Recently, my content disclosure tree for Bad Bloods released by Clean Teen Publishing. What is a content disclosure tree? Well, I’ll leave that up to my publisher to define on their website. (Click here to read the definition. If you want to read my full content disclosure tree for Bad Bloods, click November Rain and November Snow.) I suggest reading both before continuing, but I’m going to write the article as if the links are broken. Clean Teen rates everything based on 4 subjects: violence, language, drug use, and romance/heat level, and you can see my examples below.
In summary, Clean Teen Publishing allows readers to understand what they’re picking up when they choose a book—which I completely support for numerous reasons, but I will mainly talk about personal experiences, both from working with readers and from traumatic topics I’ve lived through myself, and how these examples have helped me understand the consideration of a content disclosure.
Starting off at my day job, I help authors find readers interested in their work. One of the topics I always discuss with authors is whether or not there is incest, rape, or other controversial topics in the story. Why? Because many of the reviewers I have worked with requested to know this for various reasons. By talking to numerous readers every day, I started to realize how many readers would prefer to know certain things up front—again, for various reasons. Sometimes, it’s triggering for those with PTSD. Sometimes, they are simply disinterested in that scenario. Sometimes, it’s just a preference of how they are feeling that day. While I’m not one to be against any particular topic in a novel, I can understand why someone wouldn’t want to read about certain topics, especially involving traumas.
That being said, this sort of disclosure hasn’t happened without controversy. Simply Google “disclosing content in novels” or “content ratings for readers” and I guarantee you’ll find a forum discussing the pros and cons of this. The main arguments I see revolve around ruining surprises and the effectiveness of even preventing someone from reading something they won’t enjoy. And that’s what I want to discuss.
First, as a writer who has written about controversial topics—particularly with violence in The Timely Death Trilogy and drug use in Take Me Tomorrow—I would—by no means—want a reader to pick up one of my works and accidentally be triggered by something. Speaking from personal experience, my mother died from a drug overdose when I was eleven, which is why I wrote Take Me Tomorrow, but through years of counseling, I met many kids like me who reacted very differently than I did. Reading Take Me Tomorrow would be extremely upsetting for them, and knowing what they went through, I would never want to cause them distress about such a personal topic. As a fellow reader, I would also rather find them something else they might like to read.
Granted, I understand the “just put it down” argument, but—at the same time—why can’t we prevent readers from picking up a book they definitely won’t like in the first place? This isn’t about ratings or reviews. This is about caring about your readers’ feelings and time. Now . . . here is where I hear the “but that ruins the surprise” argument . . . which I don’t understand, because—if done correctly—the content disclosure will say the topic, not which character and on which page. Take my full disclosure for example (if you click on this link, it’s at the bottom of the page). Clean Teen Publishing lets us know that November Rain talks about the violence in the book, but it doesn’t say how it plays out. It doesn’t say how it happens or when it happens. It doesn’t even say how much it happens. If anything, I’ve given away SO MUCH more on my own website.
I know I write about controversial—and often violent—topics in my stories, and I, by no means, have an issue with readers knowing that up front, especially because my novels fall under the YA genre, and genres alone don’t warn about the insides. TV and movies have had ratings for a long time, and while I understand that it’s much easier to be surfing channels and accidentally comes across a movie (and a book takes much more time to get into), I think content disclosures can help a large portion of readers find more suitable books that they will enjoy.
Content disclosures can help those that feel like they need it, and those who feel they don’t need content disclosures can ignore them. If you want to be surprised about all the topics, for instance, don’t read the disclosure. It’s as simple as that. At this point, I will say that I don’t think it needs to be an industry standard but rather something that is up to an author and their publisher (and of course, the reader). Personally, I love them. I see too many benefits coming from them for me not to love them. Content disclosures can help those avoiding triggering topics and even help parents choose books for their children that they deem appropriate. Disclosures can help readers find exactly what they’re looking for, maybe even a controversial topic they’ve struggled to find. Everyone who wants them can read them, and everyone who doesn’t want them doesn’t have to use them, but as an author, I’m glad my novels have them.
P.S. On a fun side note, my publisher actually makes these for anyone interested! Click here to check it out.
P.P.S. Original posted here. (I covered The Timely Death Trilogy)
Check out my latest interview on the KC Writes Interview Podcast! We discuss publishing, writing fantasy novels, studying poetry, hosting events, and other surreal parts about authors’ lives.
Clean Teen Publishing is hosting their Christmas in July giveaway, and it’s epic! They are giving away a Kindle Fire and up to $200 in cash!!! Check out the details and yes, this giveaway is open for International contestants. They’re hosting a Goodreads Giveaway for Bad Bloods: November Rain as well.
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November Rain, Part One, releases July 18, 2016
November Snow, Part Two, releases July 25, 2016