more requests that aren’t logged. I learned a lot while querying this book. Mostly, how to write a query letter. I sent them out in batches, received feedback, and revised. But let’s talk about revisions for a sec. The main lesson I learned with this book? Don’t revise just because someone is giving you the time of day with an R&R. (See article here: Should You Revise and Resubmit?) I butchered this book (and that’s me being kind). It’s so ugly and sad and messed up that I haven’t looked at it in over a year. Maybe two. Who knows, I try to forget. Maybe one day, I’ll open it back up and give it another shot, but for now, I’m okay with it sitting in a dark corner on my hard drive. If anything, it was probably the most vital lesson I learned while querying. Why? Because everyone talks about how to get an agent’s attention, but rarely do we discuss when to walk away, especially when someone is being kind and believes in your work.

Getting an agent, ultimately, isn’t about getting just any agent, but an agent who sees your work for what you want it to be, and they also believe in that art. They believe in you. And you have to know who you are and what you want your art to be.

With my first YA fantasy, I was trying to desperately shape myself into what agents wanted me to be—rather than trying to find an agent who loved my work and wanted to help me succeed with it.

I learned that lesson, and it was hard, but I moved on.

I wish I could tell you that I wrote a bazillion books between that first book and the one that won my current agent, but my next book is the one that worked. Keep in mind, though, that I began writing it in October of 2016. It’s been three years of writing, revising, submitting, rejection, revising, submitting, more rejection, and revising/submitting again. In fact, I had one of the most crushing blows to my writer’s heart during that time. I’ve never come that close to quitting in my life. But I obviously didn’t. I kept writing, here and there, and querying when I could.

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My Instagram posts of finishing the first draft of my YA sci-fi. I started it in October of 2016, ending in February of 2017. Connect on Insta: @authorsat

With my YA fantasy tucked away in a forgotten drawer, and my heart set on finding love for my YA sci-fi, I learned even more lessons. I learned to reach out, make friends, connect with fellow writers for fun and not just because you think it’ll help you get somewhere. This mainly happened by joining writing contests. Either I met writers by reaching out to them or mentors who had read my work connected me with writers they felt I’d get along with. Honestly, the best thing that happened to me while querying my YA sci-fi was meeting my beta readers. If I hadn’t connected with them, I can’t honestly say I would’ve continued through the hard months to come. And there were a lot of hard months. Not just from querying either. A loved one past away. I got really, really sick. I had to move. I found a new job. I changed jobs again! And recently, I changed jobs once more.

Querying isn’t this singular phase writers go through once. It’s a constant. And most don’t enjoy it, which can make juggling submissions with life craziness all the more harder. I’m a big believer in not making things harder than they have to be, though I often make that mistake. (I’m only human, K?)

One thing I would have done different is NOT spend money, especially considering how little I made at the time. While querying Immersion, I read tons of magazines and articles that got it into my head that the key to finding success was attending (expensive) conferences, paying for advice, and entering exclusive doors that, of course, cost more money. I would spend any savings I had trying to “make” it, and I think that’s kind of cruel to be honest. It’s something I don’t like about publishing. Though many claim all is fair in the slush pile, there is a helluva lot of pressure to pay to play. And I went through a bad phase where I fell for that, hard. My breaking point? I spent $350 to attend a conference (taking a day off work to do so) and paid $100 per agent to pitch for ten minutes, which honestly ended up being about seven minutes a piece, if not less, since the slots before me would go above their time limit. I spent $600 total to try to connect, received three full requests, and had all three agents more or less cancel the full without reading. (One left the business, one was fired, and one transferred.) I felt really disrespected. Worse than disrespected. I felt taken advantage of by an industry I’d loved my whole life. It felt like a trap. A lie. A sham. And it broke my heart.

After that (and a huge break in which I had an existential crisis), I called it quits on spending money. If I wanted to go to a conference for me, fine. But I was no longer going to invest in pitching when I could jump into the slush pile for free. (Spoiler alert: I got my agent through the slush pile.) In fact, I got most of my full requests through the slush pile. One thing I am eternally grateful for is the amount of agents who gave me fantastic advice after reading my full manuscript. Over time, I realized it wasn’t just advice either. I was making connections, friendships, and finding hope. That $600 conference for instance? The agents might not have worked out, but you know what I did walk away with? An invite to a local writers’ critique group I’m still in today. I look forward to it every month.

Querying is hard. There is no guarantee. And even if you sign with someone, that doesn’t mean you’re going to get a book deal. Or get along. Or anything really. But that doesn’t mean you shouldn’t try. That doesn’t mean you can’t be sad or angry or excited or crushed or hopeful or anything. I say, ride those emotions all the way through. If you can, use them to create even more art. Me, for instance? I was starting to get so angry/depressed while querying that I began writing a rage-filled monster book for myself, and now I’m 60,000 words in, and I’m in love with it. It’s also the next book my agent wants me to focus on. (Though channeling that rage again might be hard when I’m feeling pretty dandy right about now.)

So what surprised me the most?

Honestly, a small bout of depression that happened after I signed with my agent. Not because she isn’t amazing or that I’m not excited about my future or anything like that, but because of one simple fact: I had defined myself as a writer in search of an agent for so long, now that I had one, I didn’t know how to define myself anymore. Not to mention the real-reality-feels that this goal automatically means there’s more challenge in front of me. I succeeded at something, but it’s only the next step, and this step almost killed my hope a number of times. Pair that with seeing some of my close followers talking about (or even to me) about how seeing success gets them down…and I’m just a mess of guilt. I’ve been there. I remember seeing others succeed and feeling left behind—which is why hearing others say that about me brought me down too. Made me feel like I was creating that pain for someone else’s journey. Granted, I know I’m not in charge of others’ feelings. But I doubt I’m alone in having moments like this, and yet I don’t see a lot of authors discussing it. Succeeding was great—and sometimes that means people will be happy for you. Other times, they’ll be mad, jealous, elated, confused, etc. at you. Most of the time, though, it’s not about you, but their own feelings, and that’s totally valid. But as someone who tries to help others succeed all the time, I have a hard time taking a step back and celebrating something for me. Yes, even a huge accomplishment I’ve been working toward for a long time. Definitely a personality flaw I hope to get rid of in the future (or at least get better at coping with). In that quest to cope healthier, I learned overall feelings of malaise after success is apparently normal, even though it still threw me a little bit.

It’s kind of amazing, though—if you think about it. How some of the most common emotions can throw you. Like meeting a goal. Or falling in love. Or having a baby. Or getting a new job. Most of these things happen to thousands of people a day—and yet it feels altering. Exhilarating. Poetry-inducing. Knee-buckling. Confusing as all hells. But that’s all I have to say about my emotions. (I clearly have a lot of them.)

In the end, I am beyond grateful my journey has brought me to this moment, and I am super energized now! I’m ready to finish my revisions and tackle my next project. (Which reminds me: I’m super glad I didn’t stop writing other books while querying, because now I have two other almost-complete works that I can dive right into if deadlines get tight.) So, if I recommend anything, I want to emphasize not to put all your hopes and dreams in one piece.

The formula that worked for me?

Have one book you’re outlining/daydreaming about, one you’re writing/editing, and one you’re querying.

In fact, I’m still living by this formula. I’m outlining my cyberpunk, writing my rage-filled YA sci-fi, and going on submission with the book that won my agent’s heart.

Wish me luck! (I’m already sending lucky vibes back to your goals too.)

~SAT

P.S. Hey, Kansas City friends. I will be a guest speaker at Writers United on Wednesday, July 10th at 6-8 PM at the Central Resource Library in Overland Park, KS. I can tell you more about The Story Center. See you then! More info

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Why Some Books Resonate and Others Don’t

31 Mar

I’m here to tell you why some books resonate and others don’t. Why? Because so many publishers/agents/editors are out there searching for the next big thing, and many authors are trying to become that. As authors, sometimes we stare at three or four different projects and wonder which one we should work on next (because we want to know which one would be more successful), and if we somehow knew how to predict that, we could cut back on a lot of work stress (and readers could get more books they love).

So how do you know which books will resonate?

Short answer: You don’t.

But the long answer?

There are numerous “reasons” a book will resonate with millions (or even hundreds) of people, but I put the word “reasons” in quotes for a reason. Most of these reasons are theories. Even if we do “know,” it is not necessarily a fact. Confusing? Stay with me. We’re going to talk about it.

Let’s start with the obvious place. The dreaded M word: Marketing.

It’s easy to see popular authors and their huge marketing budgets and think, “No wonder they are so successful! Who wouldn’t be with a billboard on 5th Ave?” But let’s chill out for a minute. Most authors started somewhere small. Most authors, even the current NYT bestsellers, did not get a huge budget on their debut. Their publishers decided to use a huge budget after the sold well the first time. Granted, marketing definitely has an effect, but it’s not the end all be all. Thousands of books get huge marketing deals a year but still don’t become the franchises everyone on the team was hoping for. Some books get very little marketing budgets, but then ARCs go out in the world and readers start clamoring for them and publishers have to rush to get a bigger budget behind it. (A great example of this is Wintersong by S. Jae-Jones. She talked about it on the Pub(lishing) Crawl podcast, so go check it out if you want to hear that story. It’s very informative.) Basically, having backing will definitely help get your books in front of readers, but that doesn’t guarantee those readers will fall for the hype.

So now let’s look at books that did succeed.

Twilight! The Hunger Games! The Harry Potter series! Fifty Shades of Grey! Do you know what these books had in common? Lots of rejections. Lots of closed doors. Lots of what ifs. So clearly, “predicting” the books that will succeed is not obvious, not even for the professionals.

Some of the biggest books of our recent times were not expected to be HUGE hits. But there are some reasons that they succeeded that we can discuss.

So Twilight didn’t just have great timing; Hollywood had great timing too. It was arguably the first time Hollywood acknowledged the potential of a female-focused film fan base and they ran with it. Harry Potter, on the other hand, was a book that resonated with everyone between the ages of 8 and 50+, so it was another perfect option for the books-to-film boom. Not to mention all the new tech, with graphics making chasing sci-fi and fantasy films better than before. Granted, these books were already super popular before they were films, so let’s talk about The Hunger Games, because I think that one has an interesting study behind it. 

Looking back on The Hunger Games boom, many theorists believe it took off because it was published at the same time that the teens reading were the same people who were in middle school when 9/11 happened. And I think that study might be spot-on. (I say this as someone who fits into this exact category.)

Teens at that age in that time were searching for books that explained war and government and tragedy, and The Hunger Games gave not only a safe place to explore those themes but a modern place. What do I mean by “modern”? We all grew up on The Giver and Logan’s Run and all the other dystopian classics, but The Hunger Games was the brand-new dystopian my generation was itching for.

But again, that’s just a theory.

Maybe it was just a fantastic book, but there were millions of fantastic books that came out that year that didn’t take off the same way, so I tend to agree with some theories presented.

Timing is everything, and yet timing is rarely predictable.

Lots of editors and agents and publishers and authors want to have great timing (or think they know what the next trend will be), and maybe they’re right, but no one has ever predicted the HUGE breakthrough sellers with extreme accuracy.

To be honest, sometimes I don’t know if there is a reason to it. Everyone says retrospect is 20/20, but maybe we only say that because we can look back and justify the path that it took, rather than truly understand how that path happened in the first place.

At the end of the day, I look at book sales the way I look at my blog posts. I can’t tell you how many times I’ve researched and spent hours on one blog post that goes nowhere, while in comparison a blog post I slapped together last minute pulled in hundreds more viewers than I ever expected. I can try to track it as much as I like. My website host will show me where my posts are shared (Pinterest, FB, etc.) and what was Googled to get others here, but even then, most of the stats are nonsensical at the end of the day.

Sometimes things just resonate, and sometimes they don’t, so what I do?

I stopped worrying about what resonates with others and started focusing on what resonates with me.  

As the author, if I’m not enjoying what I’m writing, I know my readers won’t. The first step with any book is to write what you care about first. Finish that. And then worry about editing and getting a publishing deal.

Maybe your next piece of work will resonate with the world. Maybe it won’t. But at least you know that it resonated with you. And if it resonates with you, trust me, it will resonate with someone else out there. So if I would leave you with anything, it’s this:

Write what you want to write, always.

~SAT

P.S. I’m in YASH Spring 2018 this year! If you don’t know what that is, it’s the Young Adult Scavenger Hunt, and my post goes up April 3. This also means my usual blog schedule is getting moved around a bit. I hope you’ll stop by on April 3, because there’s tons of prizes to be won. My regular blog posts will return April 14! 

Writers, Stop Comparing Yourselves

20 Feb

Recently, I finished my first manuscript of 2017. It was also my first pantsing novel…and a novel that I’m truly excited about. So excited, in fact, that I think it fueled me to write more than usual and share more information about a WIP than I normally do. If you follow my social media, you might have seen my adventure as I shared my growing word count over the last two months. It was a fast first draft. And wonderful, too! But when I shared that I finished, I received a few messages: How do you write so fast? Should I be able to reach that word count every day? Is it even a good draft? How many drafts do you write? What do you recommend I do?

All reasonable questions. Don’t get me wrong. I’m more than happy to answer them, too, but at its core, the answer is simple: My writing methods will not be your writing methods, and your writing methods won’t be mine. You have to find what works for you.

I never share word counts or inspiration boards or sneak peeks, because I want you to compare yourself to me. I share those things, because they are fun—and writing can be lonely and hard work. You see “The End” on my Instagram, while I see two months without weekends and wayyyy too much caffeine in my blood (and maybe one mental breakdown in between Chapter Sixteen and Chapter Twenty-Eight).

Taking a small breather to have fun on Instagram with fellow writers and readers is often the only breather I get all day. And I love seeing other writers share those milestones, because we’re in this together. We love the same thing: words. And it’s a delight to share them. (Especially after said mental breakdown between Chapter Sixteen and Chapter Twenty-Eight.)

That being said, I understand that social media sharing can bum other writers out. It can make a writer feel like they’re not doing enough, accomplishing enough, or sharing enough. The comparison bug hits writers a lot. And trust me, it isn’t worth it. You’ll only end up in a pity-party hosted by your worst inner critic.

I mean, does this even look fun?

I mean, does this even look fun?

Kick that critic out of your writing office right meow. Why? Because no writing journey is the same. No story is the same. No writer is either.

The key is figuring out what works for you, and then moving forward every day to the best of your ability.

That’s it.

Keep writing, keep reading, and keep trying. It will work—though I will admit that it will be difficult. You will absolutely struggle and get rejections and feel like giving up. We all have felt bad/sad/hopeless at some point in our writing journey. (And more than once.) That fact sometimes helps more than anything.

Comparison, in practice, isn’t always a bad thing. Sometimes seeing a writer friend of mine hit a huge goal pushes me to sit back down to achieve my own goals. Often, when I’m feeling down, I research my favorite authors and read about their writing journey to see how they struggled and achieved and kept on keeping on. That could be considered comparison, but at its core, it isn’t comparison. It’s inspiration. By reading about others’ journeys, I’m reminded that we all have our own future ahead of us. I am who I am and I’m trying to get to where I want to be, and there are millions of authors who did the same before me. It’s inspiration. And hope. And fun.

But comparison is a precarious edge—one that anyone can slip over easily at any moment.

Always remind yourself that you are you, and this is your journey.

So next time you see someone hit a word count or get a publishing deal or finish a first draft, and you feel that sting of jealously/resentment/exhaustion, take a step back and relax. (And kick that inner critic out.)

You don’t need to write 1,000 words every day. You don’t need to go to a million conferences or garner a movie deal before the age of 32.

You just gotta be you.

Keep writing, and keep achieving goals your way, and trust me, you’ll get there.

You’re already on the way.

~SAT

#MondayBlogs Writing Tips: Naming Your Characters

22 Aug

Naming characters is really important! It can also be fun…and a little daunting. Choosing them can take hours, and on top of that, publishers might change them anyway. But that doesn’t mean you can’t enjoy the process. In this article, I’ll list a few aspects to consider while naming your characters, and I’ll include websites you can use as tools to find the perfect name.

Have fun!

1. Time & Culture

Is it believable that your character’s parents would name them something within the setting’s restrictions? Of course, there are exceptions, but consider the year. 1880 is going to be VERY different from 2030. Research your setting! If you want, you can actually look up popular names through the years at SSA, [Social Security Association.] Also, BabyNames.com allows you to explore baby names based on origin, ex. Irish names, Persian names, etc. Babynames.com provides thousands of names within cultures, meanings, genders, and more. You can even save your favorite names as you skip around. (Don’t be surprised if people ask you why you’re looking up baby names in public. I’ve been “congratulated” on a number of occasions.)

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2. Last Names and Family Lineage

Remember most parents use iambic pentameter for names. The rhythm should work. On top of that, you can consider naming a character after another character. A son may be named after his father or grandfather. Last Name Meanings provides a list of last names and where they derived from, along with the meaning behind them.

3. Unique and Memorable

Of course everyone knows not to use names already used in very famous novels, but what about within your own book? Avoid repetitive names or sounds. You probably don’t want to name everyone with a “J” name. It’d be hard to follow Jack, John, Jared, and Jill around. Personally, I suggest making a list of characters names in alphabetical order so you can physically see what is represented. Consider start, end, and syllables. The exception generally happens within relationships. Example? If you have brothers, maybe they will have similar names, but don’t overdo it.

4. Mixing Names (Sci-Fi/Fantasy)

Listen, we all know sci-fi/fantasy generally calls for unique names, but tread carefully. Having a character names Zzyklazinsky is going to be WAY too hard for a reader’s eyes. Sometimes, your best bet is taking well-known names and simply mixing them to create something more relatable but unique, ex. Serena + Violet = Serolet. Try NameCombiner.com to see what you can come up with.

5. Look All Around You

There are so many references on the Internet to find names. Other than those websites stated above, get creative. Pick up an old yearbook. You’ll be surprised how many different first and last names (along with rhythms) you can find. However, I suggest not using a person’s exact name, but rather use it as a reference. Maybe a first or a last. When I recently atteneded a high school graduation, I kept the pamphlet with all the names on it. There’s nothing like needing a quick reference – a real one – that isn’t online. Even funnier? A real Noah Welborn was on there. (My male protagonist from The Timely Death Trilogy is named Eric Welborn, but his little brother is named Noah Welborn.) Sometimes, reality fuses with fiction. And, of course, life in general. If you’re at a restaurant and notice your waiter’s name on his nametag, jot it down. Even if you don’t use it now, you might in the future…which brings me to my last point.

Keep a list of names that you love (and maybe even why you love them). That way, when you’re ready to write another book, you have a notebook filled with ideas already, and you can start right away.

A mixture of all these things creates a list of believable characters, and I really hope you’ll enjoy playing around with names more than before!

Original posted April 29, 2013

~SAT

Here are two of my FREE books:

Bad Bloods: November Rain

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Minutes Before Sunset

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#MondayBlogs Writing Tips: Different Perspectives

8 Aug

I love writing from different perspectives. Both my YA series—The Timely Death Trilogy and Bad Bloods—are written in first POV but from two different speakers. I love using this technique for novel writing, because I enjoy first person, but I dislike how it restricts the storytelling to one character, especially when a scene would be better from a different perspective. So, I have two protagonists, and of course, there are complications that come along with this. What’s the most common question I am asked?

How do you make each voice unique?

I’ll provide a few aspects to keep in mind, but of course, this journey will be different for every writer and every novel. First, know that every character should have its own distinct voice. A reader should be able to open the novel and know who is speaking immediately. This is more difficult than it sounds, but it can get easier over time.

1. Perspective. 

The most obvious change between one voice to another is their unique perspective. What is their background? How do they feel? Where were they educated? Are they affecting the words, or are you? It’s important that characters have their own voice, and that voice will come out in combination with their personalities and backgrounds. For instance, your character who is a fashion designer would definitely use specific colors and fabrics to describe clothes, but your mechanic character might not.

2. Pay Attention to Diction and Syntax

Just like authors have their own “voice,” so do characters. Because of their backgrounds, characters will have different vocabularies. One character may use very flowery language, while another may have less of a need to elaborate. Consider their education, where they come from, and what they might know. The way they speak should differ, whether they are talking out loud or explaining the scene inwardly. Sometimes, syntax can be used to emphasize certain speech patterns, but be careful not to overuse syntax. Too many exclamations or repeated habits/phrases can become tedious and boring rather than unique and fun. Sometimes less is more. Little clues are normally enough.

3. Consider Rhythm

Honestly, I think rhythm is often overlooked, but paying attention to subtle changes in sound and length of sentences is important. One character’s thoughts may drag on, so their sentences are longer, while another might make short lists to contain their thoughts. Like everything making up your character, a person’s rhythm will depend on their personality, background, and goals. It could even change from scene to scene, but consistency is key.

All four of these women would tell a different story about this picture.

All four of these women would tell a different story about this picture.

One of my favorite exercises:

Write a chapter in which the two characters are talking. Write it from POV 1, and then, rewrite the exact same scene from POV 2. Check to make sure the dialogue and the physical actions are the exact same, but then, compare the thought process. How did the scene change? What does this change mean? Do they each bring a unique perspective? And out of those perspectives, which one is best to use?

As an example, two people can be talking and Person A could notice Person B is fidgeting. Person A may assume Person B is nervous, but when you tell it from Person B’s perspective, you learn that they are distracted, not nervous. These little bits can truly morph the way characters interact. I always encourage this exercise when starting out, even if the writer isn’t planning on telling from another’s perspective.

This exercise helps me understand the characters, and I feel more confident when I move onto a new scene. (Sometimes, it even helps me choose which scene to use…and worse case scenario, you have an extra scene to release as an extra for your readers.)

Have fun and good luck! 

Original posted March 31, 2013

~SAT

Bad Bloods: November Rain is FREE across all eBook platforms right now! (And I’m dutifully working on the next installment, too!) Happy reading. 😀

November Rain

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November Snow, 

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Bad Bloods Free Book

Bad Bloods Free Book

 

Website Wonders

27 Jun

Every month, I share all of the websites I come across that I find helpful, humorous, or just awesome. Below, you’ll find all of June’s Website Wonders categorized into Writing, Fiction, Illustrations, and Photography/Film.

If you enjoy these websites, be sure to follow me on Twitter because I share even more websites and photos like this there.

Favorite Article:

Crap someone should have told you writers by now by Rebecca T. Dickson: I loved this list of truths for writers. It’s humbling and encouraging, while also explaining how things really are.

Writing:

57 Tips For Writers, From Writers “The hardest part is believing in yourself at the notebook stage. It is like believing in dreams in the morning.” – Erica Jong

Chekhov’s Gun: How To Use It When Writing Your Novel: An interesting plot device often overlooked (but easily overused)

The Four Undramatic Plot Structures: I really enjoyed this infographic. It cracked me up.

Fiction:

13350382_1054368928003537_6252562232697559884_o20 Amazing J.R.R. Tolkien-Inspired Tattoos 

What’s The Fastest (Fictional) Spaceship In The Universe? 

Illustrations:

Untranslatable Words from Marija Tiurina: Such a beautiful collection of art! 

Artist Turns Everyday Sayings Into Clever Pun Illustrations: Take Control was my favorite.

Photography/Film:

40+ Astonishing Photographs Of The World That Steal Your Heart Immediately. I love photography, and this is a great collection

Japanese Couple Beautifully Captures Their Cats Watching Them Eat! I love cats. This is perfection.

Fantasy of Flight captured in photo shoots: Gorgeous photos of people flying

Where the Sounds From the World’s Favorite Movies Are Born: An awesome video!

See you next month!

~SAT

What are readers already saying about Bad Bloods?

“November Rain was thrilling and exciting and gets readers excited for more. It really focuses on the attributes of family, friends and loyalty, which was really refreshing to see in a dystopian novel. I will definitely be continuing on with this duology.” – Ronnie’s World Blog

Clean Teen Publishing is throwing a Facebook party on July 8 from 6-8 PM (EST), where you can win prizes and chat with authors. Click here to join.

CTP's Sizzling Summer Reads FB Party

Pre-Order Bad Bloods

November Rain, Part One, releases July 18, 2016

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November Snow, Part Two, releases July 25, 2016

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